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Nocturne Europe was an integral part of the video production for the super-hyped, high profile Madonna gig at Brixton Academy. The show was netstreamed live by Microsoft to an audience estimated at over 200 million - the world’s largest webcast to date. Nocturne Europe became involved in the show via their US counterpart Nocturne Inc, who have serviced previous Madonna productions and also worked with their European partner XL Video from Belgium in a unique triumvirate collaboration.XL Video provided their new indoor Lighthouse Screen, fed from Nocturne Europe’s control system. This was based around a 4-input vision mixer fed from three Doremi hard drives, used to store all the pre-recorded video footage. The video control was automated via an ARTI system from Nocturne Inc, which converted SMPTE timecode from the band’s MD to trigger the hard drives. Nocturne Europe als

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Fourth Phase Production Arts were at the centre of a dramatic and highly successful campaign by West Midlands Police which involved projecting giant images onto their Lloyd House HQ in the Hockley area of central Birmingham. The images were of their three Most Wanted criminals, and the event was part of an ongoing anti-robbery initiative called Operation Safer Streets. Production Arts provided a Pani BP6 Gold projector to locally-based production company Stagepoint Technical Services, who were asked to undertake this off-beat visual challenge after West Midlands police saw their website. The project was handled for Stagepoint by Andy Carleton and for Production Arts by Emma Hutchison.
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London-based AV company, Montage Presentation Services, has recently purchased four Nexo PS-8¹s, an LS-400 sub bass and the PS-8 TD controller to add to its inventory of Nexo loudspeakers. The first outing for the PS-8 system was for two private presentations given by Nelson Mandela on behalf of BP, including the inaugural BP Annual Lecture at the new BP Lecture Theatre at the British Museum. Under the general theme of ‘World Civilisation’, the lecture will be given each year by an internationally renowned figure. Sir David Attenborough introduced the series’ very first speaker, Nelson Mandela.The other presentation took place in the atrium at BP's Finsbury Circus headquarters. Rising through seven storeys of glass and marble, the atrium presented a significant acoustic challenge. As Louis Backer, MD of Montage explains: "Despite the cavernous proportions of the v

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Australian-based lighting control manufacturer, LSC Lighting Systems (Aust) Pty Ltd, has appointed three new distributors for its lighting control product range. Socel Ltd in Santiago, Chile, has been operating in the lighting market since 1987. They have already placed their first stock order of LSC desks and dimmers. Tectronics of the United Arab Emirates has been trading since 1978 with offices in Sharjah and Abu Dhabi with one shortly to open in Egypt. An order has been placed for an Atom lighting desk and patch panel for a hotel project in Dubai. Stagetec Distribution Ltd, based in Slough, UK (see earlier news), has been created to import LSC and other international brands into the UK market. Their initial stocking order for Atom and Axiom desks, along with samples of LSC’s new dimmer range, has been delivered with further orders to be fulfilled prior to Christmas.

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UK pro audio rental company Dreamhire has extended its influence in Europe by entering into a joint venture with Funky Junk in Sweden and Italy. Funky Junk's branches in Stockholm and Milan now carry a range of Dreamhire rental equipment from manufacturers such as Neve, Neumann and Urei, as well as acting as a point of reference to anyone wanting to access Dreamhire's entire equipment list.

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Fisher Productions were specially commissioned to organise the recent official opening of the British Museum's Queen Elizabeth II Great Court, in conjunction with the events department of the British Museum. The project involved the arrangement and co-ordination of the entertainment and technical support aspects of the opening, as well as the creation of a spectacular Son et Lumiere. The two-acre inner courtyard of the British Museum, hidden for 150 years and now transformed into Europe's largest covered square, provided an impressive setting for the four-minute Son et Lumiere, which was performed to a revised arrangement of Haydn's 'The Creation', by Stephen Warbeck. The finale involved shafts of light shining through the glass and steel roof from a specially-erected crane outside the building. The Great Court was officially opened by Her Majesty the Queen.

