UK - Vestel Visual Solutions has been selected by Wycombe Wanderers FC as its official AV partner. Vestel’s digital signage and interactive displays have been deployed throughout Adams Park as part of a major infrastructural project to digitally transform the stadium and boost fan engagement.
Over 50 Vestel displays have been fitted to enhance key supporter areas across the ground. Within the club shop, which fronts Adams Park, a 75” PDX75 screen provides a window display, with 2500 NIT brightness ensuring incoming fans can see the latest content in vivid detail as they approach the stadium - visible even in the summer. Within the store itself, a slimline 55” UHD model, alongside multiple 37” stretched displays, offer eye-capturing visuals to promote the latest club merchandise, as well as wider news from the club including ticketing information for upcoming matches

USA - St. Mary’s Cathedral is one of the most popular Catholic churches in the Portland, OR area. It serves as its parish’s diocese, hosting weekly masses, services and sometimes daily visits for a large, devoted congregation. The church needed to ensure its audio-visual equipment could convey its important messages in a smooth, intelligible manner - something that was previously lacking due its domed cathedral and marble walls.
When it came time for an AV upgrade, St. Mary’s turned to Alpha Sound. With 40 years’ experience, the Alpha Sound team was ready to tackle the live acoustical issues at the cathedral while also choosing equipment that would not impede the church’s elegant décor. To accomplish this, the installer selected more than 20 mics from DPA Microphones, the largest DPA install to-date in the area.
“Everything about this space is elegant and

USA - As the bassist and backup singer for Bon Jovi, Hugh McDonald admits that his performances rely on trusted legacy equipment and he doesn’t concern himself too much with following the latest performance gear and technology. But after a year of cancelled tours and countless hours using the integrated webcam and microphone on his laptop, McDonald recently recognised that, in his own words, “There has to be a better way to do this.”
After a brief chat with some industry friends, he found the upgraded gear he needed: the ClearOne Aura Versa 50 audio and video solution.
“When I finally had to do a recording, and I was setting up the laptop, positioning it in the room, it really felt cobbled together, like a subpar solution,” McDonald said. “The band ended up doing a lot of video from our homes for various organizations, plus solo videos to prepare for a liv

China - Installed for China’s Consumer Rights Day gala, a 1,000sq.m LED wall dazzled viewers with graphics, all powered by Pixotope.
Broadcast live on 15 March, the two-hour slot was dedicated to “informing consumers of consumer habits and business practices from major brands”. Great Wheel, a production company working within China Central Television (CCTV), designed and implemented the live graphics using Pixtope’s engine.
Since early 2020, China Central Television has been rapidly expanding its virtual production capabilities for its programme delivery, with Pixotope becoming the station’s primary virtual production solution for a range of AR projects.
Traditionally, CCTV opted to build real-world sets for its Consumer Day television broadcast, but the studio found it could significantly improve both the quality and flexibility of its productions af

UK - Channel 4’s Lucy, the Human Chimp documentary aired this month with a mix of archive footage and newly filmed ‘jungle’ reconstructions, with the latter made possible by Bristol-based virtual production studio Vero.
The film, which tells the real-life story of chimp Lucy’s return to the wild after being raised in human surroundings, required cutting edge technology to re-enact scenes of Lucy’s carer, Janis Carter, living on an uninhabited island off the coast of The Gambia.
Production was scheduled to take place in the real-world jungle surroundings but, due to the COVID pandemic, had stalled. With no international travel permitted, and flights grounded, the team were searching for a new solution.
Multi-award-winning production company KEO Films approached VERO on behalf of Channel 4, with a view to using Vero’s pioneering studio space. Thi

UK - Version 2, which specialises in lighting hire specifically for the television industry, has expanded its stock of MDG products with the addition of two ATMe haze generators. “Our clients trust us to specify the right products and we know that MDG produces the best haze for the television market,” says Nick Edwards, managing director of Version 2.
Edwards has 25 years of dedicated television lighting experience, having held technical, commercial and management positions at PRG, Panalux and Aurora, after his training at the flagship training facility in BBC Wood Norton, prior to founding Version 2 in 2016. This experience puts him in a strong position when it comes to choosing the best products for his clients, many of whom have worked with him for years and trust his technical know-how.
“All our equipment investments have been rigorously researched and teste

