Sound

Details

14 March 2016

The epic undertaking started at 01.00 on Sunday 26 October, when Irish rental company Litton Lane loaded their Midas Heritage 3000 and speakers into the Gate Theatre, Dublin. Meanwhile the PRO6 was loaded with new software and set up. Monitor engineer Tristan Farrow had transferred the show files from the XL8 during production rehearsals in London and the band sound-checked at 10.30 for the midday show.

The show finished at 14.00 and half an hour later the crew hightailed it up to Belfas

Details

14 March 2016

Martí Audio, under the direction of Ariel Martí was in charge of the installation and handling of the PA, comprised of 18 Aero 48 systems. The impressive low frequency reproduction was achieved by using 16 units of the new LX-218 for bass reinforcement. As front-fill, two Aero 28 systems were installed to provide coverage for the first rows.

Given the large audience, Marti also set up eight array syst

Details

14 March 2016

The DN-C620 is compatible with standard audio data file formats including CDDA (.cda) and MPEG-1/2 Layer III (.mp3) and WAVE (.wav), allowing for up to 20 hours of MP3 or similar audio playback from a single CD, CD-R or CD-RW, making it suited to serve as a continuous audio playback device for houses of worship, health clubs, restaurants, and various broadcast applications.

The DN-C620 features intuitive front panel control, which allows customisable programme playlists and output of ID3 or CD-TEXT Title, Artist, and Album information via RS-232C. Additionally, standard 25-pin Contact Closure (GPIO) and 9-pin RS-232C Control connections ar

Details

14 March 2016

The Great Hall is a 'L.E.A.D.S.' energy efficient design with exposed concrete surfaces that warm up and then release the stored energy back into the building. The room, being walled in concrete with tall glass windows, posed a tough challenge for consultant Fred Gilpin and local contractor Apex Audio Visual.

The room can be used either as a single large space or can be reconfigured as two or three smaller seminar rooms by giant brushed stainless steel room dividers. Either way the space presents a battery of hard, reflective surfaces. A single audio system was required to serve the needs of both configurations and, the design b

Details

14 March 2016

For medium to large-scale live performance applications, the K-Array range includes the KH4, a self-powered two-way line array speaker with impressive power reserves.

The KH4 has been designed to be easily integrated with other K-array products, including the KS4 self-powered dipole high performance subwoofer, which itself is only 16cm in depth, while weighing just 37Kg. In terms of dispersion, the KH4 offers a variable vertical coverage pattern of between seven and 37 degrees, and a broad 120-degree horizontal coverage pattern. Both the KH4 and KS4 have been designed for fas

Details

14 March 2016

With FOH engineer Marc Pardon having already used the Midas XL8 earlier in the tour, monitor engineer Donovan Kemper insisted on starting this leg with the PRO, and Midas Consoles Holland was able to supply Triple Show techniek with the second system off the production line.

"Based on my experience of using both the Midas Heritage 3000 and XL8, I didn't want to work with another brand of digital console, so I had to wait until PRO6 was available," says Kemper. "And it was worth waiting for. Having used the H3000 in the past, I wasn't prepared to accept a reduction in sound qua

Details

14 March 2016

For the project, 4X Audio utilised both BSS Audio Soundweb London BLU-80 processors and sw9012 remote source/preset selectors. "We utilise the BLU-80s constantly because of their input and output flexibility, as well as their reliable functionality, programming and rock solid networked audio," stated 4X Audio sound integrator Doug Pumphrey. "The client wanted to create something larger and of higher quality than anything that had ever been installed in a Northern California nightclub."

Additionally, JBL speakers were used throughout the restaurant, bar and

Details

14 March 2016

"We are running a full band," says Andre Lamb, Peace Apostolic's music director, "with acoustic drums, guitar, stereo keys, mono, keys, stereo piano mics, MPC click, six praise team mics, six choir mics, minister wireless, and pastor wireless. We've also integrated a full Aviom system in addition to overhead and floor monitors for the podium and Choir area.

"The pre-amps are what really stood out for me - such a wa

Details

14 March 2016

The 14-city Christmas Celebration will travel with a 20-piece orchestra throughout the latter half of November and first half of December. Guest artists on the bill will include Natalie Grant, Denver & the Mile High Orchestra, Avalon, Michael English, and pureNRG.

