Screenco installed 44sq.m of high-resolution LED image magnification at the Royal Albert Hall in February for a star-studded gala dinner to kick-start the 2001 Formula One Grand Prix season. Screenco featured their 15mm digital LED system at the event, configured for 4:3 aspect ratio material. The screen, the largest of its type ever installed at the venue, was flown upstage centre and integrated within the set design, to broadcast live camera relays of the VIP guests. The event, promoted by Chas Cole for CMP and produced by Andrew Zweck for Sensible Music, was held in aid of the Brain & Spine Foundation, whose patron is Professor Sid Watkins, Formula One’s chief medical officer. Entertainment was provided by Jools Holland and the Rhythm & Blues Orchestra, Chris Rea, Simon Le Bon and Gabrielle, among others, with the finale featuring Eddie Jordan & His All Star Band, including Pink

Flying Pig Systems and High End Systems have announced details of the 2001 Automated Lighting Academy - a comprehensive programme designed to educate participants in the fundamentals of automated lighting. The goal of the six-week course is to give each student the necessary skills and knowledge to be experts at using automated lighting to create powerful lighting designs. Those successfully completing the class will be fully prepared to work with leading lighting designers.

The 2001 inaugural course will run from June 25 - August 3, and will be based in Los Angeles. Some theory will be covered, but the focus will be primarily ‘hands-on’. Students will first be taught how to operate automated luminaires and consoles, and gradually the focus will shift to using these tools effectively. This learning will be done through a variety of projects and assignments. In addition, lea

UK-based loudspeaker manufacturer Logic System Pro Audio has recently appointed a new dealer to cover the South East Asian market. Following discussions at PLASA 2000, the company has announced that Singapore-based Del Salado Entertainment Pte Ltd has invested in products from Logic’s IS, CM and CS ranges. The company will be developing Logic System’s business throughout Indonesia, Malaysia and Thailand. Louis Teo of Del Salado says he pinpointed Logic System as an important up-and-coming brand name, while Logic believe Del Salado will be the ideal partner for making inroads into this vast market.

Directors of the newly-constituted Sound Department chose the Frankfurt Musikmesse this month to unveil their plans for the future.

Following the demise of the former Sound Dept, the new company will commence trading from an operating base in Banbury, Oxfordshire, at the beginning of April, under the executive management of Steve Smith (MD), Andy Simmons (sales and marketing director) and Peter Nicholls (FD).

The new company has consolidated its position with all the premier brands previously represented, and will act as exclusive UK distributor for Crest Audio, Community Professional Loudspeakers, Sound Advance, Level Control Systems (LCS) and Australian Monitor Industrial (formerly Audio Telex).

Other key members of The Sound Department team are technical support manager, Steve Badham, along with Bruce Francis, who will now run the service department from a self-contained unit in

The latest phase in the development of Flagship Portsmouth, home to Nelson’s Victory, has been completed by Sarner International. Mike Mann reports.

The project, which involved several months of in-depth research, in collaboration with the Victory’s curators and crew, led to the installation of a shore-based ‘mood theatre’, which takes a personal view of the battle of Trafalgar in October 1805 - Nelson’s greatest, and final, triumph.

Using Alcorn McBride control and playback systems, Sarner’s David Dempsey, Ross Magri and John Griffin devised a four-scene experience, with an independently-controlled waiting area and several interactive elements. David Dempsey explained that in the case of the Victory Gallery, technology was used to make the story of Trafalgar more accessible, without trivialising this pivotal piece of naval history. "There was

The new paging system installed by Avalon Communications into the ExCeL as part of the 90,000sq.m world-class, state-of-the-art event space in London’s Docklands, will run on a major BSS Soundweb network. Corporate communications events at ExCeL are hosted in large, reconfigurable halls, enhanced by a sophisticated IT and communication infrastructure. The venue was intent on having a flexible paging system utilising the recently-installed Avalon distributed Jupiter voice evacuation system. Thus Avalon sales engineer Stephen McCay, in conjunction with LMC Audio’s Tom Davis, designed and commissioned the system to meet the venue’s digital networking requirements, based around ten 9088 Soundweb Mk2s and six 9000 hubs. "Whereas the Avalon equipment provides a fully-monitored voice alarm solution via a dedicated digital highway," said McCay, "we cannot match t

The Mach SlingShot series was in use for the closing concert of the14th Macau International Music Festival. The Venue was Forum I, Macau - a 2000-capacity, indoor venue for multi-purpose activities including sport events and music concerts. Shalom AV Technology Limited (Hong Kong & Macau’s sole agency) and Master Piece Light & Audio Engineering Co (one of Macau’s largest rental companies) provided all lighting, sound equipment and rigging for the show. Master Piece is the first rental company in Macau to introduce the Mach SlingShot for daily use.

