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14 March 2016

Key brands that have signed up for the first time include Midas, d&b audiotechnik, on the back of their participation at PLASA 2011, ShowTex, Topdeck Stage Systems and Smoke Factory, whose team visited the event in 2011 and were keen to have a stand presence in 2012. More exhibitors will be announced in the coming weeks.

Packed aisles and major new product launches have now firmly established PLASA Focus as an unmissable industry event for the north of England, but organisers PLASA Events insist they are far from resting on their laurels.

Event manager Sophie Atkinson said, "The last show was a real success with exhibitors and visitors, and while it's great to see its popularity gro

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14 March 2016

Pro audio systems specialists, Yugdoka, were called in to handle the acoustics for the new installation. They specified APG MC216C systems throughout, powered by Lab.gruppen C Series amplifiers.

Yugdoka's owner and MD, Alexander Kharchenko explained that the new fountain is a complex and sophisticated structure comprising a number of concentric rings of fountains around the central jet and a further four 'satellite' rings around the outside, of the main circle, each with their own, smaller central jet. T

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14 March 2016

A new energy efficient lighting scheme has been installed, replacing 28 recessed 500W PAR 56 halogen fittings with the new Anolis ArcSource 48 MultiChip (MC) fixture, specially designed by Anolis for this project.

The Anolis ArcSource 48 MC consists of twelve 10W Cree MCE RGBW LED chips, which enable full and seamless RGB colour mixing plus an excellent selection of 'real' whites in a variety of colour temperatures.

NIDA's lighting supervisor Adrian Wright explains that top of their brief for the new lighting was to make a significant reduction in electricity consumption across NIDA's public areas. They al

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14 March 2016

dnp denmark's global sales & marketing manager, S°ren Kræmmergaard, presented the award to Paradigm founder and CEO, Greg Jeffreys, and Supernova specialist, Dave Stephen, at company headquarters in Karslunde during a partner recertification programme.

Mr. Kræmmergaard paid tribute to Paradigm's early adoption of the Supernova platform, and having enrolled early into the Partner Programme, backed up their already considerable rear-projection sales by recruiting a dedicated Supernova specialist in Dave Stephen, to supervise their front projection platform.

This had paid almost instant dividends, with an order last month for well over 200 d

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14 March 2016

"It is a fantastic festival to be involved with, especially in terms of the obscure and eclectic styles of music and highly skilled entertainers we get to work with on our stages," commented Barton. "This year they ranged from magicians, comedians and burlesque dancers to Pirate, Gypsy, Balkan and Mediterranean surf rock style bands."

This is the sixth year of the show and Hellfire have been involved since its second year. They provided the Nu World beat ring and Lemontree stage with all technical crew such as sound engineers, lighting designe

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14 March 2016

Companies and individuals from across PLASA's worldwide membership voted in the elections which were conducted via a secure online poll.

Four positions were up for election on the European Regional Board. Ed Pagett of Panalux, who took the helm part-way through 2011, was overwhelmingly voted in to serve a further three-year term as Chair of the Board. Malcolm Burlow of Highlite was re-elected as the Dealer/Retailer Representative, while Ed Manwaring also secured re-election as the Individual Representative. Peter James of Shure Distribution UK becomes the new Distributor Representative.

Three positions were up for election on the North American Regional Board: having been asked to

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14 March 2016

System engineer Sergiy Zhytnikov reports: "Signal distribution around the field was achieved using Dante linked Lab.gruppen LM 26 and LM 44 Processors. A total of 14 of these units were deployed for the game. The use of fibre optic cabling to deliver both Dante audio and control remotely gave real benefit instead of using 2000m of analogue cabling which due to necessity was placed in cabling conduits at field level, along with every other kind of electrical cable imaginable."

Dante also solved the problem of signal degradation over long distances. Zhytnikov

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14 March 2016

The system in the Botanik restaurant includes six EAW SMS5 surface mount loudspeakers in a white finish and two EAW VRS18 high output subwoofers; the Champagne Bar features 12 EAW SMS3 surface mount loudspeakers, all in white finish; and the Lounge Bar's system includes 12 EAW VR62 compact full-range loudspeakers and two VRS18s.

