USA - Elation Professional has extended its popular Fuze series of LED wash luminaires with new profile and spot versions.
Available now is the Fuze Spot and Fuze Profile with framing, both housing full-colour-spectrum RGBMA colour mixing systems. Also available is the cold white Fuze Profile CW with dual colour wheels.
The Fuze Spot and Fuze Profile are designed for a wide array of precision lighting applications, particularly theatre, TV and corporate event applications where high colour quality, colour manipulation and accurate colour reproduction is needed.
Both luminaires house a 305W 92 CRI engine (6,500K) that utilises a five-colour homogenised LED array of red, green, blue, mint and amber sources. The carefully tuned RGBMA LEDs and high CRI ensure accurat

USA - Sensaphonics has announced the launch of its fully redesigned website. Still located at www.sensaphonics.com, the new site features a modern design with enhanced shopping functionality. Visitors will notice a more streamlined approach, with intuitive navigation, straightforward product information, and fresh graphics throughout the site.
“We have some really exciting new products coming out in the near future and, frankly, our existing website couldn’t really do them justice,” notes Sensaphonics president, Dr. Michael Santucci. “With this new design, our company mission of saving hearing in the music industry is blended seamlessly with clear product information for a much more intuitive user experience.”
(Jim Evans)

USA - Halsey hit the road in May for a short run of shows in support of a new single release, Nightmare and lighting designer Jose Antunes chose Elation’s Artiste Monet and Rayzor 760 to light the special performances. Lighting vendor was DCR of Nashville.
The festival and specials run included shows at Webster Hall in New York City prior to the single release along with a string of radio performances in California in early June.
Antunes designed the shows around some of Elation Professional’s newest luminaires, the Artiste Monet and Rayzor 760, and was one of the first designers to use the fixtures. “The design for this run was meant to pack a lot of punch with a small compact package that would fit in a small club, but also be able to spread out on a large festival stage and fare well outdoors in regards to output,” says Antunes, who also served as pr

USA - PixelFLEX has introduced the FLEXUltra XT, LED video display series that benefit from impact- and scratch-resistant COB technology that promises “a dramatic decrease” in pixel failures.
Debuted at InfoComm 2019, FLEXUltra XT series are suitable for any live production thanks to three pixel pitch options – 1.5mm, 1.9mm and 2.5mm – that can reproduce FHD, 2K and 4K content. The panels also offer all-in-one optional ground support system and the PixelShield protective technology for a long-lasting and dynamic LED video experience, says the company.
David Venus, chief marketing officer, PixelFLEX LED, comments: “Understanding the challenges associated with the live production industry and the toll it can take on LED video panels, we are very excited to be releasing the durable and impactful FLEXUltra XT. Now, not only can video designers be sure they have c

UK - When The Mavericks stopped at the Glastonbury Festival during their 30th Anniversary World Tour, their LD Landon Bloss did what he always does on fly dates: he walked over to look at the lighting rig that he would be running later that day.
Approaching the festival’s Acoustic Stage from a distance, Bloss was impressed with the looks the festival LD was conjuring up with some large spots. “I thought for sure, given how bright their output was, that they were 1700w arc lamp fixtures,” said the Nashville-based designer. “So, I was completely surprised when I learned that these fixtures actually had LED engines.”
The fixtures that astonished Bloss shared the name of the band he lights. They were Mavericks, or more precisely 16 Maverick MK3 Spot and 18 Maverick MK3 Wash fixtures from Chauvet Professional supplied by Fineline Lighting.
For Bloss, his fi
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ETC Halcyon Silent

High End Systems Halcyon Silent builds on ETC’s legacy of fanless automated fixtures by incorporating features from the highly sought-after Halcyon family. Halcyon Silent perfectly balances silent operation with brilliant output of 18,400 lumens and high-impact features. 

