Central Theatre Supplies in Birmingham were the hosts of a Lighting & Sound Workshop held at Solihull Arts Complex in Solihull on 2 February. Almost 250 people from amateur theatres, drama groups and schools attended the day and were given a full insight into stage lighting and sound. Exhibitors including Zero 88, Selecon, Audio Technica, Strand Lighting, Celestion, HW International, Doughty Engineering, Stonewood Audio and Prolyte were in attendance to demonstrate their latest products and services.

The first session of the day - entitled ‘Lighting from Scratch’ - was led by Jason Larcombe of the White Light Group. This was later followed by a demonstration of effects by Ian Knight, hire manager for Central Theatre Supplies. This offered those in attendance an opportunity to familiarize themselves with the recommended practices when working with pyro. Ian also demonstrated

AC Lighting has announced three new appointments at its corporate headquarters located in High Wycombe. The Special Projects Division has been strengthened by the appointment of Ray Dolby in the role of project manager. Dolby has worked in the lighting industry since leaving school, firstly as resident theatre technician at a Birmingham Arts Centre, then as lighting designer at the Leicester Haymarket and subsequently at the Derby Playhouse, where he lit 34 shows, covering everything from plays to musicals and pantomimes. Ray then joined Stage Services in Loughborough as general manager before progressing his career with Lighting Technology Projects in London. He worked on many projects whilst there including the design and installation of lighting schemes at the Lakeside and Bluewater shopping centres, numerous major corporate headquarters in London, airports, railway stations, colleges

John ‘Brad’ Bradshaw, formerly of Triflite Cases (Trifibre Containers), has started a new Flightcase business called Dragon Cases based in Cwmbran, South Wales. Brad - a well-known face in the industry - started his career in flightcases at Autopia some 15 years ago. After being made redundant after five years from Trifibre in December of last year, he returned to Autopia (then renamed as Encaseit) for a couple of weeks until again being made redundant after the receivers were called in on 16 January.

Brad will be working in partnership with Nomad Cases, a manufacturer of custom-built flightcases, polypropylene cases and padded bags, based in Market Harborough, Leicestershire.

(Lee Baldock)

The city tram station in Grenoble, France, has been outfitted with two Martin Exterior 600 colour changing washlights in a unique example of the creative possibilities inherent in intelligent lighting. Mounted in the tram station’s ceiling, strobe and colour change effects are used to signal the arrival and departure of trams.

When a tram is not present at the station, the Exterior 600s project white light. But as a tram nears, a sensor sends a signal to a Martin ProScenium DMX512 lighting controller, signalling the Exteriors to strobe. As the tram enters the station, the light then turns blue. Upon arrival, the strobing stops and the light remains blue. When the tram is ready to depart and pulls out from the station, the light turns progressively whiter. The lighting designer for the installation was Pierre Negre.

(Lee Baldock)

The new Colour-Fresnel CFN-60, which will find many applications in architectural mood lighting, is the latest addition to the Artistic Licence range of digital lighting solutions. The product is based on additive colour mixing of red, green and blue high power light emitting diodes with the resultant light providing in excess of 16 million colour combinations.

Colour-Fresnel is housed in a Reggiani recessed fixture that provides rotation in two axes and a variable focus fresnel lens. The product, which is available in both a white and a silver finish, operates on a 24V, four wire control signal. It can be controlled and powered by either Power-Pipe or LVD-12, and can also be mixed with other Digital Lighting fixtures, providing further flexibility.

(Ruth Rossington)

When Channel 5 asked its lighting director, Martin Foster, to design the lighting for Channel 5's new-look 5 News, ETC's Source Four profiles were high on his list for key lights. Originally designed for theatre lighting, the Source Four has become a regular feature of lighting rigs worldwide and is currently in use in most of London's West End Shows. Perhaps less well-known is that the Source Four is now becoming a common feature in many television studios in the UK.

