Lighting

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14 March 2016

"My aim with this event is to support the atmosphere, and what is going on musically, without overpowering or distracting people," White explained of his lighting design. "There are moments that need to be like a rock show, with huge dramatic cues and changes; but then also times for a lot of restraint, and subtle changes to enhance what is happening on stage and in the crowd."

For one of the more dramatic aspects of the show, a large 25ft cross was placed as the centrepiece of the rig, whereas in the pas

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14 March 2016

Making sure that the stage dynamics lived up to the performance were local production company E2Tech. Among the FX used were 24 of PR Lighting's new XLED 1037 moving heads with zoom.

Characterised by the use of 37 x 10 Watt RGBW LEDs (containing four colours in one), one of its outstanding features is its wide linear zoom, with variable beam angle. It was deployed on this show with 26° beam angle.

The lights were flown down specifically for the event - purchased by E2Tech from Modern Stage Service, PR Lighting's Indian distributors.

E2Tech owner, Jasjeet Singh comments: "We have been using PR fixtures for the last four years and are very happy both with

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14 March 2016

President of GLP Inc., Mark Ravenhill said, "Since we started our US operations in 2009, we have been endeavouring to support more and more of the valuable associations within our industry, and we are very proud that we can now call ourselves members of USITT."

USITT is a not-for-profit Corporation and is operated exclusively for charitable, educational and scientific purposes.

Carl Wake, Technical Director of GLP Inc. added, "We are very excited about working with, and supporting the organisation and in particular its student membership in any way that we can. Having done many years of product and application training through my career, I see some exciting opportunities ahead."

(Jim Evans)

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14 March 2016

Pernette says: "Jacques was in charge of the lighting of a documentary for the Arte TV channel. He showed a lot of interest in the LED fixtures which we were demonstrating; he could see the fixtures' potential, and saw that they had a much better output than their regular RGB counterparts."

As a man who professes himself artistically committed to improving the lighting in TV studios, Audrain is among those who believed in LED from its early days in entertainment technology; his faith in the technology was confirmed with the launch of ETC Selador, and its seven colour mixing system.

"F

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14 March 2016

The W-DMX G4S software platform includes an improved adaptive frequency hopping algorithm that improves the plug and play use in crowded radio spectrum situations and better avoids interference from Wi-Fi, DECT Phones, Intercom and more. The adaptive frequency hopping technology has been granted a patent in the USA and patent pending in the EU.

G4S also has a new Invisi-Wire MK2 with support for wireless software updates, which will make it possible to perform wireless software updates to all your receivers, with an easy connection to your transmitters with all receivers updated at the same time.

Another new feature is W-DMX Slot In, a new module that makes it easy to retrofit for the market and is

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14 March 2016

Held 12-14 June at the Orange County Convention Centre in Orlando, visitors to InfoComm will be some of the first in North America to get an up-close look at two Martin product lines that are taking the industry by storm.

Martin will also have on display its EC Series of LED video panels as well as its Exterior 400 range of outdoor LED lighting fixtures.

Martin invites all industry lighting professionals to Booth 6151 for a relaxing chat and demo from their own personal Martin rep.

(Jim Evans)

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14 March 2016

The introduction of the g X-5 LED strobes from Peter Johansen's SGM provided all the inspiration necessary for multi-award winning production designer, LeRoy Bennett, to specify almost 450 pieces for Beyoncé's The Mrs. Carter Show World Tour.

When the set climaxes with her popular song Halo, the accompanying drum roll is the cue for lighting director Whitney Hoversten to trigger every strobe in the house, completing a blinding blitzkrieg. "We throw everything plus the kitchen sink at it," he says.

Beyoncé herself had expressed a preference for a lightshow-dominated stage set this time around (rather than the current video-led paradigm) and Bennett immediately set to work creating a stunning light ladder 'torm', i

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14 March 2016

For the UK leg of the tour, Knight and production manager Scotty Ross worked with Lester Cobrin, White Light's head of concert touring, to choose the layout of the lighting rig. Having already toured the show in America, Knight decided to go in a new direction with the lighting for the UK tour. "In the US, we used mostly conventional sources - incandescent pars and similar - which didn't give me a lot of flexibility and required

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14 March 2016

Svetlost Teatar is focused on a full service concept, including design, manufacture, assembly, install and service. During the past years, the company has successfully completed over 100 projects, including 19,000 seat arenas and world famous opera houses.

