Back to the Future - Further shows of Secret Cinema's Back to the Future extravaganza in London were cancelled at the weekend. The organisation stated, Secret Cinema Presents Back to the Future, is our most ambitious production to date out of the 45 large scale productions. Unfortunately, we have experienced some difficulties and have had to cancel tonight [Fr
The programme showcases talented young contestants who take turns singing a song in brief intervals. It uses dramatic lighting to emphasize the importance of each singer's brief chance to impress the viewing audience. With only 15-20 seconds to sing in the spotlight, they have to do their best to have an impact before the light moves onto the next performer. At the end of the song, the audience votes to eliminate one contestant. The rounds continue until the last two face-off in a duet and a winne
Another newcomer to NorthSide this year was SGM's G-Spot moving head, proudly striking its beams high, and painting the city sky. Four of these new moving heads were placed as centrepieces on top of the highest containers in the area to draw the attention. This particular area is the festival's recreational site, situated between Blue Stage and Green Stage with 6m-high containers placed in the shape of a horseshoe, which enclose food shops and relaxation facilities with a view of the entire site.
The purpose for the G-Spot was to create soft moving light for this recreational area and sporadically illuminate the shops, but the fixtures also provided additional
The concept and vision of this world tour is inspired by Armin's latest album, Intense. Armin Only is a concept that started in the early days of Armin's career. Since the first editions in the early millennium years, the show has grown and come to life. Armin explains, "Unlike today, now that it's all based on short sets and quick highlights, it used to be all about the long sets, the musical trips. That's what Armin Only is based on - to take the clubbers on a six- hour journey into music. Through the Armin Only - Intense shows, I can tell them the full story of my Intense album - in fact of everything I'd like to say."
The second week into June 2
tn.jpg "The Pepsi Max activation area at London's Wireless festival")
Warming things up, Blackout was commissioned to deliver a special show opening for Kasabian's headline slots at Glastonbury festival and homecoming gig Summer Solstice. The company utilised its new 12m roller screens which were specially adapted to allow them to be installed horizontally in the roof of both the 40m Summer Solstice stage and Pyramid stage, with additional screens hung stage right and left. Each screen was precisely automated to track into position, carefully timed with the opening track 'Shiva'. There was just 1m 8s to get the screens into place, creating a solid 'white box' environment for the lighting and screen projections.
Barely 24 hours later and the team were call
"Everyone wants an event at Grosvenor House to be special, because there is such a rich tradition here," said Andy White, production director at Storm Events. "This was a prestigious event hosted by Claudia Winkleman a well-known BBC presenter and journalist and attended by many key publishing people, so our client asked us to do something to make the set stand out."
Creating a stand out design is precisely what Storm Events did using the EPIX 2.0 p
The 20,000-seat Lanxess Arena offers top class facilities as one of Europe's largest and most modern multi-functional indoor arenas and is equipped with the latest technology which now includes the 4000W HTI Lancelot long-throw followspots.
"We chose the RJ Lancelot products because we were not completely satisfied with the American manufacturer we worked with before and therefore preferred to use a European product," says Lanxess Arena's technical manager, Martin Rebiszewski.
Lanxess Arena has played host to a string of top international performers that include Paul McCartney, Sting, Whitney Houston, Eric Clapton and Luciano Pavar
The Medieval castle standing today was developed from an original built by William the Conqueror in 1068.
The two day Summer Proms event saw 8500 people enjoy Paul Weller rocking the house on the Friday night supported by White Room and The Gramotones, and a programme of popular classics performed by the City of Birmingham Symphony Orchestra (CBSO) on the Saturday, conducted by Jae Alexander, plus special guests.
Fineline's Rob Sangwell comments, "We have been involved in this event for many years and it was a great pleasure to be doing it again thi
The Earth Hunter was a collaboration with Jaguar to launch the brand's first AWD concept car, the C-X17. The space was 'found', designed and the creative concept executed, complete with delicate artworks, in less than three weeks.
Showtime Productions were called upon to design and install the gallery lighting, deciding to purchase 36 ETC Source Four Mini fixtures for the project.
"Aesthetically, the client wanted everything to look very neat and minimize anything that could be obstructive," commented Arian Yeganeh, production manager at Showtime. "It's a compact fixture that's bright enough for this type of application. For a 50 watt fixture, they're pretty amazing. We also had 20 ETC Source Four Jnr Zooms for
Hedwig and the Angry Inch is John Cameron Mitchell and Stephen Trask's gender-bending musical tale of life, love and a botched operation. It won Tonys for its star, Neil Patrick Harris; co-star Lena Hall; and lighting designer Kevin Adams - Adams's fourth win. The play also received top honours as Best Musical Revival.
The lighting and video for Hedwig were programmed on two grandMA2 full-size consoles. During rehearsals Kevin Adams, video designer Ben Pearcy, associate lighting designer Paul Toben and second assistant lighting designer Jimmy Lawlor used grandMA onPC stations to monitor the production. Now, both
Already in recent weeks up-to 500,000 football fans had celebrated their team's success on the Straße des 17 Juni in front of the Brandenburg Gate and along the Fan Mile. For the light show on the main stage, situated in front of the famous landmark, local company TLT Event AG was responsible for building the 65 square metre LED wall along with a number of GLP impression X4s.
Lighting designer Lars Murasch was more than satisfied with the performance of this compact LED moving head: "The X4 is a very versatile wash light," he said. "It can be combined excellently with Beams due to its tight zoom and the low
Day One of the factory-authorized training will focus on Elation's Capture Polar lighting design software and Emulation/Emulation Pro lighting control software. Day Two will cover Elation's Zeus media server including the Arkaos Media Master Pro.
