UK - Engage Production Ltd, specialist in interactive technologies for branded environments, has supplied technology and technical expertise to the world's first Bloomberg Hub, which has been unveiled at London City Airport. Engage supplied a digital display, media wall with audio distribution, as well as all the hardware necessary for technical integration.

The Bloomberg Hub provides "timely and relevant news, data, and information within a visually-compelling, technology-driven space". Engage's electronic wizardry, along with Bloomberg's rich content and design, all combine to create an interactive, energetic, and functional space devised "to make the business traveller's journey more productive, more efficient, and more enjoyable".

"It's a great privilege to be asked to work with Bloomberg again, particularly on such a big project and a world's firs

USA - When Sound Designer Darron L West and associate sound designer Charles Coes were looking to create a dazzling audio experience for William Shakespeare's fantasy play The Tempest, they turned to Masque Sound, a leading theatrical sound reinforcement, installation and design company, to provide a custom audio equipment package.

The Tempest is a co-production between The Smith Centre for the Performing Arts in Las Vegas and the American Repertory Theatre (A.R.T.) in Cambridge, Massachusetts. The play premiered under a big top tent in Las Vegas on 1 April and is now playing at the A.R.T's Loeb Drama Centre.

The Tempest tells the story of shipwrecked aristocrat Prospero and his daughter Miranda who wash up on the shores of an enchanted and strange island. They find themselves immersed in a world of trickery and amazement, in which Tom Waits' and Kathleen

Australia - ArKaos PRO's Australian distributor, ULA Group, were once again a proud sponsor of 2014 BMW Bruce Lynton Charity Ball, a prestigious event hosted in May at the RACV Royal Pines Resort on Australia's Gold Coast. Working together with Jesse Radatti from Digital Lighting Solutions, the team delivered a spectacular production for the ball, which has become one of the Gold Coast's prime events.

Australia's famous Choirboys, supported by local group,The Accidents, were entertaining the crowds until late into the night. The evening's celebrations were crowned by a pixel mappable chandelier, installed as a centerpiece in the Grand Ball Room. This was controlled by ChamSys MQ 60 console through ArKaos PRO media server technology to create a festive atmosphere for the event.

Bruce Lynton Prestige Automotive Group dealer principal, Beric Lynton, explains that the event's sole

UK - On the eve of the International Theatre Engineering and Architecture Conference 2014 (ITEAC 2014), taking place this Sunday until Tuesday (8-10 June), the Association of British Theatre Technicians (ABTT) looks forward to welcoming leading experts in the backstage arts, to London for 'one glorious week in technical theatre'.

As recorded in its Memorandum of Association, the ABTT was founded to achieve "the advancement of public education in the technical subjects connected with the theatre and theatrical presentation and the promotion for the benefit of the public of good theatre design and technical presentation of theatrical works".

Both ITEAC 2014 and the ABTT Theatre Show at London's Old Truman Brewery on the following two days (11-12 June), fulfil this objective through the exchange of ideas and information amongst those concerned with the accommodation and

South Africa - When Canadian singer-songwriter Tamia came to South Africa on her three city tour, six Robe Pointes were used for the Johannesburg leg of the tour hosted at the Carnival City Big Top Arena. Magz Schoeman, head of lighting at Carnival City was the lighting designer for the show hosted on the 27-28 April.

Schoeman started her journey by getting her hands on Tamia's music. "Tamia's sound is very chilled and after the first song, I thought pink." With soft pastel colours in mind, Schoeman used six Robe Pointes, eight Robin 100LEDBeams, eight Robin 300s, four Robin 600s, six Robe MMX Spots, four Martin MAC 550 Profiles and 12 MAC 575 Krypons and six bars of 6 LED pars to create something special and a design which was complimented by the event organizer.

"The Pointes were great," said Schoeman. "It was the first time I used them and I love th

UK - Blackout was commissioned to transform East London's Old Truman Brewery to make it catwalk ready for Graduate Fashion Week (GFW) 2014.

A platform to showcase fashion's future rising stars and known for launching careers of the likes of Stella McCartney and Julien MacDonald, this year's GFW attracted over 25,000 guests, hosted 20 catwalk shows and showcased over 40 talented universities.

The annual event, in its 23rd year, made the move to the edgier East End, deciding on the Old Truman Brewery as its new venue. Blackout's experienced rigging and draping team were called in to install two catwalk structures; one using ground supported truss and the other flown using 10 half ton motors.

