South Africa - Technical supplier Ultra Events reports that it supplied Philips SL Nitro 510 and Philips SL Nitro 510C fixtures to deliver a punching performance at a popular African boxing broadcast event. Kings of the Castle staged in Cape Town, was part of the Friday Fight Night series of broadcast boxing dates, staged in different African cities on the last Friday of every month. Ultra Events is the show’s regular technical supplier.
“We wanted to get away from the typical 24 fresnel or Par64 set up of the boxing ring,” explains Ultra Events owner, Costa Champanis. “After much deliberation, we decided on the SL Nitro 510, eight positioned to light the ring in white, with four SL Nitro 510C firing blue light into the audience of around 1200 people.”
“The lights worked perfectly, that’s the only way to describe it,” says Champanis. “The cam

USA - TM Sound & Lighting recently updated Florida’s Jungle Queen cruise ship with a complete Harman audio solution provided by Kor Media & Lighting to provide a premium live entertainment experience for guests.
Since 1935, more than 18m visitors have embarked on Fort Lauderdale’s Jungle Queen riverboat cruise and dinner attraction for an afternoon and evening of sailing and sightseeing through the ‘Venice of America’ to a luxury private island, where guests are treated to America’s longest-running variety show.
The show features performances by jugglers and stand-up comics, and a live performance of classic songs by a live band. In order to provide premium sound quality with clarity and presence for such a wide range of performances, Jungle Queen hired TM Sound & Lighting to replace their aging sound system with a sound reinforcement solution fro

UK - Electronic music duo The Chemical Brothers played a busy festival schedule followed by a week of headline shows, complete with a visual experience created by show designers Adam Smith and Marcus Lyall.
Smith and Lyall spec’d 50 units of Robe’s Robe’s MegaPointe, its newest multifunctional moving lights, from Blackburn lighting rental company Lite Alternative.
The essence of the show design was about connecting with the audience and helping move the energy coming offstage out and all around the space.
For this run of own-shows, all in arena venues, a large 20 metre-wide by 11 metre-high LED screen was placed in the upstage area, with the 50 MegaPointes – which were also part of their festival package – used as the main lightsources.
“We wanted beam lights,” explains Lyall, “the show is all about beams, and MegaPointes are the perfect lig

UK - Festival Elrow Town took over London’s Queen Elizabeth Olympic Park this summer, bringing eccentricity and an expanded two-day schedule of dance and DJ line-up to match the hot temperatures.
CPL was asked to provide “an eye-popping large format projection system” for the main and second stages.
Mike Radford led the CPL team after they were asked onboard by technical services provider Production Hire from Brackley.
Giant inflatables, mad puppets, massive confetti blasts and lots of fun-filled mayhem abounded and immersed Elrow’s ever-ebullient fanbase in a megamix of fun, fantasy and sheer visual extravagance.
While CPL’s roots lie in the rave and party scene, the company has grown into one of the UK’s fastest expanding full technical production specialists, working across all sectors and more recently building a great reputation in the ‘

USA - With the use of a number of lighting fixtures from PR Lighting and their Texas-based distributor, MEGA-Lite, First Born Productions designed a successful concert touring rig for popular Puerto Rican, Latin trap and reggaeton artist, Bad Bunny. Having earned several top hits on different charts and previously been nominated for the Latin Grammy Awards Bad Bunny, and his fans anticipated a great show.
And lighting designer, Krizia Velez, certainly didn't disappoint. She has been working with Bad Bunny for the past year and visited more than 100 cities, during which time she has worked with many lighting fixtures and well-known suppliers all around the world.
Numerous PR Lighting units were featured among the product mix, including the XR Beam 300, XLED 1037, XLED 3019 and XLED 336 were specified by Krizia, enabling her to design a variety of different looks for ea

USA - For the current Newsboys United tour, lighting designer Matthew Brewer is doing the band’s evocative sound justice with an intense multi-layered lightshow that serves up a continuously changing array of looks to capture the essence of every tune. Aiding him in this endeavour is a collection of Chauvet Professional Rogue fixtures, supplied by Axxis.
Key to Brewer’s flow of distinctive visuals are the myriad geometric patterns he creates with the 24 Rogue R1 FX-B fixtures in his rig. Like his clients, who have shown a knack for building on musical themes, his work with the five-headed moving linear fixture has become more inventive with experience.
“Initially, my basic idea was to use the FX-Bs to frame the video walls in my rig, but when we got into rehearsals and started playing with these lights it became clear to me that the tight shafts of lights and al

