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14 March 2016

Steinheim-based Klartext AV has installed two of the systems, one in the town of Kohlberg, the other in Oggenhausen.

The Kohlberg installation includes an MTX3 with Yamaha XMV4140 multi-channel power amplifier and DCP4V4S wall-mounted control. The four buttons and rotary controls of the DCP4V4S make it very straightforward for church staff to have comprehensive control over the system, which includes fixed microphones at the pulpit and altar, wireless handheld and headset mics, plus a piano. By touching a single control, the system can be instantly reconfigured for a range of uses.

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14 March 2016

The actual concerts were staged in July 2015 during Fischer's Farbenspiel tour and were enjoyed by around 110,000 people. Anyone who missed the show can catch the experience at the Miniatur Wunderland attraction in Hamburg where a 1:87 scale model of the complete venue, stage, functioning lighting, sound and video production plus capacity for a full audience - has been constructed.

This includes a quantity of 1:87 scale Robe fixtures which have been replicated in painstaking detail by Sven Hinzmann and the Miniatur Wunderland technical teams which included around 40 engineers, planners and creatives.

M

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14 March 2016

Power Logistics specialises in providing temporary power, heating and lighting for the event and entertainment sector.

It has now bought a further 20 state of the art, energy-efficient lights thanks to asset finance facility provided by Lloyds Bank Commercial Banking. The lights will be used this year in functions across the UK.

The investment is part of the business' ambitious plan to double in size in the next five years.

Mike Whitehouse, managing director of Power Logistics, said, "We have ambitious plans for growth and the new facility from Lloyds Bank means we can look ahead with confidence as we aim to increase the size of the business.

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14 March 2016

A leading one-stop provider of professional equipment to the entertainment industry, AC-ET will be showcasing a selection of the very latest lighting, audio, rigging, video, and film & TV solutions available from their vast portfolio of over 200 leading brands and five specialist sales divisions.

The award-winning Chroma-Q® range of premium performance solutions is designed and built to exacting standards in North America, and has been adopted by many leading designers and specifiers for some of today's most demanding and prestigious lighting applications. The stand will represent a number of product ranges, including the Color One 100 and Inspire full c

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14 March 2016

Joining forces with its distribution partner LMC on 20 January, Martin Audio will be taking over the Leven Room which is directly across from the entrance of Hall 5 of SECC Glasgow on the Boulevard.

Products on show will include its award winning O-Line, CDD Series and MLA Mini, and the one-hour demonstration sessions will provide an understanding of these products, case studies and lots of listening time. More details and how to register can be found at: https://martin-audio.com/events/PlasaGlasgow

Then at this year's inaugural four day show of ISE, Martin Audio will once again return to Room E104 (near Hall 10) to demonstrate a similar line up of product and also talk about a new launch which can also be seen on their stand K175

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14 March 2016

Developed by creative producers Artichoke and supported by the Mayor of London, Lumiere London turned King's Cross and London's West End, including Leicester Square, Piccadilly, Regent Street and St James's into a magical pedestrian playground and encouraged Londoners and tourists alike to explore the heart of the capital and view it in a new light.

With founding support from Atom Bank, Bloomberg Philanthropies, Heart of London Business Alliance, London & Partners and King's Cross, plus additional support from a host of partners and sponsors, including Westminster City Council, Lumiere London presented installations by 30 intern

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14 March 2016

Fans filled the small north London chapel as Bowie's best-known tunes, played by an organ, echoed around the hall. A huge screen showed images of the star in his many guises, before the part gig, part remembrance service kicked off with a rousing mass sing-along of Starman. Maggie Ronson, sister of late Bowie guitarist and collaborator Mick Ronson, was joined by The Featherz to sing Ziggy Stardust, paying tribute to Bowie's "massive influence".

Black January - A month of depressing n

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14 March 2016

Starting on Sunday with a special dinner and party to celebrate its 25th anniversary year, the event started on a high note.

With over 110 persons attending, both key personnel and distributor representatives from all four corners of the globe, the atmosphere was lively and animated. Mixing dinner with award ceremonies, the night started professionally and progressed to a perfect networking event.

