Mobil Tech France anouncement
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Mobil Tech can be seen on stand D28.
Mobil Tech can be seen on stand D28.
The deal represents Martin Audio’s largest single European sale since the launch of the acclaimed W8L system in the spring of this year. The Synco W8L Line Array will be operated in parallel with the existing stocks of the network’s Renkus-Heinz Synco Touring System and proprietary Synco floor monitors. "The network has grown very fast in the five years since we launched it and reached over 1000 cabinets but still
According to Chameleon MD, Paul Houlden, the decision to appoint Expotus was based on the company’s imposing track record of successfully marketing other UK brands overseas, particularly the Far East. Says Houlden: "Trying to break into the Asian market has been a particularly tough nut to crack. However, thanks to Expotus’ expertise, it’s already beginning to pay dividends for Chameleon."
Following a series of field trials,
The most obvious change is the new-look silver console, but key changes have also taken place internally, including the use of the latest computer technology in the form of Windows XP. Hardware developments mean that a floppy disc is no longer necessary, now replaced with a CD R/W drive, whilst the Pentium II board had been replaced with a more powerful and faster Pentium IV.
Changes to the software include a new Cue List and Equipment List facility, which enables users to look at all cues/equipment on a single page rather than scrolling through as is currently the case. To provide more relevant information to stage manag
The judging panel of freelance lighting designer Simon Swift, sound system consultant Richard Northwood of Coms UK, Live Business International’s technical director Roland Hemming, freelance AV consultantPhil Pike, system designer Glyn Hughes of Sysco, project manager Andy Hayles from Theatre Projects Consultants, technical consultant Mark Jones of the Royal Albert Hall and Jason Tang, general manager of Bandit Lites (UK), deliberated over three days to decide the winning products in each category.
In the Lighting category, Clay Paky’s Stage Profile Plus SV received
(Ruth Rossington)
The show was active on many levels - the PLASA Product Awards for Excellence attracted one of its highest number of nominations ever with 64 products displayed in the L&SI sponsored New Technology Gallery - a clear indication of the importance of the event as a showcase for innovation. The Masterclass, Seminar and Round Table sessions that ran throughout the show added to the appeal of the event, allowing visitors to learn more
This time ESS developed an ESS Superstructure building solution for the Event Management Company Fortesqueue’s, at a location inside the garden square at Lincoln’s Inn Fields; an occasional destination for bespoke private events. The brief, to house a one-off project during the second week of September, was introduced to ESS earlier in the summer. ESS' Olly Watts and the ESS team worked closely with the Event Management team at Fortesqueue’s to create a stunning environment for this multinational organization. The one-off event
The project involved Vertigo undertaking an intense four-day working period during which time they installed large amounts of trussing and drapes. Follies - considered by many to be one of the greatest musicals of all time - was directed by Paul Kerryson and designed by Paul Farnsworth, and this was the first time the Sondheim classic has featured on a London stage for 15 years.
Follies’ scenic style transposes the audience to the crumbling Weissman Theatre, as memories from its glorious past reunite and are remembered one more time. The fact that the RFH needed to resemble a dilapidated venue at the end of the day didn’t make the
Austrian Truss Constructions (ATC) presented what looks to be an excellent modular outdoor stage roof system. Based on a regular 3D truss frame, the roof forms a grid using ladder trusses between with four-way steel node connectors. Although ATC doesn’t have official rating figures, it is confident the system can su
After the successful completion of last year’s event ESS were commissioned to provide an ESS Orbit staging solution with PA wings and screen supports. In advance of the event the organizers were predicting that this year’s concerts expected to attract record numbers due to a popular repertoire choice and good weather prospects. This event marks the second major event in the park that ESS has attended to during the summer of 2002 the former being the five stage arrangement implemented during the Golden Jubilee celebrations.
Tim Norman, managing director for ESS, said: "It’s extremely good for us to be able to return to the Proms ser
(Lee Baldock)
Morgan Trussing also comes in a range of styles and sizes from slender trussing, which is ideal for indoor work to the 400 x 600mm beams that are perfect fo
13,810 people (subject to ABC Audit), up by 4.2 per cent from last year, visited the PLASA Show to see the array of new product launches, attend the Masterclass Programme, network with industry colleagues and strike up new business relationships. PLASA managing director, Matthew Griffiths, said the show bucked the exhibition industry’s recent downward trend as many exhibitors conducted good
The square base pyramid, 50ft square at the base and 50ft high, was a combination of stock truss sizes, custom intersections and mechanical fabrication, while the use of Total Structures OMNI connectors added additional flexibility. The top 15ft of the pyramid opens as four ‘petals’ and the inventive and efficient use of two CM Lodestars and a push rod system provides the maximum 'bang for the buck.'
The lower part of the pyramid is provided with a decking system, whilst the platform for
Potential employers can check a specific registered freelancer’s availability or search for new ones, as well as placing job advertisements. They can search by name
One of the central elements of the Stage Technology system will be its new TanJent system. This prevents scenery from moving around with the pitching and rolling of the boat by guiding the scenery flybars throughout the full travel of the bar.
(Ruth Rossington)
Radio 1 has been at the fore of the live broadcast events since their pioneering days with the Radio 1 Roadshow. However, ‘Smiley Miley’ and co wouldn’t have recognized the gargantuan stage and state-of-the-art production seen at this year’s series of One Big Sundays. This year Radio 1 promoted four live events, developing a new format, larger-scale production, to ensure the enormous crowds the events attract could enjoy their top pop stars.
Star Hire supplied two systems to match the different production requirements of the events. "There were two distinct production requirements across the four shows due to the artist
Over the past few years, the company has hired out staging to the Festival to anti-rake the King's Theatre and this year was to be no exception. But then it was asked to supply a visiting company, Canadian Opera, with stock staging units for the production of Oedipus Rex at the Playhouse Theatre. And Scottish Opera itself needed staging for its own large-scale production of Siegfried . "Next year," explained production manager Steve Green, "Scottish Opera will need around 70 units for our own performances at the festival and I anticipate that we'll continue to supply the festival with staging for the Kings' Theatre. With this in mind I deci
Star Rigging has worked with the BBC on a number of recent programmes when people were working (or acting) at height and safety was as ever, of paramount importance for the BBC for this programme. Star Rigging was contracted to carry out a full risk assessment and oversee safety procedures of the site, sending the experienced Oz Marsh on location throughout the filming, to ensure t
Rigging specialists Summit Steel, working for production managers John Marriott and Bernie Kearns at production company PCI:Live, helped transform the venue into a magical environment for the press party, held for an invited audience of 400 notoriously hard-to-impress individuals! The set of the ‘Blu Oval Club’ was designed by Martin Grant, and included a central reveal of the new vehicle. Summit’s first job, a week ahead of the event, was to install 530 meters of trussing infrastructure into Studio 217’s roof to support other elements of the technical production - sound (from Delta, SD Paul Keating), lighting (by Essential, LD Gary Collins), soft good
The main requirement of Unusual was to provide a focal point to the march in the absence of a rally at the end. Due to the number of people involved, it was essential that the focal point addressed the need for efficient dispersal at the end of the march. Unusual designed a 28m wide double arch structure to span the width of Whitehall. Two of these units were positioned directly north and south of The Cenotaph. Between the two structures, the marchers were counted and a digital messaging board on the southern a
Live acts on the main stage included dance legends Faithless and Underworld, joined by newcomers including Kosheen and Dirty