Britannia Row Productions at MTV's EMAs
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Project manager Lez Dwight explains the set up. "This year we had three stages side by side, straddling the Ahoy at 40 degrees playing to two thirds of a full house. It was an overwhelmingly L-Acoustics K2 rig with four main hangs. We used Kara for a few fills and flew most of the KS28 subs; in fact, we only had four of the subs on the floor.
"For control, we had two Digico SD5s FoH along with an SD10 for the presenters and two SD7s on stage for monitors. Two acts bought their own consoles as they had complex internal patch set-ups and they were integrated into our overall patch and splits system. Our team included Colin Pink who coordinated the essential 'live to broadcast' interface, while