The centerpiece of the complex's audio is the EAW DX1208 DS

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14 March 2016

The lighting for the original show in the West End was designed in 1986 by Andrew Bridge, with associates working on it throughout the show's life. Designing for the Royal Albert Hall, Bridge worked with Patrick Woodroffe to create a production with only three performances. TV cameras were brought in to transmit the final show to thousands of cinemas and theatres worldwide.

Bridge says: "The lighting rig was quite different to the theatre version of Phantom. It was far bigger, and a different shape.

"As a part of the design team, we had a clear idea of what we wanted to achieve; anyone who has been to see the original show would have recognised it, but with the lighting coming from very di

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14 March 2016

Along with co-founder Theo van Workum, Roelofsen has built up a formidable sales and rental company over the past 15 years, with bases throughout Holland and Germany. Their channels to market take them into television and architectural applications as well as concert and theatre touring.

"We are extremely impressed with the new range of SGM products - and over the years we have also sold a lot of older SGM fixtures," he stated. "It's important that we

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14 March 2016

In London's West End, White Light is supplying the lighting to new productions of Butley, lit by Howard Harrison at The Duchess, Cool Hand Luke, lit by Matthew Eagland at the Aldwych, Driving Miss Daisy transferring to the Wyndhams Theatre from New York and lit by Peter Kaczorowski, Matilda, lit by Hugh Vanstone at the Cambridge, and The Tempest, lit by Paul Pyant at the Haymarket.

White Light is also busy on the touring circuit, supplying the lighting to shows including Buddy (lit by Joe Atkins), Dirty Dancing (lit by T

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14 March 2016

Hix is the third restaurant in the expanding chain of high-end eateries from chef and entrepreneur Mark Hix. Set in the heart of Soho it boasts an award winning restaurant on the ground floor and the celebrated Mark's in the basement, with its apothecary bar and an eccentric cocktail list.

Sound Division were asked to return to Hix to re-commission the music system that they had installed for the previous restaurant that traded on the site. In addition they were asked to upgrade the speaker system in Marks Bar, the basement bar lounge, to create a more vibrant atmosphere for the guests.

Having previously installed discreet JBL ceiling speakers in Marks Bar, a set of black JBL Control 25AV cabinet speakers were now specified and w

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14 March 2016

The one-day events were held at the Peter Sarah Theatre in the Performance Academy of Newcastle College, Newcastle Upon Tyne and the newly opened Royal Welsh College of Music and Drama in the grounds of Cardiff Castle, where Stage Electrics also recently completed a major sound, production lighting and communications installation in the concert hall and theatre.

Brands on show were Arri, Avolites, Chauvet, Clay Paky, DiGiCo, ETC, Highlite, MA Lighting, L-Acoustics, Lee Filters Le Maitre, Martin Professional, Panasonic, Philips Strand, Selecon and Vari-Lite, Pulsar, RCF, Rosco, Roland, Sennheiser, Shure, Yamaha and Zero 88.

Some 230 people attended on the day, with students from each venue for

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14 March 2016

Watson states, "The controllability of the individual pixels allows me to modulate the intensity or colour of the beam, creating movement from a static source. It is truly a beautiful effect and one which ranges from incredibly subtle to highly dynamic. The tungsten LEDs in the PixelSmarts are amazing for key lighting and for punching a white beam through a colour wash."

Watson continues, "In addition, when the fixtures are facing the audience - the LEDs can be PixelMapped or modulated to create a highly controllable LED array, enabling patterns and movement to be displayed across the fixtures. All in all a really versatile fixture which I am really impressed with."

(Jim Evans)

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14 March 2016

The renovated original building is occupied by the Rovaniemi Art Museum, whilst the new extension provides a multipurpose 340-seat concert auditorium for the Lapland Chamber Orchestra and the varied programme of events and concerts that the venue will host. In addition to the museum and concert hall, the building provides for the storage of artworks, meetings, offices and workrooms as well as a café-restaurant and music shop for visitors.

The aesthetic of Korundi's addition was designed by architect Juhani Pallasmaa. Inside the auditorium, painter and graphic artist Prof. Jorma H

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14 March 2016

The Grand Canyon's broadcast system was recently upgraded with Digigram's PYKO IP Audio codec, and received a friendly custom remote interface - a collaboration between IFG and PSA - to give park officials the freedom to update and change message content on the PYKO at any time of day from any internet device.

