Claypaky lights Linz Klangwolke anniversary
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Available in 1' (0.3m), 2' (0.6m), 4' (1.2m), and 6' (1.8m) lengths, DW Chorus fixtures use long-life individual 3W cool white / warm white Lumi LEDs for variable white colour temperature range control from 2,700K white tungsten to 6,700K cool white. Hue, saturation and intensity of each LED are individually controllable while LED group control allows for even further design possibilities.
Suitable for linear effects as well, a selection of variable dimming curves is provided for faster programming and a s
With QMotion QiS ZigBee operated blinds, installers are able to integrate blind control seamlessly into a whole house or single room automation system, whilst simultaneously receiving accurate feedback on shade positioning for improved performance, remote monitoring and maintenance.
Utilising ZigBee HA 1.2, QiS is easy to set up, configure and integrate with all compatible devices in a Control4 home automation system. Drivers are also available for easy integration with Vantage, Crestron, Savant, U
Double Knight of Illumination winner, Will Potts designed the visual element of the show, with assistance from lighting director Adam Power. Will said, "Designing a rig which fits into numerous venues was the main consideration for this project. I chose to leave the physical design work flexible and in Adam's hands for the shows. He knows what each fixture has to achieve, so it's up to him to use the spaces and characteristics of each venue to the design's advantage. Having such a flexible approach is the most economical way of scaling the show up and down."
Will and Adam knew exactly what they wanted to achieve with the design, and were open to discussion on which products and process
Lighting director Dave Evans has used plenty of strong colours to complement the set with high contrasts and clean lines to keep the viewer free from distraction and focussed on the discussion.
The LED Creative Alpha 60 RGB system, paired with the company's silent running BIT1200 controllers, has been cleverly combined with the clean architectural lines of the set pieces, to add intense illumination along its edging to provide a modernistic neon glow.
Flexibility is at the heart of the design as the show will broadcast from a selection of studios around the London area, with the layout changing weekly. The set and the lighting therefore need to be
In front of the huge tree, created from steel squares with a strong African influence, is a red mailbox for donations. Each time a person approaches the mailbox, the tree comes to life.
The designer of the tree is Marcelle Gunter. "Our client had an idea of what they wanted," said Marcelle. "I showed them a previous tree sculpture I had made and they initially wanted to add solar lights to the branches." As the project went on, and without knowing how he would implement the plan, Marcelle had an idea. 'What if he could create something w
With global audiences of 50,000, the two-day festival celebrates the latest in EDM and consumer technology. Larikova worked with video designer Yury Vorontsov and set designer Shlyamin Pavel to bring alive the festival's nine-storey high main stage. A giant female cyborg set piece complete with heart-shaped DJ booth provided the focal point of the main stage, where world famous DJs Dimitri Vegas & Like Mike played headline sets.
"I needed versatile lighting tools to maintain a diverse range of looks and keep the audience absorbed in the performances," says Larikova. "Alfa Future People celebrates inno
Kygo garnered international attention with his remix of Ed Sheeran's I See Fire, and subsequent single Firestone, and the appearance follows his memorable performance at the Olympics closing ceremony in Rio earlier this year. For the two Hollywood shows, he brought several guest singers along, such as SEAL, G-Eazy, Parson James, Labrinth, Leona Lewis, James Hersey, Conrad Sewell and Kodaline
Locally-based production company eighteentwentysix provided inventory as Hesse, who has been working with the artist for the past 18 months, renewed his acquaintance with GLP's award-winning platform.
Specifying the tiny X4 S fixtures for the first time,
The FLX, HFX and Fuze lights were used on a 26 October show (recorded for a 2 December broadcast), as well as on a live show that took place on 29 October, which had the best viewer ratings of any Verstehen Sie Spass show in five years. Lighting supply for both shows was by TV lighting production company Cape Cross Studio and Film Lighting of Cologne.
Broadcast from Bavaria Studios in Munich, Verstehen Sie Spass airs twice in the spring and twice
Doubling up to provide both television studio space and a venue for corporate events for the past 14 years, time dictated that the dimmers needed replacement.
"The studio had many circuits which were faulty and could no longer be used," explained Keith Pugin from DWR Distribution. "The ten dimmers are mounted on a wall outside the actual studios. We removed five of the existing dimmers which were aging and irreparable and replaced them with Philips Strand. Jacob Mogale and his team from DimBright Electrical were sub-contracted to
Lighting and set designer Andy Hurst faced the challenge of designing A, B and C variations of a rig that would fit into a selection of Academies plus a sold-out show at London's Ally Pally, where they raised the roof delivering a full-throttle collage of music and visual presentation matching their intense energy and attitude.
HSL supplied all the lighting equipment, associated rigging and crew.
Andy's design retained some threads from previous live campaigns - like the large Scenic C and S letters, which he's had reworked and converted to LED - together with popular elements from t
Based on the BAFTA award-winning film and featuring 20 soul classics, The Commitments is a feel-good celebration which follows Roddy Doyle's story of a mismatched bunch of young musicians who come together to become 'the finest soul band Dublin has ever produced'.
Helping to conjure up the smoke-laden party atmosphere of 1980's Dublin clubs and pubs in which they play is a single MDG AtmosphereAPS haze generator, specified by lighting designer, Jon Clark, who is a great advocate of MDG. A second AtmosphereAPS is toured as a conting
Okulus, which has worked for the likes of Zac Brown Band, Chvrches and Bring Me The Horizon, specified 20 of the moving head fixtures from leading UK rental operation Siyan Ltd.