Having worked for 5 News since the start, Foster has had Source Fours in his lighting rig all along, but this is the first time he has used them as key lights. Previously, they have been back lighting the set and used to project the Channel 5 logo. For the revamped rig, Foster specified a total of eight Source Fours - four of which are used as key lights on the news presenter and for the guest positions. The rest are back

ANC Sports Enterprises of Purchase, New York, has completed the installation of Lighthouse video banners at four major US sports stadiums, along with the latest version of its proprietary FasciaSoft 2001 control software. It takes the total of Lighthouse video banner installations by ANC Sports to over 4,300 linear feet.

The installations are also the first of their kind to employ 24-channel input video switchers, allowing wipe and fade transitions between displays, rather than simple cuts. Lighthouse LVP25 (25mm pixel pitch) LED video panels make up the video banners at each of the stadiums.

ANC installed 924 linear feet of Lighthouse LED signage in Philips Arena in Atlanta, which is home to the NBA’s Hawks and the NHL’s Thrashers. The system became operational at the start of the 2001-2002 NHL season. 340 linear feet (two locations of 170-feet) of Lighthouse LED signage

Fourth Phase is accustomed to working in strange and interesting locations, but using an open-top double-decker bus as a drive-by projection platform is a first! Contracted by Simon Garrett, managing director of event organisation specialist Pandemonium, Fourth Phase London was asked to project the Audi logo onto the exterior walls of the Audi showrooms on Piccadilly to mark a press launch. The projection, seen by thousands, took place between 6-9pm on the evening of Friday, 22 February.

The search for the ideal projection platform was initially narrowed down to a particular room at The Ritz, which stands opposite the Audi showroom, but unfortunately it was unavailable. In a moment of inspiration, the Fourth Phase team noticed an almost suitably positioned Big Bus Company bus stop! Fourth Phase hired a bus for the evening, which was parked at the bus stop quite legally for the duration

Digital Projection International has released the Lightning 25sx projector. At 14000 ANSI lumens and SXGA resolution, the Lightning 25sx is one the world’s brightest projectors. It is complemented by a palette of more than 1 billion colours, absolute greyscale tracking and luminance uniformity greater than 90%. It is suited to a wide range of applications and the on-screen results are engaging video, HDTV and computer imagery with an inherent ‘Film Look’ appeal.

(Ruth Rossington)

LCA - Lights, Camera, Action Ltd are supplying Strand Lighting, MovieMaster ballasts, Mole Richardson lighting, Avenger grip equipment and Rosco filters to Salon Films in Thailand for the latest Jackie Chan movie, HighBinders. Currently filming in Thailand, the film will also be shot in Hong Kong and Prague and stars Jackie Chan, Lee Evans, Jonathon Rhys Davies, Christy Chung and Anthony Wong.

Nick Shapley, managing director of LCA commented: "It was a huge challenge to supply Salon Films with the vast amount of lights and lighting grip in such a short space of time. However, I am happy to say we fulfilled the client’s request despite the challenges of pulling in so many products from so many suppliers." The DOP for the film is Arthur Wong, chairperson of HKSC - the Hong Kong Society of Cinematographers.

(Ruth Rossington)

As part of a continued effort to increase the wide-scale availability of its automated lighting systems, Vari-Lite Inc has announced the establishment of a Dealer Network, which will carry a full line of Vari*Lite products for sale or rental. The names of the eight companies that comprise the initial Northeast Sales Network were made public yesterday.

"Each member of this dealership network has a solid reputation among lighting professionals and has established itself as a leader within the industry," said Bob Schacherl, Vari-Lite's vice-president of sales and marketing. "Vari-Lite will continue to explore opportunities to add to its Dealer Network where and when it makes sense financially and strategically."

The Northeast Dealer Network includes Barbizon - New York (sales), High Output - Boston, (sales and rental), Parlights - Frederick, MD (sales and rental), PR

SGM has launched a new range of professional moving head fixtures. The new Giotto Spot 400, Wash 400 and Profile 400 are professional moving head fixtures designed for use in high profile entertainment applications including concerts, theatres and television studios. All three fixtures are compact and lightweight and have a range of features including 400W hot re-strike MSR lamp, 9°-24° motorized zoom, electronic ballast (90-245V).

