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14 March 2016

This year he and Temple Media CEO Dan Chiorcioiu created a new lighting design and video set-up for the event, lighting the stage with nearly 100 LED fixtures. These comprised 20 x XR 200 Beam, 10 x XR 230 Spot, 16 x XLed 1061 Wash, 16 x XLed 2007 Beam and 30 x XLed 3007 Wash. They also added some other effects on the side wings, all under Resolume control.

The XR 230 Spots and XLed 1061 were located on the upstage centre and downstage trusses, and the XR 200 Beams were r

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14 March 2016

Inskip - who has served as lighting designer for the Sheffield band for the past five years - employed the strobes to cut through the brightness of the show's significant video element.

"In terms of output the SL Nitro 510C is great," says Inskip. "It is bright enough to still have impact during the video heavy parts of the set. In addition, the strobes' great color mixing meant that they worked well with the content on the video wall to create an overall look instead of fighting to be seen."

Inskip positioned 12 units upstage tucked in between video strips that made up the

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14 March 2016

Belgian design practice Painting with Light has created the set, lighting and video designs for this vibrant show, a contemporary take on Romeo and Juliet. Painting with Light's Luc Peumans imagined the set, working alongside his talented team of Paco Mispelters who created the lighting and Michael Al-Far who designed the video.

"It was a fantastic opportunity to show what Painting with Light can do as a full live show production resource," commented Luc, whose original ideas for the scenic were chosen from a competitive pitch.

Luc and Painting with Light have worked on previous Holiday on Ice productions for Dutch producers Stage Entert

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14 March 2016

KAABOO was held at the Del Mar Racetrack & Fairgrounds over three days, with 100 musical acts filling seven indoor and outdoor stages. Festival lighting designer Chris Lisle was tasked with delivering unique looks to each stage. "We had a lot of fun playing with architecture," he says. "We created ambience and environmental looks across the site."

The main stage, Sunset Cliffs, featured over 50 active Sharpys layered throughout the rig to give big visual punch. The EDM (Encore) stage used 24 B-EYE K20s in the design, primarily shining toward the audience for big effects and visuals. "The B-EYEs were used in shapes mode," notes Lisle. "We took advantage of a lot of the great built-in macros. They performed great, a

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14 March 2016

With EXE Rise Hoists now being used on many of Neg Earths major shows, the team were keen to have official training to enable them to properly service and maintain their growing fleet. The Hoispital handle the annual inspection and certification for all of Neg Earth's motors and have recently serviced nearly 200 EXE Rise hoists, ready for a long stint of touring work coming up over the next 12 months.

The training session was presented by Adam Beaumont from Area Four Industries UK, Fabio Prada from Area Four Industries / Litec Italy and Giovanni Rebeschin from RWM Italy, and

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14 March 2016

"As a school, we have a bold vision to be a world leader in education, cultivating exceptional thinkers, prepared for the future," says Dr. Chip Kimball, superintendent of SAS. "Constellation allows us to be that world leader; it truly is the epitome of excellence. Our students and our staff are tremendous performers and talented individuals, and they work very hard to perfect their craft. The acoustic system shines light on their art. This auditorium is a

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14 March 2016

For an MK show at Olympia Theatre in Dublin, Conor used an all-Elation rig as energy-inducing visual support for a catalogue of house tracks. Having worked on previous MK shows in Ireland, Conor worked with Session Hire Dublin to design and operate the show with Session Hire providing crew and supplying all of the lighting.

"I have worked with Session Hire for many years as a freelance designer and together we have provided lighting to MK's previous Irish tours in several venues in Dublin over the years, as well as Cork and Galway," Conor stated of the relationship. "For MK's Olympia Theatre show, we used Elation's compact Rayzor Q7 LED moving head as

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14 March 2016

Kevin, searching for a new look to the lighting and a change from the moving light brand that had been used in the past, decided Big Week NYC was an ideal chance to give Robe's BMFL Spots and Pointes a centre stage position for all the action.

He credits lighting designer Michael Gionfriddo with the high-energy display featuring Robe BMFL Spots and Pointes that accompanied the truly a

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14 March 2016

"Madonna likes her live sound to be as close as possible to the album," says Napier. "To accomplish this, Sean focuses on mixing her vocal effects and delays, which are then bussed to the FOH console so - in theory, at least - the audience hears exactly the same vocal sound that she does."

Madonna is an artist who still likes to push the boundaries with her live production, and an arena tour features many elements that can present several challenges.