A total of eight Mach SlingShot MS1262 three-way top boxes were used as the main reinforcement system. Flown clusters of two MS1262s per side served the front seats and an MS1262 served the side seats, while four MS118 bass cabinets were placed in front of the stage. An EV Dx38 was used as the system crossover for the front SlingS

Production Resource Group (PRG) has announced that it has established new credit totaling $125 million with GMAC Business Credit, to support its strategic plans. This refinancing was coupled with the sale of PRG's Systems Group consisting of Signal Perfection Ltd and the Ancha and SPL-Integrated Solutions divisions, to a newly-formed entity controlled by shareholders of PRG and Systems Group management. "With such rapid expansion, there have been obstacles and growing pains. None the less, the hard work of the talented people that make up PRG and the new management we've implemented has significantly reduced our debt from $190 million to $110 million," says Jere Harris, chairman and CEO. "I attribute these achievements to the continual efforts of our employees. It's their diligence, dedication and teamwork that has directly resulted in improved performance."

PRG ant

The biggest gaming venue in the world, Foxwoods Resort Casino in Mashantucket, Connecticut, has taken delivery of a Midas Heritage 2000 in time to celebrate the casino’s 9th birthday. Having started life in 1992 as a 250,000sq.ft facility with a 46,000sq.ft casino, Foxwoods has now grown to nearly 20 times that size. The complex occupies an impressive 4.7m sq.ft and contains five main casinos under one roof with 320,000sq.ft of gaming space, 28 places to dine, shops, meeting rooms, nightclubs and spas. While Foxwoods houses six performance venues ranging in size from 100 to 4,500 seats, the premier venue, now home to a new Heritage 2000, is the Fox Theatre in the heart of the ‘Theatre District’. This 1,450-seat showroom opened on Nov. 17, 1993, with a concert series by Frank Sinatra. Since then, the Fox Theatre has hosted hundreds of other entertainers including Tony Be

For the fourth consecutive year, Audio-Technica microphones were the microphone of choice for the Grammy Awards, staged at the Staples Center in Los Angeles last month. Audio-Technica supplied over 370 microphones for one of the most widely-watched music events of the year. On-hand was New York City-based Effanel Music's all-digital mobile remote truck with John Harris at the helm to mix the broadcast sound as well as ATK/Audiotek from Burbank, California, who supplied the sound system at the event with front-of-house engineer Rob ‘Cubby’ Colby. Audio-Technica's market manager for live sound, Joel Singer, spent the week in LA during the Grammy rehearsals to offer technical assistance. Singer worked closely with both Effanel and ATK/Audiotek, providing his extensive knowledge on microphone selection.

A wide-selection of Audio-Technica microphones was employed, including: AT4

Out Board Electronics’ TiMax level and delay matrix has been specified for the third consecutive year by sound designer Bobby Aitken, for Raymond Gubbay’s annual opera-in-the-round at London’s Albert Hall. TiMax is in place as the delivery engine for the vocal reinforcement system on this year’s production, Aida. TiMax provides precise source-oriented reinforcement, making it obvious where each voice emanates from, resulting in unobtrusive sound reinforcement that is natural and believable, avoiding the ‘disembodied voices’ syndrome that the connoisseurs find so distracting. Out Board’s Robin Whittaker, who has been intimately involved with the programming and set up of the full sound system used for all three annual productions, commented: "The two preceding productions - of Tosca in 1999 and Madam Butterfly last year - were invaluable lear

Clay Paky’s intelligent lighting fixtures played a major role in Italy’s recent Sanremo Festival 2001. Clay Paky was the official lighting supplier for the festival and lit the Ariston Theatre with a large number of intelligent projectors, including 48 Stage Zoom 1200s, 60 Stage Light 300s, 80 Mini Scan HPEs and a number of Stage Color 1000 Halogens and Super Scan Zooms. The Stage Zoom 1200s were used both for general lighting and for a high impact effects, with 20 of the units highlighting the singers and other guests when they entered the Ariston Theatre, via the specially made catwalk. The Stage Light 300, powerful, compact and fast moving body projectors, were installed on the large hemisphere of the back wall, where they formed a synchronised ‘moving wall’ of light.

