City Theatrical SHoW DMX webinar
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If you would like to learn more about this application of wireless DMX products please register for this event by simply logging on to City Theatrical's website.
(Jim Evans)
If you would like to learn more about this application of wireless DMX products please register for this event by simply logging on to City Theatrical's website.
(Jim Evans)
Branton marked his sixth consecutive year lighting the pageant, which was televised on ABC-TV. After spending a number of years in Las Vegas the show moved back to Atlantic City where "the venue, audience and scenery doubled in size," he reports. "Given the size of the hall and way the show was set in the room, every single element of production had to be rigged from overhead - and there's no permanent rigging infrastructure. So there were 240 individual rigging points for lighting, sound, video, scenery, cable manage
Richings - who has 25 years' experience working in theatre lighting in the West End and Broadway on hit shows including La Cage Aux Folles and Starlight Express - is utilising 36 of the SL PAR 150 ZOOM luminaires to wash the stage in the traditionally bright musical colours.
"The SL PAR 150 ZOOMs have only recently come onto the market so this is the first time I have ever used them and I'm really impressed with the light output," says Richings. "The lens is great - they go nice and narrow, and they offer really good colour mixing. The warm and cool whites are also surprisingly good."
Richings is using the die-cast aluminium LED SL PAR 150 ZOOM luminaires
Designed for use in arrays, Nexus Aw 7x7 panels feature a quick rigging system with integrated alignment and load-rated interlocking hardware for easy construction of displays of all sizes. This adaptability in both configuration and function makes Nexus Aw 7x7 panels ideal for a variety of applications - from live events, touring and stage productions, to nightclubs and entertainment venues, to broadcast/studio lighting.
Using one of several control options --
George is based in London. This is his second tour with Cullum and his first as LD, where he works very closely with Cullum's Artistic & Visuals Director Nickin Corrigan to produce the captivating live performance aesthetic. This is based around creative, quirky and highly effective use of IMAG camera footage which was George's starting point for the lighting design.
The lighting equipment is being supplied by Leeds, UK based rental company Zig Zag Lighting who have serviced Cullum's live work for some time. His tours have also incorporated Robe products for a while.
For Momentum, the lighting design in
Richard used 36 MagicPanel 602 fixtures when the opening sequence for the National Football League's weekly prime time show was filmed. Previous years have seen Pink and Faith Hill sing the opening night theme songs, but this year the torch was passed over to former American Idol winner, Carrie Underwood, who made her debut during the first week of the NFL season on September 8th, 2013.
Richard was determined to create something impressive to mark Underwood's debut. "With a new Artist singing the theme song for this year's 'Sunday Night Football' Season, I envisioned that we needed to
Commenting on the appointment Matthiesen states, "Martin has strong traction in the EMEA market and Joachim has played a significant role understanding, meeting and exceeding the complex requirements of our customers. Joachim's experience and commitment to the growth of Martin Professional has greatly improved our business in Norway and we expect the same from his expanded territory in the EMEA region."
Bogetvedt began his career in private lighting and audio rental and sales and joined Martin Professional Scandinavia in 2009 as Key Acco
The SpotMax produces a narrow, perfect 13° beam from its nine RGBAW LEDs, but the spotlight also comes with two easily attachable diffusors for multi-effect possibilities; one is a wide angle diffusor, and the other is a wallwash effect.
The TruColor technology enables the SpotMax to achieve complete colour consistency, meaning that customers will always receive the exact sa
"We're thrilled that PLASA recognised the Source Four Mini," says ETC fixtures product manager Jim Uphoff. "It was a big draw at LDI, and is becoming a popular choice for lighting professionals, because it's so versatile, going where larger fixtures can't. It may be cute, but it's a powerful tool that deserves a place in any designer's toolkit."
