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14 March 2016

Having completed the launch of the Puma Arsenal Home Kit in June, innovision was tasked with creating another experience that was 'Powered by Fans'; using local supporters from the region as a key ingredient to energise the big reveal execution.

innovision designed a giant 5m high 3D torso as the centrepiece of the stage, set against a 15m x 5m LED wall. Hundreds of local fans sang a classic Arsenal away chant to power the countdown to the launch before a graphical 'lightning storm' struck the LED walls. A projection mapped sequence gradually revealed the new kit, stitching the new shirt to the torso. Completing the launch, 10 Arsenal first team

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14 March 2016

Following an initial winter leg in arenas and theatres, the band's current summer tour is playing outdoor venues across Spain. Lighting, sound and visual equipment for the tour, including the Cuepix Panels, is being supplied by PRG of Spain.

The three light crosses make up the set's visual overhead focus, each cross mounted on an individual cross-shaped truss structure and made up of 13 Cuepix Panels (39 total). Part of Elation's Cuepix Series of LED blinders and strip

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14 March 2016

Koert Vermeulen worked alongside creative director Marco Balich of Balich Worldwide Shows and architect Florian Boje from Gio Forma Architect for the project, specifying the award-winning Clay Paky fixtures from rental house Agorà. Located on the Expo site in front of the Italian Pavilion, The Tree of Life serves as a centrepiece and meeting place throughout the 6-month event, with the light show repeated twice daily to entertain visitors.

"The Feeding the Planet, Energy for Life theme of the Expo is reflected in the light show," explains Vermeulen. "It evokes the relationship between man and nature and the Mythos play a particul

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14 March 2016

Central to the backline were 36 ProCan Par 64s, with custom finish turned around in record time by TMB. Six rows of six ProCans, at 1000W each, could be seen by a Glastonbury audience of over 100,000 from any location at the world's largest greenfield festival.

Also across the backline a large 'kinetic wall' of mirrors, made by Jeff Wickley, was agitated to great effect by 20 DMX-controlled ProFan wind machines. Built into the stage risers was a Firefly LED festoon system with clear Filament versio

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14 March 2016

The lights - three MiniMes and seven LEDBeam 100s - were specified by Tom Griffin of Griffin Automation OSF and are installed in the centre of the venue. Their small size and unobtrusive design is a perfect blend with the classy high-detail style and vibe on display at Haven.

The Robe units were recommended by David Chesal, who was asked by Haven's technology director Ricardo Agudelo to provide a fresh, new, contemporary lighting scheme that offered something different and interesting for Haven customers.

"They were abs

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14 March 2016

Posh, the production manager for The Rabbit Hole, explains that "our music is primarily house-based dance, and we have live bands with DJs in between, so the sound system is integral to the success of the venue. Nexo's STM set-up looks as though it's not going to do that much but, when you turn it on, it does an awful lot."

Set up as a quad system, STM modules were groundstacked in the corners of the venue. Each stack comprised

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14 March 2016

Led by Clare Scherer, assistant director at the RNRMC, the day featured a dinner provided by Chamberlain's of London with guests entertained by the RMA Jazz Trio followed by a performance from All That Malarkey cabaret group. Clare comments: "We wanted to host an event which would not only raise funds for the charity but would also be highly entertaining within a unique setti

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14 March 2016

While 14 of the G-Spots, provided by HSL, graced the main stage (seven on each PA wing) elsewhere the scramble was on to secure inventory, in particular, for the popular and award-winning P-5 washlight.

Main stage lighting was supplied by Neg Earth, and with The Who headlining, their LD Tom Kenny, had nothing but positives to say about G-Spot. "I was impressed with its power, and the way it fought through everything else. I also loved the colour and they matched the other fixtures well."

Enlightened Lighting's Simon Marcus was one who drew on the P-5s to

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14 March 2016

Production audio - as well as lighting - is provided by Nashville-based Morris Light and Sound. Working with Chesney's front-of-house engineer Chris Rabold, they have pioneered the use of Nexo's STM Series modular line array to deliver in such large venues.

