Installation

Details

14 March 2016

Maltbury provided a Scenic Revolve comprising three 8ftx4ft panels mounted on a rotating frame. These panels are arranged so that three different 8ftx8ft faces can be shown to the audience - a total of almost 200sq.ft of flattage.

The boards can be painted, have things stuck to them or projected onto them. They can also be removed. Each panel can then be taken down and the frame folded up for easy storage or transport.

The scenic revolve is designed for drama, dance and musicals but can equally be used for conferences, exhibitions or any information display, says Maltbury.

• Plymouth Music Zone is a music education facility in Devonport. Once a de

Details

14 March 2016

After the infrastructure was installed by Northern Light, AC Lighting won the supply of loose equipment to include 48 x Selecon Rama High Performance Fresnels, 5 x Aurora 4-way Cycs and 2 x Performer Series Toru Followspots.

Matt Kingslake, technical manager at the Grove Theatre comments, "I have been very pleased with the Selecon equipment I used at my previous venue and with the equipment I have seen brought in by visiting companies. Due to my experience using Selecon equipment they were my first choice when sourcing lighting equipment for the Grove Theatre. I am es

Details

14 March 2016

Used for a wide range of functions - from university exams and graduation ceremonies, through to conferences, weddings, funerals and presentations - the hall's architecture is marvellous to look at, but the hard surfaces don't lend themselves to good acoustics.

When pro audio distributor Audio Telex was approached by the University to improve the hall's audio facilities, EASE modelling and an on-site demonstration proved that replacement of the existing loudspeakers with Turbosound QLight enclosures would be the optimum solution.

Installed by the Adelaide branch of AV Central, the new system features two main loudspeakers, two delays and two balcony delays, all from the Turbosound QLight

Details

14 March 2016

"The project has been very thoroughly researched, and we believe we have a soccer-based attraction that is second only to the thrill of taking part in a professional match," says Keegan.

Soccer Circus is centred on football skill games intended to allow everyone to play. Visitors are guided through a series of interactive and fully automated games that use real footballs.

Six Medialon Manager PRO licenses control four Ektacom StreamCoders, 12 ArtNet DownLynx DMX units, 17 Barco IQG5

Details

14 March 2016

European Performers House (EPH) intends to be at the forefront of entertainment in the arts and has already forged relations with comparable institutions around Europe, securing agreement for EPH studies to count towards formal educational qualifications from those institutes.

As such, they have invested heavily in the tools and technologies of modern presentation, the entire school is networked through an Apple Mac server system, linking all rooms to the resources of recording studios and other such facilities maintained on campus.

Audio receives much attention; al

Details

14 March 2016

The centre was designed by Penoyre & Prasad Architects in consultation with patients, their families and staff. One of its most striking features is the south façade. Folded aluminium louvres are suspended on a tensioned cable net to prevent direct light entering the building, whilst at the same time creating fascinating abstract imageries.

Lightscape Projects - part of the Light Projects Group - was responsible for the lighting design, installation and programming. A total of 64 Tryka Strip Module Optic IP67 in different lengths were selected for the project, along with other Light Projects LED fittings.

Light Projects Group's director Roger Beckett enthuses: "The Tryka LED linear units were mos

Details

14 March 2016

The company managing the project, Arts, Dance and Music Productions (ADaM), spared no expense when it came to the theatre's technical equipment and called in Athens based pro audio and lighting specialists Telmaco to advise on the sound and lighting installations.

"The Badminton management demanded a high class sound reinforcement system," said Thanassis Drossos, Telmaco's audio projects engineer who was responsible for the design of the sound system. "I arranged for their Technical Director, Renos Papapaschos, to accompany me to d&b audiotechnik's headquarters in Backnang,

Details

14 March 2016

Ruta will assume the administrative responsibilities of the general manager, and Gene Leitermann, who has assumed that role for the past four years, will relinquish the title. Leitermann will remain Director of Business Development and will continue to serve on the management team in that capacity. He is also a senior proje

Details

14 March 2016

Royal Dublin Society chief executive, Michael Duffy says: "We have to provide the best available for our customers and evaluated several seating systems. Arena's clearview product provides the best sightlines, a comfortable seat and the ability to be reconfigured to suit the many different types of event we stage here at RDS."