For more information visit us at www.etcconnect.com

Europe - This summer, Muse continued their Simulation Theory world tour through the UK and Europe. The successful North American leg of the stadium tour put crew and equipment to the test in 23 cities.
“Jesse Lee Stout, the creative director for the tour, wanted the entire lighting rig and stage to feel like a spaceship straight out of the ‘80s/’90s sci-fi movies we all know and love,” explains tour lighting designer and programmer, Sooner Routhier.
“Making that all-encompassing vision brighter are 176 Solaris Flare LR and 51 Solaris Flare Q+ fixtures. First, neon outlines, comprised of Upstaging Sabers, outline the sides of the truss to help turn the rig into a giant space invader. The Flare LRs provide a thicker, brighter line of light to accentuate the lines of trusses. At the tips of each truss, the structure flips up 45° with three LRs sitting s

UK - Gatwick-based lighting hire company Fisher Hires has made a significant investment in IP-rated Luxibel B Par 180 RGBW LED fixtures.
Rob Baker, head of hires at Fisher Hires, says the company was looking to upgrade its existing stock of LED pars, but required a cost-effective solution that would fit in with its high-end branded inventory. Fisher Hires, as part of Fisher Productions, is a Royal Warrant business, awarded the accolade in 2000 by His Royal Highness the Prince of Wales as ‘Suppliers of Lighting and Production Services’.
“The Luxibel B Par 180 ticks all the boxes - IP-rated, bright, simple to use, lightweight and slick enough for the eye,” says Rob. “What sells is reliable kit that can be trusted to do its job, and although Luxibel is not yet the best-known brand, we let the light do the talking. It has paid off as they are now attracting retur
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Create new traditions – Cameo P6 - High Output Full-Spectrum Ellipsoidal

Cameo's P6 is a future-proof LED profiler with a powerful 600 W RGBACL engine and 16,000 lumens. It’s an energy-efficient replacement for 2.5 kW halogen profile lights in theatres and venues. With excellent light quality and natural colour rendering, it fits perfectly in theatres, musicals, TV studios, congresses, and live events.

With an LED life of 50,000 hours and low power use, the P6 cuts energy costs and supports the EU’s ‘Green Deal’ goals for climate neutrality by 2050. It also meets updated eco-design rules for lighting.

www.cameolight.com/p6profile

Ireland - At the start of 2019, one of Ireland’s leading audio hire, sales and installations companies, Acoustik, took delivery of two DiGiCo SD10s to add to its existing stock of mixing consoles and, according to the company’s operations and systems designer Will Fitzpatrick, they are “flying out of the door”.
“For the past couple of years, DiGiCo has been at the top of the list on the riders we recieve and they are our crew’s console of choice, so the decision to invest in the SD10s was without question,” says Fitzpatrick. “We also had the option to upgrade to the new 32-bit cards. They have improved the SD10s already incredible audio quality and everyone is amazed by them.”
One of the Acoustik team’s favourite functions on the consoles is macros, which give “seemingly endless possibilities” according to Fitzpatrick. “And the connectivity b

UK - The judging panel for The Knight of Illumination (KOI) Awards has revealed the 2019 shortlist for the Concert Touring & Events category.
Having received a record number of submissions - up 25 per cent from the 2017 Awards - the judges had to choose just a fraction of the entries to put forward for the shortlist.

The 2019 Concert Touring & Events shortlist is as follows:

The MA Lighting Award for Club
Hayden Borgars for Fever 333
Sherry Coenen for Frankenstein: How to Make a Monster
John 'JP' Partridge for Metronomy

The disguise Award for Video Content
Tom Colbourne, Rob Sinclair & Blue Leach for Kylie Minogue
Adam Young and Finn Ross for Years & Years
Paul Kell for Nick Mason's Saucerful of Secrets

The Vari-Lite Award for Stage
Tom Campbell fo

UK - Wireless headphone provider Silent Disco King partnered with Cineramageddon at Glastonbury festival for a debut screening of Ibiza, The Silent Movie.
Cineramageddon is curated by film director Julien Temple and returned to Glastonbury this year for its second outing after debuting in 2017.
The area has the UK’s largest outdoor cinema screen and includes 60 vehicles including Mad Max style cars, classic cars, fairground bumper cars and convertibles dug into the ground, which festival goers can rent out to watch an array of cult classic movies.
The activation was opened this year with the premiere of Ibiza, The Silent Movie directed by Julien Temple and music curated by Fatboy Slim. The film is an exploration of the hedonistic history of the Ibiza island and was introduced by Glastonbury’s co-creator Michael Eavis, Julien Temple and Fatboy