(Ruth Rossington)

The new Artistic Licence discussion forum is now up and running. In addition to offering technical support for the company’s product range, the company is actively promoting an open discussion of the technical standards issues facing the industry. So if you have a view or need more information on ACN, DMX512-A, RDM or Art-Net, the Artistic Licence Forum is the place to visit.

(Ruth Rossington)

Leading pro entertainment industry lighting sales specialist TMB has appointed two new European distributors for its new PowerPAR fixture. In Germany, Seigen-based Trendco will be handling sales for the TMB PowerPAR, and in France and Belgium, Sonoss will be leading the way. Both deals were confirmed at the SIEL show in Paris.

In announcing the distributorships, TMB is underlining its confidence in a buoyant European market. In fact, with the popularity of the PowerPAR taking off, it was essential to expand the European network quickly. Both companies also distribute Wybron, whose Eclipse II dimming shutter was on display mounted on a PowerPAR at SIEL. The Eclipse II is a perfect device for the PowerPAR, turning it into a dimmable fixture and opening further applications for the unit. The PowerPAR continues to grow in popularity for a variety of applications. The fixtures have recently

A series of fund-raising concerts in Los Angeles was staged Feb. 26 by the Recording Artists Coalition to raise awareness of artists' rights. High End Systems automated lighting was there highlighting the music and the famous faces. The concerts were held in four different venues, all on that Tuesday night. LSD/Fourth Phase of Newbury Park, Calif., provided the gear for the Forum show, under the guidance of Robert Roth from its Atlanta office."It was an all High End Systems rig and the show was executed flawlessly," says Roth. More than 120 HES products were specified by the event's overall LD Nick Sholem, including Studio Color(R) 575 and Studio Spot(R) 575 automated luminaires, run on two Wholehog(R) II consoles. Don Henley and The Eagles headlined the $175 ticket, with Sheryl Crow, Stevie Nicks, Tom Petty, John Fogerty, and Billy Joel (for which LD Steve Cohen added his inpu

Swiss manufacturer ETR Lighting has introduced the Terra 12 - a 12 x 10 digital dimmer, a lightweight unit designed for optimum ease of use and reliability. The Terra 12 operates on virtually any load, and operating characteristics can be set for every channel individually. Its electronically controlled ventilator ensures a safe and continuous operation even under maximum load. The dimmer features an optional differential current breaker and comes in a 19" 3U rack-mountable case or a portable table-top version. A wide selection of connectors makes the Terra 12 dimmer ready for use in virtually any environment.

(Lee Baldock)

SF Marketing Inc. is pleased to announce that they have been appointed official Canadian distributor for the Coemar line. In recent years, the Italian company has earned a reputation as an industry leader, and by joining forces with SF Marketing Inc, a reputable Canadian distribution company, Coemar aims to provide quality products to the growing Canadian market.

"Coemar’s growth in the international market is no coincidence; this manufacturing giant has developed quality products that have met the needs of the consumer. We are proud to be in partnership with Coemar, who have always signified quality and innovation," stated Jean-Louis Blanchard, VP of sales for SF Marketing Inc.

(Lee Baldock)

A mock TV game show is rocking out with High End Systems products. A VH1 pilot series, "Never Mind the Buzzcocks," is flying high a rig of 6 x.Spot, 7 Technobeam and 8 Studio Beam automated luminaires, run by a Wholehog II console. The equipment was specified by LD Chuck Noble of New York City Lites, with gear provided by Pegasus Productions. Programmer Steven Garner describes the show as "a fake game show with celebrity guests (Coolio, Sebastian Bach and more) competing as they trash music videos. The moving lights double up during bumpers, they 'flash and trash' with the smashing rock and roll, then convert to great backlight and scenic projection."

The x.Spots are "especially useful," Garner says. "They are backlighting a cyc from about 15 feet away and are right up against the back wall, so the zoom is a tremendous help. The Studio Beam strobe is

PAI have recently completed an installation at Reading University's Students Union Bar. The project was for a complete sound and lighting system, which used Mackie Fussion for the main dance floor and a combination of Martin Professional and Abstract fixtures for the effects lighting.

