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USA - The Nature of Light: An Exploration After Dark at The Paine Art Center and Gardens, in Oshkosh, Wisconsin is an immersive night time experience - created by visual design practice Lightswitch in partnership with art sculpture studio HYBYCOZO and the Paine - uses a host of Elation Professional fixtures in a number of evocative and transformative outdoor environments.
For nearly a decade, HYBYCOZO and Lightswitch have partnered on art installations and experiences but The Nature of Light: An Exploration After Dark is their first collaboration on a major large-scale exhibition. The Nature of Light features a collection of carefully curated experiences throughout the estate and grounds, spectacularly lit indoor and outdoor environments that incorporate more than 50 different sculptures.
The project began when Aaron Sherer, executive director at

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USA - Frontman Ian Astbury and The Cult have “always been fans of warm blinder light from a low and back position,” says Matt Guminski, the band’s lighting designer, programmer, and operator.
For his part, Guminski is a self-described “fan of contrasting warm tungsten (or a proper tungsten emulating LED), that works harmoniously with the bold & saturated colors of LED or discharge lamp fixtures”.
This alignment of preferences came together this summer for the band’s We Own The Night North American tour.
“Doing bumps between a rich saturated LED look and warm bright blinder hits always provides big dramatic looks, which is what we did on this tour,” said Guminski. “We also went with multiple types of silhouette looks. This harkens back to Ian’s desire for a less traditional rock show, more like Bauhaus/Nine Inch Nails. Chiaroscuro is the na
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USA - Bobby Glowacki does a bit of everything on country music artist Brett Eldredge’s current Songs About You U.S. tour and lights the singer/songwriter using a versatile lighting rig from Elation Professional. Production design, lighting design, lighting programming, lighting operation, even lighting tech, he’s a virtual jack-of-all-lighting-trades working behind the scenes to make sure the show runs smoothly and looks its best.
Eldredge has five No.1 singles on the Billboard country charts and multiple accolades to his credit. Glowacki, who shares production designer duties with Bryan Bobbys, has been working with Eldredge for the past few years. He lights the current show using an Elation lighting package of 32 DARTZ 360 narrow beam moving heads, 12 Paladin Panel flood and effect lights, 8 ZW37 beam/wash moving heads, and a pair of SixPar 200 IP. Lighting supply is

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South Africa - Maranatha Community Church Johannesburg has invested in two sets of Astera Titan Tubes for its busy 3000-seater auditorium in Kempton Park.
Nereen Bradshaw is head of media at Maranatha, and is responsible for creating content and overseeing lighting, media and video weekly at the Kempton Park campus, with which she has been involved for 10 years. The auditorium is used for three Sunday services each week (reaching approximately 5,000 - 6,000 people across all three services), and a live event is staged every Friday for around 400 young people. Four times per year there is a large mid-week family praise & worship service to coincide with the end of the school terms. Services include a set of praise & worship songs, followed by a motivating message.
All these presentations and services include live musical performances.
Nereen and the tea

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Norway - Kunsthøgskolen – Oslo’s National Academy of the Arts is a vibrant and high-profile university college in the Norwegian capital which is dedicated to education in design and fine art (including graphics, furniture, and clothing design) and the visual and performing arts.
The visual and performing arts faculty covers multiple genres – theatre, drama, opera, dance, ballet, jazz, etc., offering undergraduate and master’s degrees, and has nine busy stages that present 50 – 70 productions a year. Head of lighting for this busy and lively environment is Ronnie Tungland, who recently co-ordinated the specification and purchase of 20 x Robe Esprite moving lights to be used across the various stages.
As Kunsthøgskolen’s 1000 plus dimmer channels feeding the various stages were starting to age, explained Ronnie – who has been overseeing lighting at the ac

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USA - Will Chandler has created a compelling design for Grammy winners Bob Moses, on the Canadian duo’s current summer tour.
The owner of Envizion Group, Chandler has created a flowing set and lighting design that seems to fit the stage effortlessly as it produces its immersive effect. Engendering this organic mood are his artful use of dark spaces, a blow through video wall, and a rig configuration that allows him to “hide” fixtures when not in use.
“My vision was to maintain a level of transparency in the set,” explained Chandler. “Going into the design process, I wanted to incorporate video into the rig, but more as a scenic element and light source than as a traditional screen. The use of blow through screens, along with the space created by the strips, allows me to hide moving lights and blinders behind the set so that they disappear when not in use. T