China - The Trophée des Champions returned to Shenzhen on 3 August, for its 24th edition, which saw Paris Saint-Germain go head-to-head with Stade Rennais. This is the second year that the French Super Cup has been held at the Shenzhen Universiade Centre.
Absen was the exclusive and official LED display supplier of the event, providing 200 panels of perimeter LED and onsite support throughout the event.
The game, which was attended by over 31,000 spectators, saw the defending champions Paris Saint-Germain retain their title following a 2-1 win, making it their seventh Trophée des Champions title in a row, and their ninth overall.
The company in charge of onsite management, Kaisa Culture & Sports, selected Absen’s 9mm resolution LED perimeter display system for the event, which was installed around three sides of the pitch and used to play adverting and

The Netherlands - Violinist Nigel Kennedy played an engaging concert as part of the Schleswig-Holstein Music Festival in Neumünster. The violinist was accompanied by the Schleswig-Holstein Festival Orchestra, which comprised young musicians from 27 nations, who were selected from 1,500 applicants through international auditions.
Dutch loudspeaker manufacturer Alcons Audio teamed up with Kennedy's sound engineer Andreas Adelhofer of Headroom Media Service or the sound experience. Adelhofer, who has been working as sound engineer for Nigel Kennedy for more than five years, is responsible for all his concerts worldwide as FOH engineer. In this capacity, he is also the interface between artist and promoter or service provider in the production preparation. In part, his company also provides the complete production for European tour stops.
At the concert in Neumünster Ade

UK - White Light recently provided the lighting equipment for the Apollo Nights season at the Eventim Apollo - a week of live performances from a range of music artists.
The inaugural Apollo Nights season at the Eventim Apollo in Hammersmith, London, brought together a premium VIP dining experience and a roster of headline artists for a week of shows at the landmark venue.
Curated by Ollie Rosenblatt at Senbla, the season delivered an audience experience with the front stalls seating removed to create space for VIP pre-show dining with live jazz piano before opening up the full auditorium for headline shows. The first performance was by Burt Bacharach and Joss Stone and was followed by George Benson and finally Marc Almond.
The lighting designer for the season was Ben M Rogers, who WL has previously worked with on the award-winning Hair musical. Rogers c

Europe - High End Systems has opened the ‘new and improved’ High End Systems Knowledge Management Site (KMS) for users to get solutions for specific issues faster.
Available at www.support.etcconnect.com/hes, the KMS houses over 2,000 support articles created over the years, including hundreds of new articles produced just in the last few months. Whether you need a quick fix or a detailed tutorial, the KMS gives you a database of solutions that you can search on your own time. And, with the ability to capture questions in real time, High End Tech Services can also get answers out more quickly to help others with similar problems, says the company.
The KMS has a wide array of content available for both High End Systems and ETC products.
(Jim Evans)

UK - Version 2 is supporting a growing number of crews with low energy solutions both in the studio and on location.
Working with a number of leading lighting directors, the Buckinghamshire based lighting rental specialists have supported coverage on a selection of premier summer events with products form their low energy inventory. First up was a visit to Worthy Farm, Somerset as broadcast partners for the BBC’s comprehensive coverage of the 2019 Glastonbury Festival.
Making use of a selection of V2 low energy fixtures, lighting director Oli Richards and gaffer Paul Evans made this year’s Glastonbury coverage a completely LED lit event. The Version 2 team deployed a pair of lighting trucks to help deliver the look for both the ‘live studio’ areas and the considerable number of interviews held remotely across the vast festival site.
The studio set-ups mi

