Professional audio systems specialists Shermann UK is ensuring that former sixties pop idol Helen Shapiro ends her touring career on the right note. Shapiro, 55, who shot to fame as a 14-year-old with the number one hit ‘Walking back to happiness’ has begun an 80-date farewell UK concert tour. PA rental company Crystal Clear Audio is using a Shermann CA9/CB218 loudspeaker system on the tour, along with a number of Shermann stage wedge monitors.

"Helen Shapiro has been using our systems for several years in association with Crystal Clear Audio and we are delighted to be playing a part in her farewell tour," said Shermann UK owner Ken Hughes. The company is no stranger to major musical events and concert tours, having provided sound systems for a host of stars over the last 19 years through its user network of professional rental companies.

(Ruth Rossington)

XL Video is supplying chart toppers Muse with video equipment including a Catalyst playback system for the next 17 weeks. This is believed to be the first European tour for Catalyst. Muse’s video system utilises High End Systems’ revolutionary Catalyst image processing system, two Barco G10 ELM projectors and a rear cyc.

Muse’s creative designer Oli Metcalfe was so impressed with the demonstration organised by XL Video’s Des Fallon that he immediately recommended Catalyst to the Band. They then visited High End’s Ealing office, and were blown away with the system’s capabilities. XL’s Mark Hughes is rigging the system, and Metcalf is controlling the Catalyst via DMX from his Wholehog II (with extender wing) console. Metcalf is running a wide assortment of video clips and media via the Catalyst including stunning abstract patterns, water effects,

Hull company Tega has recently completed the installation of sound and lighting at Hull University Union’s new venue, ‘Asylum’. The union building, dating from the seventies, has never had a proper venue for events, and until recently the refectory area was pressed into service. This was far from ideal as equipment had to be removed after every event, and the ceiling height was less than 10 feet.

The long-awaited new venue has been designed by Big Blue and features a large stage, sprung dancefloor, DJ booth and bar area with permanently installed sound and effects lighting. Tega have worked closely with the University on many events in the past, and, as a result of their good support service, were awarded the sound and lighting contract. The main sound system uses the Union’s eight existing EAW KF650 boxes, which are flown above the stage on custom-designed fram

Seoul's Sangam Stadium will be the site of the 2002 World Cup Opening Ceremony on May 31. To provide the best possible sound reinforcement, with the added demand of portability and fast removal, Korean rental sound companies Daishin Sound and Kukae Sound have teamed up to provide a total of 64 VerTec line array speaker systems. The JBL VT4889s are mounted on 16 portable sound system carts, which can be wheeled into position around the field perimeter, then quickly removed as required.

In addition to JBL VerTec loudspeaker systems, a wide variety of audio products from Harman Professional brands are in use. "This event is a real logistical challenge, and the VerTec speakers specified by audio director Michael Abbott are a highly effective choice," commented Cheol Yoon of Daiyoung Corporation, distributor of AKG, BSS, Crown, JBL and Soundcraft products in Korea. "Their lig

Edwin Shirley Staging (ESS) will have the opportunity to counterbalance London’s current West End bias for live events during June this year when it deploys an ESS Superstructure building into Finsbury Square within the City’s Square Mile (financial district) at the end of May. The client in this case, Bloomberg, the US-owned financial information and broadcast business is once again taking advantage of it’s proximity to the grass covered square to mount an event, this time in conjunction with the World Cup.

An audience consisting of Bloomberg employees and clients will be able to view the matches from inside an ESS building, which has been designed to Bloomberg’s specifications and includes clear wall panels. The site will also play host to other forms corporate hospitality during the tenure of the World Cup.

ESS will spend four days installing the environmen

Leisure Industry Week (LIW: 8-10 October 2002, NEC, Birmingham) - a key event for all aspects of the out-of-home leisure industry has a new format for 2002 with five dedicated shows and a wealth of ideas and products to make leisure businesses more efficient, attractive and profitable.

Body & Soul: As the largest health and fitness event in Europe, Body & Soul at LIW encompasses all the equipment, technologies, trends and services in the health and fitness market.

FamilyLand: this event is dedicated to family leisure activities. Along with new demonstration plots showing rides in action, visitors will also discover children's play equipment, inflatables, theme park rides, and ideas for animation, costumes, theming and special effects.