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USA - Stage Right Lighting in Virginia Beach, Virginia expanded its Ayrton lighting inventory with 38 Perseo IP65-rated compact, multi-function luminaires, which have been flying off the shelves, according to production manager Doug Arble. ACT Entertainment is the exclusive distributor of Ayrton lighting in North America.
“We’re based in the Tidewater area, which consists of seven cities, and from May to October we’re outdoors with concerts and special events,” he reports. “We were looking for a multi-function light with an LED source and an IP rating. We needed something that wasn’t excessively heavy that we could throw into a pre-rigged truss and use as a downstage wash or upstage profile, something that had gobo effects and framing shutters, which are in big demand on riders these days.
ACT brought us some Perseos for a shoot-out with other IP-rated fixt

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Europe - MA Lighting has now released the grandMA3 software version 1.8. The upgrade represents “massive workflow improvements and new functionalities”. These include New workflow for symmetrical movements, Selection Grid tools, multipatch, additional store modes and reworked update menu.
In addition, a number of existing features are taken to the next level. The DMX tester gets encoder bar control and the entire grandMA3 system can be set up offline with the help of device configurations. XYZ programming gets more powerful than it ever was. grandMA3 version 1.8 introduces the possibility of fading between MArkers and even between XYZ and Pan/Tilt positions in the same sequence.
The complete list of features and enhancements is documented in the release notes and under: www.malighting.com/grandMA3-software. Tutorials are available.
MA Lighting offers grandMA3

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UK - Sauca Live Light is gearing up for its release at this year's PLASA Show (4-6 September, Olympia London). "Increase audience experience, engagement and loyalty with a low cost, sustainable solution," the company says. "Certainly not too good to be true as Sauca Live Light is the 21st century’s version of the concert lighter that does so much more is released." 
With Sauca Live Light's new technology, audience smart devices such as phones, watches and wearables become a massive, controllable canvas of pixels. "Lighting designers can now control colour effects and dynamic images across the entire crowd. With the ability to generate huge messages that sweep across the audience, Mexican wave camera flashes or the crowd strobing the venue, the possibilities are endless," says Sauca. 
Audiences everywhere can now create “unforgettable and mesmerising experiences un

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France - Visitors to the Palais de la Bourse in Lyon can’t help but admire the white marble statue, near the stairs leading up to this Renaissance revival structure. Graceful and flowing, the sculpture represents the Rivers Saône and Rhône, their arms joining together as they point confidently towards the future. Since it opened on August 25, 1860, it has brought together the forces of commerce, industry, education and art for the betterment of its community.
This heritage made the Palais de la Bourse the ideal setting for a recent event hosted by Vinci, SA, a company that specialises in energy production, concessions and construction.
Lighting designer Romain Plantier, working with lighting technician Loïc Pollet, drew on the stunning architectural features of the building to endow the Vinci dinner gala with added elegance and style, while still conveying a welco

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Thailand - For the eighth season of The Voice of Thailand, the show’s lighting designers used Cameo spotlights for the first time. More than 180 moving lights, spotlights and LED bars were used in the studio and live shows in Bangkok. The lighting solutions were supplied by Cameo’s Thai distributor, L&E Lighting & Equipment PCL.
“Cameo is a relative newcomer to the Thai event technology market,” explains Arocha Kittivittayakul, product manager at L&E. “We are therefore all the more pleased that those responsible – Pat Jareeyatana, managing director of EXIT365 Company Limited, the owner of The Voice All Stars Thailand licence, and the lighting designers Arthorn Luempetch and Junchay Baomaroeng – showed great interest in the spotlights and ultimately decided on Cameo as a brand.”
For lighting in the TV studio, the lighting designers use

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USA - Bandit Lites partnered with 46 Entertainment to provide the lighting package for the American sports and comedy group Dude Perfect 2022 summer tour. The group boasts more than 58m subscribers and 14.6bn views.
Production manager/designer Mason Felps of 46 Entertainment crafted a new design based around the core fixtures from the last tour, working with creative producer Lauren Charboneau and Bandit lighting director Chris Noll.
“We knew we needed a ton of key light to cover all of the playable area,” said Felps. “I started there and worked my way backwards.
“With Dude Perfect being social media based, it's really important to keep everything to brand: be it tour branding or artist branding,” said Noll. “This tends to influence colour selection or overall feel of a given segment.”
Noll worked with Gordon Droictcour of Cour Designs (cont

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Denmark - Roskilde, Denmark’s largest and highest profile international music festival, celebrated 50 years this year with a fantastic line-up across multiple stages, with Robe moving lights playing a major role on the famous Orange Stage and in the expansive Arena Stage venue.
The 50th anniversary had been due to take place in 2020 but was delayed two years due to the pandemic, and while a small version of the festival took place in 2021 in one of the barns on its site just south of Copenhagen, this edition had an extra special resonance in addition to guests being able to enjoy the dynamics of live music and real human interaction again.

