Lighting

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14 March 2016

The Design Oasis (Davie, FL) created an engaging environment at both nautical music fests with a lightshow designed by Cris Kuroda that's anchored by 72 MVP 12 LED video panels from Chauvet Professional.

"Jam Cruise and Holy Ship! both feature big-name artists, and both draw large crowds expecting to have the time of their lives," said Abbas Ritscher of The Design Oasis, the cross rental house that supplied the lighting and video gear for both cruises. "Cris and video eng

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14 March 2016

The very first South African based LD to use them was production designer Tim Dunn of Gearhouse South Africa (GHSA) on the Krone Music Festival at the Grand Arena, Grandwest Casino, Cape Town. The event is one of the most popular SA showcases for Afrikaans music, and this year Tim's in-the-round concept brought a new standard of presentation to the 5000 capacity venue.

Tim positioned the four BMFLs on trusses above the stage and used them throughout the show mainly for a variety of interesting gobo looks onto the white stage floor.

"It's an absolutely beautiful light," he declared. "I think Robe have lis

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14 March 2016

W-DMX was hard at work high above the stage and over the audience. Production designer Robert Sondergaard of Electric Aura explains, "We used the W-DMX to get from the field level up to the jumbotron. We had some Martin MAC III fixtures there for backlight on the band and luckily there was 100 amps of power in there. There was no physical way to get cable there so W-DMX was the only option if we wanted these lights. We also had a number of moving lights high up in the audience. We used W-DMX to control these as there would have been n

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14 March 2016

LumenRadio's distributor in Israel, Danor Theatre and Studio systems Ltd, supplied and installed 13 units of Studio Due's City Beam LED 12 at the front façade of the hotel prior to the opening.

The City Beams have been fitted with integrated LumenRadio's wireless CRMX OEM DMX receiver modules allowing remote data control, which is especially useful for outdoor applications, for convenience of operation as well as saving on cabling. Going wireless also makes it possible to very easily move the units around the hotel area as needed.

The City Beam LED 12s are used to wash the columns of the hotel with a beautiful appealing variety of color effects. In order to wirelessly distribute DMX data to the C

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14 March 2016

Running from 29 November 29 to 13 December, 2014, the 11-show tour stopped at most of the UK's major arenas. Lite Alternative supplied lighting, with the rig including five Martin Professional MAC Quantum profiles and 15 Mac Vipers.

"We were trying to create a 1930s club scene," said John Ginley, Lite Alternative Project Manager and Alfie's Lighting Designer. "Alfie wanted to keep it Art Deco, with lots of shadows and shapes in the light. We decided to use the MAC Quantum Profiles and MAC Vipers together because they are both very efficient

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14 March 2016

They form a focal part of the design conceived by production designers Baz Halpin and Chris Nyfield (Silent House) and Wade himself. Coincidentally, all had been early adopters of the X4 S platform.

On the UR Experience Tour, these are mainly deployed on the upstage wall of the automated ladders. Wade confirmed, "I wanted a wall of light from the very beginning and Baz and Chris made the space. The lighting system is a combination of asymmetrical and symmetrical. However, the GLP ladders are symmetrical and run on automation up/down/stage left/stage right and we could get ma

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14 March 2016

Featuring new lamp technology and an innovative optical system, the Platinum FLX does the work of three luminaires in one. Using the same patent-pending dual optical design as Elation's Platinum SBX, Beam mode and Spot mode perform under their own independent optical systems resulting in a narr

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14 March 2016

Martin's VC-Grid is a compact and powerful LED video panel that offers individually controllable pixels in RGB and cool, medium and warm white colors. The VC-Grid can be controlled via DMX or Martin's awarding-winning P3 protocol that provides high-quality image processing that eliminates the need for DMX pixelmapping, loose power supplies, and cabling. A hybrid power/data cabling systems also allows multiple VC-Grids to be easily daisy-chained for more creative designs.

"I'm really excited how these products make working wi

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14 March 2016

Lucidity - founded in 2000 by Paul Newman - also has a presence in Cape Town and Durban, and has built up a reputation for servicing a portfolio of high end corporate clients plus a selection of other premium live events.

Initially Lucidity's focus was on audio and AV, also acquiring rigging and trussing along the way. Although this was Paul's first major lighting purchase, his 25 years of experience which includes international touring and working in some of the country's busiest venues, he appreciates the value of buying quality.

The decision was prompted by increasingly paying for lighting cross rentals for va

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14 March 2016

A Basic One Day Training course takes place on 9 March. Subjects include Basic Fundamentals, Layouts, Pallets, Basic Tools, Classts & Layers.

The Intermediate Two Day Training will be hosted on 10-11 March. Topics include Preferences, Workspace, Basic Spotlight, Basic Renderworks and Intermediate Tools. The cost is R1 500.00 incl. VAT.

The Advanced Two Day Training will be held on 12-13 March. Subjects include Working Planes, Advanced Modelling and Advanced Renderworks.

Alternatively, delegates may prefer attending all of the above-mentioned dates for Full Vectorworks Training Week held from 9-13 March.

(Jim Evans)

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14 March 2016

For the duration of the 12-minute segment, at which Katy Perry headlined, experienced LD Bob Barnhart (of Full Flood) used 12 of the new X4 Bar 20, as well as 16 of another recently introduced fixture, GLP's large format impression X4 XL.

For Barnhart, who has used various generations of the impression at other high profile events over the years, this was his 17th outing at the Super Bowl Halftime Show.

GLP US's president Mark Ravenhill recalls his early conversations with the LD when he introduced the new X4 Bar 20, GLP's new zooming and tilting batten unit. "Bob was looking for something new for the upstage portion of one of the stages - a low profile fixture that would ad

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14 March 2016

The Titan One has proved to be a cost effective solution for lighting applications. It offers fast and intuitive control of intelligent lighting, dimmers and LED effects from one on screen console.