USA - For nearly 50 years, the GMA Dove Awards have honoured those who have achieved excellence in Christian music. Held at the Allen Arena at Lipscomb University on 16 October, the night featured a lighting package provided by Bandit Lites and performances from Lauren Daigle, Tauren Wells, Rebecca St. James, Rascal Flatts and Tori Kelly.
Due to the venue, the event is scheduled around the existing Lipscomb University athletic schedule, which requires the production team to rely heavily on pre-planning logistics from how trusses are suspended to how the crew will physically handle set changes between the artists’ performances.
“Bandit Lites’ exceptional prep process was brought to bear to allow us to bring in a small but rather complicated lighting rig and support structure in a quick and efficient fashion,” says Scott Moore of Go Live Productions. “To faci

Russia - GLP’s impression X4 atom has only been available on the Russian rental market for less than a year, but the fixture has become an original element in some signature project designs.
It was Leonid Poznyansky - a lighting designer who frequently uses compact GLP solutions in his lighting plots - who was responsible for their arrival in Moscow. He first saw the X4 atom at Prolight+Sound in Frankfurt in 2017, and immediately urged rental company Laser-Kinetics to invest in it. The LD also promptly placed an order for various mounting accessories, since he knew it was the entire package that would allow him to realise his vision.
"When I first saw the X4 atoms, their power impressed me immediately,” he said. “These devices are unusually bright, given their small size. But what is even more interesting is that I can control the zoom remotely and change the be

UK - Colour Sound Experiment supplied lighting and LED screens for the Wave Goodbye concert by UK synth pop duo Soft Cell, who reunited after 17 years for one final show at London’s O2 Arena.
Award-winning lighting designer Rob Sinclair helped build the ambience and vibes for this sold-out pop music moment for the band who’ve occupied some hypnotically catchy and viscerally emotional space in the slightly darker echelons of 1980s synth pop.
Once he was confirmed on the creative team along with set designer Ric Lipson from Stufish, Rob started imagining the lighting.
It was also being streamed live to cinemas around the UK and Ireland and recorded for a live CD and DVD/Blu-ray release in 2019.
Both Rob and production manager Kamal Ackerie agreed early on that they wanted Colour Sound to be involved in the event, “We needed a London company that

UK - HSL supplied the recent UK and European leg of Halsey’s ongoing Hopeless Fountain Kingdom tour with lighting equipment.
The referral originally came through John Schirmer at DCR Nashville, lighting vendor for the US sections of the tour which started in 2017. Another connection was production designers Sooner Routhier and Robert Long from SRae Productions, with whom HSL worked for over a year as worldwide lighting supplier for Depeche Mode’s 2017-18 Global Spirit world tour.
The Halsey project was managed for HSL by Jordan Hanson who commented, ““Working with John Schirmer, production manager Jimi Storey and lighting director/operator on the road Jose Antunes has been a pleasure - great show and great people.” He worked closely with Jose to match their original lighting spec.
A key aesthetic feature of this visually edgy and interest

USA - Full Sail University has expanded its performance venue, Full Sail Live, with Calrec Audio’s Artemis and Brio36 consoles. Already utilising a Summa console for its show production degree programme and Brio console for its film degree programme, Full Sail knows Calrec’s advanced audio solutions.
“The existing broadcast audio console in our performance venue was being maxed out, so an upgrade was in order,” says Scott Dansby, director, industry relations, Full Sail University. “We had an existing relationship with Calrec and knew its consoles had the right tools, functionality and features. Also, continuity was important to us as some of the students were already working with Calrec boards as part of their degree programmes.
“By choosing Calrec’s Artemis and Brio36 consoles for the venue, we now have the ability to grow the system and scale it towards

USA - Ancient Athens may be separated from California’s Venice Beach by 6,900 miles and 2,400 years, but that didn’t stop these two very divergent places from melding together on stage in the Jeff Lynne, John Farrar Tony-nominated musical comedy Xanadu.
Inspired by the 1980 film of the same name, the show brings together a forlorn SoCal street artist with a group of perky Greek muses. The result is a rollicking adventure, culminating in the nonstop swirl of a disco roller rink that has left audiences laughing around the world since its Broadway debut 11 years ago.
Supporting all the freewheeling fun at a recent production of the show at the Hangar Theatre in upstate New York is a colourful, punchy and fast-paced Cory Pattak-designed lightshow, featuring Maverick, Ovation and COLORado fixtures from Chauvet Professional.
“Nobody is accusing Xanadu

