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14 March 2016

Over the course of the summer of 2014 several promoters hired in Traction rigs for events where they required a superior sound to what was already installed, and the manager Robbie Whishaw and then owner John Holland were won over by the high clarity, big bass and high SPLs achieved from very few boxes. Discussions began to have new systems installed on both floors ready for Audio's 10th Anniversary celebrations on 12 September.

Before it was Audio, the venue was called The Escape and ruled Brighton's nightlife for 20 years. It's basement saw names such as The Stone Roses, Carl Cox, Fatboy Slim and Daft Punk grac

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14 March 2016

In 2013, in an on-going effort to reach out to more people and at different levels, Ward began to offer four different worship styles in three different venues, all on the same campus. When a contemporary service was launched, Bryan Guelzo was brought in as part of a full A/V renovation.

"When the current building was built about 15 years ago, no one had dreamed that Ward would be holding a contemporary service, let alone shoot HD video, Imag and stream services online," stated Bryan, who has worked as Ward's full-time AVL engineer since July of 2014, working alongside Austin Germain (director of production for worship), Billy Petty (director of wo

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14 March 2016

Hangar B2 at Cotswold Airfield in Kemble, Gloucestershire, UK, a vast space built as a World War II RAF station which also served as a base to the Red Arrows aerobatics team until 1983, it's been largely utilized for storage since then ... was transformed into a gleaming modern airport fantasy world for the event.

Bright developed the design concept and CPL helped realize this by providing the full technical production - rigging, staging, power, video, sound and lighting.

CPL's project manager Lee Gruszeckyj led their crew of 10, working closely with Bright's production manager Andy Oswin.

While the building structure is well engineered and has a de

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14 March 2016

The band just marked the debut of their fifth studio album, .5: The Gray Chapter which was quickly followed by performances at their own Knotfest in San Bernardino, California. They began headlining the Prepare for Hell tour afterwards.

Trevor Ahlstrand, lighting designer/production designer for Slipknot, is using a grandMA2 full-size and amongst others 30 Clay Paky Stormy, obtained from Christie Lights, on the shows. Ahlstrand chose the grandMA2 for the show for "its reliability and worldwide availability".

He says the grandMA2's "speed and precision with individual parameter timing and effects are grea

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14 March 2016

The band last played the Sportpalais four years ago, in a series of landmark multi-date end-of-year shows that had become an annual end of year concert experience. Back in 2014 in some style with a six-month tour, they wanted to end the year with a performance phenomenon that was high-impact and memorable and different.

The initial concept discussions between Luc and lead singer Koen Wauters started nine months in advance. Of all the shows that the band have performed in Belgium's favourite arena ... they enjoyed 2003's in the round presentation the most.

Clouseau have

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14 March 2016

"When setting up this type of lighting design you really have to be aware of your position and fixture choices," began Grill. "While the physical set-up of the stadium and the realities of lighting an outdoor event will dictate these choices to some extent, you really have to make sure you choose the right manufacturer's fixture for each position and purpose. I have worked with Vari-Lite luminaires f

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14 March 2016

An American country music band from Texas, The Eli Young Band released its 10,000 Towns album earlier this year. During its career the band has had three singles reach number one on the Billboard country charts. The band is currently on a North American concert tour and just finished hosting its popular yearly House Party concerts on back-to-back weekends at Globe Life Park in Arlington, Texas and Minute Maid Park in Houston.

"The overall design of the tour is high-impact versatility," says lighting designer David Carr. "We deliver a lot of speed with fast moving lights and design."

Carr uses eight Clay Paky Sharpys as floor lights for t

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14 March 2016

The lighting for this special one-off - which also celebrated the start of moe.'s 25th year - was designed as a larger version of their recent touring system which had featured 12 x Pointes hung on a custom structure and used to create most of the signature looks.

For the New Year's Eve show, the Pointe count was upped to 24 ... plus a few wash lights and strobes. The additional 12 Pointes were flown on the venue's house bars and helped fill in the spaces with additional lighting.

Preston loves the almost endless variations on the beam offered by the Pointes.