The Grand Canyon's Highway Advisory Radio System grew legs in 2008 as part of a programme to support the introduction of a pilot shuttle bus route from Grand Canyon's visitor centre to the gateway town of Tusayan. The goal was to provide information to visitors approachi

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14 March 2016

To assist the students in finding a way through the 'involved' sound track, Eton's theatre tutor and production manager for the play, Matt Evered, contacted sound designer Rick Sarson, who specified TiMax.

"There were several reasons for wanting to use TiMax. It is by far and away the coolest sound toy ever and is the only product that utilises the Haas effect to broaden the soundfield to cover the majority of the audience with moving sound effects. It is one of the very few ways of triggering multi channel moving sounds and, once set up, it is amazingly simple to use."

TiMax enabled Sarson to trigger sophisticated, multi layered effects at the click of a mouse. This was necessitated from the very start of the s

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14 March 2016

Production Services Ireland were awarded the full contract to supply all lighting and rigging for the festival, which returns for the first time since 2007 and featured top headline acts Eminem and The Script.

The BroadWeigh wireless load monitoring system is manufactured in the UK by Mantracourt Electronics. It offers a quick, easy-fit solution allowing riggers to instantly see forces being exerted on the suspended structure, avoiding potentially dangerous overloads.

Sean Pagel, Production Services Ireland's director comments, "It was great to use the BroadWeigh at Vital. Seeing the real-time load data in a proper live envi

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14 March 2016

Lady Gaga dominated the proceedings, collecting four gongs. The singer gained awards for best song, best video, best female and biggest fans at the ceremony, in the Odyssey Arena. Teen star Justin Bieber and R&B singer Bruno Mars were the other big winners, receiving two prizes each. Other winners were Katy Perry, who received the best live act accolade, Eminem, who won best hip-hop and Linkin Park, who beat Coldplay to take home best rock. Queen received the global icon award, with band members Brian May and Roger Taylor picking up their honour on the night.

At the same time as

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14 March 2016

The evening was electric as the arena was bathed in Kentucky Blue all night while the crowd was entertained by speeches from Coach John Calapari, player introductions, cheerleaders, dance teams, celebrities and finally, an inter squad scrimmage.

Bob Stoops, technical services manager of Rupp Arena and David Haney of SGSP/ Sho

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14 March 2016

NMK has long supported clients with one-to-one training and demo sessions at its headquarters or on location. But the Academy event, launched two years ago, allows for a number of pro audio professionals to compare multiple Midas offerings in one space.

"The Middle East is a market where there is real demand for the latest technology but a limited number of professionals with the relevant experience," explain NMK's business development manager Chicco Hiranandani. "One of our core strength

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14 March 2016

"The international reputation of d&b systems was one of the main aspects that we took into account when choosing a new system for our company," said Tomas Dvorak director of TD Promo. "We find d&b is one of the most preferred systems in technical riders and we are the only company in the Czech Republic with the J-Series, giving us an undisputed advantage."

"The local audio guys from TD Promo were very helpful," said Arnie Annables from Motorhead. "When I arrived they had the PA system set up as just a left right system. So with no fuss they quickly changed it to left right and subs, it is very i

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14 March 2016

Designers Steve Owens and Chris Stuba combined their ideas and delivered a system that was large and afforded each act a separate and distinct look. VL 3000 Spots, VL 3500 Washes, GLP Volkslichts, Martin 301's, Atomic Strobes, 2 Lites, 8 Lites, Source 4 Lekos and ACL's all were brought into play on the show. Stuba used a Grand MA console while Owens preferred a Maxxyz Plus.

The show is a combination of LED technology with the new moving lights from Martin and GLP with the tried and true VL's, strobes and such. Owens and Stuba worked many days at the Bandit Venue 1 rehearsal hall, as well as in Bandit's virtual suite in order to prepare their pro

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14 March 2016

Brock discussed his ideas with Craig Mitchell at LMG Touring, who took up the challenge to find a low resolution video product that allowed the band and crew to walk through it. When Brock was shown G LEC's Solaris+, he knew he'd found the right product.

Brock says, "I wanted to position the wall of light at the front of the set so that backline techs would be hidden from the audience, yet able to see their musicians. My idea was to keep the look simple for this particular show and Solaris+ allowed me to select subtle single layers o