At the recent LDI exhibition in Orlando, Florida, ESTA (the Entertainment Services and Technology Association) awarded the 2001 Eva Swan Award to Michael J. Garl, president of James Thomas Engineering, Inc. The Eva Swan Award is presented to a member who has put forth exceptional efforts in time, expertise and personal resources on behalf of ESTA; been instrumental in shaping and promoting the strategic direction of the Association; made major contributions to the realization of the mission, goals and objectives, and enhanced the value of membership for all.
The 2001 Award was presented by Wally Blount of Columbus McKinnon, who said: "The most important attribute this person has could be summed up in one word: willingness. His willingness to give his time for the betterment of the entertainment industry; his willingness to share his knowledge so that others may learn; his willingn
On September 15, 2001, exactly a year since the start of the Sydney 2000 Olympic Games, Sydney’s Olympic Cauldron was re-kindled in its new, permanent home at Homebush Bay.
The cauldron was re-lit to beating drums and resounding cheers in The Overflow Park on Olympic Boulevard. The stainless steel bowl will stand as a permanent reminder of the success of the Games. The project was conceived and designed by Barry Webb, Iain Clark and Fiona McVicar of Barry Webb & Associates, with Show Technology’s architectural products manager Jonathan Ciddor assisting with the configuration, control and integration. Installer Beyond AV was responsible for the co-ordination, installation and programming of the lighting system.
The cauldron sits upon a concrete slab at ground level and beneath it is a large chamber, 5 metres deep, housing the lighting equipment, pumping and gas controls,
BassBox Pro and X.Over Pro are a suite of programs designed to give the constructor a hassle-free method of constructing their own speaker cabinets.
BassBox Pro has a selection of seven cabinet styles with user-customizable parameters including dimensions, driver choice and vented or enclosed styles. A wide variety of drivers are available from including single, dual and three-way cone drivers and flat radiators. The BassBox software is aimed at the home/semi-professional constructor looking to build cabinets for the home hi-fi, small venue or car.
To this end the software has a section depicting typical home and car acoustics to help the constructor choose their design. X.Over Pro is a standalone crossover design program that is quite comprehensive and allows the user to design their own crossovers or modify examples. All parameters are calculated and response graphs updated as va
With 15 years' experience, principally in the professional audio industry, Aviva Ozin has finally fulfilled her life-long ambition and set up Faith Communications, a consultancy offering PR and marketing services.
After a long association with the Autograph group of companies, working for both the sales and the sound design and rental divisions, Aviva has an in-depth understanding of the industry. She has also worked in the recording sector, prior to a two-year break from the industry, as the communications manager of a humanitarian aid organisation. In her new role, Aviva continues her association with the Autograph group, which has become one of Faith Communications' first clients. The consultancy is also talking with several other pro audio-related businesses and has recently won a contract from a company operating in the leisure sector.
The Total Production Awards are scheduled for January 30 2002 at the Hilton Metropole Hotel in London's Edgware Road. The Awards will acknowledge the achievements of leading individuals and rental companies in the fields of live sound, lighting, video, staging, rigging and other key disciplines. Three special commendations will round off the Gala: a Lifetime Contribution Award, a unique Best Live Event of All-Time Award and The Editor's Award - something which TP editor Mark Cunningham promises will yield a big surprise on the night. Nominations will be announced in the Winter issue of Total Production, published on December 21.
A voting form and table booking form will be included in the forthcoming November issue of Total Production; alternatively, PDF forms can be obtained by contacting Andy Lenthall at the address below.
PLASA has gone live with its first web-based discussion forum - a technical discussion on the use of Chain Hoists, particularly the connectors used for their control circuits. Access to the forum is via the 'Forums' link in the Standards section of the PLASA Website, where users can register online. This first application of the forum is being overseen by PLASA's Technical Standards Officer Tim Cox, and further forums, both for the use of Standards groups and for the industry in general, will be introduced to the site over the coming months.
PLASA has announced that the date for the 2002 Annual General Meeting is confirmed as Friday 14 June 2002. The venue will be chosen early in the New Year.
The format of the day will build on the success of last year, when the ‘break-out’ sessions proved lively and valuable opportunities for members to discuss important issues with representatives of the PLASA executive committee and head office staff.
PLASA’s managing director Matthew Griffiths comments: "The ‘break-out’ meetings we introduced last year proved very successful. They were extremely well received, and produced a great deal of valuable feedback. For our 2002 AGM, we are keen to build on this and increase the opportunity for this kind of exchange."
PLASA would like to encourage all members to put the date down in their diaries and make every effort to attend. If you’re in an
PLASA has gone live with its first web-based discussion forum - a technical discussion on the use of Chain Hoists, particularly the connectors used for their control circuits.
The forum can be accessed by following the ‘Forums’ link in the Standards section of the PLASA Website, and registering online. This first application of the forum is being overseen by PLASA’s Technical Standards Officer Tim Cox, and further forums, both for the use of Standards groups and for the industry in general, will be introduced to the site over the coming months.
