Lighting

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14 March 2016

With its eye-catching display, Clay Paky won the LDI Booth Award for 'Most Creative Use of Light' at a ceremony on the show floor on Saturday, 29 October. The award was accepted by Clay Paky chief commercial officer Pio Nahum, who thanked Parasol for their involvement in making the Clay Paky booth the talk of the show.

Nahum says, "The Parasol system made a spectacular contribution to our booth, and is an ideal partner to our Sharpy spotlight. Apart from being unique on the market, the KLR system is standardised and completely market-ready. I feel sure that the Parasol system will be widely adopted and initiate an entirely new approach to designing with automat

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14 March 2016

The roadshow is designed to give everyone a chance to take a look for themselves at the next generation Vista v2 software for the Jands Vista lighting and media control range.

Events in Norway, Sweden and Switzerland have proven to be a major success, with much positive feedback received afterwards from attendees, says the company.

Jands Europe's Neil Vann says, "If you haven't taken a look at Vista v2 for yourself yet, the roadshow gives you a great opportunity to see just how fantastic it really is. We have heard back from many visitors that have expressed how impressed they are with Vista v2, as well as how they wished they had taken a look earl

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14 March 2016

This follows on from also being the first company in the region to purchase Robe's Robin 600 LEDWash fixtures at the start of the year, where their first show was the highly anticipated 2011 Hong Kong Fashion Week.

Internationally renowned lighting designer and technical director Troy Daniel had initially been reluctant to use any LED fixtures on the HKFW show at Hong Kong Convention and Exhibition Centre's Grand Hall. However he now reports, "Let's get serious, nothing beats Robe's Robin 600 LEDWash."

Fellow Australian and now Hong Kong based Luke Hall, who is production manager and lighting designer for Untitled Entertainment Asia, one of the A Team's top partners adds, "Our company prides i

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14 March 2016

The fixtures were specified by lighting designer Mark Kenyon and supplied by TMB, a production and services company for professionals in the entertainment production and architectural lighting industry.

The richly appointed set was a feast for the audience's eyes - both in the studio and for those at home. The woven textured walls were uplit in saturated washes by COLORado 1 Tour fixtures discreetly lining the staircases contestants descended to reach the stage.

"The COLORado 1 Tour performed amazingly well," said Mark Kenyon. "They are tremendously bright, with an even field of rich colour and convenient dimming curves for smooth uplighting. They allowed me to create a visual im

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14 March 2016

Providing the central visual focus of the production, the stage-wide LED video curtain, using 100m² of panels for a screen size of 14 x 7m, showed the work of video director John Minton and video content designers As Described, an hallucinatory smorgasbord of grungy imagery and deliberately lo-fi, distorted i-mag work.

Stage Electrics was brought in by As Described, and flew the screen from four 1 ton Lodestars and 14m of Prolyte Truss, as well as supplying mains distro and a portable production unit consisting of two Analog Way Tetra-VIO scalers, preview monitors and a 32x32 Composite Matrix Switcher. For the final two IBYM shows at Alexandr

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14 March 2016

Salvatore Grillo is a 37-year old entrepreneur who, after accumulating his professional experience in a wide variety of companies in Germany and the United Kingdom, has decided to undertake a new challenge at the head of Coemar, alongside the renewed commitment of MML Capital Partners, which remain as minority shareholders.

"After nearly 15 years abroad, I'm very pleased to be able to sustain an Italian firm that is a real ambassador of the 'Made in Italy' in over 70 countries&quo

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14 March 2016

PR was working for production company Limited Edition, for whom they are a frequent supplier of technical production design and services.

Outside, across the street from the entrance of Freemason's Hall, the PR crew built a scaffolding tower, and onto this was positioned two Panasonic 10K projectors, double stacked and fitted with .8 lenses.

The venue is an imposing Art Deco building dating back to 1933, now Grade II listed inside and out, and one of the finest examples of this architecture in the UK. The throw distance was 10m and the projection area about 45ft wide,

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14 March 2016

A new energy efficient lighting scheme has been installed, replacing 28 recessed 500W PAR 56 halogen fittings with the new Anolis ArcSource 48 MultiChip (MC) fixture, specially designed by Anolis for this project.

The Anolis ArcSource 48 MC consists of twelve 10W Cree MCE RGBW LED chips, which enable full and seamless RGB colour mixing plus an excellent selection of 'real' whites in a variety of colour temperatures.