Arena Stage
Lighting designer Sune Verdier and his team once again ran production lighting for this stage, ensuring that all visiting lighting designers, directors, and operators were well accommodated and that al

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Vietnam - Ayrton has announced Pro-AVL as its new, exclusive distributor for Vietnam.
Founded in 2011 by Mr. Le Manh Thang, Pro-AVL is the exclusive distributor for many leading brands of sound and lighting in the Vietnamese market. This well-established company also consults, designs, supplies and installs goods, and provides after-sales service for their customers across leading theatres, television companies, event centres and entertainment complexes, and rental and event companies.
Ayrton products are well known and well respected by Pro-AVL which was part of the reason behind the new agreement. “For a long time, Ayrton has been a well-known quality brand used by many lighting designers,” says Mr. Thang. “Part of AVL's mission statement is always to aim for the highest quality products for our customers, which makes the Ayrton brand and their products the pe

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South Africa - Jade Manicom, known for her lighting design, programming and drawing skills has joined DWR as drafts woman.
After graduating, Jade entered the live events industry as a freelancer. Her first gig was with Keystone Productions, an audio, lighting, staging, and video production company that she ended up working for. “They kept me around for three months then offered me a job,” she says. “I learned so much and through them, the world of live entertainment opened up to me.
Said Robert Izzett of DWR, “We’ve known Jade for years, especially with all her work at Keystone Productions. It’s wonderful to have another lighting person join the team. Her experience in lighting shows will be invaluable for DWR going forward.”
The role of draftsman at DWR formerly belonged to Dylan Jones, who is now taking on a new position in the sales team. “I n

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Canada - The lighting rig that George Gorton designed for Dallas Smith’s Somethings Never Change tour took on a life of its own over the course of the early summer, seeming to expand, contract and morph in new directions with every show.
After a 19-month pandemic-caused hiatus, the Juno Award winning multi-platinum country star (12 of his songs have reach the top of the charts in Canada), took off to play some live music on 24 May, and invited some friends to join him. A total of seven different acts have supported Smith on his 24-show, five-week tour. This diversity made it essential that Gorton devise a rig with an organic-like quality to grow and change.
“There was a constant dialogue with the band,” recalled Gorton. “We had multiple guests joining Dallas, so we were constantly building and updating the show as the tour progressed and got new songs in the m

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USA - Rock band Halestorm is back on the road with Bandit Lites and screaming they’re ‘Back from the Dead’, which is both the name and title track of their latest album released in May.
Years ago, when lighting designer Craig Richter first started touring with Halestorm, he found himself at a state fair armed with an array of lighting carts. Staring at a house system comprised of an out-of-date 180K PAR 64 system, Richter naturally wished for a rig full of movers that would better suit the overall look of the show. During the hours before the evening’s show, Richter took the opportunity to make some chases and “program” the par system into the programmed show.
“Once the sun went down and the band went on, I was blown away by the fact that the par can system looked awesome and played very well the vibe and style music of the band,” said Richter. “Ever

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USA - Summer festivals are always full of surprises for anyone working in production, and not all of them have to do with unpredictable weather. Set to light Rolling Loud’s high-profile Snipes Stage where Money Man, Big30, Sleazyworld Go, and Curren$y (who helped start the hip-hop bash back in 2015) would be performing, Abbas Ritscher expected to have spotlights for front lights, but that was not an option.
Undeterred, Ritscher and his team at The Design Oasis, grabbed 12 extra Chauvet Professional Maverick Storm 1 Wash fixtures from their inventory and hung them “as far down the stage as we could” to create a clean front wash.
“We wanted to have a consistent wash throughout the stage, given who was performing here and because we need a camera friendly setting,” said Ritscher. “The Storm I was our work horse.”
Flown on eight rows of overhead truss,

