Multi-media shows with water fountains and water effects as well as normal outdoor laser show installations require water proof equipment - the HB-Laser LightCube 851 is the right choice for these applications. It is available in two different power levels: 3.2W RGB (LC-851 RGB 3) and 5.5W RGB (LC-851 RGB 5.5).
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The Fineline team, project managed by Rob Sangwell and co-ordinated onsite by crew chief Ruben Pinkney, used over 1.4km of rope lighting to wire up 80 Tesco shopping trolleys, lamp-posts, bollards and other street furniture plus around 60 individual LED festive decorations - Christmas trees, puddings, Santas etc - so these could be integrated into the show.
The backdrop was a striking 80m wide by 7m high LED video screen for which Immersive produced custom content and animations, which together with the lighting effects, was a
The band launched the 40-city North American tour 30 September and, after playing to packed houses, added at least 28 more dates in a second leg, which will begin in January 2015. On With the Show marks the first full-member tour for Fleetwood Mac since 1997.
"Designing for Fleetwood Mac is always a challenge since you're dealing with five different personalities," said Guthrie. He began by giving them "the biggest, cleanest, most open stage set up I could, so every single seat in the house gets a clear view of the stage. I made sure to remove clutter so everyone can see the band members."
Guthrie opted for a grandMA2 full-size console to run all the lights, media servers - even
The show was part of the annual Druga Godba Festival which features numerous local and international artists and is known for spawning some unique and interesting onstage partnerships - like this one.
The Robe moving lights used were 20 Pointes, 12 LEDWash 600s and eight ColorWash 575 XTs, supplied by rental company Festival Novo Mesto who are the regular contractors for the 4000 capacity venue and have supplied lighting to the festival for at least 10 years.
For Magnifico's lighting designer Crt Birsa, it was his first show for the artist as well as the start of a tour with him which also visited Bosnia, Serbia and Croatia plus other cities in Slovenia. Krizanke has a
The UglyBox MK2 is housed in an attractive compact body, resembling a gaming control with a 4.3" Touch LCD Screen. It supports 2.4GHz, 5.2GHz and 5.8GHz and is a transceiver solution, which means that it can be used as both transmitter and receiver. It has a complete DMX tester that provides all data in live format directly on the screen.
It also has a built-in DMX Controller as well as an RGB Fixture to simulate LED fixtures on the LCD Screen for quick testing. In history mode you can also see over time that you have a stable signal over a certain period.
The unit runs
The Pointes were lined up along the back of the stage alternated on two levels - five on the bottom and six on cases forming the upper row - and created all the drama and atmospheric compliment needed for the band's 80-minute set. Their sound fused elements of triphop, d'n'b and jazz into compelling harmonic compositions with haunting vocals.
Mark explains that inspiration for the style of lighting he's evolving for this tour came from the stark monochromicity and 'reality' of black and white cinema, and much of the set is lit in white. With the Pointes, there are so many variations in how you ca
Lighting designer Paul Guthrie specified the Clay Paky fixtures, supplied by Ampco Flashlight, to hold their own against the elaborate production, and provide maximum impact.
"With Nine Inch Nails, we wanted to give the audience an incredible show, that went from dark, moody and soupy to face-welding annihilation," explains Guthrie. "We see it as: if they're not convulsing afterwards, we're not trying hard enough. The Clay Paky fixtures allowed us to achieve this with their rapid movement and intense brightness."
"The Clay Paky Sharpy fixtures were specified by LeRoy Bennett for the original d
"We had been looking at various IP-rated outdoor washes and P-5 had come up a few times on specs," he explained. "For us it's the next generation; it's compact, neat and you can use it indoors, whereas other IP-rated washes are often big and bulky."
In order to get the maximum impact from the fixtures he purchased 21° and 43° lens options.
Mason said the decision to back the Danish brand followed the recognition that
Camrose is home to a blossoming arts community, and the city desperately needed a new, large-scale performance venue. "There weren't any venues within a 45 minute drive of the city that could accommodate touring Broadway shows and large scale dance or theatrical productions," explains Nick Beach, technical director and operations coordinator of the Jeanne & Peter Lougheed PAC. The primary goal f
"We expected a busy show based on our pre-show appointments and it certainly didn't disappoint," said Elation sales director Eric Loader, who split his time between a busy Elation booth and a just-as-busy demo room. "Our booth was crowded from start to finish and based on the quality leads generated it gave us a lot of opportunities to continue our growth."
Like at the PLASA show one month earlier, the Sniper was recognised as an innovative product at the show, this time receiving an honourable mention as Best Debuting Product presented at an awards ceremony on Saturday, 22 November on the LDI show floor. The company also won the Best L
Ayrton exhibited a plethora of new products from Ayrton's new Radical and NandoBeam series, videos of which were already causing excitement on social media. Many of these were presented for the first time to the American market, exciting visitors who were treated to spectacular lighting displays which caught the eye and fired the imagination.
Ayrton's Radical Series, consists of WildBeam-R, MagicPanel-R, MagicBlade-R, MagicRing R9 and IntelliPix-R, with MagicRing R1 being the latest addition to the Series.
The Radical Series, which takes its name and inspiration from the world of high-performance vehicles, exhibits a honed and streamlined appearance, a very na
While the panel wrote and published the latest research on impact of human made climate changes, and their solutions how to mitigate and counter these impacts, Greenpeace launched a highly visible and eye-catching campaign, projecting the official Danish targets of 100% renewable energy by 2050 onto four wind turbines, with the assistance of AF Lighting and SGM's G-Spot LED moving head.
Greenpeace's project leader Esben Sloth explains: "We wanted the light projection to be very accurate, with sharp lines and figures, in order to make the wind turbines look like a graph."