"We chose LumenRadio because it is a trusted name in the entertainment industry. The quality of the CRMX products and the reliable performance make LumenRadio the perfect fit in our product portfolio of world-leading brands", says Olivera Mitrovic, general manager at Svetlost Teatar

Jessica Björk, sales & marketing manager adds, "In signing with Svetlost Teatar, I believe that we have found the best possible partner in this region. We are very glad to have Svetlost Teatar r

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14 March 2016

The 2013 event, staged at the Frank Romero Day Greek Theatre, celebrated the local traditions with dance, music and wine, plus a special drama performance Noche de Teatro Mágico de Piedra y Vino to honour the venue's 50th anniversary.

Up to 30,000 people a night flocked to catch the action over the two week Festival. A Vendimia Queen was chosen and various wine tastings took place as well as live performances from an impressive line-up of local and international folk and rock bands. The event was closed by Spanish singer-songwriter and musician Alejandro Sanz who gave a show-st

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14 March 2016

"With some of the small DMX consoles you almost need a calculator to work out which fader is going to control which element of the DMX functions on your fixtures," commented Jex. "With the Stage CL, Jands has recognised that and seen a gap in the market. I did look at some software options as well but I prefer to 'play' the console like a musical instrument. A lot of the work I do is with bands that I may be working with for the first time and the Stage CL allows me to easily interact with them."

One feature that Jex particularly favours is the 'one channel strip per fixture' which helps him to change colours easily as well as fade in and out. He

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14 March 2016

The venue's technical director Daniel Loh specified 16 of each Alpha Spot HPE 700 and Alpha Wash 700s as an optional upgrade to the standard lighting package in the theatre, choosing them due to their compact, lightweight build and quiet operation.

"In addition to the Alpha Wash 700s and Alpha Spot HPE 700s' relatively small dimensions, we needed fixtures that offered good colour rendition and really packed a punch in terms of light output," says Loh. "The 32 Clay Paky fixtures will serve as floating stock that can be used in various venues in our facility, and the two Alpha ranges facilitate this due to their small scale size but powerf

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14 March 2016

Respected TV lighting and visual media programmer Russ Grubiak - who has worked on a number of high rating shows including the X Factor, Big Brother, and Friday Night with Jonathan Ross - chose to use the powerful Avolites Media Server Ai to manipulate the end visual output for Series 4 of the show, which was created to discover the best dance act in the UK.

"The Ai's built-in visualiser has been a god send, particularly in television when you are operating from a gallery or position where you can't always see the stage with your own eyes," sa

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14 March 2016

Vivid Vision ensures that colours and fine details of objects are rendered accurately through a combination of red, green and blue phosphors applied to a violet, rather than blue, LED die. This type of LED lighting is particularly effective in spaces where small differences in colour hues, tints and textures can have a significant impact, says the company.

Now available within Europe, Vivid Vision is an MR16 VxRGB LED lamp designed to meet specific requirements in professional applications such as prestigious hospitality venues, sophisticated retail outlets and museums where high contrast lighting enhances the unique features of artworks.

"Based on the technology and knowledge of our pa

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14 March 2016

Following its UK debut at PLASA Focus in Leeds, Philips Showline will be promoting its SL NITRO 510 LED-based strobe, delivering superbright, intense bursts of light and dynamic effects using over 1300 high-powered LEDs. Six unique zones of control allow ultimate flexibility while unique built in chases aid in creativity and simplicity. With over 68,000 lumens of output, the SL NITRO 510 rivals conventional strobes and retains dynamic looks whether washing a stage or pointing directly at an audience.

Sister company Philips Vari-Lite will be demo'ing the recently released Indy software for the VLX Wash lum

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14 March 2016

Lighting designer Luis Ernesto Armenta Jiménez has used Martin products since he started in the industry as a programmer and incorporated the new 1000 W Martin fixtures into his lighting design for the festival.