"There's so much scope that I can keep a whole show fresh throughout just by using Pointes as the hard-

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14 March 2016

Despite having painstakingly kitted out his studio with a lot of coveted vintage outboard gear, his work involved so much travelling that it was often left unused. "Finding a set up that I can take with me is what I've been working on more recently," he explains. "I wanted it to be clean, reliable and mobile so I went straight for the ASP880 combined with the iD22. The clean sound and separation I get from the units is amazing; that combined with the quick ease of use is perfect for any project studio."

Hogan has always found himself drawn to production - even in the early days. He confesses, "Most of my time in the studio (when n

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14 March 2016

The striking video feature - which moves on all axes and rotates throughout the show - is at the hub of the spectacular and inventive set, lighting and visuals show created by Gunther Hecker.

In addition to displaying conventional playback video, its different fascias are used as alternative lightsources. In the second half of the show, three large sections of gold mirror surface rise up from ground level around three sides of the stage, and the video takes on yet another dimension with these used to bounce and reflect its ambient light back onto the stage.

The Wicreations team led by project manager Yves Vervloet, was approached by Ste

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14 March 2016

Stage manager Nik Rea approached All Access to provide the tour with a riser package. A multi-level riser system was put together with the decks in a diamond configuration which was filled in along the back from our stock triangular decks to produce areas for the band to move around on.

The production also used All Access rolling risers throughout the summer on their festival tour.

The All Access Versa system is designed so you can create the stage you require. Whether it is onstage risers or our proprietary rolling stage system.

(Jim Evans)

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14 March 2016

The Festspielhaus was built by STABAG (the general contractor) and designed by Delugan Meissl Associated Architects, Vienna. It seats over 862 people (there are 732 seats in the galleries and 130 removable seats in the orchestra pit area) and has the largest orchestra pit in the world (160 sq.m / 190 sq.yd.). The building covers no less than 7000 sq.m / 8372 sq.yd. Johannes Laugwitz (CA GmbH) from Königsbrunn was called in as technical lighting manager and grandMA2 operator for El Juez.

During his task, he was able to count on Clay Paky A.leda Wash K10s, A.leda Wash K20s and Alpha Wash 1500s.

Laugwitz faced a real challenge owing to budget and rigging limitations: the lighting technicians, led by Andrea Steiner, Ludwig Sigel and Roger Irman, only ha

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14 March 2016

The company, based in the lively, colourful and historically significant Xochimilco district of Mexico City, purchased 20 x Pointes which went straight out on tour with Mexican superstar rock singer Alejandra Guzman, whose lighting is designed by Martin Contreras.

MIXPRO's commercial director Ricardo Dabne had wanted to expand the company's lighting division with a new moving light purchase, and so began asking people what brands and models of lights they would recommend. This included Martin Contreras, who was one of the first LDs in Mexico to use Pointes on a previous tour.

MIXPRO made the decision to purchase based on this research, on Martin's good experiences with the fixtures and also the excellent after

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14 March 2016

Performance communications is an important element in Esplanade's daily operations, ensuring that all show cues are executed accurately on time and that the performances run smoothly. The existing partyline system was producing constant 'hum' and 'buzz' noises that are inherent in typical analogue systems. The noise was audible and at times, affected the quality of some of the quieter performances, so the decision w

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14 March 2016

Lighting designers Dave Charman & William Barrett of Liteworx AV LTD designed the ceiling with all equipment supplied by Liteworx AV LTD. The W-DMX System was specified and supplied by Nick Teryll from UK W-DMX distributor Whitelight.

Charman explains, "The W-DMX system was used solely to transmit data to the moving triangle pixel tubes, while the motor dat

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14 March 2016

The stadium's artificial turf and competition track were recently upgraded, but for several years, its sound system had been unreliable and fans often complained about intelligibility.

