Screenco at F1 Gala
- Details
The 2001 inaugural course will run from June 25 - August 3, and will be based in Los Angeles. Some theory will be covered, but the focus will be primarily ‘hands-on’. Students will first be taught how to operate automated luminaires and consoles, and gradually the focus will shift to using these tools effectively. This learning will be done through a variety of projects and assignments. In addition, lea
Following the demise of the former Sound Dept, the new company will commence trading from an operating base in Banbury, Oxfordshire, at the beginning of April, under the executive management of Steve Smith (MD), Andy Simmons (sales and marketing director) and Peter Nicholls (FD).
The new company has consolidated its position with all the premier brands previously represented, and will act as exclusive UK distributor for Crest Audio, Community Professional Loudspeakers, Sound Advance, Level Control Systems (LCS) and Australian Monitor Industrial (formerly Audio Telex).
Other key members of The Sound Department team are technical support manager, Steve Badham, along with Bruce Francis, who will now run the service department from a self-contained unit in
The project, which involved several months of in-depth research, in collaboration with the Victory’s curators and crew, led to the installation of a shore-based ‘mood theatre’, which takes a personal view of the battle of Trafalgar in October 1805 - Nelson’s greatest, and final, triumph.
Using Alcorn McBride control and playback systems, Sarner’s David Dempsey, Ross Magri and John Griffin devised a four-scene experience, with an independently-controlled waiting area and several interactive elements. David Dempsey explained that in the case of the Victory Gallery, technology was used to make the story of Trafalgar more accessible, without trivialising this pivotal piece of naval history. "There was
A total of eight Mach SlingShot MS1262 three-way top boxes were used as the main reinforcement system. Flown clusters of two MS1262s per side served the front seats and an MS1262 served the side seats, while four MS118 bass cabinets were placed in front of the stage. An EV Dx38 was used as the system crossover for the front SlingS
PRG ant
A wide-selection of Audio-Technica microphones was employed, including: AT4
The Mini Scan HPEs, installed in an arc on the platform, around the walls, along the gallery
Dynalite has a number of new product relea
Vertigo Rigging&rsq
The ‘Foundation in Live Sound Engineering’ course is de
The UKCMA aims to raise standards within the industry and promote awareness of crowd safety issues among legislative bodies in the UK, as well as to foster co-ordination of training and operational standards. The lead is being taken by the inaugural members of the UKCMA, which represents the major players in crowd management. The need for recognised industry standards and a responsible approach to training has been a subject of much discussion within the security and crowd management industry. Whereas currently companies can provide personnel not trained in crowd management, whether it be pit work, minimum force, or response work, the recognition and call from the industry for nationally-accredited standards is one that can no longe