Lighting

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14 March 2016

The system is based on the successful MTC- BATTEN2 and uses 18x8W quadcolour LEDs combined with a specially coated barn door reflector to give an even wash of light up to 5m plus. It is designed for lighting cycloramas and large flats, making it suitable for use in theatres and corporate presentations.

The CycWash system has already been specified for installations by some of the leading installation and consultancy companies, having seen it in operation at the show.

(Jim Evans)

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14 March 2016

Since the open house will be held in Elation's new showroom, visitors will have the opportunity to see the company's lighting and video products in realistic settings that mirror real world applications. The recently completed showroom has a full stage setting as well as a simulated broadcast studio and architectural display featuring our sister company Acclaim lighting products.

"Our new showroom has been designed to allow visitors to see h

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14 March 2016

The venue regularly reinvents itself in order to keep on top of the city's club scene and the latest transformation saw a new Martin lighting system installed courtesy of Josh Frey Productions, the club's preferred lighting installer.

Production manager David Fairless received an all Martin lighting package consisting of eight MAC 700 Profiles, eight MAC 101 LED moving head wash lights and four MAC Aura compact LED moving head wash lights with zoom.

Every three months or so, Fairless changes the lighting set up but currently there are two circular trusses above the dance floor; the outside ring h

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14 March 2016

Audioscène supplied the lighting and the W-DMX for this event and managed by Paris-based W-DMX distributor CSI-France.

The client wished not to impinge on and distort the scene but highlight each relief and ornament of the palace and Audioscène co-manager Vincent Cognard was asked to provide discreet and quiet products. Two Wireless Solution W-DMX BlackBox F-1 transmitters were used to send signal to a subtle assembly of EventKolor Starway and Vari*Lite VL3500 fixtures. The result was a stunning reveal of the architectural aspects of the interior of the building.

"CSI is a very strong team," says Niclas Arvidsson, CEO of Wireless Solution, "Our products fit in very nat

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14 March 2016

The series is recorded at Fountain TV Studios in Wembley, London, and broadcast on ITV 1.

Presented by Philip Schofield, contestants can win up to £250,000 of prize money by completing straightforward tasks within a 4 x 4m perspex cube, which becomes extremely challenging with the addition of disorientating visuals and sonic effects plus the pressure of being in front of a live audience. As such, the video floor has an integral role in the show's overall concept.

S+H's product was specified by set designer Julian Healey as a versatile, robust and cost-effective solution to run their floor based immersive visual effects.

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14 March 2016

Set designer Brian Thomson's minimal but striking stage design was dominated by a giant chandelier, measuring 9m x 9m, which sparkled with thousands of Swarovski crystals symbolising the world of Verdi's much-loved opera with its glittering Parisian salons. The chandelier was suspended from a 26m crane, blackened out so that it is invisible against the night sky.

The La Traviata chandelier took 720 man hours to manufacture and 240 man hours to assemble. Along with the beautiful 10,000 Swarovski Elements crystals, the chandelier contained 1,025 crystal shapes, 23,104 facets, 3,000 LED lights and 12 Vari*Lite VLX LED wash lights. The VLX were chromium plated especially for this product

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14 March 2016

The new 100 million euro development in the Czech Republic's third largest city is one of the largest inner-city development projects in the country and part of one of central Europe's largest urban revitalisations .

The spacious multi-level environment was designed by architect Har Hollands from Dutch company T+T Design, working with Czech architects K4 from Brno.

It includes hundreds of high profile premium brand and designer stores, quality food and drink outlets, a multi-screen cinema complex and sports and leisure facilities.

The frustum (truncated triangle) shaped centrepiece ('Komol? Jehlan' in Czech) creates a sense of drama and spectacle right at the heart of the busy spa

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14 March 2016

The band's show visuals were designed by Andy Hurst. As it was also the band's only UK festival appearance this summer Hurst wanted to do something on an epic and grand scale.

HSL's Mike Oates project managed with HSL's Tim Fawkes working as system and console tech on-site, and also assisting Hurst with the WYSIWYG pre-programming, completed in HSL's dedicated visualisation facility at their new warehouse in Blackburn.