"I chose to use the MAC Viper Profile because I felt it would help me achieve the goal of highlighting a show that was full of cultural juxtaposition as it mixed contemporary dance with orchestral music and pop music, all in the same festival," he said.

Luis lined ground supports with 10 MAC Viper Profiles with colour wash coming from 26 MAC 2000 Washes and 16 MAC 101 wash lights. Twelve Atomic 3000 str

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14 March 2016

"Showlight is an exceptional and unique event in our industry and we are delighted to again have the opportunity to participate as a sponsor," states Martin UK sales director Mike Walker, who will be attending the event along with Martin's newly hired business area manager for its EMEA sales organisation, Matt Hallard."Showlight really attracts the cream of the lighting world and from a networking perspective is unequalled. We very much look forward to it."

Held every four years, Showlight exists specifically to give speakers, designers and attendees time to meet and discuss. For example, stands close during presentat

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14 March 2016

Devised in conjunction with technical director Ola Melzig and the production team behind this year's Eurovision, this unique event aimed to combine unprecedented backstage access with seminars, Q&A sessions with key members of the production team and a technology showcase to highlight the cutting-edge sound, lighting, projection, video and control systems in use on a show which will have a television audience in excess of 100m people.

After the event, Melzig said, "What a success! All partners and visitors I've talked with are super happy about the quality of this show, and its visitors. It was really great to share the experience and show what is going on backstage to so many peo

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14 March 2016

Brockwell is presenting his interactive Nocturnal Pianola lighting installation and concept.

Robe's relationship with Brockwell goes back to when he was a lighting design / programming student at Rose Bruford College in Kent. When Nocturnal Pianola was selected as one of the works to be exhibited at the festival, he approached Robe to see if they were interested in getting involved in Vivid.

"Robe has never been about pushing the product - their emphasis is definitely on relationships," comments Brockwell. "As a lighting graduate, I know the importance of students to

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14 March 2016

The diving board tower, on top of which the historic lake lighthouse was installed, is found at the end of the pier. Thanks to restoration work in the area, commissioned by Lido di Riva, the lighthouse started sweeping the Trento waters of the lake once again with its beam in October 2012. The surprise is that, instead of the complicated original 24 volt mechanism, there is a new Clay Paky Sharpy inside the lantern room, which is not only able to reproduce the brightness of the old lighthouse, but also its movement.

Giacomo Galassi of Iiriti Noleggi explained that "owing to the originality of the installation, Clay Paky was extremely helpful and let us try the light out for over a month so that we could test it in actual use

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14 March 2016

"I am thrilled to be joining LEE Filters. It is a real honour to be promoting the famous LEE brand within two thriving industries around the world. I cannot wait to help expand the business portfolio and meet new and existing LEE customers," says McKitty.

(Jim Evans)

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14 March 2016

Lighting designer Paul "Arlo" Guthrie of Minneapolis-based Toss Film + Design is Fleetwood Mac's long-time lighting designer. "I have to cater to four different personalities (Mick Fleetwood, John McVie, Lindsey Buckingham and Stevie Nicks) and bring them together as one team," he explains. "For this show we have four big soft box panels and 32 Clay Paky Sharpy Washes on curved lighting pipes, some of them on the floor, some on the rigs and some in pods that c

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14 March 2016

ACSP will be on hand throughout the show to discuss how they can provide bespoke lighting, audio and AV installations to the architectural and retail sectors.

Acting as single supplier, the company has access to over 200 leading entertainment technology brands including Jands Vista, Yamaha, Green Hippo and Columbus McKinnon to name a few. On show at ARC will be a range of the latest innovative architectural LED lighting products from Chroma-Q, Spotlight and Griven.

From Chroma-Q, the new Inspire LED House Light is a powerful multi-purpose creative lighting tool that provides a choice of beautiful whites, soft pastels and bold saturates - all from one fixture. The

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14 March 2016

As Ruslan Semenov, general director of ETC Russia, explains, "It took our team a month and a half to prepare the video content for the show. The work was done on stage under the direct supervision of Konstantin Raikin. Daily rehearsals with the theatre company enabled us to achieve unique synchronisation between the video elements and the act