ÅF Lighting were optimistic in their acce
NYFOL offered visitors a curated collection of lighting installations created by local and international lighting designers, performance artists and technologists - all working with the medium of light. The event was presented by The New York Festival of Light Organization, a non-profit art group. Its vision is to create and provide a unique and delightful experience for residents and tourists by enhancing New York City's architecture through interactive, static and projected lighti
Building on Terminal 2's vision, in conjunction with Heathrow, The Fisher team have designed and installed a giant vinyl Christmas tree which stands over 90ft high in the covered courtyard to T2, close to the Slipstream sculpture by renowned British artist Richard Wilson.
Fisher have added a very modern interactive touch to this traditional looking tree, overlaying it with festoons of lights that can be triggered to flash and dance by passengers who tweet Christmas greetings to #T2Christmas. After dark the tree will come alive with a gentle wash of light giving it an enchanting glow.
(Jim Evans)
Cliff Dounting, managing director of Leisuretec, says: "What's nice is a manufacturer recognising a true trade distributor. We have a relationship built on strong teamwork, and it's a great pleasure to be associated with such a growing team at Chauvet Europe."
Leisuretec founder director Mike Henden adds: "Having a really good relationship between the key people in each company is fundamental to a strong, long-term partnership."
Leisuretec will continue to offer sales and support for
Philips and the Society of Light and Lighting continue to sponsor Rose Bruford College of Theatre and Performance's hugely successful Junior Ready Steady Light competition for 2015. Rose Bruford College aims to attract eight teams from state schools, further education colleges and art organisations working with young people, made up of five year 12 and 13 students, or those similar in age, to participate in a full day of activities that lead up to the final competition and prize-giving ceremony.
This is an exciting opportunity for young people interested in science, art, design, technology and te
Another blockbusting Strictly season for the BBC sees S+H working with BAFTA Award winning set and scenic designer Patrick Doherty - a regular client - for whom the Ilfracombe, Devon-based company is supplying around 6000 Pea-Lights for the regular weekly episodes broadcast from Entree Studios. The Pea-Lights are integrated into the set walls of Patrick's impressive ballroom de
The grisly-masked heavy metal rockers are out on an 18-month world tour in support of their first album release in six years, .5: The Gray Chapter, which debuted in October at number one on the Billboard 200 album chart. The tour sees the band playing dates in the US, Japan (at Knotfest Japan), Europe and Australia with more legs expected to be added.
Slipknot plays an aggressive style of music with energetic live shows that have been described as 'choreographed chaos'. Production designer
Bertti's design is traditional rock and roll, yet with a contemporary edge of LED and moving lights mixed in with ever-faithful Par Cans. Preferring to control the show on the fly, Caio specified the intuitive Sapphire Touch.
"With Motorhead, if you have music in your blood you'll have a great show," says the Brazilian designer. "There's no cue-list, there's no time coding, it's just in my head and fingers. You have to play the board, which is why I chose the Sapphire Touch. It gives me more freedom and I can run through the
Preparation time for the festival was limited as the event grounds had hosted another performance right before, so the technicians had to dismantle the previous installation and create a new rig for IDOL using 64 MAC 101s, 20 MAC Viper Profiles, 24 MAC Auras, 12 MAC III Washes, six MAC III Performances, 10 MAC III AirFXs, 12 Atomic 3000 DMXs with Atomic Colors, two Glaciator X-Streams, a Jem Hydra with 12 heads, and six Jem K1 Hazers with six AF-1 fans.
"The fixture park of Th
Production lighting manager Kent Hellberg explains, "Since I acquired the first P-5, every production in the house seems to want them."
Currently being deployed for the production of Mozart's Le Nozze de Figaro by lighting designer Giuseppe di Lorio, the luminaires are washing the backdrop as an essential part of the opera. But Hellberg has other lighting designers also queuing up to utilise the P-5s. "Every lighting designer that I've shown the P-5 to has been impressed," Hellberg confirms.
The P-5s have therefore been used for different projects - for instance for a dance company, where the Japanese choreographer wanted a strong even colour output; and that
Founded in 1996, the multi-awarding-winning WaterTower Theatre is a not-for-profit professional theatre company that produces six main stage shows each season alongside award-winning educational and community outreach programmes.
Earlier this year Fred Mikeska and Darrell Barnes of A.C. Lighting (ArKaos' US distributor) took Arkaos MediaMaster Pro to The Addison Theatre Centre where they presented a full demonstration of its capabilities to technical director, Scott Guenther, and lighting designers, Dan Schoedel and Jason Foster. "The team at Addison Theatre Centre was evaluating different media server options that would meet the venue's diverse requiremen
The Slaughterhouse is a well-known haunted house in Tucson and because the event was held on Halloween weekend Creative BackStage wanted to create a design that represented the ghoulishness of the holiday as well as the Fear Fest festival.
"The idea was simple, to use LED video screens for eyes and a mouth with video images that would be of the fear kind with monster eyes and teeth or devilish eyes," explains John Garberson, owner of Creative Backstage and lighting desi
Bennett uses huge banks of A.leda B-EYE K20s and Sharpys to light the set to deliver a wealth of vibrant, multi layered, multi-faceted and lively looks. Supported by lighting director Whitney Hoversten, who has taken the show on the road, Bennett specified 107 x Clay Paky B-EYEs and 83 x Sharpys, all supplied by PRG, to create the show's high octane, rave style atmosphere.
"My first thought when it came to creating the rave style concept was that the audience has to be fully immersed in the show and become part of it," says Bennett. "I chose the Clay Paky B-EYEs for their versatility and unique personality, they are the icing on the cake tools that add all the det