Russia - As part of the 17th CPS-2021 International Cinema Production Service Trade Show, Russia’s biggest and most high-tech XR studio facility was opened in a grand ceremony at the AMEDIA production company. The facility is named Pavilion 7.
TDS and Spektr Video initiated the project. The companies fitted the studio facility with the most advanced equipment, including a Pixotope virtual studio, a Mo-Sys camera tracking system, high-resolution LED screens, NVIDIA Quadro RTX 8000 graphics stations, Xsens and Dynamixyz motion capture and facial animation systems, among others.
Pavilion 7 has all the capabilities and resources to meet the toughest production challenges with VR and AR technologies, such as live virtual studio broadcasting of events and TV shows, in-studio filming of vehicles passing remote locations, in-studio filming of remote acting areas, hosting of

USA - The Denton Bible Church (DBC) in Dallas, TX recently underwent a large redesign of its audio capabilities and added a new DiGiCo Quantum338 console for both front-of-house and monitor mixing as well as a new DiGiCo SD12 console as its new broadcast audio console. The 3,500-seat sanctuary is tied together on an Optocore Digital Fibre network, at the heart of which is one of Optocore’s new AutoRouters.
The audio network was installed and set up by Digital Resources, who are based close by in Southlake. Lance Eddleman, audio sales manager, implemented the Optocore AutoRouter solution for the church when he was presented with its ease of use and flexibility. Lance worked closely with Optocore North America’s Brandon Coons and Group1 Ltd to ensure the AutoRouter would be a good fit for the church.
The AutoRouter works as a central patch bay and replaces the typi

UK - Scheduled to open in Summer 2021, Andrew Lloyd Webber’s Cinderella features a new score by Lloyd Webber, lyrics by Oscar-nominated David Zippel, with a script from Killing Eve’s Emerald Fennell, recently multi-Oscar nominated for Promising Young Woman.
But before Cinderella can go to the ball, the Gillian Lynne Theatre in London’s West End needs to be transformed to host the spectacular production. And, with Cinderella’s fairy godmother currently shielding due to COVID restrictions, Unusual Rigging was called upon to work its magic instead.
Jeremy Featherstone, design engineer, Unusual Rigging explained: “Unusual was brought on board by production manager Paul Hennessy to provide all the rigging for the new show. This involved modifying the flying system that’s already there, adding an additional 60 drop pulleys onto the grid in order to

UK - When the COVID-19 pandemic forced UK theatres to close in December 2020, the National Theatre’s pantomime, Dick Whittington, at the Olivier Theatre had only previewed four times. The performance on the 15 December was filmed and shared on YouTube over the Christmas holiday period with the National Theatre looking to reach as wide an audience as possible despite the closure.
“It was a stunning production and great fun to work on, but a shame people couldn’t experience that magic first-hand,” says its multiple award-winning lighting designer, Jessica Hung Han Yun. “But at least the streaming made it accessible to more people.”
The Olivier Theatre had already been re-configured in-the-round before the pantomime took place, reducing its capacity to approximately 500. A new temporary lighting rig, designed by lighting designer and NT lighting associa

Italy - More than 200 years old, the Teatro Donizetti opera house in Bergamo, Italy, recently underwent a comprehensive three-year renovation and restoration project. The work was aimed at upgrading every aspect of the historic venue, from structural and safety considerations to improving the functionality of the building for the benefit of artists, audiences and the in-house staff.
Detailed attention was paid to every aspect of the renovation, which was completed during the venue’s Coronavirus pandemic-enforced closure. A fundamentally important part of any music venue is its audio system and following extensive work on the acoustics of the horseshoe-shaped, three-tiered interior, integrator and specialist in theatre technology Decima 1948 was appointed to install a new system.
Decima has wide experience of handling sensitive projects in heritage settings. As a syst

Qatar - In the main hall of the Qatar University Sports and Events Complex (QUSEC) a combination of close co-operation and Yamaha and Nexo audio technologies saw systems integrator and installer Techno Q win the award for Best Flexible Space Experience for the project at the 2020 AVIXA AV Experience Awards.
The main hall at QUSEC was designed to host sports like basketball and tennis, as well as exhibitions, banquets, conferences, presentation ceremonies and more. To deliver sound that matches its construction quality, a major, multi-functional Yamaha AFC acoustic conditioning system, using Nexo loudspeakers, is a feature of the design.
One of the main audio challenges for Mohanad Is-Hak, senior projects manager at Techno Q, was that the space would vary in volume between 22,400m3 and 35,900m3, thanks to a 70m x 40m height-adjustable ceiling, which created obvious acou