The Mini Scan HPEs, installed in an arc on the platform, around the walls, along the gallery

Australian manufacturer of architectural lighting control products, Dynalite, has announced that Dimtek Ltd has been appointed the exclusive distributor of Dynalite Products in the UK and Ireland. Dimtek is a joint venture between Dynalite and a company headed by Jon Theis (formerly lighting controls product manager at Thorlux Lighting, a division of FW Thorpe plc). With an experienced staff of sales people and engineers, Dimtec is in an excellent position to offer full customer support, say Dynalite. John Gunton, managing director of Dynalite, said: "Establishing a joint venture office will enable us to better serve and support our valued customers in the UK and Ireland. A direct representation in these areas will also enable us to align our research and development activities with emerging trends in the UK lighting control market."

Dynalite has a number of new product relea

PCM has completed its first five-day intensive Rigging School 2001, which proved as popular as ever with 51 attendees. The course attracted a diverse range of applicants - from newcomers to those employed in all sectors of the professional rigging, show presentation, performance and entertainment industry. As with all PCM’s training initiatives, the Rigging School is run on a no-profit basis. The concept of the Rigging School was the brainchild of PCM’s John Jones, a committed and vocal advocate of the furtherance of professional training in the entertainment and production industries. The Rigging School is co-ordinated by PCM in conjunction with several like-minded associate companies - Vertigo Rigging, James Thomas Engineering, MAN Flying Systems, Columbus McKinnon, Rope and Lifting Technology, Rope Assemblies and the Liverpool Community College (LCC).

Vertigo Rigging&rsq

Sweden’s 'Tunes for Millions' tour in Sweden, with its cast of hundreds, includes some of the biggest concert events staged anywhere in the world. This touring choral concert production now plays 14 shows in Sweden's largest cities, to audiences of up to 4000 people. The tour comprises a small symphony orchestra, four well-known Swedish solo artists and a pop band, plus, at each concert, a large choir. Choral singing is extremely popular in Sweden; typically, the choir size would be 150-280 members. At the headline event at the Globe Theatre in Stockholm, it was 5,000-strong. Front-of-house engineer Thomas Malbeck relied heavily on DPA Microphones, using DPA 4011s to capture the choir accurately on a busy sound stage. "We had so many channels, up to 96 in total," explained Malbeck, "that for the choir I had to choose a microphone with very low noise, that's why I spe

As from April 1st, Martin Professional will pass responsibility for the distribution of its products in Austria to its German subsidiary, Martin Professional GmbH. Martin says the move has been made in order to open up expanding market segments (such as the architectural lighting sector) more efficiently and quickly, and to profit from the advantages of a worldwide sales and service structure. Martin Professional GmbH will work in co-operation with its Austrian trading partner, MTEC GmbH, located in Wels, Austria. For Austrian customers, advantages will include access to a large distribution organization including extensive inventory, enhanced training possibilities, and a far-reaching service and support system. The new distribution structure in Austria will also make it possible to quickly respond to market changes, and to carry through on projects that require long preparation times a

Following the success of the pre-Christmas Corrs shows at Wembley Arena, where designer Willie Williams utilised Screenco's ‘exploded’ screen as a backdrop to the band, Screenco continued on the European tour throughout January and this month provided the same system for the band’s US debut, with a sold-out show at New York’s Radio City Music Hall. A one-off New York theatre show would not normally have had the budget for a screen of this type to have been flown in especially. However, following a call from Ian ‘Chip’ Calder, the band’s production manager, Screenco’s MD Dave Crump contrived a deal which worked for Screenco, the band and Unitek Displays (the manufacturer of Megascreen, Screenco’s, 25mm LED system). Fortunately, Unitek already had some Megascreen in the US, which had been used for demonstration purposes, and Screenco ar

Audio-Technica has launched its new European Web site, which includes a number of useful features for musicians, retailers, sound engineers and audio installers. The site includes full specification sheets and the 'technica help desk' section to assist with microphone selection. The site also has a comprehensive News & Press section, which includes an archive of product reviews, application stories and up to date information on new product releases. Other features include an audio Exhibition calendar, a selection of useful audio links and a number of links to UK based audio dealers.

