Atomic Chooses Arrayable Logic
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"I went to the Pompidou Centre in Paris four years ago, and one of the works was a cave by Bernard Buffet, called Jardin d’Hivers. It was very simple - just a white landscape but with heavy black contour lines like you would find on a 3D map. Ever since seeing it I’ve wanted to do something in that style."
Barnes applied the concept to a design that had to be practical for small-scale touring - Melanie C’s first major tour plays to civic halls rather than the arena circuit tramped by the Spiceys. The floor and cyc are decorated with seemingly random lines, and a trio of stylistic trees adorns the stage, marked out in black and white. The trees themselve
The analysis, which included 1019 companies in total, predicts that the Winners and the Chancers, who are capturing market and profits with a combined sales growth average of over 15.2% are pushing the Losers out of the market. As they try to maintain sales and profit targets, acquisition activity could intensify in 2001.
The First Edition 2001 describes four types of company strategy. The Winners have low borrowings (debt) as a % of sales and have high sales growth. The Chancers have high borrowings and high sales growth. The Sleepers have low borrowings and low sales
The day-long event was attended by a number of Turbosound’s international and UK distributors, as well as main installers. Following initial addresses by chairman Mike O’Flynn and managing director Alan Wick, sales appraisal and strategy reports were given by Gary Smith and Bill Woods respectively.
Distributors were honoured with awards for outstanding sales activity within given categories, and the day’s formal activities concluded with a briefing about new Turbosound products in the marketplace.
(Reports that Chelsea only allowed in one UK distributor are untrue.)
In addition to new sound equipment in both performance spaces, The Lyric has also purchased a GeniusPro Strand 520i desk - for use in the Main House, and also replaced the dimmers in the Studio Theatre with digital LD90s. The former was supplied by Stage Electrics and the latter ordered through White Light.
Although Strand’s 500 Series desks had been in the Lyric’s focus for around the past three years, the purchase was still made slightly earlier than expected. "We mounted a production outside, literally, in Lyric Square, with Mac moving lights running alongside conventionals," explained chief LX Clare Tattersall (inset). "It was impractical to move our existing Galaxy outside - and plotting moving lights on a Galaxy is a tedious process -
CP Sound won the technical design and installation contract amidst stiff competition: audio throughout was designed by CP’s Colin Pattenden with lighting by CP’s Russ Evans.
A ground-floor bar acts as a feeder area for the 500-capacity club, and features music and visuals controlled from behind the bar via a six-way switch and volume control installed by CP Sound, together with three Sony K5 televisions and six JBL Control 28 speakers. Additionally, a mobile DJ set-up is available for special events. This consists of a Denon 2000 Mk 3 twin CD player and a Citronic 1
Scheduled to tour Europe later this year, the current home of the production is in the replica of the original 19th century Globe Theatre at Gold Reef City. It was Solly and Abe Krok’s idea to copy the original Globe Theatre at Gold Reef City - a theme park recreating early Johannesburg, taking the opportunity to utilise an intended ‘mini-plex’ cinema whose backers had pulled out.
They brought in consultant Richard Loring, and his production manager Debbie Batzofin, who in turn approached lighting designer Denis Hutchinson. The roof of this intended small cinema was raised by two metres, which allowed seven metres clear over the stage and a balcony in which patrons wouldn’t have to kneel. But even so,