The 2015 Big Revival Tour marks ML&S and Rabold's second outing with Nexo. Chesney's regularised tour schedule - playing many of the same venues, with the same crew and the same rental provider - has provided near-scientific conditions for judging the development of Nexo's radical modular

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14 March 2016

Not surprisingly, thousands of people from throughout Southern California decked for the most part in lavish red, white and blue stream into the park every Fourth of July to take in the city's largest rooftop fireworks display. This year, in addition to the pyrotechnics, a collection of 20 Next NXT-1 panels from CHAUVET Professional also tickled the eyeballs with an intensely bright and fast moving lighting display.

Kinetic Lighting of Glendale, CA positioned the moving LED panels on the truss structure at one of Grand Park's two music stages. Powered by 25 pixel-mappable RGBW LEDs, and producing razor sharp beams with an illuminance of 22,780 lux at 5 meters, the Next NXT-1 had

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14 March 2016

Grönemeyer's music and message for this tour is straightforward and uncomplicated, so Gunther's design was based on the Bauhausian principals of simplicity with clean lines and clear definition, all the time keeping the understated - and sometimes reluctant superstar - as the focus onstage.

The six pods (in the full rig format) are initially in their 'home position' in the roof and move to various different looks throughout the show - completely changing the dynamics of the stage space and also creating an impressive high-impact wow factor. The first time they come into their full vertical positions

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14 March 2016

The concept for the LED screen was the idea of Years and Years lighting designer Chris 'Squib' Swain. It reflects the cover artwork for the band's debut album Communion, with coloured branches of LED strips intersecting at different angles from a central 'Y' shape.

Years and Years have played some of the summer's biggest festivals, including Glastonbury, BST in Hyde Park, and T in the Park.

London-based controllable LED specialists Light Initiative created the screen. It is freestanding at almost 5m high and constructed in sections of LED which makes it easy to install, dismantle, and travelwith short festival turnarounds in mind.

"Avolites' Ai Infinity EX8 can take an LTC timecode inp

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14 March 2016

Recently, A/V integration firm TSI Global Companies, based in St. Charles, Missouri, designed and installed a comprehensive music playback, paging, and sound masking system for the student centre. The new system covers all three floors via 18 zones from a centralized location, but because TSI used Ashly Audio network- and CobraNet-ready multi-channel amplifiers, it required only minimal cabling.

"There were a few spaces, such as the bookstore and a few of the other retail

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14 March 2016

By allowing companies the option to hire without corporate memberships, this means that the National Gallery is opening up its Central London spaces to a wider range of clients than ever before. Alicia Earls, White Light's business development manager, comments: "The National Gallery is such a historic and renowned venue so this is a really exciting development. It will see more organisations use their amazing spaces and, as a result, ensure that the events they host will be elevated by taking plac

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14 March 2016

Ben Lightowlers, head of sound at Sydney Theatre Company's Wharf Theatres, had been looking for almost two years for a digital replacement for their aging wireless comms system, but kept coming up against the recurring problems of sound quality and digital signal latency. "There were teething problems in digital wireless technology," he related. "Latency was a problem across many brands, and the audio quality just wasn't there. Latency was particularly troubling; if there's someo

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14 March 2016

Tom worked in close collaboration with a creative team including production designer Anne Brahic and art director Aaron Black. He was also assisted by over 250 Robe moving lights.

With some of the most popular country music stars taking the stage for the event plus a series of sometimes unexpected collaborations, the show was kick started with a full on DJ Zedd / Lady Antebellum set.

The CMTs present a series of fan-voted awards for country music videos and television performances, broadcast live on the CMT network with voting administered via CMT's website.

This year Tom chose 93

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14 March 2016

Monitor engineer Ed Janiszewski has been mixing for Luke Bryan since 2008. From Bryan's time playing honky-tonks to today's massive stadium and festival gigs, the 2MAX has been a constant for both. "We're huge fans of Sensaphonics," says Ed. "The sound quality of the 2MAX is outstanding, and they are the most comfortable in-ears out there. Luke never wants to go on stage without them, and I feel the same way."