Over the course of the next two days the network was informed on product updates, marketing and sales strategies and the new Prolyte factory.

Feedback sessions on several topics gave all particip

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14 March 2016

The project was split into two phases. Phase one focused on the main Hall whose 1939 art-deco style architecture has earned it Grade II*- listed status.

It included works to the auditorium, all public, front of house spaces, and backstage dressing rooms and warm-up areas.

Phase two was a new-build project including Music Room, for which Stage Electrics supplied the lighting, sound and staging equipment. Located at the rear of the main Hall, Music Room is a 16

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14 March 2016

The combination of Adamson and the Palais des Festivals began 15 years ago when the newly formed DV2 (Adamson's distributor in France) designed a sound reinforcement system featuring Adamson Y10 line arrays for the Auditorium Louis Lumiere. The system, which is still in use today, continues to receive compliments from those that perform in the space.

Recently DV2 was called upon to design another system for the Claude Debussy Theatre, the second largest theatre, with a seating capacity of 1,068. DV2 designed a system featuring the new Adamson S Series line arrays. Dushow, one of the biggest rental and installation companies in France, was res

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14 March 2016

The controversial play, which was famously banned by the censors when it was first written, tells the story of the ambitious independent politician Henry Trebell and his plans for a bill to disestablish the Church of England.

The National Theatre's deputy production manager Clíona Ní Mhocháin approached Triple E's managing director David Edelstein to assist with the track solutions.

"We needed a smooth, silent and reliable system to achieve a swipe motion to go from an empty stage to actors' preset," explains Ní Mhocháin. "We also wanted to create an aperture to suggest the outside world further upstage that could change size and

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14 March 2016

For production designer Sooner Routhier (of SRae Productions) and touring lighting director Aaron Luke it was a case of developing easily portable, truckable and scalable scenography that was quick to rig and derig.

Sooner also lights stages for Motley Crue to Bon Jovi and it was on a previous tour with the latter that she started using GLP's popular impression X4 heads, quickly sensing the speed of the fixture and the number of beam shapes that could be achieved using the pixel patterns. "I needed a good wash light to generate effects that would give each song a different look - and GLP impressions seemed to be the perfect fit."

And so she approached long-term vendor SES from North Carolina for a simi

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14 March 2016

Robb Jibson - who serves as lighting and show designer for the tour - is using the highly advanced beam and spot light hybrid, Mythos, for effects, backlight, in delay systems and even as follow spots. With them, he projects dynamic aerial effects out across the audience, creates collimated looks and washes areas with vibrant colour.

"Clay Paky has created a really bright fixture in the Mythos," says Jibson. "It has a small footprint that's easy on both weight and power consumption and there isn't a better optical system out there in my opinion. I think its best feature is the ability to have it in a 20° to 30° beam

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14 March 2016

Feedback Show Systems is one of Germany's leading production and rental companies, with a solid reputation for excellence. The company offers a full range of production services to high-end musicals, touring shows, and corporate events, and also provides a comprehensive dry hire service.

Feedback's first project with the L500 at FOH was the touring version of Shrek - The Musical. The show involved more than 20 dancers, a large band, and over 130 different scenes. Feedback's managing director, Bernd Schmitz, commented, "Switching to the L500 was straightforward and fast. The console met all of the very complex functional requirements of the show, and the sonic improvement was obvious to everybody.

"We produce enc

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14 March 2016

Cheshire-based music consultants Genre Music, who have overseen all previous six Botanists (as well as the other venues in the operators' 12-strong portfolio), managed the installation of Martin Audio's new CDD installation range loudspeakers - specified on the recommendation of their sub-contractors F1 Sound Co.

Explained Genre Music MD, Steven Walter, "While we handle all the operators' music requirements and book their live acts, we bring in technical experts for the sound system installations, working in conjunction with several partner companies; in the south, this is F1 Sound Co."

The Whitstable-based pro-audio specialists, run by Matt Bate and Sam Liston, have long been fans of

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14 March 2016

Production manager Jerry Holcomb worked with Bandit's project manager Matt King and business development officer Brent Barrett to make the 360 degree stage lighting design a reality. "Brent and Matt always help me achieve my vision and design to actual workable rigging plots and fixture patch," said Holcomb. "We even set up a couple days at their Nashville location to pre-program and get ready for the tour."

