Lighting

Details

14 March 2016

On show and available for demonstration will be fixtures from Philips Color Kinetics including the new ColorBlaze TRX, ColorBlast TRX, iColor Flex MX, iColor Flex LMX, iColor Accent MX Powercore, and the PL3 from Philips Selecon.

The ColorBlaze TRX is a versatile, linear RGBAW LED fixture and the latest fitting available from Architainment Lighting. Designed for concert, theatre, television and stage lighting, it incorporates red, green, blue, amber, and white LEDs to achieve an expanded colour palette. The ColorBlaze TRX is bright with an output of over 7,000 lumens per 2' fixture and can be controlled in 4" increments in 8 or 16-bit, via DMX or Ethernet.

Architainment Lighting has recently suppli

Details

14 March 2016

Wybron Cygnus will also participate in the STLD LED Shootout at stand 1F-60, represented by Cygnus Studio Series medium and narrow flood fixtures. The Shootout provides an opportunity for objective comparison of fixtures from various manufacturers in a hands-on 'studio' setting, every day throughout the show.

Cygnus Studio Series all-white wash fixtures are bright and feature variable colour temperatures of 2800K-6000K, using a combination of cool and warm white CREE LEDs. Suitable for flicker-free film

Details

14 March 2016

Two of the most revolutionary products on display are the Philips Selecon PL1 and PL3 LED luminaires. Driven by the Philips Vari-Lite VLX LED light engine, the first light source to deliver full control of beam colour composition irrespective of intensity, the PL1 and PL3 feature an adjustable beam spread from 15-55 degrees, smooth colour mixing and stepless fades; ideal for any entertainment lighting application.

Philips Selecon's new generation of tungsten halogen ellipsoidal luminaires - the SPX range has been called 'evolutionary' and 'outstanding'. They lead the way in energy efficiency enabling customers to reduce electrical consumption by as much as 60 percent compared to prior generations of ellipsoidals. SPX features two zoom ra

Details

14 March 2016

The Palace of Culture and Science (Pa?ac Kultury i Nauki, or PKiN) is the tallest and most dominant building in Poland, constructed between 1952 and 1955 as a gift from the Soviet Union to the people of Poland. The 231m-tall building currently serves as an exhibition hall, office complex, radio and television broadcasting centre, plus it holds cinemas, theatres, museums, and a conference hall for up to 3,000 people.

The main attraction of the Palace of Culture is its observation deck on the 30th floor, from which the whole city can be viewed on a clear day. In 2010, a new lighting installation on the building was begun in order to revive the city skyline with a colourful centrepiece - a project developed with financial support

Details

14 March 2016

Todd Roberts of Visions Lighting saved the day at L.A. Rising by substituting the Platinum Beam 5R, after the festival's original lighting proposal turned out to be too costly to execute. "I had a proposal for the L.A. Rising show that called for a lot of larger, higher-powered fixtures. But a week out, th

Details

14 March 2016

The PLASA Awards for Innovation recognise products which advance the industry by demonstrating a new style of thinking, improving technical practice or taking a key step forward in terms of safety.

Extended deadline for nominations - Tuesday 6 September

Visit the web address below for all the details you need.

(Claire Beeson)

Details

14 March 2016

The event, which is open to all PLASA 2011 visitors, will be held on Tuesday 13th September 2011 from 6:00pm to around 7:30.

The BBC recently launched the first release of its Guide and has hosted sessions at Television Centre to explain its findings and the steps being taken by different organizations to help quantify the output characteristics of LED lighting fixtures when used on TV Productions.

The event's schedule and speakers are:

6:00 PM - Paul Middleton (STLD) - Introduction

6:05 PM - Mariam Ali (BBC) - Low energy lighting at the BBC

6:15 PM - Francesco Anselmo (Arup) - Low energy lighting performance comparison

6:25 PM - Karl Ruling (PLASA) - BSR E1.41 - 201x, Recomm

Details

14 March 2016

Ambersphere's managing director Glyn O'Donoghue comments: "For the past six months I have been working closely with MA Lighting and Clay Paky in the UK and the synergy is fantastic. Both companies make high quality innovative products and they deserve the best support services available. Through this alliance, we'll be able to offer total UK support for both product ranges. Later this month we will be moving into larger pre