The backbone of the rig was 16 custom 8m high curved 'ribs' which were all individually outlined with LEDs, flown across the full stage width on three

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14 March 2016

In conjunction with PWR Events, PRG's senior account manager Dominic Sheerman worked with lighting designer Jonny Gaskell to provide architectural lighting around Clock Court, Fountain Court, The East Front and many public walk ways of the Palace as well as illuminating the main stage.

The outdoor concerts take place on an open stage in Base Court, allowing the public to appreciate the spectacular Palace setting, which is in view around the stage.

PRG's Crew Chief, Paul Makin and his crew loaded in the equipment throughout long periods of wet weather.

The stage featured three trusses wi

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14 March 2016

Lighting and set design for the tour was by Squib and marks the second Bombay Bicycle Club tour he has used the TW1s on. Forming the bulk of the moving light aspect of the rig, Squib placed six TW1s each on front, mid and back truss for a total of 18.

Squib's lighting design made use of 160 dimmable fixtures including pendent light bulbs, space lights, Fresnels and Moles, which gave the show a warm tungsten look. Squib comments, "I wanted a wash light that fitted in with this aesthetic but one which I could also get a full range of other complementary colours out of.

"The TW1 fitted th

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14 March 2016

The new online web shop is seamlessly integrated, providing immediate license delivery for software purchases and is processed behind the scenes securely by PayPal. A community showcase section on the site allows user to share photos from their projects and the video tutorials section makes learning many of the advanced features easier.

The site was developed by Bill Kirby's team at Crescit Software (www.crescitsoftware.com).

Coinciding with the launch of the new site is a competition to win a 2 universe package valued at $800. Simply visit the new site before the end of July and create an account to go into the draw.

(C

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14 March 2016

To commemorate the 150th Anniversary, the Mexican government hired creative and production firm Five Currents out of Monterey, California to create an elaborate stage production at the site of the fort. Under Executive Producer Scott Givens, Five Currents managed a production like no other, complete with massive lighting, video, pyrotechnics and a cast of 2000.

Lighting designer David Grill of David Grill Associates Inc. specified 44 Clay Paky Sharpys, with 20 lined directly behind the stage, providin

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14 March 2016

This course, presented for the first time in South Africa, aimed not only to professionally train follow spotters, but also to raise the standard and enable follow spotting to become a full-time job.

"Good follow spotting is never noticed, but bad follow spotting can ruin a show," said Gerda Kruger, one of South Africa's most prolific lighting designers. "A good follow spotter should be acknowledged, be paid their worth and be an integral part of the show's lighting as the designer and board operator."

The first full-day course was attended by eight technicians from three companies, PanTilt, MGG Productions and Blackmotion Production.The morning was devoted to theory, covering t

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14 March 2016

Richard Martin Lighting (RML) support LD Roger Williams in creating a very cool, edgy and urban look. 2 Lites and 8 Lites were chosen to create an almost Industrial look which complements the eye-popping routines and electrifying dance skills that are displayed throughout the show, which is aired on Saturday mornings on BBC2.

(Jim Evans)

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14 March 2016

"On the last tour with Chevelle I used MAC 700s," he stated. "On that tour the band and I discussed going with all LED fixtures for the next tour. This time I scooped up as many MAC 101s as the budget allowed."

Cheetoh spread 30 MAC 101s across the upstage edge between four trusses and pipes to create a full wall of fixtures look. "I chose the 101s because of their brightness and quickness," he says. "They also have a perfect degree beam, which helps make the light more of a spot than a true LED wash fixture."

Lighting vendor for the tour is Windy City Music out of Chicago whose role encompassed more than mere

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14 March 2016

For the third year running, Lightpower of Germany supplied Robert Juliat followspots to this prestigious international event at the end of May, the two semi-finals and the finals of which were broadcast in three live televised events from Baku, Azerbaijan.

Lighting designer, Jerry Appelt, used 10 Robert Juliat spots in total - six RJ Aramis 2500W HMI followspots with DMX control and four of the mighty RJ Lancelot 4000W HTI followspots - to highlight participants from 42 countries.

