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14 December 2016

Taking place across the seaside town, NSDF featured a range of technical workshops for theatre and the wider entertainment industry, and showcased productions made by young theatre makers aged 16- 25. Established in 1956, this year marked the 60th anniversary of the Festival, which welcomed youngsters from all over the country.

This year 25 volunteer crew members joined the NSDF Technical Team to gain hands on experience with everything from drapes and rigging, sound, lighting, video, stage management and special effects. Blackout donated a range of equipment from its extensive stock list to dress all five venues; The Grand Hall, Ocean Room, Training Room, Spa Theatre and the two performance spaces at the Univers

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14 December 2016

Both the popular Carl Cox & Friends Stage and Ultra World Wide Stage featured Elation gear with lighting design by SJ Lighting, Inc. and structure and production by AG Production Services. SJ Lighting owner Steve Lieberman delivered another memorable Carl Cox stage lighting design and used 111 of Elation's six-foot Colour Chorus 72 LED batten wash lights throughout the setup to highlight the spectacular truss design. Also for the Carl Cox stage, Zenith Lighting, Inc. supplied Colour Chorus 72 fixtures used as wash lights and to outline video po

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14 December 2016

H has worked with the band - whose music has stayed edgy despite their commercial success - for an impressive 23 years ... he was first hired after an early tour with pioneering club and dance touring phenomenon, Megadog. Right from the start Underworld embraced multi-media visuals, a trend that's continued throughout their live performance career.

Creatively, lighting the show has been an evolution over that timespan explains H, with some underlying elements remaining basically the same while others have morphed and developed along with the sounds and moods of the music, all delivered with that distinctive Underworld raw groove.

"It doesn't so much matter where the light

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14 December 2016

All or Nothing is written by renowned British actress Carol Harrison and directed by BAFTA-winner Tony McHale. It first previewed on Brighton Beach back in 2013 and, following a series of development, is now making its London debut.

The musical is lit by Peter Small. He comments, "The show is set in the Sixties and I really wanted to capture a sense of this time. I opted for a more visual design of rows of Parcans that could

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14 December 2016

The Club House, a flagship venue owned and operated by New World Trading Company (NWTC) comprises a 200 capacity split level restaurant, bar, private dining, beer tasting room, and a huge outdoor area with a bar and BBQ, catering for an additional 400 covers, so the audio system had to deliver on looks, coverage and audio quality both inside and out. The striking interior features white panelled walls and an entrance foyer leading to a grand stai

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14 December 2016

When it premiered in 1960, The Caretaker helped change the face of modern theatre. Now, Harold Pinter's ground-breaking classic comes to The Old Vic in a new production directed by Olivier and Tony Award winning Matthew Warchus.

Ensuring the artistic vision of Rob Howell and Simon York, (set designers) the show makes full use of TAIT Stage Technologies BT2-290 winches to raise the roof of Aston's eclectic, junk-filled flat on one miserable rainy evening. Rising 5 meters above stage the specially crafted roof weighs 750 kg and is suspended over the stage throughout the entire production.

Ted Moore, director of rental services at TAIT Stage Technologies, comments, "Whenever we are approached by the Old Vic we know i

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14 December 2016

Last week, music creators were able to apply for The Performance Fund, which is in association with Wigwam Acoustics and Musicians' Union and offers four emerging UK artists and bands access to bespoke monitoring packages (such as in-ear monitoring, microphones, control systems) worth up to £10k to ensure consistently great sound across live dates, plus advice and training on touring, promotional support and an additional £375 for touring costs.

This edition of Flash Funding recognises that the costs of touring for emerging musicians are not always being met by live income streams. In offering financial tour support, The Performance Fund will fast-track careers at a crucial early sta

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14 December 2016

"This year I tried something completely different," explained Mauritz. "We used 16 Robe ColorWash 2.5 K and 16 Robin 800 LEDWash to do the job, enabling the correct lighting for photographers while still adding colour changers and strobe effects." Programming was on a grandMA2 full size.

Mauritz used colour for backlighting. "We purely outlined the models from the back which worked very well while still using the desired colour temperatures, particularly for photographers, for the front."

With the audience sitting

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14 December 2016

As a result, with immediate effect. Active Audio will now hold 60% of APG shares while APG's historical shareholders, Jean-Luc Moncel, Philippe Frarier and Grégory Dapsanse, will hold the majority of the remaining shares.

Commenting on the agreement, Régis Cazin enthused, "All stakeholders at APG and Active Audio feel elated to have this new all

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14 December 2016

The event's audio production management - headed up by Colin Pink - crew, control and loudspeaker systems were provided by Britannia Row Productions. The complex sound requirements of a televised major awards event, with performances by some of contemporary music's highest profile acts were handled easily by the DiGiCo consoles.

Not only were DiGiCo consoles chosen to mix the live performances, as well as the presenter and warm up acts, but seven of the 11 winners on the night are regular DiGiCo users.

Two SD7s were installed at the Front of House position, which were used to mix live performances by Adele, James Bay, Coldplay and Justin Bieber, with all four regular DiGiCo users winning awards on the ni

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14 December 2016

As part of the recent refurbishment, Great Northern Inns turned to local AV specialists Cable Guys to provide an audio visual experience that would impress customers. The AV needed to deliver outstanding sports coverage and live entertainment to every inch of the bar. Cable Guys exceeded the client's expectation by installing over 24 screens, video walls and televisions to distribute high definition live sports cover

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14 December 2016

Celebrating 50 years in the audio industry, Calrec Audio is a leading manufacturer of audio broadcast mixing consoles, relied upon by the world's most successful broadcasters.