In 2014, the Conroe school district chose TASC A/V to provide a new sound system. TASC designed a system based on Community R6-51 high-output, horn-loaded loudspeaker systems. TASC Project Manager, Anthony DiDonato explained, "Our only real option for locating the loudspeakers was at the scoreboard. So, we needed an extra-long-throw box to cover over 150 yards. Plus, this is Texas football - we needed high SPL at long distance to g

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14 March 2016

Lighting designer Lars Murasch of TLT Event AG used nearly 100 Robe moving lights on his rig this year - 64 Pointes, 16 x MMX Spots and 18 x MMX WashBeams. The event featured all-action performances by Tony Christie, Tokio Hotel, Laith Al Deen, star violinist David Garrett and mezzo-soprano Katherine Jenkins, David Hasselhoff, the Hermes House Band and many more who were enjoyed by around a million visitors and broadcast live on Germany's National ZDF channel.

The Pointes - more than on last year's show which was also designed by Lars - were dotted all

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14 March 2016

B&A is located in Madrid, with warehouses in the outskirts of the city to keep a stock and support customers efficiently.

"They are recognized as a premier firm with the proven ability to successfully provide flexible and effective solutions at short notice. They truly have solid knowledge and 25-year strong experience of technologies and special needs of cu

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14 March 2016

The PLASA (formerly ESTA) Foundation's Behind the Scenes charity has been assisting industry members in North America since 2006, providing financial assistance to entertainment technology professionals, or their immediate family, who are seriously ill or injured.

Originally modelled on the UK-based Light Relief charity, Behind the Scenes was recently extended to cover the UK entertainment technology industry as well, and brings Light Relief under its umbrella.

Under the charity's Pledge a Product programme, Chroma-Q North American master distributor, A.C. Lighting Inc., will make a contribution for every Color One

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14 March 2016

Candidate information, including eligibility requirements and applications, is available on the ETCP website (http://etcp.plasa.org/usitt2015.html). Materials can also be mailed by contacting Meredith Moseley-Bennett, ETCP Certification Manager, at 212-244-1505 or etcp@plasa.org.

Those unable to make it to USITT are encouraged to register and take an exam at one of over 190 computer based testing cen

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14 March 2016

The show, which is created in association with the Robert Stigwood Organisation, and is based on the classic 70s disco film of the same name, is directed by Ryan McBryde and choreographed by Andrew Wright.

This new production includes a multi-surface set which moves and changes throughout the show creating an ever-changing projection canvas. Andrzej Goulding's design calls for a combination of rear and front projection with content mapped on to both the moving and static elements.

XL's Project Manager, Ed Cooper worked with Goulding to specify the package of projectors and media servers to satisfy the design brief.

For rear-projected billboards, XL Video supplied

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14 March 2016

There was the non-stop energy, the down-home rapport with the crowd, the dazzling pearly white smile, the exhilarating dance moves, the hard driving music and, to set an appropriately powerful visual tone for it all -- a dynamic lightshow that included 104 ÉPIX Strip 2.0 pixel mapping strips from Chauvet Professional.

Lighting designer Justin Kitchenman of Fadeup Design Group wanted the large collection of pixel mapped EPIX Strips to serve as a kind of electrifying visual link that tied his power-packed multi-dimensional design togeth

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14 March 2016

Project managed for HSL by Lee Farrell, this year's clutch of productions saw HSL working with a host of talented theatre lighting designers, including Nick Richings, Ben Cracknell, Matt Clutterham and others.

Some intense logistics included dispatching 23 trucks from HSL containing approximately 1013 moving lights, 838 generics, 74 standard strobes and over a thousand egg strobes fitted into festoon.

This year HSL purchased 1051 new moving light gobos and 234 new generic gobos to supplement the already massive Qdos gobo stock managed by the company. Over all the 21 shows, HSL fitted in excess of 2000 gobos into moving lights and dispatched over 8

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14 March 2016

"The DIGI Awards recognises the service providers who have gone the extra mile to ensure success for their clients, thereby furthering the digital signage industry as a whole. The Judges Choice Award winner impressed the team of experienced judges for its innovative use of technology and mass audience engagement, in a way that went beyond normal 'digital signage'," said David Keene, executive editor at NewBay Media's Digital Signage Magazine, and chairman of the Judges Committee for the DIGI Awards.

Vivid Sydney is an 18-day festival of light, music and ideas - the largest of its kind in the Southern Hemis