"We chose Robert Juliat followspots for two major reasons," says Appelt. "Firstly because Robert Juliat spots are extremely reliable which is a priority on a show of this size. The Aramis' remote DMX control is an essential feature which gave me precis

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14 March 2016

Three judges would watch each performance and judge whether it should leave the competition by choosing to press the elimination button which in turn lit up a large red cross above the jury. If all three crosses turned red then the lights, video & audio would freeze and the act would be eliminated from the competition.

Light Image used the CueCore's MIDI-port to receive signals from the infamous large red crosses. The CueCore was positioned between the Audio control room and the three li

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14 March 2016

The band marked the anniversary earlier in the year with a special concert in Olavshallen in Trondheim, held exactly 20 years to the date that the band stepped on a stage for the first time. The special anniversary concert was broadcast on TV network NRK1 on 2 June with lighting design by 21-year-old Lars Kristian Mathisen who turned to a Martin rig of MAC Auras, MAC 700 Profiles and MAC 550s for the show.

Not your typical DDE gig, the concert featured numerous guest artists including The Trondheim Soloists and the celebrated Nidaros Cathedral Boys' Choir. Mathisen was responsible for all aspects of lighting including design, rigging, programming and control. He commented, "This was the largest project I had e

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14 March 2016

The lighting designer of this year's entirely German made Mayday was Thomas Gerdon who created a spectacular show together with Rando Lorenz (lighting operator), Philipp Schauer (video operator), Wadim Wall (media server/system), Tim Franken (laser operator), Bernd Görgen (project director) and Joac

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14 March 2016

Local AV integration company, Avitech Systems, provided the design, supply and installation of the sound, lighting and audiovisual systems in the venue. For the stage lighting requirements, Lawrence Bricknell, owner of Avitech Systems, called on the expertise of Dave Whitehouse from DWR Distribution. Dave's lighting solution comprised a Philips Strand 200 Series 24/48 lighting console, 12 Longman F1 High Power LED parcans, 10 Longman 002 LED parcans, six Longman Stage bars, one LSC DMX Splitte

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14 March 2016

Robe waited for the right LED lightsources to come on-stream before developing the LEDBeam 100, as the new Robe standard is to use only RGBW technology in the current LED range of products.

With the arrival of the newest multichips on the market, Robe forged ahead with the product development and finished this small, compact fixture which has extremely fast pan / tilt movement.

The LEDs are controllable in three zones - top half, bottom half, and middle - for producing 'eye-candy effects', zone strobing, colour chasing, etc.

It has a tight beam angle of 7° - making it excellent for high-impact concentrated, collimated effects, the company adds.

Simplified control via pre-p

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14 March 2016

Booth has been working in project management for Northern Light since December 2011 and has more than nineteen years of experience within the entertainment technology sector, gained during his time with Stage Electrics, AC Lighting, LSI Projects and P&O.

This newly created post will form a key role within the company's installations team, where Booth will take overall responsibility for managing quality and finances across all Northern Light installation projects.

Booth said, "This is a fantastic opportunity to really make a difference to Northern Light's overall success in the technical installation market. Whilst we are already the dominant player, it will be my job to create, implement and manage new systems and procedures that will ultimately ensure that we fur

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14 March 2016

It takes just two of the new Anolis RGBW ArcPad Extremes - such is their power and intensity - to fill the full 23-storey high front walls of the hotel with a beautifully smooth, even wash of vivid colour.

The ArcPads replace four previous 1000 Watt discharge lightsources, bringing a fresh visuality to the hotel after dark, which now stands out like a beacon from the myriad of other tall buildings dotting the famous skyline.

For all this illumination, the power consumed by the ArcPads is a mere 580W per fixture at maximum intensity, representing 11 Amps less - or approximately a 65% reduction - across the whol

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14 March 2016

AV Unlimited were commissioned by VWV to cater for the full technical production and used bright, striking effects to compliment the high energy performance. To achieve this they included 12 Clay Paky Sharpies and 24 Robe 100 LED Beams amongst other fixtures.

With no bars in the roof and no rigging points, the fixtures were flown above the stage and also positioned on the catwalk and on the stage.

AV Unlimited's Victor Vermaak was the technical production manager for the event. "When I heard we were going to do a Red Bull event I googled it to see what all the other countries and competitions looked like. I was quite intimidated by all