Germany - The Staatsschauspiel Dresden joins a long and growing number of high-profile performing arts venues that are investing in Robe’s T1 series of moving lights, a product line tailored to meet the exacting demands of this sector.
The 52 T1s – 20 x T1 Profiles and 32 x T1 Fresnels – were specified by Staatsschauspiel’s head of lighting and video, Andreas Barkleit, after careful consideration.
The Staatsschauspiel Dresden runs two venues – The Schauspielhaus in the old town with 788 seats and the Kleines Haus in the Neustadt area which offers three halls with 400, 150 and 99 capacities respectively plus the Kleines Haus Mitte which can accommodate up to 60 people. The main focus is on theatrical performance, but the vibrant programme – in a standard year – will also feature music, dance, concerts and spoken word performances.
Andreas has been

USA - For Floridians, one of the perks of living in the perennially warm Sunshine State is that their concert season never needs to end, even during a pandemic, when shows can be taken outside and properly socially distanced year-round.
Dr. Phillips Centre’s Frontyard Festival in Orlando, presented by AdventHealth, is a good example. The festival features more than 350 live performances, films, and other events, staged daily, on the front lawn of the Dr. Phillips Centre for the Performing Arts, with as many as 2,000 guests seated in distanced private boxes spread across the yard.
To ensure that all productions over the festival’s six-month run would be heard loud and clear, local sound reinforcement provider OPAV has been deploying K2 and Kara loudspeaker systems from L-Acoustics.
The performance area, known as the Mainstage at Seneff Arts Plaza, features le

USA - The town of Clinton, NY is the home of Hamilton College. Precision Audio Services has provided audio engineering services to the college’s Music and Theatre Department for several years, and this spring the company heads up a sound system upgrade in Wellin Hall.
The 700-seat hall has served as the central hub of music education and concerts for the college since its construction in the 1980s. The bare concrete and polished wood walls combined with flown wooden acoustic panels above the audience creates a highly reverberant environment.
However, these properties that make the environment desirable for acoustic performances, also make sound-reinforced events a significant challenge. "With an RT60 of almost 2.5 seconds, achieving a clear mix and vocal delivery is typically a major source of frustration for visiting mix engineers,” says Michael Lawrence from Prec

Canada - The Jack Singer Concert Hall, the largest venue in Calgary, Alberta’s Arts Commons complex, has installed a new and highly “hybrid” Meyer Sound reinforcement system. It replaces a Meyer Sound system based on the same concept that had contributed to the success of the 2,000-capacity venue for more than 16 years.
Both the new replacement system and the prior system were designed by GerrAudio, Meyer Sound’s Canadian distributor, in consultation with the venue technical staff.
“Meyer Sound and Gerr had worked together back in 2004 on what proved to be a wonderful solution for this venue,” says Brian Beaulieu, associate director, venue operations at Arts Commons. “Everyone was very consultative and worked closely with our team to again come up with the best solution.”
As before, the theatre’s system is anchored by a flown centre cluster, thi

UK - David Howard appreciated the flowing quality of cellist Jo Quail’s music when he was called upon to light a virtual concert by the London-based artist.
“Jo’s music is truly a joy to bring to life with light,” he said. “The pieces are very strongly connected and rooted to their respective inspiration. This provides a brilliant foundation to draw upon. Using looping and layering techniques, the music itself has a quality and structure that encourage lighting elements to reflect and visualize the sounds Jo produces with her cello. The visual experience builds with the music.”
Featuring six individual compositions taken from a variety of Quail’s discography, the concert took place in an improvised demo space, since the production team did not have access to a livestream studio. Helping Howard create a variety of looks within this space was an extensive c

Cyprus - On Friday 2 April, World Autism Awareness Day, the Dreaming Hearts livestream event was broadcast from the historic Kourion Ancient Theatre on the island of Cyprus. Organised by local event and production company Sound & Vision by DJ Nick, the hour-long broadcast featured short, high-impact sets from four local DJs performed in front of an epic backdrop.
More than 70 high-tech ADJ lighting and atmospheric fixtures were positioned around the theatre, which has stood on the site for more than 2000 years, creating a juxtaposition between the old and the new.
Based in the city of Limassol, Sound & Vision by DJ Nick has over 30 years of experience in the AV industry, having served customers on Cyprus since 1989. It provides technical production, as well as organisation and entertainment services, for events of all sizes. The company has relied on ADJ