NIDA's lighting supervisor Adrian Wright explains that top of their brief for the new lighting was to make a significant reduction in electricity consumption across NIDA's public areas. They al

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14 March 2016

"It is a fantastic festival to be involved with, especially in terms of the obscure and eclectic styles of music and highly skilled entertainers we get to work with on our stages," commented Barton. "This year they ranged from magicians, comedians and burlesque dancers to Pirate, Gypsy, Balkan and Mediterranean surf rock style bands."

This is the sixth year of the show and Hellfire have been involved since its second year. They provided the Nu World beat ring and Lemontree stage with all technical crew such as sound engineers, lighting designe

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14 March 2016

The lighting for the original show in the West End was designed in 1986 by Andrew Bridge, with associates working on it throughout the show's life. Designing for the Royal Albert Hall, Bridge worked with Patrick Woodroffe to create a production with only three performances. TV cameras were brought in to transmit the final show to thousands of cinemas and theatres worldwide.

Bridge says: "The lighting rig was quite different to the theatre version of Phantom. It was far bigger, and a different shape.

"As a part of the design team, we had a clear idea of what we wanted to achieve; anyone who has been to see the original show would have recognised it, but with the lighting coming from very di

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14 March 2016

Along with co-founder Theo van Workum, Roelofsen has built up a formidable sales and rental company over the past 15 years, with bases throughout Holland and Germany. Their channels to market take them into television and architectural applications as well as concert and theatre touring.

"We are extremely impressed with the new range of SGM products - and over the years we have also sold a lot of older SGM fixtures," he stated. "It's important that we

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14 March 2016

In London's West End, White Light is supplying the lighting to new productions of Butley, lit by Howard Harrison at The Duchess, Cool Hand Luke, lit by Matthew Eagland at the Aldwych, Driving Miss Daisy transferring to the Wyndhams Theatre from New York and lit by Peter Kaczorowski, Matilda, lit by Hugh Vanstone at the Cambridge, and The Tempest, lit by Paul Pyant at the Haymarket.

White Light is also busy on the touring circuit, supplying the lighting to shows including Buddy (lit by Joe Atkins), Dirty Dancing (lit by T

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14 March 2016

The one-day events were held at the Peter Sarah Theatre in the Performance Academy of Newcastle College, Newcastle Upon Tyne and the newly opened Royal Welsh College of Music and Drama in the grounds of Cardiff Castle, where Stage Electrics also recently completed a major sound, production lighting and communications installation in the concert hall and theatre.

Brands on show were Arri, Avolites, Chauvet, Clay Paky, DiGiCo, ETC, Highlite, MA Lighting, L-Acoustics, Lee Filters Le Maitre, Martin Professional, Panasonic, Philips Strand, Selecon and Vari-Lite, Pulsar, RCF, Rosco, Roland, Sennheiser, Shure, Yamaha and Zero 88.

Some 230 people attended on the day, with students from each venue for

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14 March 2016

Watson states, "The controllability of the individual pixels allows me to modulate the intensity or colour of the beam, creating movement from a static source. It is truly a beautiful effect and one which ranges from incredibly subtle to highly dynamic. The tungsten LEDs in the PixelSmarts are amazing for key lighting and for punching a white beam through a colour wash."

Watson continues, "In addition, when the fixtures are facing the audience - the LEDs can be PixelMapped or modulated to create a highly controllable LED array, enabling patterns and movement to be displayed across the fixtures. All in all a really versatile fixture which I am really impressed with."

(Jim Evans)

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14 March 2016

SHoW Baby is a wireless DMX transceiver, meaning it can be either a transmitter or a receiver. As the LDI judges pointed out in the awards ceremony, SHoW Baby has the easiest user's manual around. "For a Transmitter, plug DMX in, for a Receiver, don't."

SHoW Baby utilizes a clever DMX input jack that senses when a DMX cable from the lighting console is plugged in, and configures itself to be a Transmitter. Without sensing DMX in, it configures itself as a Receiver. There are no other user choices to make and SHoW Baby is entirely plug and play, with no buttons to push, settings to adjust, or menu options to choose.

(Jim Evans)

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14 March 2016

Following the successful preview of the smallest console in the range - Clarity LX300 - at the PLASA 2011 show in London, LSC showed the other end of the spectrum with a preview of the flagship LX900 at the LDI show in Orlando, Florida.