In addition to being a product showroom, the ETC stand also served as a functional theatre, staging a series of presentations on lighting fixtures and system design. It was standing room only for the LDI guests who packed the booth to hear E
The agreement, which allows Elation to distribute High End's new HedgeHog 4 and Nano Hog 4 lighting consoles in the US, Canada, Latin America, South East Asia and India, caused quite a stir on the show floor.
"The distribution announcement started things off with a bang and really set the tone for the rest of the show," said Eric Loader, director of sales at Elation Lighting. "This gives us a powerful and intuitive industry-standard lighting control platform and we're thrilled to be involved with it. Customers were equally excited and interest in it was great throughout the show so
The kaleidoscope theme was the brainchild of Showroup's Johan Els who focuses on the aesthetic and decor elements of an event, and Andries Liebenberg, Lighting Manager.
To create a playful ambience, circle shapes were used from everything in the venue from the ground up. In juxtaposition, the floor of the entire venue was tiled in black and white blocks. The lighting was thanks to a collaboration of various brand including Robe Robin 300 Classics and was run off an Avolites Titan Mobile.
The event included two Prolyte circle trusses with screens as surfaces and a 360° circular screen structure. To project images onto the 360° structure, front projection was utilized by
With a prominent stand secured, Jands are returning to Melbourne to not only meet new and existing clients but to showcase many exciting brands that they have to offer.
"After the success from the 2012 show, we are excited to be exhibiting at the 2014 Entech Connect," said Jands' Mallory Harvey. "We anticipate the same quality and quantity of visitors as seen in 2012 and look forward to showcasing the latest technology to the industry."
Entech Connect will also see Jands running an onsite training zone.
"It's fantastic that Jands are really embracing the educational aspect of Entech Connect with their offering of the training zone, which I'm sure anyone from the audio, light
Lucy - a respected and sought-after lighting designer with an eclectic 20-year career - has specified 12x Color Force 72 1.8m / 72" and six Color Force 48 1.2m / 48" length fixtures to wash numerous scenic elements softly and evenly, evoking the atmosphere of the play's period.
All of the Color Force units are rigged overhead between a series of portals to wash down in subtle colours. They create a full wash and also work in smaller sections to create a 'broken up' coverage.
"For me, the best thing about the Co
The day kicked off with a short briefing from Bruce Riley on his recent travels to PLASA. Then it was over to Nick Britz.
For those who had never sat in front of a desk before it was a great thrill to record their first cue! For the experienced, a few novel tricks and tips kept them interested.
Nick Britz comments, "At the end of the day, education makes our job simpler too as the users have a better understanding of the equipment. In regards to the DWR team, it's so much easier to sell something that you know."
DWR's Duncan Riley believes consistent industry training is imperative. "I think we take a lot for granted thinking people know the equipment," said Riley. "It's real
Managed by Mario Radice as CEO and Giorgio Radice as commercial director, this recent initiative, effective from 1 November 2013, has been put into place to ensure the highest level of service for SGM's Italian partners.
Says Peter Johansen, "Moving all activities to Denmark has not caused us to neglect either SGM's origins nor our valued and loyal Italian customers. We have been planning this set-up and now the timing is just right."
Mario Radice is no new face to SGM and the lighting industry. Having working closely with Peter Johansen since 1992, the two passionate lighting enthusia
The grandstand not only features a 4500-capacity amphitheatre surrounding the Theatre of the Horse parade ring, but eight new restaurant and dining spaces, and four undercover terraces on each level facing west over the Theatre of the Horse.
Brookfield Multiplex chose The P.A People to deliver the networked television distribution and audio systems. Required acoustic performance criteria for each space and an indicative number of zones were nominated, along with an overview of functional requirements and environmental constraints. A 1000 port Ethernet network specif
Ferry remains the ideal combination of mystery man and rock star and Clay's flattering and restrained lighting palette artfully reflects this. Conjuring up an intimate, smoky jazz club feel on the show's opening, half way through he seamlessly segues into dynamic concert style lighting backed by bright video imagery.
