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Israel - Robe Pointe and DL4S Profile moving lights have been installed as part of the spectacular City of David Lightshow - Hallelujah - in Jerusalem, a gripping and intense multimedia experience relating the history of the city which is projected onto the walls of the ancient citadel of King David, surrounded by the associated archaeological site and steeped in history dating back over 3000 years.
Lighting was designed by Micha Margalit and delivered by Danor Theatre and Studio Systems who won a tender issued by the Israel Government Tourist Corporation (IGTC). Further, Danor was also asked by AVS Creative - who co-ordinated all the project’s multimedia aspects and the integration between light, sound and projection - to work on the actual physical lighting installation.
Challenges included dealing with the difficult topography and the specific positions wh

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UK - In December, specialist lighting and rigging provider TSL successfully met the large-scale production requirements and tight deadlines for a festive event with a difference - the UK's largest carol service, staged at the SSE Wembley Arena, London.
Continuing a long-standing client relationship with international Christian church organisation Hillsong, TSL provided rigging and lighting services for London Carols, which saw three back-to-back performances on 17 December, reaching a total live audience of 30,000.
Arena-scale show production always places huge demands on suppliers and crew, and the requirements for London Carols were no different, says Sam Tamplin, managing director of TSL. "We supplied the rigging equipment for all departments, so it was imperative we didn't hold anything up. The load-in schedule was meticulously planned by Hillsong dow
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USA - For the second year running, Houston-based event staging company Stage Directions Inc. provided the creative visuals for the city’s annual Toast to Living Well gala, considered Houston’s largest black-tie event. Held to raise funds for those affected by Hurricane Harvey, this year saw a large Elation lighting package light the variety of gala events.
Stage Directions Inc. was responsible for event staging and media production, working for client ZT Wealth and the Altus Foundation. “We worked closely with the client, as well as décor, and helped contribute ideas to the overall event flow,” states Trent Blake, executive vice president of Stage Directions Inc. “Our main purpose was to maximize the environmental aspects of the event, what the attendees feel, what they see, and what they hear. We used scenic design elements, lighting, video, lasers, and a

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USA - Grace Fellowship Church in Bogart, Georgia has completed a major audio and video system upgrade including an Allen & Heath S Class Digital Mixing System with S5000 Surface, DM64 MixRack, DX32 Expander and seven ME-1 Personal Mixers with an ME-U Hub.
The church hosts two contemporary worship services each Sunday with praise vocalists, a 30-voice choir and a band with keyboards, drums, acoustic and electric guitar and bass. Services are recorded and live streamed over the church’s website.
dB Integrations of Gainesville, Georgia designed and installed the church’s new systems. dB’s Ronnie Stanford says, “Grace Fellowship had an older analogue mixer and wanted to move to digital for its flexibility and for their streaming broadcast.” The church auditioned several digital mixers but, after a dLive demo from dB Integrations, Rick Freeman, technical advis

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Germany - Lleyendecker Event Solutions has chosen the immersive spatial audio capabilities of TiMax SoundHub to animate its various auto industry clients’ corporate events; ranging from Porsche, BMW to Volkswagen, TiMax is used to add immersion, presence and impact to large-scale multimedia tradeshow booth creations as well as dealer meetings and launch events.
Due to the high-profile nature of such events, Lleyendecker always install a pair of TiMax units ensuring full and immediate cover for redundancy. To this end, the company recently invested in two TiMax SoundHub-S64 frames, each providing 64-tracks of playback, audio editing and spatial rendering, plus 64x64 channels of source and system EQ and group control, dynamic delay-matrix and Dante64 audio networking.
Lleyendecker deployed their two new TiMax units immediately, first for BMW at the IAA, Germany’s Int

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Dominican Republic - More than 50,000 fans packed the Dominican Republic's Olympic Stadium in November to experience The Festival Presidente, the Caribbean's largest international music festival.
On the festival's opening night, Latin music star Gabriel performed in front of epic LED screens displaying florid, fast-paced graphics, powered by Avolites' Ai R8 media servers.
Yamil Charif of YC3 Lighting Design worked with a team of South American creatives, including lighting design partner Richard Vincens, to create the vivid Gabriel set. He initially programmed it using an Ai template at his Miami studio using dummy content before the real content, designed by a team of animators, was delivered just days before the event.
With a team of people inputting ideas and many last-minute developments, Charif needed to continue programming the R8 servers right up u