"The two catwalks were held in completely difference spaces, Catwalk A was upstairs in a much lighter room with skylights and Catwalk B was located on the ground floor," explaine

UK - At ABTT 2014 Sennheiser UK will focus on the parts that the company's products can play in delivering perfect audio in all manner of theatre productions and installations.

Sennheiser's Digital 9000 Wireless Microphone system offers premium quality uncompressed digital audio for those theatre professionals who are unwilling to compromise on sound. With its intuitive, easy to navigate menu system and comprehensive feature list, including the ability to choose from up to 12 microphone heads for the handheld transmitter alone, Digital 9000 delivers unparalleled sound quality and takes professional users to a whole new level of dynamics, previously unavailable to wireless system users.

For those visitors on tighter budgets, Sennheiser's 3000/5000 Series of wireless products will also be on display. The SK 5212 II body-pack transmitter, along with the EM3732 II receiver, have b

UK - Tinie Tempah's 11-date UK and Ireland arena tour this spring was backed by staging rental outfit LS-Live.

The Temptation tour, which travelled from Wolverhampton Civic Hall and finished at The O2 Dublin in April, replaced cancelled shows from 2013 and showcased music from his Disc-Overy album and the more mature grime-pop sounds from his recent album Demonstration.

LS-Live welcomed the opportunity to work with Tinie Tempah and the team once again to design, build and modify the set at its arena-sized rehearsal unit. LS-Live designer Gaz Mallon worked closely with show designer Anthony Randall and production manager Phil Broad to ensure their creative vision was aptly brought to life for the relatively brief, but big-bite, tour.

Said Gaz, "They wanted to create the look of an underground, grimy car park, like those you find beneath city apartment block

UK - SMG Europe, the largest operator of sports and entertainment venues in the United Kingdom and Europe, have selected amBX dynamic lighting control for the iconic Phones 4U Arena Manchester. amBX will enable flexible and dynamic control for the upgraded lighting in the Concourse area as part of a significant investment in the famous venue.

Neil Macdonald, chief executive of amBX said, "We are delighted to have the unique capabilities of amBX recognised by such a major operator in this way. In addition to managing all the operational lighting requirement, amBX Light-Scene Engine will also be providing a flexible and dynamic solution to enhance how lighting can be used to enhance the experience of the venue."

The amBX Light-Scene Engine is the latest lighting control offering built on amBX technology. The Light-Scene Engine has been designed to be easily integrated

Spain - A Marte Cabaret (A Mars Cabaret) is a full-on intergalactic party, action packed with humour, eroticism and fun - in a secret place that's full of mad characters and idiosyncrasies where humans can explore fantasies and crazy ideas without inhibitions.

Produced by Hoy No Me Puedo Levantar - responsible for the long running eponymous musical and numerous other shows along Gran Via Madrid's main theatrical artery AKA 'Spanish Broadway' - this show staged at the off Gran Via Rialto Theatre, and has been lit by award-winning lighting designer Felipe Ramos.

The overall theme of the show - inspired by some of the grand cabarets of Paris but with a definitely space age twist - gave him plenty of scope for imaginative lighting design - and he chose 12 Robe Pointes to be right at the core of the lighting rig.

A Marte Cabaret is his first collaboration with the producers, alth

Europe - Copious Clay Paky beam fixtures have been employed by lighting designer Jerry Appelt in his 'reach out and grab you' lighting design for Scooter's European tour 20 years of Hardcore.

Appelt's design is an eye-opener, with the German lighting designer rigging a mix of over 100 x Clay Paky Sharpys, 26 x Alpha Spot HPE 1500s and 12 x Alpha Beam 1500s supplied by PRG Hamburg, in strict configurations across huge fingers of truss that reach out across the audience.

"The concept behind the design was not to worry too much about the stage and really play out to the audience," explains Appelt. "We built four vertical columns upstage upon which we rigged the Clay Paky beam fixtures. These columns then lead out into four 'fingers' of curved truss heavily rigged with Sharpys. The fingers are designed to reach out above the audience creating an all encompass

Brazil - Allen & Heath's iLive-112 digital systems were used at Brazil's famous carnival celebrations to manage the live performances of renowned international artists including Claudia Leite, Jota Quest, Pericles, and Michel Telo. Mixes were also routed to four GLD-80s, which handled the worldwide broadcast feeds.

Allen & Heath's distributor, Teleponto, supplied the consoles, designed the systems, and managed the live performances and global transmission of the carnival. Six teams and a total of 70 staff were required to ensure the successful operation of 6 straight days of transmission and 72 hours of live broadcasts.