World - Lighting designer Mathieu Poirier created the atmosphere of the grand hotels of the past for Hotel, the latest touring show for Montreal-based company Cirque Eloize. Poirier selected Claypaky’s new Axcor Spot 300 moving LED fixtures to help set the scene for the troupe’s very special 25th anniversary production.
In Hotel, acrobatics, theatre, dance and live music guide the audience through an intimate refuge with an avant-garde look inspired by the elegance of the greatest hotels. The lives of transient travellers intersect briefly but long enough for tales and memories to be forged.
“Early in the creative process the Belgium-based director, Emmanuel Guillaume, discussed with the creative team his strong visual interest in Wes Anderson’s film, Grand Budapest Hotel and Damien Chazelle’s La La Land,” recalls Poirier. “Th

Croatia - HUST d.o.o. has completed the design and installation of the audio and video systems for the new Šibenik Convention Centre at the Solaris Beach Resort. Located in Šibenik, on the Adriatic coast, the new venue is the first convention centre to be built since the independence of the Croatian state in 1991 and is now the largest in Croatia.
The centre is designed for flexibility, by dividing or combining rooms to adapt the space for all types of events, conventions and exhibitions. With a total of 4,000sq.m of congress space, the centre encompasses 11 individual halls and rooms with an overall capacity for 2,500 people.
In the design of the audio system, HUST added flexibility to the venue with zoning that could easily be switched and combined to match the space configuration used by any event. They chose a combination of distributed Apart loudspeakers for bac

Australia - Chameleon Touring Systems recently deployed a Martin by Harman lighting solution for a new production of Mamma Mia! currently touring across Australia.
Mamma Mia! The Musical is playing at the Princess Theatre in Melbourne, with future dates scheduled across the country. In order to create a lighting display that captures the detailed expressions of actors on stage and simultaneously conveys the energy and emotion of a rock show, lighting designer Gavan Swift needed a powerful, versatile lighting system.
Swift worked with Chameleon Touring Systems and Show Technology to develop an LED moving light system comprised of Martin by Harman MAC Quantum Wash, MAC 101 CT and all-new MAC Encore Performance CLD fixtures.
“I have firmly embraced LED technology in moving lights,” says Swift. “The brightness, colour fidelity and consistency of L

USA - Robe presented part two of its Lost Worlds exhibition live show trilogy concept at LDI in Las Vegas, with another impressive booth design and an eight-minute live dance extravaganza designed to illustrate its latest technologies in the context for which they have been developed. This included the just launched T1 Profile LED moving light.
Over 200 new and current moving lights and LED fixtures - including the SuperSpikie and the MegaPointe, Spiider and Tarrantula LED wash beams, BMFLs and the RoboSpot remote follow spotting system running with MDC (multi device control) - were central to the show. Robe’s new iParFect - the first in a series of upcoming IP rated luminaires - was utilised in two rain curtains that were integral to the fully immersive and highly detailed show environment.
The show narrative followed the intrepid Explorer character, having j

USA - Over the past decade, Bon Iver frontman Justin Vernon has emerged from the woods of Wisconsin as one of modern music’s most inventive songsmiths. Although his group’s musical path may have started out sounding something more akin to folk music, Vernon’s trajectory over the course of his last couple of records has explored everything from rustic chamber pop to haunting, textural collages of vocoders and electronica.
With such a broad range of sonic elements in the mix, Bon Iver’s show at the Santa Barbara Bowl on an L-ISA Hyperreal Sound system recently served as an opportunity for 4,500 lucky fans to hear the group in an expansively panoramic soundscape for the first time.
“Bon Iver’s records are amazing and Grammy Award-winning, but anyone who has seen them perform will quickly tell you that their live show is infinitely better,” says L-Acoustics

UK - Reece Productions invested in an Allen & Heath dLive Control Surface that has recently provided high quality sound for The Pineapple Thief's 2018 tour, closing with a triumphant performance at the O2 Shepherd’s Bush Empire.
Founder, James Reece-Ford commented: “We've been big fans of the (dLive) ecosystem. The whole console feels like it was designed with me in mind . . . The sound quality is way beyond my expectations.”
FOH sound engineer, Simon Baxter specifically requested the console for the tour. He commented: “I chose the dLive as I needed a small footprint desk, but with the power and flexibility that it provides. I loved using it. The on-board FX are fantastic, the multi band EQ was really useful and I was impressed with the ease of the workflow throughout. Most of all, the sound quality was fantastic; such a transparent sound and sensitive EQ

