Robe - LEADERBOARD - Feb 2025
Renkus-Heinz - Banner - May 2025

Projects

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UK - Middlesex University is among the latest educational establishments to invest in an Allen & Heath dLive digital mixing system, recently installing an S3000 surface in the TV production facilities at its Faculty of Arts and Creative Industries in Hendon, north London.
The university’s Sony-designed facilities were created to give students as close to a real-world learning and working environment as possible. Boasting a double-height main studio and separate main, VT and sound galleries, they are equipped to a standard comparable to commercial studios and see a diverse range of programme creation - including a significant amount of live music production - throughout the academic year.
“When we were looking to replace our existing audio desk, I was considering very ‘broadcast-specific’ options,” Aidan Delaney (technical manager at the faculty) explains

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Mexico - Auditorio Citibanamex is a live music venue located in Monterrey that has emerged as one of the country’s top concert venues since undergoing an extensive renovation and redesign several years ago. Located in the heart of Monterrey’s Fundidora Park, the venue has a capacity of 8,000 and attracts both national and international artists.
Despite the renovation, the venue stood somewhat unobtrusive in a brush of static white light until last summer when it received a radiant outdoor wash of colour courtesy of company Adimsa, Elation’s long-time partner in Mexico and one of the country’s leading lighting providers.
Adimsa installed weatherproof Elation Professional SixPar and SixBar series luminaires across the outside of the building, high-power, single-lens Pars and battens with RGBWA+UV LED chips that provide an exceptionally broad palette of colours.
Renkus-Heinz - Banner - May 2025

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Belgium - Lighting and visual design practice Painting with Light (PWL) was commissioned by interactive media and attractions specialist Alterface to light the new Popcorn Revenge dark ride at the Walibi Belgium theme park.
This showcases Alterface’s new innovative ‘erratic ride’ concept, an environment combining multiple projection techniques, spectacular HD video, 3D mapping and 3D shooting plus special effects in a ride that follows a non-linear path. Wireless-controlled ride cars are routed ‘randomly’ through a selection of different rooms over their three-minute journey, allowing guests to return to Popcorn Revenge multiple times and receive a completely different and equally exciting visual and sensory experience each time.
Luc Peumans and the PWL team including principal designer Iiris Roskou and project managers Peter Vandenbosh and Céline Cuypers co

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UK - When looking to orchestrate an installation at Harrods, L’Atelier Five called on technical event specialists Light Fantastic Production Services to devise a suitably creative rigging solution to manoeuvre the precious cargo into place.
Created as part of an art installation featuring the work of French artist Richard Orlinski, the project required the ultra-precise handling and positioning of a 200kg King Kong gorilla statue, valued at over £250,000.
The challenging brief involved lifting the 200kg statue from street level down into position at the entrance to the Harrods fine watch room, located on the lower ground floor. The lack of rigging points, minimal clearance and need to protect both the cargo and the interior required delivery of a precision solution to carry out the rather unique task.
The LFPS team devised a custom rigging system based around

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Denmark - ELC Lighting, manufacturer of the dmXLAN Ethernet distribution system and the Green-GO digital intercom solution, saw both ranges deployed with great success on the recent national tour by Danish rock band Nephew.
Provided by tour supplier Comtech, the ELC dmXLAN system included three 10GBX and two 18GBX switches, along with two ELC NODE8 nodes and six NODE8SL slave units on a fibre network, providing the main backup switch at front-of-house and switching for both dimmer city and video city. These latest models in the ELC dmXLAN range were part of a recent investment for Comtech, from ELC Lighting and Green-GO’s Danish distributor, Light Partner.
With short load-in times, the need for a fail-safe network was paramount. Light Partner’s Johan Kvartborg, who provided technical support on the tour, says: “We didn’t have time for fails on the network. We u

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UK - DPA’s d:facto 4018V Vocal Microphone plays a starring role in the staging of SIX the Musical - and not just because it conveys the crystal clear audio that sound designer Paul Gatehouse was looking for.
Equally important is the look of the microphone and the fact that it is handheld, which truly conveys the concert-like atmosphere that this popular West End theatre show aims to replicate.
“The d:facto 4018V is a vital part of SIX’s visual imagery because the Queens (the main characters) convey their message using a handheld device,” Gatehouse explains. “The show’s creators, Toby Marlow and Lucy Moss, wanted to present a unique experience, something that referenced Beyoncé at Roseland. Working with handheld microphones allows us to do that in a very powerful way.”
Written by Marlow and Moss while they were studying for their final

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UK - Going Through, a play about an asylum seeker fleeing conflict in her native land, has finished its run at the Bush Theatre in London where ADB Klemantis asymmetric cyclights and Claypaky Axcor Spot 300s played key roles in the innovative staging.
The play by Estelle Savasta was translated from the French and performed in English as well as British Sign Language. The words of the asylum seeker, Nour, are also expressed in projected text.
“The show was a really intricate combination of moving set panels, projection and lighting,” says lighting designer Joshua Pharo. “Both performers used British Sign Language throughout, so the lighting needed to work very rigorously to keep them suitably illuminated at all times. My challenge was to integrate seamlessly with Nina Dunn's projections so the audience couldn't tell what was projection and what was light.