"Every Madonna tour has its unique aspects," Napier continues. "The main on

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14 March 2016

"The AIW26B is a continuation of the fantastic work that we have done with our active in-wall loudspeaker systems," says Sami Mäkinen, AV installation systems business manager at Genelec. "This hugely impressive system has a wide variety of applications, and would be ideal for installation in a home theatre, a restaurant, art gallery, or a variety of commercial applications. With its frameless design, the new enc

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14 March 2016

The KT-USB is a class-compliant USB 2.0 Network Module and requires just a single USB cable to connect to either a Mac or PC running any industry standard DAW software. A total of 48 bidirectional channels are available at 48 kHz and 24 bidirectional channels are available 96 kHz. Alternatively, the KT-AES50 module provides a dual port AES50 digital audio interface which operates from the incoming AES50 clock or an external clock. Additionally, it features up to 48 bidirectional channels and operates at 96 kHz and 48 kHz sample rates.

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14 March 2016

"The C Series of amplifiers quickly became one of our most successful products, not only because of its superb sound and durable build quality, but also because of its power density and flexibility," observes Lab.gruppen product manager Klas Dalbjorn. "However, with the expanded E Series, now we can offer the same power density with an even lower current draw, Energy Star certification and reduced overall costs cou

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14 March 2016

Showing for the first time at the ISE in Amsterdam are the DTDAMP4x0.7 and DTDAMP4x1.3, denominating 4-channel, 1U rack-mounting amps in 700W and 1300W models (4x4 Ohms). Each unit weighs just 7.5kg.

Road-ready, rack-ready, the DTDAMP offers all the sensors and protection that are mandatory for a professional touring amplifier, such as mains over/under voltage, Over-voltage or DC output on each channel, short circuit etc.

The variable speed cooling system ensures a quiet and cool amplifier while the front to back cooling system ensures compatibility inside racks where both DTDAMP and Nexo's high-spec NXAMP are used together in large install

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14 March 2016

The DCH8 functions as a relay device between the host device and DCP series, allowing a combination of star and daisy-chain connections. Power is supplied via the CAT5e cable from the host device, simplifying cabling and allowing flexible device layout.* Screw holes for mounting flanges are provided on both the rear and sides, for flexible mounting in a variety of situations.

The DCH8 will be on show with the full CIS range on Yamaha's Stand 3-A90 at ISE2016, which takes place at the Amsterdam RAI from 9-12 February.

(Jim Evans)

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14 March 2016

"The eyes make the lion come alive and touch everyone in the audience," said Daniel Bouchard, production director of Life in Color, the popular festival, which this year is featuring the lion as part of its Kingdom theme. "We gave the lion a personality and a spirit, if you will, through the eyes. These are eyes that move and blink and change colours, so regardless of where you are, you feel their presence."

Bouchard and lighting designer Collyns Stenzel gave the lion its lively eyes by usi

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14 March 2016

For performances at the Shanghai Grand Theatre (SGT), lighting designer Nick Hung added a new dimension to Graham's classics by using numerous Source Four LED fixtures controlled by a Gio lighting control system. ETC's Chinese dealer, Hangzhou YiDaShi Lighting Equipment Co, also played a significant role in the event, by providing technical support for the show.

The programme at SGT, Three Masters of 20th Century Art, featured several of Graham's most prominent dances, including Chronicle, Deep Song, The Rite of Spring and Lamentation Variation. She created the pieces as a symbol of opposition to fascism and war. They blend three elements - lighting, music and dance - in a nod to artistic masters Pablo Pic

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14 March 2016

King Charles front-of-house engineer Jon Lewis employed a dLive S3000 console with an A&H DM64 mixrack for FOH, with an Allen & Heath GLD Chrome mixer handling monitor duties. Powerful beyond its diminutive size, the 20 fader, 12" touch-screen equipped S3000 allows for up to 120 fader strips and extremely fast workflow.

With credits including Roni Size, The Feeling and Clean Cut Kid, Lewis is a fast-rising UK FOH engineer, with extensive experience of Allen & Heath's existing iLive mixing system. And he describes the dLive as being "on another level. From the build quality to the GUI to the flexibility of the console, everything's taken a huge step up. But it's also extremely intuitive - we only had a day's rehearsal wit

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14 March 2016

A new tender document was drawn up and TG Baker (Sound) bid successfully. Director, Jason Longworth explained, "We conducted a complete system health-check, following which we were then contracted to replace the entire control system with four separate networked rack positions, using a dual redundant copper backbone, together with the upgrade and replacement of all of the main bowl and concourse lou

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14 March 2016

Sound Space Vision enhances the rapport between performers and audiences, combining excellent spatial and technical design by AMPC with superb acoustics from SSD. Popular with audiences and operators, their performance environments are held in high esteem by artists. The creative, dynamic team includes specialists in acoustics, lighting, sound, stage engineering and audio-visual design to provide a complete acoustics and theatre consultancy service that touches all the senses.

Anne Minors Performance Consultant

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14 March 2016

The programme is the result of a long period of discussion and planning between BRPT and South Thames College (STC). The Course will be run by STC and validated by the University of Northampton, with BRPT's industry professionals delivering the master class lectures throughout the course. Validation is scheduled for the end of March 2016. Student loans of up to £9,000 per year are available for the course to meet course fees. Students can apply now for places o