Details

14 March 2016

Against a background of such uncertainty, PLASA CEO Matthew Griffiths suggests there has never been a more important time to talk to each other. "When financial experts are sceptical about future economic growth, we have to take note and be prepared for market changes. Fortunately, this is a strong industry that performs well and understands how to innovate. It's also thankfully one that believes in openly discussing issues, so it's encouraging that people want to discuss what the next 12

Details

14 March 2016

Copies of Pilbrow's book were available for purchase, which he personally signed throughout the evening. The catered reception also served as a successful networking event, and was attended by well-known designers including Ken Billington, Imero Fiorentino, Hugh Hardy, Natasha Katz, Stan Pressner, and Jennifer Tipton. PLASA Members and staff connected with their industry peers, Pilbrow's family and friends, and fans and students of his work.

Pilbrow will also sign copies of his memoir at the PLASA show in London, Tues

Details

14 March 2016

The P3-200 retains all the advantages of the P3-100 System Controller like built-in scaling and de-interlacing, multiple video protocol and resolution support, built-in graphical user interface, and direct DMX control of brightness, color, pixelmapping and more. It works with all Martin LED display systems (LC Series with P3 Upgrade Kit, LC Plus Series and EC Series) and is software and showfile compatible with the P3-100 System Controller.

Stating that "it took a lighting company to change the LED video world", Martin says that with the P3 family of video signal control

Details

14 March 2016

BlackTrax 3D is, the company says, "a revolutionary system for tracking people and objects with unbelievable accuracy, in real time". The system uses a proprietary IR placed on each object to track their X, Y, and Z - the 3D coordinates. The new system also drives true 3D audio output for the first time in the world, says CAST.

CAST will also demonstrate a prototype of its new BlackTrax 6D - which tracks the position and orientation for 3D plus roll, pitching, and yaw - all in real-time.

Using leading-edge proprietary IR, BlackTrax can track all the parameters of each uniquely tagged object in the defined 3D space. Should the IR line of sight be obstructed (which is the primary mode of tracking), the onboard accelerometer delivers redundan

Details

14 March 2016

The new 16,000-lumen fixture features a variable CCT range (2,800K-6,500K), adjustable focus from hard to very soft edge, changeable lenses for beam angles from 14º to 36º, and a flat field. It also offers four shutters on a tri-plane; an M-sized area of a B-Sized GOBO; DMX, ArtNet and local control; and universal AC input (90-260 VAC).

RevEAL products also produce an extended color gamut using a five-color mixing process: red, green, blue, cyan and amber. The advanced optical algorithms produce amazingly pure and consistent colors, including white light with a CRI above 93.

In addition, the products encompass a real

Details

14 March 2016

The German company continues to play an active role in the show, and in addition to showcasing its expanding portfolio from a typically spacious open-aspect stand, it will also participate in the STLD LED shoot-out with its innovative Spot One and Wash One, and market-leading impression 120 and impression 90 LED luminaires.

And it is the new impression Wash One, making its UK début, that will be given star billing at the show.

Boasting a 400W RGB LED light engine, and the same groundbreaking technology as the Spot One, the fully-featured luminaire is able to deliver delicate colour changes or instantaneous colour bumps over a wide, carefully-calibrated colour spectrum.

The impression Wash One offers a 6°-

Details

14 March 2016

NEW: ALPHA SPOT QWO 800

The Alpha Spot QWO 800 makes its first international appearance at the show, featuring the latest MSR Platinum lamp - an 800W light source that produces an intense sparkling light, brighter even than older 1200W lamps. Additionally, the Alpha Spot QWO 800 is equipped with optical features that place this luminaire at the very top of its class, including a very wide zoom range from 7.6° to 55°; uniform beam distribution at all zoom angles; and a unique Stay-Sharp-Zoom feature that locks images in focus while zooming.

Add to that the lamp's ability to reproduce highly detailed images, and the Alpha Spot QWO 800 becomes a brillia

Details

14 March 2016

The Studio Force range is specifically designed for TV, film, touring, exhibitions, corporate events and theatre lighting applications.

Utilising the same core technologies as the innovative Chroma-Q Color Force range, the six white LED models all offer at least twice the light output of their RGBA colour variants.