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This Christmas, along with an increasing number of companies who choose to help the environment and benefit charity at the same time, PLASA will again be making a donation to two charities instead of sending Christmas cards. £600 will be allotted to charity from the savings on Christmas card mailings, while a further £300, collected at this year’s PLASA Show from visitors to the PLASA stand, will be added to the sum. The total of £900 will be donated by the Association to two charities which have been put in place to benefit industry personnel in times of hardship: the PSA Welfare & Benevolent Fund and to Light Relief.The team at PLASA Publishing would like to wish all visitors to the PLASA Electronic News site a very merry Christmas and a prosperous New Year.

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As there has been a major growth in students signing up for the BA (Hons) Events Management and HND in Events Management courses offered by the UK Centre for Events Management, at Leeds Metropolitan University (LMU), the University is looking for around 120 events industry work placements for its students next year (2001/2002).

Students without previous experience spend 48 weeks working in the events industry, normally with one organisation. A few students undertake two 24-week placements. Students are normally paid a modest salary and, as well as contributing to the day-to-day operation of the business, they are required to undertake a project which will be of lasting benefit to their host organisation.

Martin Wright, senior lecturer at the UK Centre for Events Management at LMU, told L&SI: "There has been a lot of recent media comment about the need for practical, as well as a

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The first major event to utilise Martin Professional’s new MAC 2000 profile spot was the opening of Lotusphere 2000, a conference for software company Lotus Development Corp, which was held at the International Congress Center (ICC) in Berlin. Stage Electrics supplied 28 MAC 2000 profile spots for the event, which featured a large stage set created by Michael Woodage and lit by lighting designer Durham Marenghi. "The brief called for the set to change colour in symphony with the opening video sequence," says Marenghi. "The colour palette was able to match all the colors utilized in the video graphics and faded between them without the associated intermediate and unwanted colours, which was most impressive. The beam-shaping effect was used to light the tall 3D numeric figures at the rear of the set and allowed us to keep the beam completely off the screens. The adjust

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Belgian audio and lighting rental company Flashlight/APR has signed up as the fifth member of the expanding Synco Europe Network of PA companies, while two existing Synco Network members have announced substantial new equipment investments. Flashlight/APR, of Houthalen, Belgium, joins DEE Sound and Light (Belgium), PAS Audio (Holland), Ampco Pro Rent (Holland) and Puro Audio (Portugal) in the network. The latest move means that Belgium now has a full complement of Synco members. Flashlight’s current work is in broadcast (including video production houses and commercial and state-owned TV channels), corporate events, theatre musicals and touring.Flashlight/APR underlined its commitment to Synco with the purchase of 30kW of Renkus-Heinz Synco Touring System (RH-STS) PA, amplifier and drive racks with Crest amplification, a full RH-STS rigging system and multicores, as well as Midas H

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After a number of years at the Royal Lancaster Hotel, where the spiralling success of the event has seen more and more people literally squeezed into the hotel's Westbourne Suite, the 2001 Live! Awards dinner will be held in the Great Hall of Alexandra Palace. The change of venue offers the twin benefits of easily accommodating the large numbers who now wish toattend the Awards, while allowing much easier access to exhibitors and visitors to the Live! Show. The Live! Awards dinner takes place on the evening of Wednesday 7th February 2001, the first day of the Live! Show. In addition, this year, for the first time, you can register online for the Live! Show at the web address below, which also features comprehensive Show information.

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Stagesafe, a company set up to address the training needs of companies in the industry, with particular reference to Health & Safety issues, is now taking bookings for the next round of its Event Health and Safety Awareness Course.

Specially designed for anyone working in the live events industry, the day-long course examines event hazards in detail and covers everything from legal responsibilities to Risk Assessment. The course is open to freelancers, students and groups from companies, venues and student unions, and is fully approved by the Production Services Association. The course runs on the following dates: Bristol (29th Jan 2001), London (31st Jan 2001), Manchester (12th Feb 2001), Birmingham (13th Feb 2001).

