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14 March 2016

The products included Pixel Bar 12 'pixel-mapping' battens and iB-16R moving heads - part of the Infinity Family from Highlite International. The whole Event was programmed by LD Lewis Day.

Alistair McCready, MD of AML Event Lighting Hire comments: "The iB-16R's have an incredible light output. They tick all the boxes expected from such a high-performance moving fixture. Once again we received first class support from Dave Hartley, Ryan Hussey and the team at Highlite UK."

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14 March 2016

Following a year of constant expansion, WL was able to offer the Rugby World Cup a whole range of its expert production services. This included constructing three studio and two pitch-side sets for the ITV Sport Team. These were then toured to various stadiums across the country, where the WL team was on-site to help recreate the set-up at each venue.

WL was also called upon to fulfil a similar role on the BT World Wheelchair Rugby Challenge which was broadcast on ITV. With the tournament being held at the Copper Box at the Olympic Park, London, WL was on

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14 March 2016

SGM Lighting, owned since February 2012 by entrepreneur Peter Johansen, currently employs 85 people in Aarhus, according to Danish television station TV2, and the majority of the staff have now been sent home while the company's situation is clarified.

TV2 reported that the company's legal representative, Christian Jul Madsen, has said that several interested parties have submitted offers to buy the entire company.

Originally an Italian lighting brand, SGM was acquired by Italian pro audio manufacturer RCF in April 2009. In November 2010, at a press event in central London, RCF president Arturo Vicari introduced Peter Johansen as the new head of R&D for SGM. Johansen was already well-known in the professional lighting industry as the founder of Marti

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14 March 2016

SFL Group has provided sound reinforcement to the event for the last eight years and this October they designed an L-Acoustics Kara sound system, while also deploying an L-Acoustics X Series stage monitoring system for the first time in the UK.

London ExCel is a difficult venue, the sound system needs to cover 20,000m2 of highly reverberant space, yet deliver audio clarity to each and every congregant. The highly controlled directivity of L-Acoustics Kara allows SFL to focus the sound away from the metal roof structure, keeping it only where it's needed.

"The best way to deal with a reverberant space it is to create a direct so

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14 March 2016

Owen, 26, from East Ham, London, received the scholarship based on his academic performance in his first year and plans to use the money to pay for recording software to continue to develop his skills.

The scholarship is part of an education partnership between the University, in Queen Alexandra Road, High Wycombe, and Sennheiser. which has its UK HQ in Marlow.

Five students with the highest first year grade profiles were shortlisted and interviewed by Phil Cummings, Sennheiser's marketing projects manager.

Owen, who attended Barking & Dagenham College of Further Education before working in retail for a number of years prior to starting his degree, said the scholarship would be 'a huge help' in h

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14 March 2016

A good example is the Bolingbrook Performing Arts Centre (BPAC), which provides a beautiful outdoor venue for everything from local theatre to national music acts. Built 16years ago, BPAC recently replaced its original sound reinforcement system with a Danley Sounds Labs design that includes new Danley amps, processing, mains, and subwoofers. Critically, the Danley system ably meets all of the village's requirements while costing less than half the cost of other manufacturer's designs, which allowed

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14 March 2016

To replace a dimmer system that was over 35 years old, Illuminate Design's technical sales manager Ken Berreen specified three of Zero 88's successful Chilli Bypass Racks to be installed. These were chosen for the flexibility they provide.

The project also included new circuits being added in the venue along with new control lines and additional other works to the DMX infrastructure plus the addition of a DMX distribution system.

Commenting on the work carried out at his venue, technical manager Harry Harris said, "The recent installation of our new dimmers and DMX infrastructure by Illuminate Design couldn't have gone better and working with the company was an absolute pleasure., They managed the project perfectly from start to finish and

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14 March 2016

Recently, the Great Hall underwent a facilities upgrade, including replacement of the sound system and the addition of touch screen control. Bose pro partner, Whitwam, who installed the original system back in 2004 when a major renovation took place, were asked to look at upgrading the sound to a high quality speech and recorded music system to be used for various different functions including formal dining, corporate events, parties and wedding receptions.