In the new year, PLASA will embark on the second phase of its ground-breaking programme of Industry Research.The first phase, carried out during 2000, provided the first accurate estimate of the global value of the entertainment technology industry, at around £11 billion.
The PLASA Industry Research project continues in 2002 and will offer more key facts about the entertainment technology sector. It will also be possible to undertake significant analysis of industry trends, which will greatly increase the value of the research. All members will be contacted, either by telephone, e-mail or post and asked to complete a questionnaire about their company early next year.
The more members who take part in the research, the more value it will have; furthermore, only contributors receive a free overview of the research results. If you would like to receive a copy of the current overvie
You’ll see a number of changes to L&SI over the coming months.Central to our plans for 2002 is the introduction of a regular technical section - Technical Focus - which will feature hands-on reviews of products, discuss technical issues, assess the latest standards and health & safety directives, review recent book releases and feature a readers’ Q&A section.
First subject in the hot-seat is digital signal processing. We’ll also be looking at the recent amendments to the Working Time Directive and BECTU’s campaign to secure paid annual leave for freelancers, together with the debate rumbling away about chain hoist connectors.
To oversee its development we have appointed a new technical editor, James Eade. James is a qualified mechanical and electrical engineer who has an extensive knowledge of the entertainment technology industry.If you have a question you&
The West End braced itself in the aftermath of the WTC/Pentagon attacks, fearing that with people less willing to travel, audience figures would simply dwindle away, and that some shows would be forced to close ahead of schedule.
However, if the recent results released by the Ambassador Theatre Group are a barometer for the rest of the West End, then the anticipated downsizing ain’t coming. Attendance figures for ATG venues across the UK show a 3% increase in the West End and a 12% increase in the regions. ATG’s managing director Howard Panter told L&SI: "People are not staying away from the theatre - attendance figures are up and some shows are playing to record houses." Executive director Rosemary Squire added: "Far from closing shows, we are opening even more shows. We are bringing a major musical - My One and Only - to the West End in the New Year, and a
L&SI has learned of further important changes from within the Harman Pro Audio camp. John McFarland and Mike Sowden of Precision Devices have negotiated a management buy-out, acquiring in the process both the company’s premises and brands.
McFarland and Sowden, who have spent the past three-and-a-half years managing the company’s operations in Redruth and Rotherham on behalf of Harman International Industries (HII), agreed the deal for the purchase of the Redruth site and brands in mid-October. The new company will be called Precision Audio Products Limited.
John McFarland told L&SI: "I believe that this move is the first step in an extremely positive future for the business, for our employees and our customers, and that our new-found independence will enable us to better develop the different arms of the business." McFarland will be taking the role of managing
Media communications company Dimes & Sillitoe has moved to Kingston-upon-Thames after announcing a joint venture with Surrey-based design agency, DCG. Dimes & Sillitoe, headed by Nick Dimes and Sue Sillitoe, handles press and public relations for a number of clients within the music, pro audio and broadcast industries. These include Audio Processing Technology, Sphere Studios, Munro Associates, the FX Group, Curious Software and the Music Managers Forum. DCG offers traditional print and graphic design services, but has recently expanded its operation to include a communications and marketing strategy department and a technology division handling new media and internet-based projects. Working in partnership will enable both companies increase the range of services they offer.Caption
Luminar plc, the name behind numerous bars, restaurants and nightclubs across the UK, has recently released details of its interim financial results for 2001.
The figures make impressive reading and indicate that there is still much to be positive about in the night sector. Company turnover is up 116% from £77.2million last year to £166.4m this year. The company’s pre-tax profit has more than doubled to £29.5m.
Underpinning the financial success has been an aggressive growth strategy, which has seen Luminar acquire 10 venues from Scottish and Newcastle plc (making it the largest operator of late night venues in Scotland) and also the Life Limited brand from Whitbread. It has also continued to roll out its own brands, including Chicago Rock Cafe, Jumpin’ Jaks and Liquid, together with the development of ukclubculture - a relatively recent initiative which is aimed at
PLASA (the Professional Lighting and Sound Association), in conjunction with British Trade International (BTI), will be conducting an extensive programme of government-funded overseas trade missions and other events aimed at boosting UK export trade, during 2002. The programme is part of PLASA's ongoing aim to provide valuable export assistance to the UK entertainment technology industry.
PLASA is currently organizing exhibitor groups to some of the world's key international trade exhibitions, including the NSCA, USA (April), Pro Audio & Light Asia, Hong Kong (July), and Lighting Dimensions International, USA (October). This is the first time that PLASA has been successful in a bid for funding for the NSCA Show - an event aimed at the sound contracting/installation market which showcases the products and services of over 500 exhibitors. It's also the first time that PLASA has had an op
‘Let There be Light’ was conceived to celebrate the 50th anniversary of the creation of the Lansbury Estate - a key ‘Living Architecture’ project of the 1951 Festival of Britain.