The range features three Clarity models, the LX300, LX600 and LX900 all with touch screens, multiple programmers, unlimited undo/redo, Fader Ident for playback mode indication, media server integration, LED pixel mapping and innovative Rig Schematic patching, which allows importing of rig or venue images to overlay patched fixtures making your fixture selection quick and easy. In addition all fade

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14 March 2016

The evening was electric as the arena was bathed in Kentucky Blue all night while the crowd was entertained by speeches from Coach John Calapari, player introductions, cheerleaders, dance teams, celebrities and finally, an inter squad scrimmage.

Bob Stoops, technical services manager of Rupp Arena and David Haney of SGSP/ Sho

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14 March 2016

Designers Steve Owens and Chris Stuba combined their ideas and delivered a system that was large and afforded each act a separate and distinct look. VL 3000 Spots, VL 3500 Washes, GLP Volkslichts, Martin 301's, Atomic Strobes, 2 Lites, 8 Lites, Source 4 Lekos and ACL's all were brought into play on the show. Stuba used a Grand MA console while Owens preferred a Maxxyz Plus.

The show is a combination of LED technology with the new moving lights from Martin and GLP with the tried and true VL's, strobes and such. Owens and Stuba worked many days at the Bandit Venue 1 rehearsal hall, as well as in Bandit's virtual suite in order to prepare their pro

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14 March 2016

Brock discussed his ideas with Craig Mitchell at LMG Touring, who took up the challenge to find a low resolution video product that allowed the band and crew to walk through it. When Brock was shown G LEC's Solaris+, he knew he'd found the right product.

Brock says, "I wanted to position the wall of light at the front of the set so that backline techs would be hidden from the audience, yet able to see their musicians. My idea was to keep the look simple for this particular show and Solaris+ allowed me to select subtle single layers o

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14 March 2016

Silvio Cibien said, "After winning the PLASA Innovation award in London we were delighted to pick up another award in the USA. We have attended every LDI since we started the company back in 1998, but this has been the best one for us. There was great interest in Green-GO, especially after we won the award, and because of this we started signing up regional distributors in the USA on the booth."

Green-GO is a new intercom system that provides high quality digital voice communications, as well as optional and messages with cue li

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14 March 2016

Darren Hodge, Eclipse Dubai's GM, who made the decision to purchase the lighting fixtures, says, "Eclipse has been very happy with the Martin MAC 301s; they are constantly in use by our team and requested by clients for their versatility. I was very impressed with the new Aura light and had no hesitation in being the first company in the region to add these units to our extensive lighting stock. They have just arrived and are already being used by our team at the Live Nation DXB Beac

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14 March 2016

Joining confirmed exhibitors ETC, Barbizon, Philips Color Kinetics, Doug Fleenor Design, Strong Entertainment Lighting, Chauvet, A.C.T Lighting, Global Design Solutions, CommuniLux Productions, GLP German Light Products, Daktronics Rigging, Total Structures, Arri, Rosco, Rose Brand, Robe, High End Systems, Secoa and Clay Paky, amongst others, are new exhibitors; Elation, White Light, LSC, James Thomas Engineering, Creative Stage Lighting, Inlight Gobos, Mainstage Theatrical Supply, Martin Professional and TMB.

PLASA Focus' much t

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14 March 2016

Almost 300 Chauvet MVP video panels were interlocked into a large-scale wall framing out the booth on three sides to create an immersive experience. Against that backdrop, a truss spider held over 200 fixtures, including the premiering COLORado Zoom Tour wash lights and Legend 412 LED moving yokes. At the floor level, a runway was flanked by Q-Wash 560Z-LED moving heads and the new Épix Series of pixel mapping fixtures running on ArKaos Kling-Net protocol.

four days for the Chauvet team to set up the 'Infectious' booth, using seven un

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14 March 2016

On stand 410 will be the KLA 600 Softlight from Galaxia, offering flicker free soft light with adjustable colour temperature (2700 - 6500°K). It can be controlled locally via a handset, which allows accurate settings to be replicated across multiple standalone units, or via DMX. Robust & reliable, it offers a 30% reduction in power consumption over fluorescent softlights.

Robert Juliat's Aledin 330LF offers a high output LED, a 200mm Fresnel lens; the fixture gives a very powerful wash effect. Economical, the330LF extends colour media life due to its low heat output, and requires fewer maintenance calls thanks to its extra-long-life LED.

The RevEAL Studio from Prism Projection is a pro