Following a client

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14 March 2016

Delivering such a high volume of performances requires a great deal of effort from everyone involved, especially the sound department.

"To cope with such an intense workload, our sound equipment has to be flexible, durable and very hard working," says Martin Lukesch, head of sound and multimedia at Volksoper Vienna. "This is why we use DPA microphones. For many years they have played an important part in providing the amplification for the orchestra, for actors in musicals and for actors and singers in every kind of show. Opera and operettas,

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14 March 2016

With such an illustrious name at the helm and the music offering being such a key attraction for the venue, special consideration was given to the choice of audio system, especially the type of loudspeaker required. Jussi 69 recognised that the venue's success would hinge on this choice and his team chose the Genelec 4000 Series as the loudspeaker with the right combination of performance and looks for the venue.

The Jussi69's partners in the venture are Veikka Moilanen and Oskari Kovalainen, two familiar faces from the Helsinki bar scene. Already a radio host Jussi69 is excited about branching out into bar ownership: "I have to

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14 March 2016

The entire performance was lit by lighting designer Mike Gunning. He states, "The aim of the evening was to raise funds for the London Library in order to allow free access for those not in a position to purchase membership. As it marked 50 years since T.S. Eliot's death, along with the fact he was president of the library, it seemed rather fitting to base the evening around readings of his work."

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14 March 2016

The distributor is credited with possessing a wealth of integration experience, having been involved with many high profile projects in the Middle East region ranging from house of worship installations to conferencing systems and broadcast solutions.

Hitesh Bhimani, AV specialist at Pulse comments, "The Aimline product range fully complements Pulse's current offerings for addressing acoustically and critical audio installations .This agreement establishes a strong partnership with Aimline and enforces the mutual ambition we share to provide our clients with innovative AV products using the latest technology."

"We have been looking for a more targeted pro audio distributor wit

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14 March 2016

Fineline has been a big investor in Avolites control, particularly in the last two years, explains MD Rob Sangwell, with a selection of Tiger Touch, Tiger Touch Pro, Quartz and Pearl Expert ranges in their hire stock which are constantly in use. "Avo has always been a powerful and simple to use control surface," says Rob, "And apart from making some of the best 'live' consoles on the market, the service and backup has also been fantastic."

Stuart England, Fineline's operations co-ordinator said, "The Arena ticks all the boxes for us. It builds from the popular Tiger Touch operating architecture with extra faders to retain that old school buskability for which Avo desks are famous

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14 March 2016

The new rig has been designed by Jason Kew, technical supervisor in charge of lighting in the Barbican's Music Department, and the fixtures were specified by Jason and Mark Bloxsidge, technical manager (music events), following an evaluation which involved the whole technical team at the Barbican Hall.

The order was delivered via leading UK sales and rental company White Light and Robe UK, co-ordinated by Jonathan Haynes for White Light following a tender process led by the Barbican's Luke Freeborough, technical manager (projects).

The Barbican Hall was originally built as an orchestral venue when the Centre opened in 1982. In addition to bei

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14 March 2016

Lighting designer Nick Richings and set / costume designer Libby Watson added plenty of colour, drama and atmosphere to the work, proving just how much can be achieved with a little bit of technology and copious amounts of imagination.

HSL's project manager John Slevin commented, "The budget was expedient and the tech / rehearsal timeframe short, but everyone involved worked as a team utilising creativity and ingenuity to ensure a truly excellent production that was a big hit with audiences."

Nick and Libby worked closely on developing the whole visual concept with director Pete Rowe, setting it in the 1960s underlined with a strong Pop Art aesthetic, together with all the boldness, stylized text / images an

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14 March 2016

The purchase, comprising 46 x MLA elements, two MLD Downfill cabinets and 24 MLX subs, followed a very successful trial of MLA at Rock in Rio, USA last May. At the Las Vegas event every FOH engineer had been very complimentary about the system saying it was one of the easiest shows they'd done.