Food for Leisure: This covers everything from vending and beverage machines to convenience foods and dedicated leisure catering facilities. In additi

Since its first seven-minute show performed at the Eurovision Song Contest in 1994, Riverdance has gone on to be one of the most successful international dance shows ever. In 1997, the show was split into two touring companies, with the Liffey covering Europe and Asia (currently in the UK until the end of June), and the Lagan touring North America and Australia. Since the disastrous fire in Madrid nearly a year ago that destroyed almost the entire Liffey production, the show is now back on the road and sounding even better than before.

Thanks to efforts from Shuttlesound and the Riverdance crew, the show was rebuilt from scratch in just two weeks, but since then some key changes have been made to the system. Riverdance sound supervisor Barry McLeod explains: "I don't want to say that the fire did us a favour - that might be stretching the point somewhat, but it certainly made us r

As part of its long-term strategy to address the industry’s concerns over training, PLASA has appointed a full-time training and development manager. Nicky Greet, who joined the PLASA Head Office staff at the start of May, will be tasked with collating current training information, identifying and addressing areas in which specifically-tailored training schemes are required and helping to implement them in conjunction with relevant bodies.

PLASA’s managing director Matthew Griffiths commented: "Concerns about the lack of suitable and relevant training in the entertainment technology industry have been voiced for some time, and PLASA originally scheduled this appointment into its long-term strategy as part of its first five-year plan in 2000. During 2001, we conducted an extensive programme of research into the issue with the aid of our members, which enabled us to move

MC2 Audio has appointed Group One Ltd in New York as its US distributor. Group One was formed in 1992 by Jack Kelly and Chris Fichera and in 1994 they merged the company with Celco Inc to create the company now known as Group One Ltd.

Group One is an importer and distributor for a number of professional audio and lighting manufacturers and operates primarily through a network of independent sales representatives with a client base of nearly 1,000 different dealer and contractor accounts. The company is based in Farmingdale, New York, and included in their 13,000sq.ft facility is a 1,500sq.ft demo room where customers are invited to audition the array of lighting and sound products.

The MC2 Audio brand joins well-known names such as Celestion, XTA Electronics, Milab Microphones and Cadac in Group One's portfolio of audio products. MC2 Audio products were launched in the US by Group On

Imagine the challenge of producing an event where your six star performers each weigh seven tons and are four metres high, three metres wide and up to 10 metres long. This was the task facing One Box Productions when launching ERF’s new range of trucks at Telford International Centre on 24 April.

The launch, to ERF’s dealer network and key customers, was particularly important because it is the first time ERF trucks have incorporated cabs developed by their parent company MAN. For One Box managing director David Langdon and his team, the challenge was to develop a show concept that would communicate the company’s heritage, the driver benefits of the new range and allow a large-scale product reveal. The solution was a dramatic AV presentation projected onto a 40ft high, 130-degree arc of drapes. This was delivered using Blitz Vision’s Suite P system and an array

Christie projectors have been used by Lucasfilm Ltd for the production, post-production and (commencing May 16) the exhibition of Star Wars Episode II: Attack of the Clones - the first all-digital major motion picture.

In 1999, Christie signed a three-year agreement to supply Lucasfilm with the latest projection equipment to meet its production needs. Christie projectors were first used by Lucasfilm in the post-production of Star Wars Episode I: The Phantom Menace, and were used even more extensively for Attack of the Clones. With the decision to shoot Episode II digitally, Christie projectors played an important role in the production of the movie as Lucasfilm took a Christie projector on location to Australia to review daily footage. In the final post-production phase conducted at Industrial Light & Magic, a division of Lucas Digital Ltd, the filmmakers used a Christie Digital Cinema

When the Leader Group, Taiwan’s top media post-production company, completed its five-year planning and construction project to develop a Hollywood-style studio facility, it insisted on state-of-the-art technology to achieve optimum filming quality - including the lighting.

The new Leader Asia Pacific Creativity Center (LAPCC) - now the largest facility in Taiwan - has thus been equipped largely with ARRI lighting. The studio is situated on nine storeys of office block, of which three floors have been removed to allow construction of three large stages - the first phase of a project which will see two further studios constructed over the next few years. Leader placed the ARRI order - worth in the region of £750,000 - through Cheng Seng Trading Co Ltd, ARRI’s Taiwanese distributor. The company was granted a special licence which offered reduced import tariffs for ARRI's ran

Dramatic changes are taking place in the middle of Birmingham. Much of the city centre appears to be under construction, and - as increasingly seems to be the case in such projects - the civic redevelopment has been led by the artistic facilities at its heart: the Birmingham Hippodrome Theatre has recently completed a development project that lasted almost two years.