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Italy - Following last year’s success, in 2019 the RDS Stadium in Genoa again hosted www.elrow.com/en.
Behind the consoles, there were some of the most popular DJs of the moment: Dennis Ferrer, Marc Maya, Milkborg, Toni Varga, Anabel Sigel and Federico Guttadauro, so sound quality played a fundamental role in the successful outcome of the event, promoted by RST Events of Genoa. The audio rig able to meet the requirements of the world-level event was supplied by Show Technologies TM of Recco (Genoa) with an Outline system.
Sacha Bozzo, partner with Show Technologies TM, explains: “For the PA, we adopted a solution we’d already successfully used in the location in question, which comprised two hangs each with 12 Outline Butterfly systems, positioned approximately 10m above the floor and 15m apart, plus two groups of three Outline Mantas modules, stacked left and ri

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China - Absen LED products have been used to create a large DOOH display that towered 15m high above the exterior of the Hua-Yang Plaza Hotel in Luoyang, where the month-long Peony Culture Festival took place. The festival, which occurs each year from mid-April to mid-May, sees the peonies in full bloom and various folk performances staged around the gardens.
The Hua-Yang Plaza Hotel is situated in the middle of Luoyang National Peony Garden, Luoyang National Flower Garden, Wangcheng Park and the Peony Square, which made it a suitable location for the billboard to provide warm welcome to all of the visitors that journeyed from across the globe.
The display itself - made up of Absen’s A1699 product - measures 730sq.m and offers a pixel density of 6760 x 420, making it the highest resolution OOH LED screen ever seen in the city.
Absen’s A1699 is an updated ver

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UK - London’s Saatchi Gallery is hosting Beyond The Road, an immersive exhibition and independent project developed by Punchdrunk creatives Colin Nightingale (creative producer) and Stephen Dobbie (sound designer and creative director).
Presented by Beyond Projects in collaboration with the gallery, Beyond The Road merges the worlds of visual arts, music and film, and offers visitors a chance to leave behind their modern day lives and lose themselves in a multi-sensory world led by sound.
Collaborating with contemporary artists, filmmakers and photographers, the exhibition deconstructs a soundtrack by music pioneer James Lavelle (UNKLE), to create a completely new and multi-disciplinary sound experience.
Nightingale and Dobbie now seek to reinvent how people experience and interact with music, so it becomes an environment which visitors are fre

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Ireland - Andy Knightley from Krecording Audio Solutions is no stranger to recording live performances having been responsible for multiple hit live albums over the last 20 years. The latest addition to this list is Derek Ryan Live, which hit the top of the Irish iTunes country music chart, recorded using a Blackbox BBR64-MADI from JoeCo.
Since upgrading to the JoeCo unit, it has been the ease of transport and portable nature of the BBR64-MADI that has quickly made it an integral part of Knightly’s rig. “The size of the JoeCo means it's so easily transportable,” explains Knightley. “When I'm doing fly shows I send the preamps freight but I can carry the JoeCo on the flight with me. That not only saves space but also peace of mind given that the recorder is right beside me when I travel. I carry 64 channels in my record rack. Before I switched to JoeCo I used a

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Europe - Popular UK band The Kooks have just completed the latest UK and European leg of an ongoing world tour in support of their fifth studio album, Lets Go Sunshine, released late last summer.
Jordon Cooper of Moth Lights is their lighting designer and lighting equipment for this latest tour was supplied by LCR including 69 x Robe LEDBeam 150s and 32 x Spiider LED wash beam as the moving lights, plus a pair of BMFL WashBeams being controlled by a RoboSpot remote follow spotting system.
Jordon has worked with the band since the album launch last year. He was recommended by their stage manager Will Matthews with whom he’d previously worked on Band of Skulls, and when he and The Kooks production manager Dave Skelton saw Jordon’s design for Skindred at Brixton Academy, it confirmed his credentials as well as his talents as a designer and he was offered The Ko