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USA - Jack White –one half of The White Stripes – is back on the road with the topically named “Supply Chain Issues” world tour, currently playing its first US leg. The artist is presenting two critically new albums Fear of the Dawn and Entering Heaven Alive.
Matching this creative excellence on the visual design side is Matthieu Larivee from Montreal-based LUZ Studio.
Matthieu specified over 100 Robe moving lights to help him achieve numerous aesthetic goals, with 63 x BMFL WashBeams, 18 x Spiiders, 36 x MegaPointes and three BMFL Follow Spots running on one RoboSpot system, all supplied by Solotech.
Challenges have included creating a workable and scalable design to deal with both arenas and the smaller more intimate theatre spaces that Jack White loves to play. Also, there is a different setlist each night drawn from a vast catalogue of

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Belgium - The 177th edition of Gentse Feesten drew some 1.6m visitors to the port city of Ghent over 10 days in July.
More than 3,000 different acts, both local and global, representing a wide range of music genres, performed at 14 different city squares at Gentse Feesten. Helping Ghent glitter throughout the festival while also supporting the artists on stage was an impressive collection of Chauvet Professional fixtures and video panels, including the new Color STRIKE M.
At the main stage on Sint-Baafsplein, the Euro P.A. team put together a power-packed rig that featured eight Color STRIKE M fixtures and eight STRIKE 1 blinders, as well as 24 Maverick MK2 Wash and 16 Maverick MK2 Spot units. Run with a ChamSys MagicQ MQ500M Stadium console, this collection of fixtures delivered searing intense looks with generous servings of audience lighting along with aerial effec

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Venezuela - Puerto Rican singer-songwriter Kany García visited Caracas, Venezuela, for the first time where she played two shows in the Ríos Reina Hall of the Teresa Carreño Theater. Production manager Jorge ‘Mosquito’ Redondo of Caracas-based OZ Shows selected Claypaky Sharpy Plus fixtures for the concerts, which were provided by Touch Me Marketing in Caracas.
García, whose songs tell the stories of 21st century women through reflective lyrics and expressive performances, is a five-time Latin Grammy winner. She partnered with AGTE Live Entertainment and Conecciones Entertainment to deliver a show that made such a hit with fans that she plans a return visit to Venezuela this fall.
The initial design for García’s Caracas show came from the artist, her lighting designer Will Rivera of WRDesigner in San Juan, Puerto Rico and the design and technical teams at OZ

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USA - It’s been a busy year for lighting and production designer Chris Lisle and his company CLLD. The production design firm recently wrapped up work on Lollapalooza, their sixth major event back-to-back, and turned to an Elation rig, including Proteus series IP65 luminaires, to light the festival’s popular Perry’s Stage.
“Weather is one of the biggest factors we face on a festival and if I can predominately get IP65 fixtures in a rig I have a better guarantee that they’ll be working day after day,” Lisle stated. But, he adds, it’s not all about the IP rating. “I also want something with a feature set that I know LDs will like - solid colours, a good gobo package, nice strobe, fast fixtures - something I know they will be happy with, can clone quickly and then are good to go.”
Flanked by a towering skyline and the shores of Lake Michigan, this year

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USA - To provide Spring Studios with versatile, high-output lighting for a myriad of events and productions, IMCD Lighting selected and installed Martin MAC Ultra Performance fixtures, provided by Christie Lites.
With studios in both New York City and London, Spring is a 360 agency that provides a variety of communications services for fashion, lifestyle and luxury brands. The New York studio is a multi-level space with a comprehensive backend for photoshoots, video productions and live events, attracting a diverse range of clients - including the Wall Street Journal, New York Fashion Week and the WNBA among others.
When the studio required new light fixtures with modern features and brightness that could compete with the sunlight from the studio’s massive windows, the Martin MAC Ultra Performance was chosen.
“At Spring Studios, we do anything from high-end

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UK – Events solutions provider Encore collaborated with lighting designer Simon Grant in June to elevate a live-streamed corporate event for global pharmaceutical company GlaxoSmithKline (GSK). Together, they specified 100 Vari-Lite VL5LED WASH luminaires from Signify to create on-brand colours and eye-catching effects.
The high CRI RGBALC Color System with SmartColor Control built-in to the VL5LED WASH was clear to see as a wide range of vivid colour options were used for the corporate event, which was broadcast live to GSK employees and attended in-person by 800 team members at the company’s London HQ.
The video team used a six-camera set-up to capture the seminar with three large LED screens rigged in the space, which were provided by Creative Technology. In the room, the audience sat in the round, with an OB truck standing by to live stream the seminar, supplie
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