The GLD-80 consoles were used to handle audio feeds sent from several remote locations spanning over 2km. In addition, four AR2412 and eight AR84 audio racks and over 7km of optical fibre cable were used.

"With more than 2m people in attendance and simul

Brazil - This month Brazil hosts the FIFA World Cup for the second time, now with technology playing a major part in ensuring the enjoyment and safety of visitors.

Estadio Mineirao was the first of three 2014 World Cup stadia to be completed using Community loudspeaker systems. Soundvision Engineering, the largest professional audio and video contract integrator in Brazil, was commissioned to design and install the audio systems by Emílio Miranda of Johnson Controls Brazil, the contract holder for Estadio Mineirao.

Soundvision's CEO, Antonio Tadeu Torquato, and new business manager, Leandro Freire, carried out an extensive evaluation of loudspeaker systems that would provide the best solution for the arena. They concluded that the first choice was Community, proven for all-weather reliability, well-defined coverage and high intelligibility.

After installation, performance a

UK - This month sees Sennheiser UK launch Trade In Trade Up, the latest in its on-going initiative to ensure that all wireless microphone users are operating on legal UK frequencies.

Trade In Trade Up, which runs for three months until the end of August, offers a £100 discount against any new Sennheiser evolution wireless microphone system or IEM for anyone trading in any old, out of date or unwanted wireless system, working or not.

"Since the move from Channel 69 to Channel 38 for general wireless microphone use across the UK, Sennheiser has been working hard to make sure that everyone who uses a wireless microphone, from the biggest tour to the smallest pub band, theatres and concert halls, corporate events and television and radio reporters, has the correct equipment," says Simon Beesley, Sennheiser UK product management. "This is vitally important as C

UK - Nick Gray of London-based live performance design practice Renegade created an inventive lighting and visuals scheme for the highly acclaimed Atomic Bomb tour by a new international super-group led by David Byrne to honour the work of obscure Nigerian funk musician William Onyeabor.

Onyeabor's distinctive rhythmic, funkadelic, spacey synthesiser-orientated grooves were composed in the 1970s and 1980s when he was a prolific composer / performer, highly original and forward thinking. Since then he has gained a cult following amidst musicians and music aficionados.

An anthology of his old work Who is William Onyeabor? was released by David Byrne's Luaka Bop record label last year, and this was recently followed by a live concert tour to bring the Onyeabor experience to an inquisitive public.

Gray was approached directly by Luaka Bop who had seen his lighting

USA - Sensaphonics reports that five more hearing health professionals have successfully passed the company's Gold Circle training seminar. The two-day course includes in-depth teaching sessions at Sensaphonics headquarters, plus a hands-on studio session with a live band. The event took 23-24 May 2014, at Sensaphonics headquarters and Mystery Street Recording Company, both in Chicago.

Those gaining their Gold Circle certification include: Theresa Bartlett of Virginia Hearing Consultants in Norfolk, VA; Helene Levenfus of Cedar Audiology in Lyndhurst, OH; independent audiologist Analise Ludwig of Minneapolis, MN; Eric Nelson of Weill Cornell Medical College in New York; and Dale Radke of Hearing Consultants in Kittery, Maine.

The Gold Circle seminar teaches audiologists the specific skills required to successfully assist musicians and sound engineers, an outlook that includes

USA - Professional comedians often use an ellipsoidal, a few house lights and not much else for their performances. Not so with Gabriel Iglesias whose current Unity Through Laughter tour has him travelling across the US with an Elation lighting rig of spots, washes, strips, strobes, PARs and more, including the new Elation Satura Spot LED Pro moving head.

Supplied by Sacramento Production & Lighting, the Elation lighting package was chosen for several reasons including durability and price point, a major consideration these days for the touring market, according to Dion Cook, Sacramento Production & Lighting's CEO.

Dion explains the concept behind the show. "The concept for the past five years has been to give the audience more than just a run-of-the-mill comedy show with a guy in front of a curtain," he says. "And by that I mean it needed to be an experi

Belgium - Established in 1990 in the Belgian municipality of Kuurne, Temple of Tune specialises in television, film, corporate promos and radio commercials. With owner Fredo Gevaert always striving to improve the facility's service, his investment in a Yamaha Nuage system has reaped immediate dividends.

Temple of Tune comprises four studios, all connected by a network of hard disks, so that several can work on the same project at once, files can be quickly moved around, sound effects quickly accessed and so on. Working on major projects in Dutch, French and English, a regular part of the facility's work is in Automated Dialogue Replacement (ADR).