"We wanted a spot fixture that was not only bright, but one that would also complement the subtler songs in the set," says Oliver. "Thanks to the Scenius Spot's strong output we could use the gobos with dark, moody colours without having to reduce the rest of the rig's intensity to make them prominent. Not only that, the white is leagues ahead of any other fixture on the market."
Okulus' sophisticated
eclipse Group CEO, Simon Ransom said: "eclipse has lost its founder, a crazy entrepreneur with an infectious personality and quirky way of being that very few people could fail to like, and all of us feel that loss deeply today. Those of us who have been fortunate enough to know and work with Mark closely have lost a dear friend and leader. Mark leaves behind a company that only he could have built, and his personality will forever be part of the foundations of eclipse.
"Mark was a colourful and uncompromising man whose legacy will have a lasting impact on our industry and the people working within it. Our heartfelt condolences go out to Mark's family and loved ones; he will be gre
The Sennheiser documentation app uses a responsive, HTML 5-based design for an attractive and interactive experience. It provides product manuals and spec sheets as well as multimedia documentation, enhanced with audio and video content. Users can access the documents in different language versions at any time - either online or as offline downloads.
"By making the documentation app available to our customers, we provide them with a solution that is much more convenient than the PDF manuals that have been availabl
"Sound is often the last thing people think about when they are planning a conference, but if you can't hear what delegates are saying the whole event becomes pointless," says DPA product manager, René M°rch.
"Microphones are the first link in the audio chain, so it makes sense to introduce the highest possible quality at that point. DPA is renowned for developing and manufacturing neutral and accurate microphones that can reproduce sound to the smallest detail, e
The platform's impressive visual collaboration technology defines a new era of infopresence, enabling distributed teams to manage the increased complexities of business, says the company. Mezzanine bridges the physical gap between distributed teams, creating a common digital workspace where teams can share ideas and data, accelerate decision-making and collaborate more effectively.
The latest generation of Mezzanine, with its advanced remote participation capabilities, "truly releases organisations from the usual constraints of common conferencing solutions".
"We're looking forward to being part of ISE again in 2017. Our cutting-edge demonstrations utilise multiple content sources an
At the d&b stand visitors will find a joined-up toolkit, including loudspeakers, software and electronics, alongside members of the team for support and advice. Interactive workstations will guide guests through the streamline d&b Workflow, and show interoperability possibilities with third party system controls.
Here integrators looking to achieve the sonic quality performance, for which d&b systems are globally renowned, will discover why integrating and operating a d&b system has never been more straightforward or efficient.
For the first time, visitors will also have the opportunity to see the company's latest installation specific loudspeakers, 24S and
From theatre spaces, corporate events and TV studios, to rock tours and awards shows, the software offers design, documentation and inventory options to quickly and effectively build shows from the ground up while decreasing the time and material expenses of implementation.
Equipment Inventory options include user-created custom "Warehouse" databases for storing existing supply levels which match real-world inventory, allowing users to form a precise equipment base and intuitively work directly from it. Efficiency is increased further as the Warehouse mode smartly shows the user the presence/absence of required elements for the current project.
For detailed project paperwork, the
Colour Sound Experiment was delighted to be back working live with the band as lighting and video supplier for the Very British Synthesizer Group tour, working closely with show designer Rob Sinclair and lighting director on the road, Chris Steel.
Human League tour regularly every two years and each time there is a fresh new look to the stage. The set for the 2016 one was again created and evolved by Rob and band manager Simon Watson, and has been hailed as one of the best looking to date.
Visuality is high on the agenda of all H
"At Cour Design, my partner Erik Anderson and I have previously worked with CAM tour manager Nick Hardy, so when they were getting ready to go out, he gave us a call to help," began Droitcour. "Since this would be their first headlining club run, and since they would be travelling without a dedicated lighting team, they needed something that would look good aesthetically in the various venues, but that would also be possible for the 3-person road crew to load-in and out each night."
Droitcour continued, "To immerse the band and audie
The building has suffered little alteration and English Heritage described its 'overall level of intactness' as 'remarkable', observing that its characteristics were 'unusually lavish for a Secondary school'. This year, work was completed on a multi-million pound project to create a hub at Parkside for public services in the town.
The scheme, run jointly between Bromsgrove District and Worcester County Councils will see the building become home to Bromsgrove Library, register office, Job Centre Plus, Bromsgrove District Council staff, as well as offering a number of rooms available for private functions.
What was formerly the school hall at Parkside no
Peter Lerohl achieved this feat in a recent production of 33 Variations with help from a collection of Chauvet Professional fixtures acquired from Monkey Wrench Productions. Lerohl, the technical director of Theatre at Anoka Ramsey Community College, used six Ovation E-910FC colour mixing LED ellipsoidals, position
The production finished its run at the Opera Vlaanderen in Ghent on 30 October, 2016 and subsequently played in Antwerp, Amsterdam and several other European cities.
Aaron, a freelance lighting designer based in New York, was asked to collaborate on Shahrazad by American choreographer Jonah Bokaer, known for his provocative and risk taking work, often utilizing mixed media. The two have worked regularly together, including recently on Rules of the Game at Brooklyn Academy of Music (BAM), a new work with original score by Pharrell Williams for the Dall