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UK - Production designer, Tom Campbell used multiples of GLP’s award-winning impression X4 Bar 20s, as well as the new FR1 compact automated light and innovative KNV Cubes in a GLP-dominated stage when guitar-dominated band The Hunna played a small UK tour of mostly O2 Academy theatres recently.
The MIRRAD lighting designer, who has been working with the band for the past two years, adopted completely different scenography from that used when the band last played Brixton Academy in January 2018.
“We started from scratch this time,” Tom Campbell confirms. “We wanted to drive video content but without using a video wall or projection - instead doing something a bit more obscure.” His solution was to light the back wall with 48 of the X4 Bar 20s, pixel-mapped into an Avolites Ai Q3 video server, provided by MIRRAD (while Liteup Productions supplied the Bar 20’

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USA - Capital One Arena in Washington, D.C. seats 20,000 fans and is home to the Washington Capitals NHL hockey team, the Washington Wizards NBA basketball team, and the Georgetown NCAA men’s basketball team.
As of late, the arena had been feeling the effects of the age of its original sound reinforcement system that was installed two decades ago. Headquartered two hours away in Manheim, Pennsylvania, national AVL integration firm Clair Solutions embraced the task of modernising the Capital One Arena with the installation of new EAW self-powered Anna and Otto adaptive line array elements, complete with custom flown equipment racks. Clair Solutions managed the project without a hiccup on a short lead time.
“Capital One Arena’s previous sound reinforcement system was 20 years old,” explained Jim Devenney, Clair Solutions senior systems designer. “It lacked cla

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Israel - MA Lighting was once again the control solution of choice for the 2019 Eurovision Song Contest staged at the Tel Aviv Expo Centre which featured lighting design created by Ronen Najar and Dakar Azulay.
Fifteen grandMA2 consoles graced the FOH technical area, controlling 71,061 parameters and a mix of over 2,500 light sources and LED fixtures.
These were lighting the main stage – another elegant design by Florian Wieder – the auditorium and the green room.
MA was chosen by several on the creative and technical team co-ordinated by ESC’s head of production Ola Melzig, including Jack Collins, the event’s lighting systems and control specialist who has worked on several ESCs in recent years.
“The multiuser functionality and ability to control every fixture from every console and to alter fixture types to suit your needs were two big advantag

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Europe - Universal Pixels provided video packages for Spice Girls in Dublin, Snow Patrol in Bangor, and The Chemical Brothers in London across an action-packed Spring Bank Holiday weekend. The video specialist supplied over 1,450m2 of LED screen, multiple 3G camera packages, disguise GX2 servers, and a total of 26 crew over the three shows.
When it comes to big shows like this, the devil is in the detail, explained Universal Pixel’s Phil Mercer: “We know from many years of experience in delivering large-scale shows and tours that pre-planning and the correct preparation before equipment and crew get onsite is fundamental. We pay close attention to each project and simplify things wherever we can, so that everything runs as smoothly as possible.”
Kicking off on Friday 24 May, the hotly anticipated Spice Girls comeback show at Dublin’s Croke Park welcomed an audi

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Ireland - The first convention centre designed from the outset to be carbon-neutral, the multi award-winning Convention Centre Dublin (The CCD) opened in 2010. It has since become a landmark on the Dublin skyline while its world-class facilities, technical infrastructure and central location make it attractive to a wide range of international clients.
Twenty-two separate, individually-configurable spaces are available for meetings and events of all kinds. At its heart is a 2,000-capacity auditorium (featuring a full theatrical production specification) in addition to a capacious exhibition space, extensive banqueting facilities, a further large theatre space in the Forum and six spacious areas in the magnificent glass-fronted foyer.
Autograph Sales & Installations were recently approached to provide an upgrade path to the venue’s existing Clear-Com communications

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Israel - The Eurovision Song Contest 2019 (ESC) has been an extraordinary showcase of Italy, thanks to the great singing show of runner-up Mahmood and the high-quality performance of the DTS products.
For the first time, DTS fixtures were chosen for the ESC: 376 Katana LED bars were shining in the main hall with their “blade of light” and 48 Synergy 5 Profile were installed in the Green Room.
Lighting designer Ronen Najar says of the DTS products, “We hung the KATANA around the stage and above the crowd. KATANA was the perfect fixture for continuing the triangle ceiling design and completing the lines from the triangle video strip. With the new module designed for us we used the KATANA all the time. SYNERGY was hung in the Green Room and helped us to duplicate the feeling from the main venue. We were very happy and all units worked without problems.”
The