Following a £24 million National Lottery Award through the Arts Council of England and further support from the European Regional development Fund, Birmingham City Council, donations from businesses and individuals and funds raised through appeal, the project has seen practically every part of the building reworked. The foyers were demolished and re-built providing greatly improved access, including lift and disabled access, together with a restaurant and other catering facilities - all wrapped within a design that feel

A surprise last minute decision from Lord Falconer, Minister of State at the DTLR, agreed with Save London's Theatres Campaign's request to 'call-in' Westminster’s decision to demolish the Westminster Theatre. Falconer's finding has given new heart to the campaign which had all but given up hope of a reprieve for this unique theatre and arts centre. The final decision on its fate will now be in the hands of the Secretary of State following a full Public Inquiry which is likely to take place this summer.

The Secretary of State has declared that he is 'very selective' about 'calling-in' planning applications, and usually only takes this step if 'planning issues of more than local importance are involved' and 'that the application is one that he ought to decide himself because he considers the proposals may conflict with national and regional policies on important matters.' This vin

Rental Management Systems, provider of advanced software systems for the entertainment industry, has recently completed one of its most comprehensive multi-site systems installations to date, for European staging rental company, Stageco.

Founded in Belgium in 1985, Stageco now has rental operations in Belgium, The Netherlands, France, Germany and the USA, and has serviced some of the world’s most high-profile tours, sporting events and festivals, counting the Rolling Stones, Elton John, Pink Floyd, U2 and Robbie Williams among its clients.

The company stocks in excess of 7,000 different products - sometimes holding as many as 10,000 examples of each - making for a stock-holding which numbers literally millions of items. Consequently, the logistics of tracking movement and availability presents a huge administrative effort, hence why the company turned to RMS.

The system that

Gearhouse Broadcast have purchased five Soundcraft B800 multi-bus broadcast mixing consoles and ten BSS 9088 Soundwebs from Harman Pro, as part of a massive investment in their audio rental stock. A key factor in this investment are the requirements of Host Broadcasting Services (HBS) and German broadcasters, ARD/ZDF, for the 2002 Football World Cup, as well as ongoing commitments to Tennis Properties Limited (TPL) for the Tennis Masters Series coverage over the next three years.

"Having made large investments in video equipment, we recognized the need to upgrade our audio mixers to higher specification units in order to cater for the increasingly complex audio production requirements of our clients, and the scale of the events," remarked Kevin Moorhouse, technical director of Gearhouse Broadcast. "In particular we required compact, but powerful units in order to make sh

Screenco have purchased an opening stock of Barco’s DLite 10 tiles - primarily for use in the new £32m Manchester Aquatics Centre for the upcoming Commonwealth Games swimming events. The 144-tile order will give them a maximum 30sq.m presentation area, which will be split into three separate displays. Screenco also purchased additional rental structures to allow greater flexibility in creating non-standard shapes.

In view of the humidity in the pool, one of the recommendations made by Screenco was the need for displays to be rated to IP65 for dust and water protection, as confirmed by Graham Andrews, Avesco plc Audio Visual Services Division managing director. "We chose the D10 on its price versus performance ratio and its IP65 front and rear characteristics, which make it ideal for the high degree of outdoor arena and stadium work in which we specialize."

(Ruth Ross

CP Sound, the creative audio design and installation specialist, has completed two major projects in Manchester. Both are new build venues within a few hundred metres of one another, and both now feature sound systems designed by CP’s Colin Pattenden, featuring a variety of JBL speakers powered by RSE amplifiers.

At Waxy O’Connors, part of The Printworks complex, the acoustic challenge was to produce a clean multi-layered system. The Waxy’s site is a busy, good looking labyrinthine complex of passageways, spaces, snugs, small meeting/drinking rooms and several bars, spread across four floors. A stunning stripped wood, sculptured tree stretches up through a high atrium space slicing vertically through all four floors. Pattenden - who has also designed and supplied sound for the very successful Waxy’s sites in London and Glasgow - has used a mix of JBL speakers, i

The ABTT Show, which attracts over 100 exhibitors from across the wide spectrum of supplies and services necessary to stage a production or equip a theatre building, will set up base once again at The Royal Horticultural Halls in London from 19-20 June.