The Studio Force D 12 and Studio Force V 12 300mm / 1ft long multi-purpose fixtures are suitablel for floor, wall or truss mounting. The units can also be used to extend Studio Force LED batten installations. Optional accessories include cyc and border light lens, lightbank kit, egg crate louver, to

Details

14 March 2016

Watch Me Move does not simply chronicle animation in all its forms, it highlights it as an influential force in the development of global visual culture. It is designed as an immersive experience, with footage from commercial giants such as Walt Disney, Aardman and Pixar running alongside work from contemporary artists including Étienne-Jules Marey, Harry Smith, Jan Švankmajer, William Kentridge and Nathalie Djurberg.

Pixels is a value-added distributor of BrightSign HD media player products. MD, Norman Garland notes, "Since the start of our relationship with BrightSign in 2009 we have shipped over 1900 units to our customers, over 900 to June this year al

Details

14 March 2016

It's the second year that LML's Joanna MacKay has led the production management team for this 30,000 capacity event, which is orientated towards children and young people.

LarMac LIVE's brief included organising the supply of lighting, sound, video, staging and backline for the eight main stages which included an eclectic array of live performance from Primal Scream, Blondie and Mark Ronson to Howard Marks to Groove Armada's Red Light DJ set, Mr Tumble and Sooty, plus host of other bands, DJs, comedians, poets, speakers, circus acts across the three-day event.

Working for Loudsound Events and The Bestival Organisation, LML also p

Details

14 March 2016

"We're excited to use Barco projectors in our challenging Hybrid Space projects, because they enable us to reveal the work's full potential in passive 3D projection," explained Thomas Soetens of Workspace Unlimited.

Barco was an early supporter of the internationally renowned collective's endeavours, sponsoring its inaugural exhibit of RealTime UnReal at the Museum of the Moving Image last January in New York. &q

Details

14 March 2016

Through the local agent E&T, a variety of LDR double optic condenser profiles , Fresnel , PC and Cyclorama's have been chosen, installed and successfully used in the theatre.

"The Vanemuine theatre was looking to replace and improve the existing lighting stage inventory," says Fabiano Besio. "The installation proved to be successful and I'm proud to know that LDR fits and exceeds the theatre needs - A special thankyou goes to Olev Luhaäär from E&T that assisted the theatre during the installation and provided valuable local assistance."

Fabiano Besio adds, "In a time whenpeople confuse and forget the basic concepts of light I still believe in my motto 'Proper light in the proper place and here comes magic'. Surprising

Details

14 March 2016

In addition, Prolight is exhibiting the half metre LEDJ Colour Storm Quad, featuring 8 x 8W RGBW LEDs, designed to follow on from the success of the Colour Storm and Colour Storm

Details

14 March 2016

BlueBox works with the W-DMX G4 range and will automatically search for and find any G4 transmitters and RDM enabled G4 receivers. Signal strength and wireless channels are displayed, plus configuration options such as signal power, transmitter/receiver pairing and compatibility modes.

Also on show will be the W-DMX ProBox F-2500, the company's top of the line, two-universe transmitter/receiver and single universe Repeater, all in a single 19" rack unit. The unit comes with ample connectors on the front and the back, and has built in support of Et

Details

14 March 2016

The stand's central section is a practical hands-on 'mini TV studio', where competing LED washes, soft lights, key lights and moving lights can be explored in pre-booked one hour sessions, away from the bustle of exhibitor stands.

Visitors will be able to try their hand at lighting the two mini TV studio setups, and view the results through two HD broadcast cameras, with a Lighting Director and Electrician on hand to offer guidance.

These sessions will alternate with case study seminars where you can learn from expert presentations on a variety of

Details

14 March 2016

An unusual alignment of the 4in1 LEDs accounts for this, according to the company, the key to the wide color palette being an unconventional assembly of the 18 multichip diodes. Besides RGB, 12 of the chips feature an additional white LED, while the remaining six are arranged as RGB and amber. Thanks to the interaction of these white and amber hues, the basic colors can gradually be reproduced warmer or colder. The design also allows a deep, luscious red - often a problem - to be created.

The amber LEDs also allow the creation of an orange which, says Steinigke, could not be created by other LED spot luminaires. "Although this orange might not be as powerful as the other colors, due to the restricted num