UK - When SSE Group were looking to replace their old intercom systems with a scalable, all-weather alternative, with both the festival season and the corporate and broadcast markets in mind, they set demanding criteria. The new system needed to be reliable, function both internally and externally, and be operable over IP.
Their search took them to Pliant Technologies’ new wireless CrewCom system, distributed in the UK by Sound Technology.
CrewCom is based on a new technology platform that offers “the industry’s highest user density, unparalleled range and scalability”. “This system looked very promising when it came to replacing our existing systems.” said SSE senior project manager, Miles Hillyard.
He was soon talking to Sound Technology’s application engineer, Danny Kyte, before investing in four of the CrewCom radio packs and two transceivers, w

USA - Following a successful limited run world premiere at the Oriental Theatre in Chicago in March and April of 2018, Pretty Woman – The Musical made its expected move to Broadway in the summer of 2018 enhanced by a comprehensive point source audio system from KV2 Audio.
Based on the 1990 film Pretty Woman, the book for the musical was written by the film’s director, the late Garry Marshall, and screenwriter J.F. Lawton. The musical opened on Broadway in August 2018, directed and choreographed by Jerry Mitchell and featuring an original score with music and lyrics by Bryan Adams and his songwriting partner Jim Vallance. Orchestration was by Will Van Dyke with sound design by renowned Broadway sound designer, John Shivers, and long-time collaborator, sound designer and audio engineer, David Patridge.
Having used KV2 Audio gear for more than 10 Broadwa

UK - Technical production specialists Light Fantastic Production Services supported S2 Events with a comprehensive lighting, audio and support package for a spectacular Havana nights themed event.
The networking reception was a key date in the dynamic schedule at Focus/18, the six-day celebration of design excellence that welcomes enthusiasts from around the globe. Held at the Chelsea Design Centre, London, the Focus/18 brief was to assist in the delivery of a magical guest experience, inspired by the season’s new collections; playful, bold and confident.
Delivering a rich mix of crisp lighting effects, deep colour washes and clear audio, the on-site LFPS production crew, headed up by project manager Andrew Maxted, built on the Havana theme, filling the Design Centre’s three grand atriums with a vibrant mix of tropical colour and spicy salsa rhythms.
To match

USA - Central Florida’s Action Church is on the move, with three locations already established and another set to launch later this year, all of which rely on Allen & Heath dLive systems.
First opening its doors not much more than four years ago in Winter Springs, the fast-growing upstart christened its second location two years later in nearby Oviedo, spanned out further in 2017 to another in Sanford, and is set to lay out the welcome mat at a new location in Winter Park later this fall.
John Williams, the church’s music director, also steers the development of the audio systems in use at all locations. Working in conjunction with volunteers and the Bradenton, Florida-based Crown Design Group, Williams installed Allen & Heath’s dLive systems based upon their versatility, sonic quality, budget-friendly price point, and the unified approach they brought t

South Africa - Cape Town-based Audio Engineering took delivery of their new Absen LED Screens just in time for the Lamborghini Urus launch, followed by the launch of the new Porsche Studio situated at the Cape Town Waterfront.
“We didn’t even have a moment to unbox the panels at our offices,” says Marcel Bezuidenhout, owner of Audio Engineering. The Absen gear, comprising of 84 panels, four senders, two scalers and flying gear, went straight to the Lamborghini dealership in Century City, where DWR Distribution’s Bruce Riley and Bradley Bruchhausen were on site to help set it up for the first time. DWR are the distributors of Absen in South Africa.
“Once the Absen was up, everyone was over the moon,” adds Bezuidenhout. The positive feedback continued at Audio Engineering’s next event, the launch of Porsche’s new home at the V&A Waterfront, and a coup

Germany - Audio rental specialists It’s A Bird, under the direction of Cornelius ‘Conny’ Vogel, are off to a flying start with their newly-purchased Nexo Geo M10 mid-size line array.
Now entering his 20th year as a Nexo rental user, Conny Vogel added the Geo M10 system to inventory, seeing it as an alternative to the Geo S12 array that he has been using since 2008. “The new M10 weighs half as much as the S12 system, and it has significantly easier rigging,” says Vogel. “We notice a longer throw, especially for vocals, and a significantly better performance in the vocal range. Because it has a much better rear rejection, there are fewer feedback problems on stage.”
A good example of Vogel’s observations was a sell-out concert by the internationally-successful German singer Ute Lemper. Performing at Raesfeld with the Russian Chamber Philharmonic St Peters

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