The training will be headed by qualified Elation instructors and costs 30 per person per day which also covers lunch. Registration is required but there are only 15 spaces available via https://s3.amazonaws.com/Elation/Register_proday_08-2014.pdf
As Elation continues to expand its market presence across Europe, the company has put in place the training and service infrastructure needed to support the high
Engaging in a bit of theatrical trickery Halpin designed a series of 36 bespoke hydraulic flippers onto which are attached 36 individual Sharpy fixtures supplied as part of a lighting package provided by UK Neg Earth and US hire outfit Upstaging. The flippers are built into the sides of show's giant onstage triangular LED screens to provide a range of fast paced special effects.
"As the LED screens move up and down the stage the Sharpys 'flip' up or down allowing the screens to pass by each other," explains Halpin. "At one point in the show the dancers interact with the fixtures by using mirrors attached to their hands. They
Lighting designer Steve Sinclair lit this using nearly 200 Robe moving lights - and for the first time no generics - not even a single PAR can or Molefey in sight!
The show saw TV show hosts Jeremy Clarkson, Richard Hammond, James May and The Stig add their irreverent and quirky humour to this extraordinary motoring theatre event, alongside some of the world's most expensive, powerful ... and most absurdly modified cars.
Sinclair has been lighting the popular TGL show worldwide for some years. This tour featured a completely new design, and the decision to go only with moving lights was to he
"Rebelution is on a roll, drawing big crowds, and riding high on the charts; so there's a lot of excitement surrounding them," said Gribbon, the group's LD, noting that its Count Me In album debuted at No. 14 on the general charts and topped the reggae list. "We wanted bright, colorful high impact lighting to convey this uplifting feeling."
Kevin Mignone of KM Productions (Hicksville, NY) provide
Club 88's technical team wanted to move beyond the limitations of the original, more conventional lighting equipment. They were looking to more effectively address the audiences' expectations and the technical requirements of the full range of events hosted, including the numerous national and international musical acts, top-bill comedians, and live boxing. It was important to the CCCR team that the production systems are more than capable of supporting the first class enter
(Jim Evans)
UEP was working for brand and live communication specialist XYZ. The Tring, Hertfordshire based company has worked on many different Nike events in recent years and also with Will Mould, MD of XYZ. However this was the first time they had worked in the Old Sorting Office space which is a regular venue for offsite London Fashion Week shows and other events suiting its semi-industrial and slightly edgy ambience.
The lighting design for the Nike Phenomenal was developed by UEP's James Fickling and Mike Lindsay to encompass an eclectic collection of exhibition and interactive areas
Christian Choi of Emergent Entertainment Group was production and lighting designer, as well as fabricator for the project, and explains that the client initially sought to create three areas within two studios - a segregated news area, two talk shows and a home shopping set (which was eventually postponed).
Choi came up with rendering ideas for both the news and talk show sets, something he says he enjoys doing in order to get everyone's creative juices flowing. "Since the building was nothing more than a warehouse with attached office space, basically a shell, it was a bit difficult for everyone to picture what
Taking inspiration from the 80s cult classic film Blade Runner, the design comprised of a clever mix of architectural, video mapped and lighting elements that combined to create an urban set reminiscent of the gritty architecture featured in the science-fiction blockbuster.
"The lighting acted as the unifying core between the audience and the set," explains Valverde. "The idea was that with the long reach of the Sharpy beams the nocturnal, urban mood of the show would be extended out from the set and into the audience to create a really immersive atmosphere."
Va
The Mini-V is easy to use as well as being the most affordable and compact machine in the series. The Vapour is the workhorse of the new line with features and performance suited to the most demanding professional environments. Designed specifically to fill large venues and outdoor spaces with dense fog and smoke, the Vapour Plus produces a massive amount of fog in a short time. The V-Hazer is a rock solid, quiet and reliable haze generator.
Rosco's Vapour Series has been carefully engineered to provide professional quality fog and haze while also offering ease of use, reliable performance, and simple maintenance. The Vapour, Vapour Plus, and V-Hazer models have been designed wi
Francisco Yanez Valdivia, trainer & product manager for Valook explains, "Channel 13 works with a very high standard of quality. At present they use the W-DMX F-2 model linked with some integrated receivers on the fixtures and R512 receiver. I had the opportunity to talk with one of the lighting technicians and he said that this wireless system is very reliable and stable."
In an interview with Channel 13 lighting designer Luis Quiroz said of W-DMX, "With W-DMX I solve timing
Users should link their Android device to an AsteraBox to initiate control. Acting as the middleman, the AsteraBox receives commands from the app (using Bluetooth), and these commands are processed inside the AsteraBox, then sent to all Astera lights within a 300m range.
With the AsteraApp, users can easily send programmes and effects to lights, create programmes and customize effects, store these programmes for quick use at an event, change the colours, brightness, speed, and fade of programs, target individual lights or groups of lights, as well as many other advanced features for event lighting professionals.
Simon Canins, R&D director at
In his new role, Paridaen will apply his management expertise and services to supervising the global operations of the company, the delivery of new technologies and services offerings, and the further development of PRG's efforts in the corporate and global special events markets.
"Along with attracting world-class talent to the company, one of my top priorities is recognizing and developing PRG's existing leadership team," said Harris. "Stephan has demonstrated exceptional operational leadership in Europe. He has earned the respect of the entire PRG team, our customers and our partners. This
