Business

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14 March 2016

Fineline has been a big investor in Avolites control, particularly in the last two years, explains MD Rob Sangwell, with a selection of Tiger Touch, Tiger Touch Pro, Quartz and Pearl Expert ranges in their hire stock which are constantly in use. "Avo has always been a powerful and simple to use control surface," says Rob, "And apart from making some of the best 'live' consoles on the market, the service and backup has also been fantastic."

Stuart England, Fineline's operations co-ordinator said, "The Arena ticks all the boxes for us. It builds from the popular Tiger Touch operating architecture with extra faders to retain that old school buskability for which Avo desks are famous

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14 March 2016

The new rig has been designed by Jason Kew, technical supervisor in charge of lighting in the Barbican's Music Department, and the fixtures were specified by Jason and Mark Bloxsidge, technical manager (music events), following an evaluation which involved the whole technical team at the Barbican Hall.

The order was delivered via leading UK sales and rental company White Light and Robe UK, co-ordinated by Jonathan Haynes for White Light following a tender process led by the Barbican's Luke Freeborough, technical manager (projects).

The Barbican Hall was originally built as an orchestral venue when the Centre opened in 1982. In addition to bei

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14 March 2016

Lighting designer Nick Richings and set / costume designer Libby Watson added plenty of colour, drama and atmosphere to the work, proving just how much can be achieved with a little bit of technology and copious amounts of imagination.

HSL's project manager John Slevin commented, "The budget was expedient and the tech / rehearsal timeframe short, but everyone involved worked as a team utilising creativity and ingenuity to ensure a truly excellent production that was a big hit with audiences."

Nick and Libby worked closely on developing the whole visual concept with director Pete Rowe, setting it in the 1960s underlined with a strong Pop Art aesthetic, together with all the boldness, stylized text / images an

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14 March 2016

The purchase, comprising 46 x MLA elements, two MLD Downfill cabinets and 24 MLX subs, followed a very successful trial of MLA at Rock in Rio, USA last May. At the Las Vegas event every FOH engineer had been very complimentary about the system saying it was one of the easiest shows they'd done.

Gabisom has been in charge of the sound at Rock in Rio since 2001 including all 14 international editions and the latest incarnate followed a similar equipment list as to the Las Vegas event. Sixteen MLA enclosures with one MLD per side along with 32 MLX subwoofers gro

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14 March 2016

The 156 new artists signed by Sony Music, Universal Music and Warner Music was 26 more than in 2013, and just 12 fewer than the recent peak in 2009 of 164 new deals. Geoff Taylor, chief executive of the BPI and Brit Awards, said, "It's no fluke that 2014 was such an outstanding year for British music. Alongside the artists themselves, the passion and commitment labels show in unearthing, nurturing and developing the next wave of talent is one of the main reasons our music is the envy of the world right now."<

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14 March 2016

The Dante Via software connects any audio application or device from your computer to a Dante network. Dante Via enables USB, FireWire or Thunderbolt devices - including microphones, legacy mixing consoles or I/O boxes - to join any Dante audio network. The new software also allows a Dante network to be created without the need for dedicated Dante hardware, providing a straightforward approach to routing audio using only computers. Sporting an intuitive, easy to use 'drag and drop'-style interface

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14 March 2016

"We supply a service, managed within our current staffing, that ensures we deliver the product," explained Jason. "We're there from quote, to design, to delivery and we're the guys on the ground doing the job. When we started eight years ago, we were supplying backbone PA equipment like drive gear and processing. Communications became a natural progression from our work on fireworks and show control systems. Comms came naturally to us, and we've stared to specialise, and take on high profile projects."

Optical Audio has chosen equipment from Clear-Com to fill their c

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14 March 2016

Yet when the time came to upgrade The Heights' lighting system, Dennis was intent on going beyond the church's concert tradition by putting together a rig that could do more than animate music with bold bright hues. He also wanted lighting with the depth and flexibility to create engaging scenes for his church's sermon series. Being on a limited budget, he needed to do this with as few fixtures as possible. He accomplished this ambitious goal with the multi-tasking Rogue RH1 Hybrid from Chauvet Professio

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14 March 2016

Italian lighting designer Massimo Tomasino, who followed the artist on his 2010 tour, designed the lights and counted on Clay Paky equipment for its reliability and reputation.