Arena's managing director Joe O'Neill says: "We recognised the ever more exacting requirements of event organisers, architects and specifiers and took a 'clean sheet' approach to create a s

Details

14 March 2016

But it is the 800-capacity Sala Ángel in the Barcelona suburb of Sabadell, that has really captured the imagination. Situated in the Zona Hermética industrial area, after dark the district is turned over to live entertainment, and becomes one large party.

Ángel owner Gregorio García wanted to appeal to an audience seeking to be entertained away from the Barcelona downtown scene. With a unique venue, which would cover both live perfo

Details

14 March 2016

It was clear to Tim Speight and Jon Berry of sound contractor RG Jones Sound Engineering (suppliers of sound systems for the Club), that installing a distributed system would not be a viable option; as the limitations on possible loudspeaker positions and cable routes would have compromised the performance of a distributed system enough to render it useless. So an innovative approach was required.

"The distributed approach was not an option," said Berry, "so we started thinking about possibilities for a point source system, but designing a point source system that was capable of throwing the 100m across the bowl whilst at the same time containing the s

Details

14 March 2016

Said Franz Werner, sales manager for Kain Audio, "ZonePRO is the perfect answer when we are looking to send different audio sources to many different zones, with a paging override - as is the case in hotel applications."

Kain divided Roomz into 10 different sound zones and Bleibergerhof into 12, using a ZonePRO 641 and ZonePRO 1261 in the former and a pair of ZonePRO 1261's in the latter.

In Vienna, the futuristic 152-bed Roomz is a frenzy of different colours and shapes and already an urban architectural landmark. Situated in the southernmost part of Austria (in Bad Bleiberg), the more rural Bleibergerhof Hotel takes advantage of the area's high altitude thermal waters and i

Details

14 March 2016

Harman Pro distributors, Wild and Marr, were approached to provide a complete audio and lighting solution. The elaborate technical demands called for a system that is flexible in operation, as the dynamic venue will cater to a variety of events, including a cross spectrum of entertainment. After many site visits, audio system designer, Justin Mamulis, proposed a multi-faceted solution.

At the heart of the system is BSS Audio Soundweb London. With 12 inputs and 20 outputs, the system offers total control and flexibility. All the routing and DSP is controlled via a Soundweb London BLU-10 programmable remote panel in the control booth.

The input stage features a Soundcraft GB4/

Details

14 March 2016

Winning projects will be selected from the following categories for this year's Design Awards: Best Residential System, Best Commercial System, Most Unique System (residential or commercial), and Best Overall System.

Winners in each category will receive an attractive award for display in their office and a copy of D-Tools System Integrator 5 Standard as well as significant prizes supplied by D-Tools Manufacturer Vantage Point (MVP) members. All entrants will receive recognition for their submissions with a prize pack

Details

14 March 2016

With the hoists hanging over 130ft up in the grid, their movement is barely audible even during complete silence, rare when a show is being rigged. The view is obscured from most positions in the Hall, including the main control area, by an aluminium skin cladding the grid. Frost therefore sought "a tried-and-tested, foolproof system with all the safety features that wo

Details

14 March 2016

Then he was headhunted by David Alberto, chief executive of Avanta, the company which operates the nearby Media Village Business Centre, and the two men set about converting the somewhat drab, integral basement 'canteen', known as the Winchester Club, into the resplendent all-white Vanilla.

Common to both Destandau's' enterprises has been the Sound Division Group. Yet the two venues could scarcely have required a more different approach, as Matthieu Destandau explained. "At Firevault, the loudspeakers were in evidence and the sound more in your face - but h

Details

14 March 2016

It had long been the dream of Dave Bradshaw (formerly head of production but now a consultant to the MoS) to make the world-famous club an exclusively Martin Audio house. After last year's PLASA Show the bar underwent a sound system conversion, and this month added the four additional S218 subs to create uniformity, while the club embarked on redesigning the venue's Holy Grail, the main dance space known as The Box. This month that process was completed.