UAE - On Saturday 27 March, the 25th edition of the Dubai World Cup took place at Meydan Racecourse, bringing racers from all over the world to Dubai.
Following His Highness Sheikh Hamdan bin Rashid Al Maktoum's untimely passing, the original closing ceremony was changed to a tribute in honour of the late Deputy Ruler of Dubai and UAE Minister of Finance
Creative Technology (CT) were commissioned by HQ Worldwide Shows and Dubai Racing Club, to deliver a complete camera package, video playback solutions, communications and audio transport infrastructure for the event.
Due to the main grandstand and track area's size, CT utilised the venue’s in house fibre, SMPTE patch for all cameras, and network connectivity. CT’s team of network professionals cleaned and proved all the lines before they were used in advance of the event.
For the communications, CT u

Australia - Working as the creative directors and producers of the 2021 Parrtjima Festival, AGB Events, produced and delivered a travelling installation on The Ghan for NT Tourism.
The official opening night was on 9 April, but the celebrations actually began earlier that week, with the famed locomotive The Ghan - a 900m luxury train that travels the 2,797km (1,846 miles) stretch between Darwin and Adelaide.
Three of the train's carriages were wrapped in Aboriginal artist Chantelle Mulladad’s work Crossroads. The artwork was used in the external and internal dressing of The Ghan carriages, and features in the Merging Kultcha installation at Parrtjima.
Turning a whole carriage into a travelling Parrtjima light installation, AGB Events utilised digital imagery from the 2019 Ranges Show, a light and sound spectacular projected onto 2km of the MacDonnell

Saudi Arabia - Connectivity for a massive Dante audio network, extending over some 15 kilometers of fibre-optic cable, during the 2021 Diriyah E-Prix in Saudi Arabia, relied on the robust, field tested dependability of Neutrik opticalCON DUO connectors.
The site-wide audio, video, lighting and rigging infrastructure supplied and operated by Dubai headquartered MediaPro included their entire Middle East based stock of L-Acoustics systems - comprising K1, K2, KARAs, 112Ps, 5XTs, X8s, X15, KS28, SB18s and 20 LA RACK II, 13 Yamaha QL and CL consoles, with D2 racks, 15 of the company’s own network racks - connecting all of the various audio zones to the network - and a complete redundant Dante network.
Commenting on the choice of opticalCON DUO connectors, MediaPro International chief operating officer Shaam Pudaruth says, “Connectivity solutions of the quality and rugg

USA - An artist whose career has been fuelled by his tight connection to fans, Josh Turner creates his own brand of magic when performing before audiences, something he’s rarely been able to do since the pandemic struck. But recently, the Grammy-nominated, chart-topping country star got to savour the live concert experience, as he played socially distant shows in Florida and Georgia.
Helping him feed off the crowd at both stops was an engaging, upbeat Mason Felps lighting design that featured warm white audience light created with a collection of Chauvet Professional STRIKE 4 fixtures that were flown across the upstage truss.
“Josh really likes to see fans at his shows,” says Felps. “It’s part of the bond he has with them. So, of course we wanted to include audience lighting in the rig, especially during these times when the fans have to be separated. The STR

Sweden - Melodifestivalen - ‘Mello’ for short - the annual competition to select the Swedish Eurovision entry is organised by Sveriges Television and is a phenomenon in itself. In recent years, it has been a touring show visiting six key cities, but due to COVID restrictions, this year the six rounds - four heats, the ‘second chance’ and the final - were staged in one place, the Annexet arena in Stockholm, part of the Globe complex, and broadcast live on STV1.
It was lit - for the 20th time - by Fredrik Jonsson who utilised 200 Robe moving lights and four RoboSpot systems among other fixtures on the rig.
Taking this fund of experience into account, Fredrik always relishes the challenge of making Mello look fresh, exciting and fun each year and 2021 was no exception,
offering the rare opportunity to work in what was effectively a very large studio space

World - When show producers welcome throngs of enthusiastic Harry Potter fans to the live stage production of Harry Potter and The Cursed Child, they want to immerse the audience in a show experience like no other. Based on an original story by J.K. Rowling, Jack Thorne, and John Tiffany, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage.
With demanding production requirements, show producers turned to multi-award-winning sound designer Gareth Fry, and his experience with technologies from d&b audiotechnik, to cast a spell over the audience.
“There's a big responsibility when you're working with such iconic characters and stories; the audience has a strong, emotional attachment to what's happening on stage,” explains Gareth Fry. “With such an invest

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