In every city where the concert was hosted in the UK (London, Glasgow, Leeds, Manchester and Birmingham), the production team had no difficulty in procuring the same Clay Paky lights or, at least, equally effective alternatives made by the same manufacturer.

Tomassino himself cannot hide his pride when he says "I am glad Clay Paky is an Italian name since it is highly appreciated abroad." He put eight Alpha Spot HPE 1200s on the bac

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14 March 2016

"The coverage of Leopard is incredibly uniform," reports Neil Collier, senior project manager for Ottawa-based Wall Sound, Inc., which designed and installed the system. "With the same evenness in the upper and under balcony as in the rest of the house, every seat is a great seat. In addition, the flown 900-LFC low-frequency control elements have opened up sightlines for extreme front row side seats that were formerly obstructed by stage-stacked subwoofers."

According to Matt Lamarche, production supervisor for Centrep

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14 March 2016

Chris specified 20 x Robe BMFL Blades as a major part of the lighting scheme for the Sunset Cliffs (main) Stage of the three day event, a music 'experience' and a specially curated 'sound voyage', combining rock music and some EDM with comedy, food, contemporary art, great vibes and premium amenities.

Chris worked closely with co-designer Erik Parker and assembled a hand-picked team of lighting programmer / operators to run and coordinate lighting for all the stages. Music headliners included The Killers, No Doubt, Snoop Dog, The Zac Brown Band and many, many more.

The goal was to make each stage look different and dynamic while keeping everything u

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14 March 2016

This year, the production team concentrated on two priorities: making sure the entire audience, including those furthest from the stage, had a high level of concert visibility and outstanding sound quality. To meet these requirements, an imposing sound system was installed and an impressively big curvilinear stage architecture was built, featuring a magnificent LED wall (960 square yards, 0.6" pitch).

Jo Campana comments, "We wanted everyone there to be able to see the event as if they were in the front row as well as enjoy the music. A lot of airtime was devoted to live images on the huge LED w

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14 March 2016

The training takes place in fully equipped medical rooms and is carried out on modern simulation dummies, in which bodily functions such as breathing, heart rate and blood pressure can all be measured. The dummies can even talk, being connected to the microphone of a tutor. The tutors provide instruction from separate control rooms with audio and video links. These links also allow recording for later debriefing sessions.

The AV equipment for the project was supplied by prodyTel Distribution GmbH, who worked closely with the technical staff at the university to design a sy

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14 March 2016

PR Live's team, project managed by Justin Hammond, were working for live communication agency Premier PR. The Boiler House was transformed into a replica set of Monica's apartment, complete with Central Perk style café and pop-up hair salon where visitors could get a Rachael Green style blow dries plus a load of Friends props and memorabilia. Organised by Comedy Central, tickets for the event sold out within minutes of going on sale.

PR Live's crew worked closely with the builders Scena from Croydon. First, they installed a combination flown / ground supported rigging

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14 March 2016

As the sole AV integrator for the University, Snelling has consolidated Reading's AV systems and standardised on Shure and QSC for audio, along with Dante for network audio. The university was previously using a mix of analogue products across the estate that were limited in their ability to change frequency due to interference from other channels/external factors. These limitations were compounded by the high level of maintenance and licensing management required by the system.

Snelling worked alongside the Shure UK Systems Group to configure a scalable and resilient networked audio system comprised of Shure ULX-D Digital Wireless System, QSC DCA cinema amplifier

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14 March 2016

Dock 10 in Salford Manchester has fast become the home of children's television and so who better to be in the seat for designing the lighting show, than Lee Allen who is now so involved with the studios and CBBC that he even has a second home in the area!

It's always so exciting when a new LD gets hold of show, just to see what they will do with it and Big Friday Wind-Up is no exception.