It is around eight years since the venue specified an all Martin Audio Blackline 5.1 monitor domain for DJs working in The Box, although the six-stack system, which enveloped the audience, had been in nearly twice as long.

&qu

Details

14 March 2016

MLR has had a flying start with a sizeable investment in 300 Robe moving lights, bringing their total Robe inventory to over 450 units. The luminaires - a 50/50 split of Spot and Wash fixtures from Robe's 700, 1200 and 2500 E AT ranges - have been delivered via Robe Lighting's Australian distributor ULA Group P/L.

MLR is designed to offer industry rate prices to its clients enabling them to re-rent the units. The new lights are now available for hire to other production companies throughout the Asia-Pacific region. MLR will also be used to service Clifton's many upcoming productions.

(Jim Evans)

Details

14 March 2016

The house rig of conventional lighting, with Zero 88 Betapack dimming supplemented by additional dimming and DMX switch packs, PAR cans, UV Tubes, Jem ZR24/7 Hazer, CCT followspot and the 6ft tall hand-built Tardis - was controlled using a single laptop with external monitor and a ChamSys MagicQ PC Wing - an affordable and portable method for lighting designer and operator Matt Lemon of Eastleigh-based ML Lighting who also works in development for ChamSys.

"The new multiwindows feature in the software is great," says Lemon. "It allowed me to spread the screens I was using across the laptop and external monitor without having to open up another programme

Details

14 March 2016

The Grade II-listed building has retained its original 1930s art deco features but now also contains a stage, dance floor, four bars and a full kitchen. With a capacity for up to 2,600 people, it provides a venue for large-scale parties, awards ceremonies, conferences and exhibitions. The addition of a high-specification Electro-Voice XLC line array sound system, with full digital control, and an impressive lighting rig from Halo Lighting has expanded the Troxy's potential even further.

London-based audio specialist Systems Etc has comp

Details

14 March 2016

The leisure company - run by Josh Simons, Alan Simons and John Tyror - also run the Landmark restaurant in the town. They enlisted Mark Neal's Production Hire to carry out the installation.

The conversion of the 840-capacity, former K-Bar has been inspired. The ground floor dance room (and adjacent tented chill area) lead down to a VIP mezzanine room and further down still to the main room in the basement.

Wherever you look there are snugs and annexe rooms to chill out in - and they are invariably served by one of Martin Audio's architectural AQ series speakers, and illuminated by the Pulsar Chroma ran

Details

14 March 2016

Following a competitive tender process against a specification by Steve Jones, Venue Technology expert for the Acoustics Division of Capital Symonds, the contact was awarded to Bristol-based systems integration company Sounds Commercial. UK cable specialist VDC Trading supplied much of the Low Smoke Zero Halogen, steel wire armoured and fire tough cable for the project.

Damian Orritt, installation contracts manager of Sounds Commercials says: "We use VDC for our cabling requirements because it manufactures and stocks the breadth of products that we need, particularly for complex installations. In this case it was important that we specified rugged and reliable cable that couldn't be tampered with - and that it complied with the v

Details

14 March 2016

The J&C Joel team led by Tony Griffiths, played an active role in ensuring that the 420 seat Curtis Auditorium has the flexibility to provide exactly the right acoustic environment for anything from piano recitals to full orchestral performances to vocal and choral works.

J&C Joel's biggest challenge was presented by their late appointment to the project. By the time this happened, all the AC, ventilation, heating ducting, drainage pipes, containment trays and other plant and services were already in place up in the plenum - the sound proofed concealed roof space above the auditorium.

This is where all the suspension and movement control equipment required for the seven panels had to be installed - comprising a com

Details

14 March 2016

Set up last year by Darren Jackson, the Wisbech-based Fut-Euro has quickly become a one-stop shop for lighting designers and architects looking for imaginative ideas in a wide number of applications.

Said Jedi managing director Andrew Baldwin, "What we aim for first is reliability and value for money. If we need something specific Darren can usually find it - but any new kit we are offered we will strip and pull apart before we have the confidence to use it."

Jedi first specified the Futurelight effects - notably the PHS-220 pro moving head with 48 pre-programmed scenes for stand alone operation and EVO-7 effects projector at Tony and Inge