Calrec technical director Patrick Warrington explains the rational behind the company's decision to join the alliance, "AES67 is a call to arms for technology manufacturers in the crowded AoIP community. The adoption of AES67 is about giving our customers tools to do their jobs more efficiently, and the Media Networking Alliance exists to help promote that vision, as well as to provide education in this new are

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14 December 2016

As Audiologic continues to expand the scope and facility of its AV operation, this relationship adds a significant and high-quality range of products to its visual provision, whilst for Spectra, entering a partnership with an established, well-connected AV distributor is set to open up and grow new markets. Audiologic's engineering and technical focus on customer needs and correct specification aligns perfectly with Spectra's own ethos in this respect and the potential for mutual advantage is clearly evident.

Andy Lewis, Sales & Marketing Manager for Audiologic comments on what he clearly sees as

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14 December 2016

On board, VSM is used as the overall control system for the vessel's own TV system with 36 IPTV channels as well as routing of all cameras of the entertainment areas, like musical theatres or night-clubs. The Finnish systems integrator TV Tools Oy is responsible for the implementation.

It is common to all Quantum Class ships that all TV signals on board are processed in HD quality. As an independent control system, VSM easily integrates with all relevant technology on the ship in order to produce, route and transmit the TV-Signals as well as providing material in the th

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14 December 2016

Vrindavan is the birthplace of Krishna and the spiritual capital of India. The project is the result of 30 years of work and investment by ISCKON (The International Society for Krishna Consciousness) who are managing the design and construction process.

ISCKON has built a design team with some of the world's leading design firms. Theatreplan was selected for its "world class pedigree, collaborative and creative approach" to auditorium planning and technology design.

According to Theatreplan's project director for VCM, Brad Maiden, "This project presents a unique opportunity for Theatreplan to emba

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14 December 2016

A Victorian style natural stone building located in the centre of historic Cambridge and owned by the city, Guildhall provided an ideal backdrop for the interplay of vivid hues produced by the Colorist Pod 7Qa and Colorist Panel 8Q. Strategically positioned on the building's balcony by lighting designer Simon Cox, the RGBA fixtures accented the distinctive architectural features of the popular Cambridge landmark.

"The E-Luminate festival aims to highlight new energy efficient lighting technology usi

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14 December 2016

Thabo Ntsala, multimedia manager at Silverstar, who heads technical for events and conferences, was clearly chuffed. "Silverstar have hosted a day like this before on a much smaller scale," he said. Thabo explained that students would be exposed to various professions including marketing, events management and promotions and more.

As Silverstar is a popular venue for live entertainment and conferences, Thabo invited DWR Distribution to be part of the project, e

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14 December 2016

MG's customer base is spread across the UK and includes both corporate and commercial as well as church and music events. The company offers both hire and installation services and has previously sold and installed FBT systems including Vertus, Verve, Mitus and J Series, so when proprietor, Mike Godden, decided he wanted to add a line array to his hire line-up, FBT was immediately on his list of potential purchases.

"I've been dealing with FBT for 18 years, previously for products that I have been selling and they've always impressed me. I wanted to have a line array in our inventory to enable us to take on bigger jobs, but I didn't need a huge system costing a vast amount of money. I wanted to deal with a manufacturer with go

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14 December 2016

Of course, nearly every major tour relies on IEMs, but like many old-school rockers, David Paich had never taken to the technology. But with side stage responsibilities for two keyboard rigs - David Paich and synthesist Steve Porcaro - Rippe decided it was time to step up his own IEM game, which is how he learned about the 3D AARO.

"As tour tech for both David and Steve, there's a lot to do," he recounts. "I talked to my friends around L.A. about in-ears and mostly heard the usua

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14 December 2016

Be Play One was an ambitious live reprieve at Nottingham Arts Centre of the Wolfgang Buttress-inspired sound and music-scape created for the UK Milan Expo 2015 pavilion, as part of his massive beehive and meadow installation which sought to highlight the significance and plight of bees in our food chain and ecology. The show played for two nights to sold-out audiences and received quietly rapturous rev

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14 December 2016

Bandit Lites is providing a lighting package that brings mind-blowing visuals to Halestorm's hardcore sound. By using Clay Paky Sharpys, GLP X4S fixtures within black truss towers (evoking a modern, updated look to par ACL Bars), Martin Atomic 3000 Strobes, Bandit 5x5s and GRNLite LED Battens, lighting designer Julie Cox focused on creating a rig that could "push fixture capability instead of quantity", adding, "The fixtures are in their highest effect settings to really up the visual options."

New to this year's tour design was the addition of the Bandit 5x5s, a fixture that Cox s

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14 December 2016

The Mid-Field Concourse (MFC) is a new building which adds 30 gates to Hong Kong International Airport (HKIA). Initiated by the Hong Kong Airport Authority, the MFC is a key component of the airport's expansion plans, which include the opening of a third runway and Terminal.

In 2011, acoustics and AV consultant Arup Hong Kong started the process of defining a future-proof strategy and design for the MFC's public address capability, looking at all acoustic, technological an

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14 December 2016

For two recent events - the second Global Followers Assembly and the annual Great Compassion Water and Land Dharma Service - DDM employed modern digital technology and LED lighting to conserve energy and reduce pollution, seamlessly integrating advanced science and art into their traditional ceremonies. ETC's Taiwanese dealer, Ming Li Engineering & Consultant Co, provided ColorSource and Source Four LED Series 2 luminaires and an Eos family control system to light up the two great events.

Both the Global Assembly and the Dharma Service were held at the DDM World Center for Buddhist Education in Taiwan. Approximately 10,000 followers from around the world attended the 2015 Global Assembly, and after

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14 December 2016