Gabisom has been in charge of the sound at Rock in Rio since 2001 including all 14 international editions and the latest incarnate followed a similar equipment list as to the Las Vegas event. Sixteen MLA enclosures with one MLD per side along with 32 MLX subwoofers gro

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14 March 2016

The 156 new artists signed by Sony Music, Universal Music and Warner Music was 26 more than in 2013, and just 12 fewer than the recent peak in 2009 of 164 new deals. Geoff Taylor, chief executive of the BPI and Brit Awards, said, "It's no fluke that 2014 was such an outstanding year for British music. Alongside the artists themselves, the passion and commitment labels show in unearthing, nurturing and developing the next wave of talent is one of the main reasons our music is the envy of the world right now."<

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14 March 2016

The Dante Via software connects any audio application or device from your computer to a Dante network. Dante Via enables USB, FireWire or Thunderbolt devices - including microphones, legacy mixing consoles or I/O boxes - to join any Dante audio network. The new software also allows a Dante network to be created without the need for dedicated Dante hardware, providing a straightforward approach to routing audio using only computers. Sporting an intuitive, easy to use 'drag and drop'-style interface

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14 March 2016

"We supply a service, managed within our current staffing, that ensures we deliver the product," explained Jason. "We're there from quote, to design, to delivery and we're the guys on the ground doing the job. When we started eight years ago, we were supplying backbone PA equipment like drive gear and processing. Communications became a natural progression from our work on fireworks and show control systems. Comms came naturally to us, and we've stared to specialise, and take on high profile projects."

Optical Audio has chosen equipment from Clear-Com to fill their c

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14 March 2016

Yet when the time came to upgrade The Heights' lighting system, Dennis was intent on going beyond the church's concert tradition by putting together a rig that could do more than animate music with bold bright hues. He also wanted lighting with the depth and flexibility to create engaging scenes for his church's sermon series. Being on a limited budget, he needed to do this with as few fixtures as possible. He accomplished this ambitious goal with the multi-tasking Rogue RH1 Hybrid from Chauvet Professio

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14 March 2016

Italian lighting designer Massimo Tomasino, who followed the artist on his 2010 tour, designed the lights and counted on Clay Paky equipment for its reliability and reputation.

In every city where the concert was hosted in the UK (London, Glasgow, Leeds, Manchester and Birmingham), the production team had no difficulty in procuring the same Clay Paky lights or, at least, equally effective alternatives made by the same manufacturer.

Tomassino himself cannot hide his pride when he says "I am glad Clay Paky is an Italian name since it is highly appreciated abroad." He put eight Alpha Spot HPE 1200s on the bac

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14 March 2016

"The coverage of Leopard is incredibly uniform," reports Neil Collier, senior project manager for Ottawa-based Wall Sound, Inc., which designed and installed the system. "With the same evenness in the upper and under balcony as in the rest of the house, every seat is a great seat. In addition, the flown 900-LFC low-frequency control elements have opened up sightlines for extreme front row side seats that were formerly obstructed by stage-stacked subwoofers."

According to Matt Lamarche, production supervisor for Centrep

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14 March 2016

Chris specified 20 x Robe BMFL Blades as a major part of the lighting scheme for the Sunset Cliffs (main) Stage of the three day event, a music 'experience' and a specially curated 'sound voyage', combining rock music and some EDM with comedy, food, contemporary art, great vibes and premium amenities.

Chris worked closely with co-designer Erik Parker and assembled a hand-picked team of lighting programmer / operators to run and coordinate lighting for all the stages. Music headliners included The Killers, No Doubt, Snoop Dog, The Zac Brown Band and many, many more.

The goal was to make each stage look different and dynamic while keeping everything u

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14 March 2016

This year, the production team concentrated on two priorities: making sure the entire audience, including those furthest from the stage, had a high level of concert visibility and outstanding sound quality. To meet these requirements, an imposing sound system was installed and an impressively big curvilinear stage architecture was built, featuring a magnificent LED wall (960 square yards, 0.6" pitch).

Jo Campana comments, "We wanted everyone there to be able to see the event as if they were in the front row as well as enjoy the music. A lot of airtime was devoted to live images on the huge LED w