Stage Light Design was responsible for the lighting of two very different stands - for RM and Intel - at the recent BETT Show, Olympia. RM is the company dominating the market of supplying computer systems to schools. Lighting designer here was SLD’s John Rinaldi, whose brief included continuing the spacious and airy theme of the stand. The stand comprised a large white metal ground support system overhead, with several display/demo areas below, separated by translucent voile screens, all of which were illuminated with chrome-finished Par 30 lanterns and chrome Minuette fresnels from SLD’s stock. The stand’s ceiling was of sharkstooth gauze, up-lit with chrome 500W Pars. SLD also used three of their Clay Paky Mini Scan HPE fixtures to bounce logos and keywords around the stand’s various projection surfaces. For the Intel stand, SLD’s Alastair Crooks provided

The Brats, or NME Music Awards, held over seven nights at The London Astoria, featured a diverse range of indie bands, all of whom used Shure microphone systems. On drums an eclectic mixture of microphones were used over the course of the shows including Beta91s and Beta52s on kickdrums, Beta98s and Beta56s on toms, Beta56s or Beta57As on snares and SM81s as overheads and on hi-hats. However, the preferred choice for overhead work was a pair of Shure's new KSM44s, which were praised for their smoothness and clarity by all of the visiting engineers who used them. Vocal mics were either Beta58As or Beta57As. Rik Hart, The Astoria's chief audio engineer who oversaw the whole event commented: "Shows like this demonstrate the diversity of the Shure range when it comes to live performance. It's not just SM58s! I was really impressed by the KSM44's and it's interesting to see that, increas

Martin Professional held its annual Distributor Awards Ceremony and Gala Dinner at the historic Danish restaurant Terrassen in hometown Aarhus on March 11. The awards dinner, which bestowed accolades for distributor excellence in the year 2000, was the culminating event of Martin Professional’s Distributor Conference 2001. Martin Professional President and CEO Kristian Kolding welcomed the enthusiastic guests to the ceremony, which included representatives from over 45 Martin distributors (representing 85% of Martin turnover) from around the globe. Sales and marketing director Pio Nahum presented the annual Martin Distributor Awards which included distributor Erikson Pro of Canada collecting the top honor for Martin’s Preferred Partner of the Year. Nahum said: "Erikson Pro deserves this honor because of their outstanding professionalism and excellent performance in an o

The Palace Theatre in Kilmarnock, Scotland, has just received the kiss of life thanks to a recent lottery grant. A complete sound system refit has been carried out in time for the opening production of the new season - ‘Kiss Me Kate’. The comprehensive new sound system, designed by Graham Bodenham of GB Audio and installed by Northern Light of Edinburgh, brings The Palace into the 21st century, and provides the ability to cope with the increasingly sophisticated technical demands of modern theatre productions. Key elements of the system are a Shermann loudspeaker and amplifier system, a 32-channel Soundcraft K3 mixing console, Yamaha 03D digital mixing console, Sennheiser UHF wireless kits, and a Sennheiser Infrared system. Other kit in the new inventory includes AKG, Audio-Technica, Crown and Shure microphones, Tascam MD and CD players, Denon CD players, Roland EQs and Yamah

Two live sound engineers, Jon Burton and Mark Jones, have joined forces to launch BSA Live, a ground-breaking training forum for young people interested in a professional career in live sound engineering. Burton and Jones have a combined touring experience of over 30 years and have engineered for a diverse array of top-level artists including Pulp, James, Radiohead, Suede, Bryan Ferry and Morcheeba. The decision to launch BSA Live grew out of the general countrywide lack of interactive live oriented courses. Burton said: "We’ve identified a gap in the market. There are studio courses available but virtually nothing specifically addressing live sound in a hands-on manner. We want to provide an opportunity for young people interested in sound and wanting to make a career out of live audio to get started."

The ‘Foundation in Live Sound Engineering’ course is de

The UK’s first ever grouping of crowd management companies took place recently, at the International Live Music Conference (ILMC The 13th) in London.

The UKCMA aims to raise standards within the industry and promote awareness of crowd safety issues among legislative bodies in the UK, as well as to foster co-ordination of training and operational standards. The lead is being taken by the inaugural members of the UKCMA, which represents the major players in crowd management. The need for recognised industry standards and a responsible approach to training has been a subject of much discussion within the security and crowd management industry. Whereas currently companies can provide personnel not trained in crowd management, whether it be pit work, minimum force, or response work, the recognition and call from the industry for nationally-accredited standards is one that can no longe

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