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Central London-based Orbital Sound is currently in pre-production for the Royal Shakespeare Company’s musical adaptation of The Lion, the Witch and the Wardrobe, which will make its London debut at Sadler’s Wells this Christmas.

In order to accommodate the complexities of this acclaimed production of Lion, Orbital worked closely with sound designer Scott Myers at all levels to help augment his initial sound design, first created three years ago for the show’s original run at the RSC.

Orbital has invested in the revolutionary new Yamaha PM1D as a world first to operate as the FOH theatre desk. The potential of this desk as part of Orbital’s extensive inventory is set to dramatically change sound design in theatre for both complex sound effects plays and larger musicals.

As Scott Myers explained: "The facilities on the PM1D will enable me to do complex op

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Elstree Sound Associates (ESA) has recently purchased a Midas Heritage 1000 from the London branch of LMC Audio Systems. Celador Productions dry hire a TV sound control room from ESA for the UK version of ‘Who Wants to be a Millionaire?’ Having already been aware of Midas XL4 and XL3s, ESA were familiar with Midas for their reputation in live sound environment. On being presented with the new H1000, ESA was convinced that the console would work equally well in a broadcast environment. Sound supervisor Kevin Duff commented: "You never know how a desk is going to perform until the red light is on . . . but the H1000 excelled and blew me away with its warm, bright and crisp sound." He was also impressed by the console’s automation, adding: "There are two sound supervisors on 'Millionaire' - Chris Thorpe and myself - and we both have our own personal operatio

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Martin Professional has given its website a new look, in order to give its visitors a more customized experience. Martin has segmented the website into the various lighting industry segments. There are also separate areas for Jem smoke machines and Mach loudspeakers.Users logging on to the site for the first time can customize their visit by choosing a lighting industry sector, and language, so that users are always directed to a sub-site reflective of their background and interests. The 10 different sub-sites cover the following segments: DJ, Club, Touring, Theater, Architectural, TV, Commercial, Leisure, Jem Smoke and Mach Speakers. Each sub-site contains products and case stories relevant to that particular sector, as well as company information, a comprehensive distributor directory page and support area, as well as some fun extras.

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Early November saw the final concert at Wembley Stadium before the venue is demolished and redeveloped. Quietly publicised, it passed off with little note in the Nationals, but nevertheless raised a substantial amount of cash for the NSPCC thanks to a host of stars.

Keith Morris, under the auspices of CSS Productions, managed the event, reassembling the team he used so successfully for the British Gas, Maritime Museum New Millennium’s Eve event (strange how little we hear of the Millennial events that succeeded). Being November and rather nippy around the towers, this dinner and music show was staged on the pitch, but under cover. Serious Structures provided its Space Building, a giant derivative of the classic Orbit roof, being a curved ‘tunnel’ 92 metres long, 40m wide, with a max height at centre of 15m. The main feature of the Space Building is the totally transp

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Canadian circus company Cirque du Soleil is planning to turn London's disused Battersea Power Station into a £500m entertainment complex, with a permanent home for its shows. Cirque du Soleil plans to convert the dilapidated building into a 2,000-seat auditorium, along with two hotels and a cinema, as one of a number of planned worldwide developments over the coming 10-15 years. Work on the site will begin within the next six months by the owners and developers of the power station, Park View.

Cirque du Soleil was formed by a troupe of street performers in 1984 and has grown to include permanent shows in Las Vegas, Florida and Berlin; it employs over 2,000 staff across the world, and has performed to more than 23 million people to date. The company has staged productions of Saltimbanco and Alegría at the Royal Albert Hall in previous years, and is this week opening a show in London,

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The newest destination for UK clubbers is CODE, located at the aorta of Digbeth in central Birmingham. CODE is the first superclub and permanent venue owned and operated by legendary club promoters God’s Kitchen.

The stylish, contemporary interior design is by Matt Rawlinson of Raw Design, and the stunning effects lighting design is by Carl Dodds of Making Light Work (pictured with Avolites’ Azure console). All lighting fixtures for Dodds’ rig were supplied by Coe-tech to installers, Dublin-based Audio-Tek, with the Avolites Azure 2000 control console supplied directly by Avo to Audio-Tek.