The set and lighting is bright and bold, the perfect back drop for the fun and games that take part on the show. Lee's lighting rig, supplied by Richard Martin Lighting (RML) is a mix of the old and the new, including VL2000 Wash, Golden Scans, Mini Scans, Nexus 4x4, Chroma Flo

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14 March 2016

SoundScape is a fully integrated, subscription-based software-as-a-service (SaaS) for streaming business music and advertising over IP networks. The complete platform brings together cloud-based content management, reliable end point players and global, centralized monitoring capabilities. Quick to deploy and infinitely scalable, users enjoy dynamic content scheduling, system-wide reporting and monitoring, remote device management, and high-qua

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14 March 2016

In 1989's Back to the Future II, the time travelling Doc sets the destination time in the plutonium powered DeLorean DMC-12 sports car to 21 October, 2015, thus transporting Marty McFly and his girlfriend Jennifer into the future to save the past. To mark this date of mythical cult status, Vision SL was commissioned by Tattooed Bakers to help create a life-sized DeLorean cake for a Back to the Future Day celebration.

Vision SL brought this edible automobile to life with help from two Geyser RGB foggers that simulated plumes of smoke emanating from the cake-car's exhaust. To add extra realism to colour the DeLorean, Vision SL also used four COLORado

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14 March 2016

Audio production was spearheaded by the light and sound division of Morris Light & Sound (Nashville, TN) with the assistance of Reach Communications (Champlin, MN), TC Furlong (Lake Forest, IL), and Yamaha Professional Audio, headquartered in Buena Park, CA.

With all of the requirements for this huge task, company crews were on hand to assist, measure, test, and train staff when necessary. Fusion Productions, Inc. of Algonquin, IL, handled the production under the direction of company owner Todd Elliott, who acted as production manager for the annive

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14 March 2016

Originally founded around 1968 and since 1970 operating out of a disused school building in the south suburbs of the city, the club became a popular hippy hangout in the 1970s, and through 40 years at the cutting edge of live music and entertainment, legendary for showcasing ground-breaking artists on the cusp of success and popularity from Pink Floyd to the Gaslight Anthem. It also hosts Holland's longest running club night, Planet Rose.

As well as being renowned for some of the best techno sounds in the country, Doornroosje was also well known in the day as one of the first places in the Netherlands where marijuana was openly available.

Now housed in a new building right downtown, sandwiched between central station on one side and the police const

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14 March 2016

EVO, the new D.T.S. moving head, was chosen for the tour. 30 units were mounted vertically beside the large central LED wall and on the ground behind the platforms of the musicians.

"The EVOs create remarkable backlight effects, and energetic extra-bright beam projections. The exclusive Dyna Prism (D.T.S. Patent Pending) is also very effective, enhancing with spectacular animations any gobo projection," says DTS.

Lighting operator for the tour was Nicola Tallino, whilst Agorà was the rental company.

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14 March 2016

For this show, the company supplied LED screen and Catalyst media server control, a side projection system plus IMAG cameras and PPU.

The fundamental concept of Rudimental's full design was to make the stage an interactive and theatrical environment with several contrasting visual layers which peeled back as the all-action set developed, revealing more depth and new eye-candy every few songs. The space was defined by several impressive scenic pieces including a large replica of the Hackney Central (London, E8) railway bridge, and a tabbed double-sided back cloth which was in for the first few

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14 March 2016

"To maintain SGM as the absolute leader of intelligent LED light, further investments were needed. After a period of disagreement between shareholders about the future capital structure, the board of directors had no other option than to apply for a proceeding aiming to restructure the company. On 9 November at 18:00, SGM was completely re-established with its new shareholder and capital. The management ascertains that SGM will continue as before without any changes - and stronger than ever."

The company says that all elements of its business remain unchanged, and that the entire team, the worldwide distributor network and all warranty commitments remain identical to before

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14 March 2016

To create the lighting design for the explosive musical comedy, freelance designer William Price worked with Philips Entertainment to bring in a winning combination of his own that included Showline SL BEAM 300 FX, SL BAR 640, and SL NITRO 510 LED luminaires, along with Philips Vari-Lite VL4000 Spot luminaires and Philips Selecon PLCYC1 LED luminaires.

"When I was initially asked to create the lighting design for Bring It On, I wanted to pay homage to the original Broadway design by Jason Lyons," began Price. "Understanding the high-impact lighting de