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UK - It had been more than 20 years since the EMAs descended on London, but it certainly did not look or sound that way at the SSE Arena on 12 November, 2017. Hosted by Rita Ora, the production was in the safe hands of long-time MTV audio supplier, Britannia Row, whose specification this time around was dominated by DiGiCo.
After more than two decades of working with the EMAs, Britannia Row's console deployment has now been condensed mainly to DiGiCo consoles.
Company director, Lez Dwight reports, “We have a long-standing relationship with DiGiCo, and find the technical support and service absolutely world class. MTV is always a challenge from a technical perspective, and this year was no exception; the performance area covered the entire arena floor, but this area was also built up off the floor by 4.75m, giving room for large lifts and sub stage space. We had three

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USA - Lighting designer Herrick Goldman used Elation Professional’s Artiste DaVinci LED moving head spot for colour and visual effects on a Syracuse Stage production of The Wizard of Oz and praised the award-winning luminaire as a flexible workhorse that performed a number of duties throughout the show. “The DaVinci took so much of the work load I could have saved the time and energy of hanging 25% of the light plot,” the LD stated.
The family favourite musical, which ran from 29 November to 7 January, was directed by Donna Drake, and was Syracuse Stage's holiday co-production with the Syracuse University Department of Drama. It is the story you know well but is told in a new way with tumbling and flying elements from acrobats turned actors from New York’s 2 Ring Circus.
Although the Syracuse Stage theatre houses 100s of conventional fixtures along wit

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UK - Working with set designer Joshua Grace and lighting director Gurdip Mahal, LED Creative played a part supporting the crew at A Night for the Emergency Services, a seasonal celebration and show of appreciation for the work carried out by the nationwide heroes in uniforms.
Filmed in front of a live audience at The London Studios, host Ashley Banjo was joined by high-octane dance troupe Diversity to introduce and share performances by talented members from all sectors of the emergency services.
Created around Grace’s linear installation awash with movement and intense colour, the set incorporated the LED Creative BYTE Pixel Control System matched with an array of the company’s Sigma Sparkle Wands which the designer suspended across the entire stage to add crisp, highly controllable accents and depth to the performance.
Commenting on the versatility o

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USA - When the young man who celebrated his bar mitzvah at Georgetown’s upscale Park Hyatt was born in 2004, Pac-Man was about to celebrate its 25th anniversary. Such is the staying power of the video game invented by Toru Iwatani, that the youngster opted to build his reception around a Pac-Man theme. Digital wall images of the yellow circular figure with the gaping mouth adorned the reception area, as did representations of the game’s famous labyrinth.
To create a classic video arcade atmosphere in the reception area and accentuate the digital Pac-Man images that decorated it, the event organizers draped the walls in black. This created a stunning effect, but it also made it challenging to colorize the room’s dining tables. Eric Hertsch of John Farr Lighting Design successfully met this challenge with the help of Chauvet Professional Ovation E-910FC ellipsoidal fixtu

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USA - LD Matthew Ardine transformed a Kia Motors America dealership into a large-scale lighting display for a 2017 holiday season TV commercial.
Set to the Trans-Siberian Orchestra’s version of Christmas Eve in Sarajevo, the ad featured masterful pacing from subtle car headlights to a massive 65,000 DMX-channel paragon of holiday lighting highlighting the showroom building and surrounding landscape. Featuring nearly 500 various lights communicating over two V-LAN groups, with a total of 75 Ethernet devices, the network relied heavily on its nerve centre, four ProPlex EZ-LANs.
“The EZ-LANs were easy to use and kept costs down,” says Ardine. “EZ-LANs formed the backbone of the network, shuttling the two VLANs around the location. From the EZ-LANs we cascaded to other switches and we had no network issues. We created two versions of the 30-second commercia

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Austria The Men's World Cup Night Slalom is the biggest party in the Alps, attracting 50,000 spectators and skiing enthusiasts annually to Schladming-Dachstein at the end of January.
Lighting designer Daniel Reistenhofer from D-TWO Stage&Light Creations was asked to light the 2017 season opening event and he enlisted the help of over 100 Robe moving lights - 74 x Pointes and 34 x BMFL WashBeams.
Event organisers, Leutgeb Entertainment Group and the Planai Hochwurzen Bahnen Gesellschafft, saw some of Daniel’s other stage designs and wanted something totally different to what had been done before.
The format was similar to a large EDM event, a large stage - 40 x 24m - was set up next to the Planai ski slope - normally the finish line for the Night Race - and around 16,000 people packed in to enjoy the start of December opening event and the international line