All four studios have used Steinberg Nuendo for many years, which Fredo is happy to continue doing. But, as a company which is always trying to do make its workflow easier, quicker and more efficient, Nuage has solved one of Nuendo's

South Korea - French lantern manufacturer, Robert Juliat, has been enjoying increasing success in Korea with long-term distribution partner, C&C Lightway.

C&C Lightway has worked with Robert Juliat for over 20 years, promoting the brand in a strongly competitive market.

"We are up against strong competition from long-established, premium-brand Japanese manufacturers, particularly for conventional fixtures like Fresnels and ellipsoidals," says C&C Lightway's Hwan-Soo Chung. "However, we have worked to raise awareness of Robert Juliat's great reputation to the same level it experiences in the followspot market where we have enjoyed a good market share for several years."

C&C Lightway, which has established long-term working relationships with all of its clients, has recently supplied Robert Juliat lanterns and followspots to Seogwipo Culture & Arts Centre,

South Korea - Kinoton Korea, Inc. is named as Audient's distributor of its full range of products in South Korea, including the USB interface, iD22 and the eight-channel mic pre and ADC, ASP880.

Managing director of Kinoton Korea, Inc., Mr Chris Bae comments on the partnership with the British manufacturer, "We, Kinoton Korea, Inc. are pleased to work with Audient and are very ambitious to promote the high-quality products to the Korean market and look forward to having great success and feedback from the market very soon."

Audient's sales & marketing director Luke Baldry confirms, "Audient's focus is on quality, which is supported by a proud heritage. Chris Bae and his team have a strong knowledge of the South Korean market, and we have every confidence that they will handle Audient sales, support and service at exactly the right level."

(Jim Evans)

Denmark - TV lighting designer extraordinaire Kasper Lange was 'blown away' by the power of the Clay Paky fixtures used in his highly efficacious lighting design for TV event of the year, Eurovision.

Denmark based Lange worked with Eurovision's creative director Per Zachariassen to create a huge, structural lighting design that complemented the show's titanic 'diamond' stage. Lange crafted a clean, architectural lighting look that allowed the angular stage to 'open and close' creating a dynamic mix of open and intimate lighting looks.

"The brief for the show can be summed up in two words - big and simple," explains Lange. "The contest was open to almost 40 different nations and each nation's set needed a different lighting look. The challenge for us was to make each song look unique but also to introduce an organic flow throughout the show and not create a 'mash

Portugal - NEXT-proaudio has announced the appointment of Phoebus S.P.A as its exclusive distributor for the Italian market.

Phoebus S.P.A. is an established high-end electronics company based in Milan that has always operated in the electronic systems sector supplying conference equipment, audio-video communication and management systems. Now they are starting with NEXT-proaudio for the professional audio segment.

"I met Mr. Luciano and Mr. Tommaso at prolight+sound 2014 and I understood that they were the perfect choice to be the NEXT-proaudio distributors in Italy because They are a very well-known company in that market and they always worked with high-end products. All the team of Next-proaudio is very happy to star with Phoebus," says Andre Correia, NEXT-proaudio assistant manager

"We are very happy to start this distribution. We believe that the distrib

Germany - Sennheiser has founded a new competence centre for innovative streaming solutions, Sennheiser Streaming Technology GmbH (SST).

Sennheiser Streaming Technologies combines the German family-run company's 70 years of experience in the field of audio technology with future-oriented development in the area of streaming. The subsidiary is based in Hamburg and is initially focusing on low-latency streaming to cellular devices.

Jörn Erkau has been appointed managing director of the new company. The 47-year-old has considerable experience in the production of visitor information and audio guide systems. He has collaborated with Sennheiser in the past. He will be supported by Peter Claussen, president of the Integrated Systems Division at Sennheiser, who will also be an SST managing director.

"We will create hardware and software solutions that make life more pleasurab

UK - When Wicked opened at the King's Theatre in Glasgow in May, little did the management realise it would be the highest grossing show in the history of the venue. Over 53,000 tickets were snapped up for the show's sell-out Scottish premiere.

But to ensure the venue could play host to the spectacular musical phenomenon, it needed a little assistance from the team at Unusual Rigging, specifically to make the grid of the King's compatible with the magnitude and distribution of suspension points required for the show.

Gavin Snelling, project manager at Unusual Rigging, said, "The main problem in staging Wicked at the King's Theatre was the overall weight of the show. The King's grid was not strong enough to provide the suspension points required and so Unusual was brought on board by Mike Jackson, ATG's external consulting engineer, to install an array of ste

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