In this issue...

Hit musical Oliver! is back for more. Having premiered in 1960, the show has returned to the stage several times over the ensuing decades. Its latest revival started life at Chichester Festival Theatre last summer, before transferring to the West End’s Gielgud Theatre, where it now resides. Rob Halliday is ‘reviewing the situation’ for this month’s cover story . . .
Also, Phil Ward assesses the industry’s approach to manufacturing in the face of global environmental goals. Meanwhile, Ian Cullen catches up with the crew behind Anastacia’s #NTK25 tour. Elsewhere, we learn how Polygon Productions staged its first 360º immersive festival, and share how Full Production has taken a leap forward in its system design. Plus, I take a tour of TAF’s factory in the Czech Republic.
On the test bench this month is DPA’s latest CORE+ technology and MicroLock offering for miniature microphones. We also bring you our extensive round-up of news and views from the show floor at PLASA Focus Leeds. Enjoy!

Hit musical Oliver! is back for more. Having premiered in 1960, the show has returned to the stage several times over the ensuing decades. Its latest revival started life at Chichester Festival Theatre last summer, before transferring to the West End’s Gielgud Theatre, where it now resides. Rob Halliday is ‘reviewing the situation’ for this month’s cover story . . .
Also, Phil Ward assesses the industry’s approach to manufacturing in the face of global environmental goals. Meanwhile, Ian Cullen catches up with the crew behind Anastacia’s #NTK25 tour. Elsewhere, we learn how Polygon Productions staged its first 360º immersive festival, and share how Full Production has taken a leap forward in its system design. Plus, I take a tour of TAF’s factory in the Czech Republic.
On the test bench this month is DPA’s latest CORE+ technology and MicroLock offering for miniature microphones. We also bring you our extensive round-up of news and views from the show floor at PLASA Focus Leeds. Enjoy!