The club’s main dance floor is overlooked by a balcony, with the VIP area in the ‘Gods’ at the top of the building, an atmospheric former warehouse, built in the 1930s. Dodds chose a variety of instruments for his high-impact rig, which was to be put in the hands

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Scar Audio - part of Audio Industries Research - has introduced a range of baffle-only speakers available direct from the factory. These ‘ready to play’ baffles range from 2-way 12" systems, to 2 x 18" sub-bass bins, surround speakers and studio monitors, are fully wired and tested with drivers, horns, crossovers and tuning ports. All that is needed is a simple box (or flightcase).

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Building on the success of the CD-A500 and CD-A700, Tascam has extended the range of products available to professional sound contractors, installers and engineers, with the introduction of the CD-A630 rack-mounting combination three-disc CD changer and auto-reverse cassette deck. Designed for installation in music clubs, bars, restaurants, theatres, dance studios, and for small to medium PA applications, the CD-A630 provides a space-saving versatile sound solution, say Tascam. Available in the UK from TEAC.

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Stage Light Design supplied creative lighting design and equipment for the Cal IT conference, held in the Fleming Room of the Queen Elizabeth II Centre in Westminster. The company was called in by production company Dynamic Range to light the event, a major symposium for Californian IT companies visiting the UK to promote their products and seek new investment.The event’s fast-moving format allowed for 10-minute presentations to be given by the different companies. They did this on stage, backed by a large central screen, flanked each side by two auxiliary video monitors. Stage Light Design’s Alastair Crooks designed the stage lighting and operated the show using a LightProcessor QCommander console. A front truss was fitted with assorted fixtures including Golden Scans, Stage Color 300s and conventionals. Onstage lighting fixtures included more Stage Colors, Codas and other

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ESS (Edwin Shirley Staging), the staging and structure specialist, has created a new joint venture with Pure Group, called ‘ESS Superstructure’ to invest in and service the growing market for small and medium-sized events. This venture is the latest in a series of strategic partnerships that enhances the range of services ESS can offer corporate clients. By combining ESS’ experience in producing highly-specified structures, with the Pure Group’s reputation for managing corporate events, the new venture will be able to provide a highly competitive offer for clients in the corporate hospitality and corporate event market. The new company will be responsible for developing and marketing arch-shaped structures up to 30m in width. Products will include the unique Superstructure mobile venue, as well as Orbit buildings. The Superstructure is ideal for a variety of uses

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www.wembleytv.com is a new on-line development that has been specifically created to be amongst the first to explore a whole host of new opportunities that have arisen from the Broadband Internet revolution.

The site, launched in late November, is devoted entirely to live music, drawing from the strengths of company partners Wembley plc, The McKenzie Group (owners of three live music venues - Brixton Academy, Shepherd’s Bush Empire and the new Birmingham Academy), UK concert promoters SJM Concerts, Metropolis Music and one of Ireland’s leading promoters, MCD; plus technical partners Virtue TV, Europe’s leading Internet broadcasters.

WTV is distinctive in content and style, featuring "as it happens" tour news and a new Pay Per View Broadband Broadcasting Service. This enables the subscriber to watch a performance as many times as he/she likes during a 24hr

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Martin Professional UK is at the centre of a fraud investigation following the discovery of financial irregularities at the company. A statement posted on parent company Martin Gruppen’s website headed ‘Irregularities in Martin Gruppen’s UK subsidiary’ runs as follows: “At a meeting today, the Board of Directors was informed that fraudulent actions against Martin Gruppen and accounting irregularities have been discovered in the company’s UK subsidiary. These irregularities date back at least to 1999 and were discovered after a former longstanding chief financial officer and his close subordinate retired. Close examinations by KPMG, Martin’s auditor, of these irregularities call for provisions and write-offs in the amount of DKK 9-10 million (between £732,000 and £814,000) in the current financial period. Once the company’s auditor has ful
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