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UK - Nick Cave and The Bad Seeds were on the road for much of 2017, performing in world-renowned theatres and major arenas across Australia, North America, mainland Europe, and the U.K. When it came to the large-scale venues like Manchester Arena and London’s O2 Arena, it was an E-Series audio system from Adamson Systems Engineering amplifying the band’s haunting melodies and weighty words for a notoriously dedicated fan base.
“Both the E15s and S10s are sounding beautiful,” FOH engineer Matt Crosbie said amidst the run. “Even from when we first tried them in Australia, it was clear we had the right system, and with the new V4 preset, the mids and highs are pretty close to perfect.”
Considering the wide range of venues comprising the tour, the system was designed with scalability in mind. The typical configuration featured a combination of Adamson’s E15

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UK - Powersoft Quattrocanali amplifiers are providing the beating heart of a new entertainment experience in the UK.
Created by the award-winning producers behind the BBC series and arena show Walking With Dinosaurs, the Dinosaurs In The Wild production (read a detailed report in LSi September 2017) uses the latest in AV and animatronic technology to generate a realistic, interactive walk-through back to the Late Cretaceous period.
Central to the successful creation of TimeBase 67 (built by Chronotex Enterprises) is the sound and lighting design along with the animatronics and the latest in 3D AV technology. The accent is on authenticity and accuracy.
There are three elements to this mix of t

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Denmark - The Live Company AS showcase event co-hosted with Chroma-Q enabled rental production clients to experience the multi award-winning Color Force II LED cyc, wash & effects light.
Leading lighting designers and specifiers from all sectors were invited to Tivoli in Copenhagen, one of Denmark's most prestigious entertainment resorts. Delegates got hands-on with Color Force II, followed by dinner and a show, where they were able to see it in action during a performance of The 35th Crazy Christmas Cabaret Show - Planet Rump - The Farce Awakens.
Freelance lighting designer Mark P Jones, who attended the event commented: "Having a history of using and specifying Chroma-Q products, it's great to see that Color Force II builds on the reputation of the original fixture - the output, colour range and stability on camera make them a great lighting tool."
B

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Italy - Florence’s Nextech festival chalked up a sold-out 12th edition in December at the city’s Fortezza da Basso under the techno banner, with 3,000 fans flocking to see and hear the man many of them call the Techno King, Chris Liebing, ably preceded by a blistering set by up and coming local DJ Marco Effe.
Frankfurt-based, but constantly globetrotting on the international club and festival circuit, Liebing is a techno pioneer, DJ, producer, podcast and radio host, as well as being the driving force behind his CLR label.
One of the first DJs to use the new possibilities offered by the digitalization of music in an original creative manner, Liebing is constantly on the search for new methods of creative expression. These include real-time manipulation of individual tracks and sounds in his DJ sets, so the sonic quality of the sound systems he uses plays a fundamen

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South Africa - The Acts Christian Church in Midrand has invested in two Robe Spiiders that will work alongside their current Robe rig.
When it comes to mission work, Acts Church reaches out to people with Acts of Love, whether it’s providing toilets to a needy community, setting up a library, giving food to the homeless or preparing gifts for senior citizens and children over the Christmas period.
With a North and South Campus to accommodate the increasing congregation which is now just short of 6 000 people, the church has five Sunday services (three at North campus and two at South Campus with an additional evening service held at the North Campus once a month) and hosts various events from children’s productions to conferences that cover topics such as Business Excellence, Bible studies or fasting periods. The auditorium has also doubled up as a venue to assist

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Europe - The current tour by Jamiroquai, which started last spring with a run of festival appearances and a short stretch round Japan, is now touring Europe in earnest with a full production.
From the out-set, their FOH engineer Rick Pope has been using Yamaha’s new flagship mixing console, the PM10. “We have looked after Rick and Jamiroquai for many years now,” said client manager Dave Compton at Britannia Row. “Although investing in a new top end console was not in our cap’ex plan at the time it was at Clair Global. They already carry a large inventory of Yamaha consoles and were more than willing to make the investment to support this tour.”
For Clair Global, Pope’s experiences have proved a useful test-bed. With the tour now in Europe, Britannia Row are also taking a long hard look at the desk. Pope, who has mixed Jamiroquai for many years, explains