Clay's fixture palette, supplied by technical and creative production company One Big Star, includes Philips Vari-Lite VLX3 Washes for front, face and key lighting and Philips Selecon Rama Fresnels make up much of the cross lighting floor package.
Clay discusses: "We wanted a tungsten/jazzy feel for the opening of the show so t
With a cast led by Jude Law as the English King, Henry V follows Privates on Parade (which featured Simon Russell Beale), the world premiere of John Logan's new play Peter and Alice (featuring Judi Dench and Ben Whishaw), The Cripple of Inishmaan (featuring Daniel Radcliffe) and A Midsummer Night's Dream (featuring David Walliams and Sheridan Smith). The productions have all been directed by Michael Grandage, formerly artistic director of the Donmar Warehouse, and designed by Christopher Oram. One of the main aims throughout the season has been
The show was broadcast live across the Univision network with a staggering 9.8m viewers tuning in to all or part of the three hour telecast, which also generated record levels of interactive social media activity.
Colina has lit the Latin Grammys for the last seven years, and each year he and set designer Jorge Dominguez collaborate to produce a stunning visual concept for the action-packed line up, which included 21 live performances and the 13 Awards pres
Critics' Choice - Three artists have been shortlisted for this year's Brit Critics' Choice award, won last year by singer Tom Odell. Chloe Howl, Ella Eyre and Sam Smith are in the running with the winner to be announced on Thursday 12 December. Howl has been compared with Lily Allen, while former Brit school student Eyre scored a number one as the vocalist on Rudimental's Waiting All Night. La, La, La, Smith's collaboration with producer Naughty Boy, also reached number one in the UK singles chart.
Voting for the 2014 Brit Awards opened for members of the music industry last week. Their shortlists fo
Medina's lighting designer, S°ren Peglau, selected both variants of SGM's LED tubes for his design creation: 150 pcs 1-meter LT-100 and 50 pcs 2-meter LT-200, specifically acquired for this tour by rental company Comtech.
Peglau's vision was to place the tubes in various heights and depths to fill out the stage and make it seem random and unintentional. "The effect I was looking to achieve was for the lighting to drizzle down over the musicians. For this, I created content that moved vertically in a slow mode," states the designer, who for other pieces of music also produced a slow-running fire effect for the tubes.
Also the audiences were invited to become 'immersed' in the setting, with tubes hanging over their heads, for whic
Siyan's Tom Grant explained that Ben's spec did not originally contain Robe products, but as this is one of Siyan's main moving light brands, he agreed to the suggested substitutions and use Robe for the first time.
"It was a very positive experience all round and Ben was happy with the fixtures," comments Tom, who saw him craft a high impact show from the floor rig with six Robe LEDWash 600s and eight MMX Spots at its core.
For the larger UK shows, Siyan boosted the overhead rig with additional fixtures including 20 more MMX Spots.
A twin 22k video projection system was also sup
With a tight budget and a very broad range of equipment needs, Wilson was looking for a supplier that could deliver a large selection of products, excellent value, and superior service. He found all three at White Light and worked with business development manager Jonathan Haynes to put together a working list of products for demo at White Light's base in Wimbledon. "I was able to see similar units side by side and properly evaluate them. That resource was invaluable in making informed choices about products," said Wilson.
Th
This year the shows were filmed at Riverside Studios where all three stages were packed full of vibrant set pieces and lights, as well as some of the leading acts around right now. These include Rudimental, The Saturdays, One Republic and Chase and Status.
Dave Gibson was also reinstated as LD making it even more nostalgic. The vast lighting rig included Sunstrips, Sharpys, Alpha Beam 300's and 700's, Robin 100 LEDBeams, MAC 500's, 8 Lites and MAC Auras.
A show of such magnitude, with so much going on throughout, means that it is an ideal opportunity for LDs to try out some of the newer fixtures that are now available. Dave saw this opportunity and took it with both hands using both the Chauvet Nexus 4x4 and th