To run the sound system, PAI’s Martin Draisey selected to use the new Mackie Industrial DX8/10e digital audio mixer. "I was invited to Mackie’s showrooms in Wickford by Andy Austin-Brown for a seminar on the DX8/10e. The presentation was fronted by Costa Lakoumentas (the man behind the development of the mixer) and I was genuinely enthused by what I learned. The unit is highly flexible. At Reading University, for instance, we have used it as a digital processor and loudspeaker management system. I used 9 of its 10 outputs, for main, left and right (Fussion), six circuits for the periphera

Brian Konechny, president of Showtime Lighting Inc, has announced the addition of Marc Raymond and Phil Bernard as two new strategic partners into Showtime. Marc Raymond is the founder and former CEO of Westsun International Inc: under his leadership the company grew from a small lighting shop based in Winnipeg to become one of North America’s largest technical production companies. With World Class capabilities in audio, lighting, scenic construction and automation, Raymond built a team that set new standards of quality and performance for clients as diverse as Disney, Microsoft, N’Sync and The Staples Center.

Phil Bernard is an industry veteran, having begun his career over 25 years ago as a pioneer in the Vancouver film industry. In the early 80s Bernard was based in Toronto as the Canadian sales manager for Strand Lighting. In 1985 he founded Westsun Vancouver and grew

Vari-Lite Europe has taken delivery of their first VL1000 ellipsoidal reflector spotlight units and as soon as they arrived, they went straight back out again! 12 of the units will be used at the Roundhouse, Camden where the RSC is returning for the first time in 30 years to perform three of Shakespeare’s late plays, A Winter’s Tale, The Tempest and Pericles, which will run in repertory at the Roundhouse until transferring to the Royal Shakespeare Theatre in Stratford-upon-Avon in August. Lighting designers for the shows are Hugh Vanstone for A Winter’s Tale, Tina McHugh for The Tempest and Jean Kalman for Pericles.

With its debut at LDI last year, the ground-breaking new VL1000 luminaire has made the professional automated luminaire affordable. The VL1000 is available for less than a conventional ERS with most of its popular accesso

When London's Royal Opera House decided that it needed automated lighting equipment to form the heart of the permanent lighting rig in the newly-refurbished theatre in 1999, it turned to White Light and The Moving Light Company, which supplied them firstly with City Theatrical Autoyokes and then with custom automated Robert Juliat PCs created by The Moving Light Company. The ROH turned to White Light and The Moving Company again to provide specialist service and support, appointing The Moving Light Company to support the entire automated rig with servicing and emergency call-out services. White Light and its service and support division The Service Company also provides the Opera House with ongoing support of their lighting control systems.

Now the Opera House is expanding its automated rig further - and once again White Light and The Moving Light Company have been their suppliers of c

The executive committee of the Association of Lighting Designers (ALD), the professional body representing lighting designers in all fields and countries, has appointed two of the Association's members, Robert Ornbo and Richard Pilbrow, as joint presidents.

The role of president involves advising the executive committee on how to achieve the ALD's principal goals, which are to further the art of lighting design for the theatre, live entertainment and associated industries, and to raise the profile of lighting designers. The committee wanted working lighting designers who were widely respected and who had contributed to the industry's development in the relatively short history of lighting design.

Rick Fisher, chairman of the ALD, commented: "We are lucky to have so many original members still actively involved in the industry and we wanted to honour two of them. We couldn't hav

Stardraw.com has recently appointed Kevin Harrison to the position of Symbols Manager. Harrison has many years experience in the audio and AV industry, including several years of involvement with Stardraw.com, so his appointment represents the formalization of his role within the Stardraw organization.

Stardraw’s Symbols Manager is the prime point of contact for any manufacturer who wishes to participate in the symbols libraries, and for end users asking for library additions through the free ‘Symbols-By-Request’ service. In this role Harrison heads up the team responsible for symbols generation and enforces the qualitative standards to which all symbols must adhere.

(Ruth Rossington)

Latest Issue. . .