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France - Le Moulin Rouge, the emblematic cabaret of Parisian nights and entertainment since 1889, recently renewed its followspots and chose Alice, the latest in Robert Juliat's generation of LED followspots.
Three new Robert Juliat Alice 600W LED followspots have recently joined the iconic Moulin Rouge revue, Féerie. This show, which has been on the bill for 19 years, tells the story of the Moulin Rouge over two hours of amazement and spectacle, mixing dance scenes and variety acts. Every evening, a dream world is invented on stage with 60 artists, 1000 feather costumes, crystals and sequins, exceptional performances, sumptuous sets and original French music, not to mention the famous French-cancan.
Robert Juliat’s Alice followspots have found their place in this legendary venue, installed on a technical bridge, from where they cover distances of 15m to 30m across

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UK - Stage Electrics has supplied the Lyric Theatre in Carmarthen, Wales, with a lighting control upgrade alongside additional staging.
The theatre, part of the Carmarthen Theatres Group, was seeking a lighting control solution that offered professional grade programming power, along with the ability to integrate into other systems, making transitioning between desks simple.
“ETC’s Ion Xe was the obvious choice for the Lyric Theatre,” comments Neal Tomlinson, technical sales consultant at Stage Electrics. “We sought out a solution that offered flexibility, whilst being able to work coherently with the grade of fixtures coming through the venue. This theatre hosts a number of touring shows, so compatibility was a must.”
Looking to further expand their offerings to touring shows, in terms of space, the theatre has invested in a Prolyte LiteDeck staging

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Israel - The Eurovision Song Contest 2019 was hosted by Israel at the Expo Tel Aviv and boasted over 700 Ayrton fixtures in its massive lighting rig.
Set designer, Florian Wieder, and Tel Aviv-based lighting designers, Ronen Najar and Dakar Azulay created individual looks for each of the 41 competing countries.
Wieder’s stage design was based on triangles and the number 12 - important symbols for Israel - while Najar and Azulay chose a large number and variety of lighting fixtures which allowed them to create enough unique looks to handle a show of this size and diversity. Key to their enormous and extremely adaptable design were over 700 LED lighting fixtures from Ayrton.
“Our main idea was to maintain the special stage design developed by Florian,” explains Najar. “We therefore chose to use a significant amount of Ayrton MagicBlades to create new geom

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Belgium - Ancienne Belgique is steeped in musical history and is one of Brussels' most revered live music venues. A multi-application space spanning several floors and incorporating two live rooms and a recording studio, it’s often the first stop on the touring calendar for international acts, as well as a hotspot for up and coming local bands.
Over the last 18 months, the venue has invested in two DiGiCo consoles in a bid to stay as flexible as possible: first, an SD5, which sits at monitor position and most recently, an SD12 which is now the venue's go-to FOH board.
“All of our crew are capable of doing everything, and what's nice is that we are also interchangeable between the main hall and the club,” opens Ancienne Belgique's technical manager Mark Vrebos. “For example, a rock and roll show might be all-standing and full to the brim, but if we have jazz mus

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USA - After outgrowing its long-time location in Tustin, California, Calvary Chapel Tustin (CCT) moved to nearby Santa Ana in 2015 leasing the main sanctuary from the First Church of the Nazarene. The two churches co-exist on the property with CCT occupying the 700-seat main sanctuary and First Nazarene holding services in the recently remodelled chapel.
Based on the success of BESA-Bowls Engineering Sound & Acoustics’ recent sound system upgrades at Wildwood Calvary Chapel in Yucaipa, California, CCT contracted the design-build firm in early 2018 to facilitate much needed audio upgrades. BESA founder and senior sound designer, Darren Bowls, worked through a sound design that addressed the extremely high ceilings, split-block wall surfaces, and the voluminous nature of the room. Bowls felt CCT would benefit from a similar equipment combination he first implemented at W

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UK - With less than 30 hours from load-in to showtime in a 600-capacity theatre, Orbital Sound’s Mike Thacker needed true plug-and-play functionality from his audio production package of Yamaha control systems and Nexo Geo M10 mid-size line array.
Mike Thacker, Orbital Sound’s head of education, was commissioned to creatively design and facilitate the audio systems for a production of Starlight Express by the Coventry Youth Operetta Group. The assignment was a challenging one. The 65 young artistes of the YOG, many of them wearing radio mics, would be performing on roller-skates, dancing and singing on a track that encircled the stalls of the Albany Theatre. “Yes, right in front of the PA,” explains Thacker. “My main concern was whether we would be able to get enough gain before feedback.”
The one-man audio crew took just 90 minutes to load in and ri
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GLP - MPU - Feb, Apr 2025

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