Situated in the Tower Hamlets docklands area of the old East End of London, the estate with its balconies, roof gardens, courtyards and traffic-free areas combined with new shops, schools, churches, community halls and a central market, was welcomed in this socially deprived area of London.
In September this year, an architectural conference was held at the Lansbury Estate to discuss the continuing need for urban regeneration. Jonathan Park and Max Maxwell from Studio Park were called in to light the estate and to end the Conference with a surprise event - ‘Let There be Light’ to show the 1951 architecture, faded by time and declining social conditions, in a ‘new li
The PLASA Media News Team is now signing off for Christmas. As the PLASA office closes today, this is the last time the headlines will be updated for 2001. We'll be back at our desks in the New Year to bring you all the latest developments from across the industry. In the meantime, thanks for all your support over the past year and enjoy Christmas and New Year.
In the latest addition to the range of services offered to its members, PLASA has appointed a full-time health and safety standards officer to provide advice and guidance to members on this increasingly important issue.
Ron was previously Health & Safety manager for a local hospital trust, where he had responsibility for health and safety management for 3,000 employees. Ron's career is rooted in fire safety, beginning in 1972 when he joined the Royal Navy's Fleet Air Arm as a firefighter. In 1977, Ron joined the London Fire Brigade, where he spent 17 years. During this time, he attended incidents including the Kings Cross underground fire and the Marchioness disaster. After being injured in 1994, Ron retired from the Fire Brigade and joined the NHS. He was awarded the Diploma in Occupational Safety & Health in 1999. He is a member of the Institute of Occupational Safety & Health (IOSH)
PLASA, in conjunction with British Trade International (BTI), will be conducting an extensive programme of government-funded overseas trade missions and other events aimed at boosting UK export trade, during 2002.The programme is part of PLASA’s ongoing aim to provide valuable export assistance to the UK entertainment technology industry.
PLASA is currently organizing exhibitor groups to some of the world’s key international trade exhibitions, including the NSCA, USA (April), Pro Audio & Light Asia, Hong Kong (July), and Lighting Dimensions International, USA (October). This is the first time that PLASA has been successful in a bid for funding for the NSCA Show - an event aimed at the sound contracting/installation market. It’s also the first time that PLASA has had an opportunity to provide a gateway to Hong Kong through its funding for PALA, a trade show and confere
PLASA has produced a CD-ROM to provide information and promotional material to its members. The CD-ROM, which was mailed out to the membership before Chrsitmas, contains a wide range of information on PLASA and its activities, as well as a specially-commissioned industry video and image library from the PLASA Show, which members can use for their own promotional purposes.
Following the elections for the Executive Committee at the end of last year, PLASA has welcomed two new members to its executive body - Tim Brown of Apple Sound and Tracey Patterson of Artistic Licence. Full details next issue . . .
Following our news in the last issue of the new members elected to the Executive Committee of PLASA, the internal election of the officer posts of chairman, vice-chairman and treasurer have been completed.
David Hopkins OBE, managing director of Audio Design Services, becomes the new chairman of PLASA, while Sammy DeHavilland (Dare Pro Audio) becomes vice-chairman and Tim Brown (Apple Sound) takes over from DeHavilland as treasurer.
Mick Hannaford, who stepped down as PLASA chairman at the end of 2002, had served in the role for three years, during which time he had overseen the introduction of PLASA’s programme of industry research, the expansion of PLASA’s service portfolio with the introduction of Ron Bonner (health and safety consultant) and Nicky Greet (training and development manager) to the PLASA head office staff, as well as the development of a strategic plan fo
Sonia Friedman, currently the producer at the Ambassador Theatre Group (ATG), has created with ATG a new production company, Sonia Friedman Productions (SFP). ATG is the second largest theatre owning and managing group, with a portfolio of 19 theatres in the West End and the regions.
Friedman will retain her current role at ATG - producing and programming all the work at the New Ambassadors Theatre, as well as initiating a wide range of work for other theatres across the West End, UK and internationally. SFP will additionally take on responsibility for larger scale work including musicals and multiple media projects.
Friedman joined ATG in 1998, and relaunched the New Ambassadors Theatre in May 1999. Of the 22 shows that she has produced, co-produced or programmed, successes include Stones in His Pockets, Spoonface Steinberg, Krapp’s Last Tape with John Hurt, The Vag
In the latest move to benefit its members, PLASA has appointed a full-time health and safety standards officer to provide advice and guidance to members on this increasingly important issue. Ron Bonner comes to the Association from his previous role as health and safety manager for a local hospital trust, where he had responsibility for health and safety management for 3,000 employees across two sites.
Ron’s career has been very much rooted in fire safety, beginning in 1972 when he began serving as an aircraft firefighter with the Royal Navy’s Fleet Air Arm. In 1977, Ron joined the London Fire Brigade, where he spent 17 years, serving at Mill Hill, Tottenham and Stoke Newington fire stations. During this time, he attended a number of notable incidents, including the Kings Cross underground fire in 1987 and the Marchioness disaster on the Thames in 1989. After receiving a se