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Indonesia - Finn's Beach Club in Bali recently relocated to a new building on the famous Berawa surf beach and has installed a new Yamaha audio system.
The environmentally-friendly bamboo structure allows every guest to have a guaranteed sunset view accompanied by music from the club’s resident DJs. The soundtrack is enhanced by a major Yamaha audio installation, designed and installed by David Soewondo of Surabaya-based DMP Musik.
A complex, multi-zone system was needed because the club features six indoor bars, a restaurant, spa, boutique, changing rooms, DJ booth/stage, two swimming pools, a pool bar and numerous outdoor hammocks and single/double day beds.
“The client needed a system that could distribute sound throughout the venue, however the different zones have different volume settings, depending on how each area is used,” says David. “Some of t

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UK - Based on the world renowned 1950 novel by Patricia Highsmith, Strangers On A Train is a spine-chilling tale that tells the story of a fateful encounter between two men in the dining carriage of a train crossing America.
Originally seen in the West End, the production is now being revived and is touring across the UK. Starring television favourites Christopher Harper, John Middleton and Hannah Tointon, it is adapted by Craig Warner and directed by Anthony Banks. As a leading supplier to touring productions, White Light is providing the lighting equipment.
Strangers On A Train sees the creative team from last year’s production of Gaslight reunite, which WL also supplied. The lighting designer for both is Howard Hudson, who says: “The set for Strangers On A Train is built on two levels and relies on a lot of projection to suggest the

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USA - Located in New Middleton, Ohio, Hitch-Hiker Mfg. leads the way in design innovations for the mobile food concession industry. When approached by Chicken Charlie’s in San Diego, California, they were asked to help create a LED video display for the new FryBQ mobile concession stand.
Needing a solution that could overcome the challenges associated with an outdoor, traveling environment, they called upon Nashville-based PixelFLEX who provided a completely IP65-rated FLEXStorm 6mm LED video system.
“I’ve been in the restaurant business for 34 years and we’ve had the mobile concession stand for 23 years now,” began Charlie Boghosian, Chicken Charlie’s owner. “We have a season every year that last about 5 months where we travel across Southern California, and I first put LED video on a stand about 10 years ago.
“This year, as we were building thi

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UK - Global brand experience agency Jack Morton Worldwide once again organised London’s New Year’s Eve firework display – an event which it has produced for 14 consecutive years. Contributing to this year’s event was a ChamSys MagicQ MQ500 Stadium console, which was used by lighting programmer Paul Cook to control the 18-universe lightshow that supported the firework display.
The display, which took place over the River Thames and the Coca-Cola London Eye, is a global showcase for the city, reflecting its dynamism, creativity and openness. The show was seen by millions of people on BBC One and live by over 100,000 people in viewing areas on the banks of the River Thames.
Synchronised and triggered by GPS to Big Ben’s chimes, the 12-minute show lit up the River Thames with 2,000 lighting cues and 12,000 fireworks producing 50,000 projectiles. The FOH station

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USA - Allied Esports announced the grand opening date and a major partnership for Esports Arena Las Vegas, and the first stop for its new mobile arena, Esports Arena Drive.
Esports Arena Las Vegas, The Strip’s first dedicated esports arena, will open at Luxor Hotel and Casino on 22 March with a series of events, including an invitation-only, multi-day, live-streamed tournament.
“Esports Arena Las Vegas is the cornerstone of our property, brand and content development and will allow us to engage esports communities, brands and stakeholders like never before,” said Jud Hannigan, CEO of Allied Esports. “With Las Vegas rapidly becoming a hub for esports, Esports Arena Las Vegas at Luxor will be the city’s home for competitive gaming and interactive entertainment.”
Allied Esports also announced an exclusive partnership with Harman Professional Solutions,

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UK - Tasked with creating a fresh regime of visual anarchy for Prodigy’s most recent tour, lighting and set designer Tim Fawkes chose to work with rental specialist HSL as suppliers of lighting and a crew who were chiefed by Matt Brown.
Tim took a brief from the band and long-term manager John Fairs. This led to the development of four custom semi scenic old-style searchlight assemblies upstage, with big hexagonal outer shells and packed with more modern lightning technology. These, together with three scenic CCTV camera towers were the main set pieces,
”The underlying idea was to create a scene of dystopia on stage,” explained Tim. The set was built by Stage One. Tim devised the shape and size of the searchlight housings which he modelled and tweaked in WYSIWYG before finalising. They were a compromise between being tourable, relatively light at under 300kg each
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