"We appreciate the opportunity to work with Jerry each year from his initial concept through the finished product," said Barrett. "Jerry's temperament along with his experience and knowledge promote

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14 March 2016

CPL have been the event's technical supplier for the last five years, and there's always an exciting and ambitious brief to be fulfilled from production company Bright. This year their production designer and technical manager was Nick Diacre who liaised closely with CPL's PM Mike Radford.

Luminescence was the theme of this year's event, putting a big emphasis on lighting and visual presentation and treatment of the whole environment.

CPL flew a 10m diameter circular truss in the middle of the m

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14 March 2016

Lighting designer Churry Lafuente reflects Fonseca's diverse musical message in light on the artist's current Conexión tour, thanks to some help from a collection of Chauvet Professional fixtures provided by rental company Línea Estratégica.

Churry, who began designing for the international superstar almost three years ago during the Ilusión tour, created an intense, bright and very flexible rig for the multi-national tour, w

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14 March 2016

Working with theatrical consultants Bill Connor & Associates as well as Philips Strand Lighting aauthorized dealer StageLight, Rigdon was tasked with creating a more intimate relationship between the audience and the actors on stage, and he did so using 68 Showline SL PAR 155 ZOOM LED luminaires.

"During the renovation, we actually changed the configuration of the theatre which created two zones of house lighting, said Rigdon. "We were committed to using LED lighting technology for the power consumption and heat ad

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14 March 2016

Eric Janssen, Intellitix chief revenue officer, operating from the company's global head office chaired the three-day meeting, with a full day of product overview and software updates imparted by the company's chief product officer, Barna Jardany. Attending were representatives from the UK, Czech Republic, Scandinavia, France, Belgium, Hungary, Germany, the Netherlands, Spain, Switzerland, with colleagues from Canada and Brazil.

Adding to operations manager Carl AH Martin's experience working across the European live events and venues sectors in the UK are Gavin Barnard, director of partnerships (UK Intellitix) and Gareth Deakin, director of business development (UK Intellitix). Gavin's eight years combined digital a

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14 March 2016

Before making the critical decision on loudspeakers, Rotor Film held intensive comparative listening tests, with participation by management, staff, and associated independent mixing engineers.

"We invited about 20 sound designers and freelance engineers as our guests to listen to a wide range of audio samples," says Christoph Engelke, technical director at Rotor Film. "Based on everyone's listening experiences, a Meyer Sound system was the clear choice for our two top manag

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14 March 2016

AV Academy - a collection of intensive InfoComm certified courses - is designed to impart in-depth knowledge to audio professionals seeking to improve their system specification abilities for installations in the corporate AV, education AV and high-performance sound environments.

CTS accredited instructor Roland Hemming will lead classes through four InfoComm certified courses between 1 March and 13 April, 2016.. Hemming, who will be using premium products from Powersoft to help facilitate the training sessions, managed two of Europe's largest audio projects: the Millennium Dome and the 2012 Olympic Games in London.

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14 March 2016

Cour Design handles production design, lighting programming and production coordination on the tour, their first time working with the band. "We met with their management team when we first started our business," stated Gordon Droitcour, co-founder and designer along with Erik Anderson at the Nashville-based design house that can take a project from napkin sketch to full production. "We had never heard of X Ambassadors but they've been one of our most exciting bands to date."

Cour Design specializes in intricate visual designs that literally run themselves. They have developed a sy

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14 March 2016

Papers may be submitted on all electroacoustic topics including the following: Cinema Sound, Live Sound, Audio System Design, Case Studies, Environmental Noise Control of Events, Audio/Visual Timing, Intelligibility, Measurement & Evaluation, Loudspeakers and Microphones, Acoustics of Venues.

Offers of papers on any electroacoustics topic will be considered for the programme.

Abstracts (150 words) for papers plus a short biography of up to 150 words may be sent to linda.canty@ioa.org.uk by Friday 20 May 2016. Final written papers for the Proceedings must be submitted by Friday 30 September 2016.

(Jim E