Europe - Having recently purchased their own Allen & Heath SQ-5 digital mixer, British rockers Don Broco chose to pair it up with a full dLive system this summer for a short festival run across the UK & Europe, including appearances at Mad Cool (Madrid), Meo Mares Festival (Porto) and Truck Festival (Oxfordshire).
Supplied by SSE Audio, a DM64 MixRack fitted with gigaACE and fibreACE cards formed the core of the system; paired with a dLive S3000 surface at FOH (fitted with a Dante card), while a digital split from the gigaACE card allowed the band to use their own SQ-5 for monitor duties.
Adam Boole, FOH engineer and long-time user of Allen & Heath products, comments: “When we started this project, we needed to build a system that would work with the band’s own SQ-5 on monitors, luckily it was easy to achieve by having dLive on FOH. All I/O is set up th

Belgium - Main stage artists at the 2019 Ghent Jazz Festival were illuminated by 86 Robe moving lights - including 35 new T1s - in a slick lighting design created by Bart Weyts of company L&L Stage Services, who provided technical production, including lightning, audio and video, for that stage.
The event was located in the attractive surroundings of De Bijloke, a charismatic historic site formally a hospital that now houses the Ghent Music Centre in the Belgian city. L&L has been involved in the main stage technical production for the last few years, working directly for the organisers.
This year, L&L purchased T1s with this and other projects in mind from Robe’s Benelux distributor Controllux, adding to their ever-growing rental inventory of Robe moving lights which is now around the 650 mark. He wanted to use them on the Jazz festival because they are

Myanmar - KV2 Audio products have recently been introduced to a new region thanks to an investment from Myanmar-based firm Htat Wah Win Trading Co.
The company presented KV2 Audio in a joint presentation with Shure Microphones at the Shangrila Hotel in the country’s capital Yangon last month. The event was attended by around 200 invitees and featured presentations from KV2’s Dave Croxton and Angus Davidson, who handle sales and technical support respectively for Asia Pacific.
Thura Aung, managing director of Htat Wah Win Trading Co, first heard KV2’s products on demo in China and was impressed by their compact size and sound quality. Aung’s company imports various products into Myanmar and he had started to investigate the pro audio market. “While we had plenty of choices with a wide range of lower cost Chinese manufactured products, I was really looking for

China - The Prolyte Group has opened a new office in Guangzhou.
The premises provide capacity for manufacturing, warehouse, sales, and customer service. It operates alongside Prolyte Asia Pacific, the company’s base in Malaysia.
The Prolyte Group has also announced Guangzhou trussing manufacturer Eagle Group as a ProLyft distributing partner, working alongside Prolyte’s long-established partner in China, Trinity Technology.
Ralph Stockley, Prolyte's chief business development officer, comments: "Prolyte continues to see a trend worldwide for the needs of shorter lead-times. Our new offices and production facility in Guangzhou has been strategically located to satisfy the demand for ProLyft products in China and allow for quicker delivery times through Asia. Factors, such as tax benefits, the strength of the Chinese economy and the proximity to the port of Gu

UK - A.C. Special Projects (AC-SP) has expanded its team with the appointment Muraly Kuhan in the role of business development manager.
Kuhan will work closely with AC-SP’s project managers and architectural lighting brand partners - including Traxon/e:cue, CLS, Acclaim and Chroma-Q - to develop and implement new business.
He has extensive architectural lighting sales experience on both the product manufacturer and project specifier sides, encompassing supply through to specification, design and installation.
AC-SP’s managing director Lance Bromhead comments: "I'm delighted to welcome Muraly to our team. With his wealth of architectural lighting product, project management and commercial experience, he will be invaluable in helping A.C. Special Projects to achieve its future growth plans.”
(Jim Evans)

USA - Jackson Browne is back on the road for the next leg of his tour with a lighting package supplied by Bandit Lites, and while the singer-songwriter’s last few tours featured big, saturated looks and backdrops, lighting designer Steve Comer designed this year’s run around beams rather than a set.
“I chose to do ladders behind the band and some side trusses at a downward angle to wrap around the band and provide beams of light that surrounds them,” Comer explaines.
“It was 12 years ago now that Jackson himself with designer David Davidian led the charge to go to a more earth friendly approach to lighting using a 90% LED based system,” says Bandit production director Dizzy Gosnell. “Back then it was 160 LED Par 64s. Jackson’s house had been off the grid a long while before, and he was intensely interested in pushing LED on his lighting systems. It wa

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