Another key benefit for Bryan is the high isolation of Sensaphonics all-silicone construction. "Luke does part of his set on a

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14 March 2016

Eighty golfers teed up for a bit of friendly competition to raise money for the foundation, which provides a range of support services for cancer patients and their families, and over 90 arrived for dinner, a charity auction, and entertainment hosted by Russ Williams.

The day involved a range of events that included a long putt challenge, a game of heads and tails and the infamous raffle, giving participants plenty of opportunity to showcase their skill, or luck, while raising money for a superb and worthwhile charity.

Three customers - Autograph, Rocom and European Wealth, Sennheiser's benefits providers, sponsored hol

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14 March 2016

This was the first Glastonbury visit for Hippotizer V4. For the production on the John Peel Stage, Hippotizer V4 drove video on nine vertical columns of LED, supplied by Vortex Hire along with their Hippotizer V4 Karst.

"After our recent investment into Hippotizer V4 we were excited to test drive our Karst Server at Glastonbury on the John Peel stage." said Matt Gourd of Vortex Hire

"Knowing that many of the acts would be broadcast live, we needed a stable media server solution to show content on our custom stealth LED screen setup. The LED strips were used as an eye-catching backdrop to this year's bands/artists and was received well by all."

For the eighth year run

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14 March 2016

For the latest Pointless recordings, filmed at the BBC's Elstree Television Studios, the production team asked XL Video to create a new rigging solution for the show's central LED scoreboard.

To create greater efficiency in the set-building process, the new rigging system aimed to substantially reduce the build time for the scoreboard tower. XL Video's TV and film manager, Jeff Bailey worked with XL's specialist LED team in Oostende, Belgium, to specify the new tower support design.

The three-section custom metal column, fabricated by Shapes in Belgium, enabled the Barco NX6 LED to be pre-loaded into the curved scoreboard at XL's warehouse, along with the matching base se

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14 March 2016

The function of the screen is three-fold, director Luke Collins cuts some straightforward IMAG from two cameras in the pit and runs some distinct content. "The band adopted a written motif for the latest album 48:13," he says, "and continue that theme in the content on screen with key words associated with the lyrics. Then there is the interactive module, which is really dynamic."

Developed as an add-on for D3 media servers, the Demolition interactive module

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14 March 2016

On outdoor duties was the ProLights Solar IP65 washlight. Used to light the exterior of the buildings and marquee, it extended the ambience of the event into the outdoor spaces. With its powerful output and fantastic colour range, the Solar is perfect for bringing large outdoor spaces to life.

The Solars were really put to the test, operating throughout one of the hottest July daytime temperatures of recent times, as well as heavy overnight thunderstorms.

To welcome leading lights of the motorsport world, the ProLights Ruby beamlight

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14 March 2016

Sound reinforcement for the event (featuring a 200-strong choir and a 35-member orchestra), was provided by Dee Jay Service and featured an all-Outline set-up.

The system comprised 40 Butterfly modules (a main system with eight-module left and right main hangs and a pair of delay towers, each with twelve enclosures). A pair of DBS18-2 subwoofers were installed under each of the four arrays and four Doppia systems were used on front-fill and out-fill chores. The monitor set-up featured two DVS 8, positioned alongside the Pope's chair, and a H.A.R.D. 115 for side-fill purposes at each co

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14 March 2016

The building houses two performance venues - a 500-seat theatre and a 150-seat flexible studio space - as well as five cinema screens, gallery space for contemporary art exhibitions, a café bar and a restaurant. Leading technical systems integrators, Stage Electrics, were responsible for supplying full stage engineering, stage lighting and audio systems for the main theatre including a complete theatre sound system from British manufacturer, EM Acoustics.

For HOME's Sound supervisor, Paul Gregory, the choice of EM Acoustics for the main theatre was vir