In addition to the main exhibition, there is also a complementary programme of theatre-related seminars, which includes the following. Revitalising Health & Safety: Eric Pirie, a health & safety inspector, will discuss publicly funded bodies and the Government in relation to key pieces of Health & Safety Legislation, together with a discussion of the role of the Broadcasting & Performing Arts Joint Advisory Committee.

Sound System Design in the Theatre: John Taylor of d&b audiotechnik UK Ltd will look at issues of sound intelligibility and in particular, the acoustic part of the signal path between the loudspeaker and the listeners&

Moving Pictures is a new touring exhibition exploring the experience of going to the cinema and watching television, celebrating both the past and present, as well as looking to the future of digital technology.

The exhibition showcases favourites from the extensive collection of film and television material held by the BFI chosen from thousands of films, programmes and production materials. David Atkinson Lighting Design was contacted by Land Design Studio to come up with a cost effective, flexible and dynamic lighting design to cope with the scope and scale of the exhibits, as well as the touring schedule. Land devised a bespoke modular steel system, with the resulting architectural solution having something of a warehouse feel.

As the designers wanted to use colour to define areas within the exhibition, Atkinson chose to use a large quantity of Encapsulite fluorescent fittings,

Six months on, and it’s the smell that still gets you. It’s worse at night: even if you had somehow not known what had happened at the place now called Ground Zero, you’d know it was something tragic.

It’s a tourist attraction now; they queue for hours to walk up the viewing platform, buy pictures of the burning buildings from street vendors. They look up into the clear blue sky and find the strangest part of the whole experience - that there is now nothing to look at. The long, dreadful task of sifting through the remnants of the World Trade Centre is nearing completion.

Fundamentally, they are looking at an empty hole in the ground and empty space in the air. In downtown Manhattan that, in itself, is unusual; to see the damage to the surrounding buildings, some eerily shrouded, silences the observers. The collapse of the Towers has left a void in many peop

CT NEC supplied a wide array of AV equipment to over 80 stands at the recent IPEX print exhibition at the Birmingham NEC. The most notable of these was the Xerox stand, produced by PGI, which covered 65,000sq.ft of the venue. Both CT NEC and CT London provided video technology, hardware, software, installation and manpower to the stand throughout the nine-day event.

PGI - who have offices in 30 cities across the world - offer business-to-business communication, exhibition and trade show services and destination management, and have been working with Creative Technology for over three years. A purpose-built theatre, which ran demonstration shows eight times each day, required three remote control cameras and four lipstick cameras which were placed on the new Xerox DocuColor iGen3 in the theatre and at various other places around the Xerox stand. Throughout each show, presenters were abl

When The Eagles take flight on their North American summer tour starting at the end of May, High End Systems' new x.Spot HO High Output automated luminaires will brighten their concert path.

Nick Sholem returns to take the reins as lighting designer/director on the tour, and although it's been six years since he was with the group on their 'Hell Freezes Over' stint, he was involved with their recent benefit concert in Los Angeles for the Recording Artists Coalition. "The group was delighted with the design I did for the LA fund-raising show in February," says Sholem, "so they approached me about doing the tour. Steve Cohen was going to be busy, so I said yes, provided I could beef it up in a few areas."

To help him in this, Sholem specified 12 x.Spot HO units with a 2:1 lens. "I saw a demo of the x.Spot HO a few months ago and could see how super bright they

E//T//C UK, the large format projection specialists, created magic at King's Cross Station last week, as Platform 1 was transformed into Platform 9 ¾ for the launch of the Harry Potter and the Philosopher’s Stone DVD/video. Copies of the coveted DVD arrived onboard the Hogwarts Express, and were handed out to eagerly awaiting Harry Potter fans by members of the top grossing film’s cast.

When the idea of projection was thrown into the production mix, E//T//C’s Ross Ashton was approached by Chris Slingsby and Dave Hurd from Imagination. The platform was already decided upon, and then they needed over 100 different cross-fading images projected, large and clear, onto the wall at the end of the platform. The images were to be projected onto an arched projection surface, custom designed by Harkness Hall, attached to the wall at the station end of the platform. Since the r

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