"The Titan One is a small but powerful lighting solution," commented Nick Britz from DWR. "Gareth Chambers hosts regular training sessions which are well received by the industry. He has a great knowledge on lighting and control, having formally worked in the rental market. He is also very passionate about sharing this knowledge."

"Once delegates have a better understaind of how the software works, it helps build confidence when running shows," added Britz.

Delegates are requested to provide lapto

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14 March 2016

The talk is to commemorate the 200th anniversary of Augustine Fresnel's Wave Theory of Light, which also coincides with UNESCO's International Year of Light 2015. Fresnel's findings are the basis for the lecture, which will discuss: '200 years of Fresnel: Why everything we light and look at today depends on what he said' and will be presented by Peter Phillipson.

"I am delighted that the Society of Light and Lighting Fresnel Lecture is being sponsored by Philips, alongside the International Association of Lighting Designers," says Phillipson. "Thanks to their support it means that 200 years of Fresnel's wave theory wi

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14 March 2016

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14 March 2016

The award winning company purchased Showline SL BAND 300 RGBW, SL STRIP 400 (both RGBW and Tunable White) SL BAR 520 and SL BAR 620 luminaires. The units were employed to deliver stunning lighting for the function, which was attended by members of the ministry, members of the Shoura Council and top executives from the companies involved in the scheme.

"We came across the Showline products at Prolight and Sound last year, and were extremely impressed," says project manager Nawal El Masri. "We decided to purchase them as the quality was so high - the standard we offer our clients."

Maestro has an impressive portfolio, with experience managing a broad range of events f

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14 March 2016

Very early in the process, even before the new music was available, Sinclair had a meeting with Creative Director William Baker and Set Designer Alan Macdonald, during which it was decided that 'precise geometry' and 'Bauhaus aesthetics' were to be the key themes for the set design, inspired by the lines of the set and the early costume ideas. Baker then created a very detailed and instructive style gui

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14 March 2016

For BL°F's recent show at Amsterdam's 17,000 capacity Ziggo Dome lighting designer Patrick Kramer did exactly this ... with a little help from over 200 Robe moving lights including 26 of the new BMFL Spots.

Patrick cut his professional lighting career teeth in the theatre and has always liked to work as part of a creative team. On this one, he collaborated with set and video designer Bart van Rooy and between them, the concept of building geometric shapes, squares and rectangles evolved. These were based on a Layher sca

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14 March 2016

Schipper got the look he was seeking with a massive diagonally slanted overhang array of high-output Nexus 4x4 LED panels from Chauvet Professional. Starting close to ceiling level upstage, the truss overhang formed a descending wedge of rich and varied colours as it moved down stage. The movement of the lights on the array, along with their intense o

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14 March 2016

The non-profit Stagecraft Institute began in 2006 and provides an immersive education to around 70 people each summer, 90 per cent of whom receive either a full or partial scholarship. All of the topics of study revolve around disciplines within the world of stagecraft and live entertainment, including lighting design and programming, media programming, sound, costumes,

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14 March 2016

Concept visuals of the new store revealed curved surfaces running along the front of the entire shop fascia. This gave World Duty Free Group and Blynk Digital Media's Neil Muir the idea to fill the surfaces with LedGo's innovative FLEX curved LED panels, to display eye-catching, moving content, visuals and tailored messaging to visitors in the new terminal.

Blynk Digital Media approached A.C. Video, a specialist sales division of A.C. Entertainment Technologies (AC-ET) Ltd., to supply them with the LedGo FLEX curved L

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14 March 2016

At the end of January 2015, Current RMS officially became a partner of the popular cloud accounting software Xero, offering seamless integration with this easy to use product, streamlining the rental cycle that one step further.

Prior to launching Current RMS, rental experts came onboard to test the system, working with the team to ensure it was entirely ready for launch. The same process took place for the Xero integration. One of the testers, Steve Lucas, owner of Soundbite Productions, has quickly seen the benefits of operating his rental business entirely in the cloud.

"Current is a must have for rental and hire companies, especially for those

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14 March 2016

Terranova has been freelancing with Avolites Ai as a programmer, operator and beta tester, before a permanent position arose. She has a degree in Stage Design and a Masters in Performance Design and Practice from Central St. Martins, where she also works as a guest lecturer. In the past two years, she has experimented with various programmes for live video manipulation, such as Isadora, Quartz Composer and Processing, and also the Kinect infrared sensor for motion tracking.

Terranova has worked with the London Philharmonic Orchestra, the Royal Festival Hall, the Queen Elizabeth Hall and Science Museum, designing interactive installations and sound reactive visuals.

"I saw the ama

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14 March 2016

When Tim took over lighting the epic live show in 2010, it underwent a complete redesign. The production toured again in 2012 before this final run, where he again reworked the lighting, this time due to swapping out several older fixtures for newer technology that had come onto the market in the last two years.

He retained all the classic looks and styling that had helped make WOTW such a visual tour-de-force, whilst new elements - not previously possible - were added to help ramp up the drama for this landmark finale.

The six BMFLs replac

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14 March 2016

Incorporated in the set were no fewer than 480 strings of SGM's pixel product, the LB-100 LED balls. Each string contains seven semi-transparent balls with a sphere of 28mm and a pixel pitch of 120mm viewable in 360?, creating alluring 3D graphic displays.

Demonstrating the magnitude of this show, the award itself is a golden gramophone statue, comprising gold and silver mounted onto a platform of optical glass with laser engravings. Experts estimate the cost of a "gramophone" to be around $1.4,000 US. On top of this, the Gol