Shure microphone products will occupy a prime place in the show as well, having been chosen by Casting Crowns FOH engineer Carter Hassebroek to fulfill wide duties onstage.

With UHF-R wireles

Details

14 March 2016

After spending almost a year refurbishing the building, The Fellow's owners wanted all three of its floors to sound as good as they look. Which is why they got in touch with audio installation company Paris London. Their solution was nine black APart Mask 6 speakers on the ground floor dining area, four DAS DR8 speakers in the corners of the cocktail lounge on the first floor, and another pair of APart Mask 6 on the top floor's exclusive private dining room.

"The DAS DR8s sound good and are punchy enough to provide a proper party atmosphere," says Andy Noble of Paris London. "On top of that, the DR8s are the lightest unit of its power ratin

Details

14 March 2016

Chris Jordan, head of audio at Blitz Sound and Vision, was instrumental in the supply and installation of Phantom of the Opera's original Cadac analogue console, back in 1986. He was also key in supplying its 21st century replacement.

"The PM1D was the choice of Mick Potter, who designed the new sound system for Phantom," says Jordan. "He has a long history with Yamaha consoles, as we do at Blitz, so we were pleased to continue our association with both the production and Yamaha by supplying the new console."

Phantom Of The Opera's tec

Details

14 March 2016

Hlinsko, an 11th century Czech Republic town is located in the Pardubice Region. Polanski Sound counts various indoor and outdoor concerts of all sizes being their primary market, though they also do installation consultancy and design work across the region. Owners, Ji?í Polanský and technical director Jan Žampa a have been in the music business for 20 years and now have six full-time employees.

As the Adamson shipment arrived in the Polanski shop, Czech Republic's second largest festival, Sázavafest was about to take place about 60 km outside of Prague in Kácov, and would become the first opportunity to engage their new acquisition. The fast-growing festival has gone from the original a one-

Details

14 March 2016

Adlib's Richy Nicholson (FOH) and Marc Peers (monitors) are working closely with band engineers Steve Revitte and Mary Alafetich.

The main PA consists of JBL VerTec 4889 elements spec'd by Revitte. They are carrying 20 in total, which are fitted as appropriate into each venue depending on weight loadings and available space, utilising assorted methods - flown, ground stacked and combinations of the two. For in-fills, out-fills and foot-fills, they're using a combination of Adlib FD2 and AA122 cabinets.

The main system is primarily powered by Camco Vortex 6 amps, with Crown

Details

14 March 2016

The RTS system was chosen to replace the previous talkback system. It has to work with an existing four-wire router (not RTS), accepting inputs from that device and sending back inputs, in addition to connecting to the RTS intercom panels, in addition to third-party audio monitoring boxes and headphone points.

The RTS intercom was specified and installed by a BBC Wales team headed by broadcast engineer David Carnaby, as a separate 'mini-project' running alongside the main p

Details

14 March 2016

Audio director for the Benaroya Hall, Tom Akoury, states: "Installing the Vi6 was an unbelievable upgrade in sound quality and the sound engineers immediately commented on the intuitiveness and versatility of the Vi6. We were able to install the console without any difficulties and within 15 minutes we were very comfortable mixing on the board."

(Jim Evans)

Details

14 March 2016

The trio has also reduced its stage volume and plugged into better monitoring practices with the aid of PSM 700 personal in-ear monitor systems.

Says Rebecca: "When we first got started everything was wedges, and as the rooms got louder, you had to turn them up. Every show we cried because we couldn't hear; I couldn't hear the drums. But now, everything is so clear."

(Jim Evans)

Details

14 March 2016

Featuring a wide, shallow design, Vicar Street can hold up to 1,300 spectators, with no seat over 44ft from the stage. In talking about the creation of the sound system, designer Paul Aungier of Dublin-based Mikam Sound admits that the choice of the compact M'elodie loudspeaker was made after careful consideration.

"

Details

14 March 2016

"Major Music couldn't be happier to welcome TL Audio into out product catalogue." Says managing director, Greg Cato. "TL Audio adds an award winning prestige range of valve audio processing solutions to our already comprehensive range of audio solutions. The TL Audio range work hand in hand with many of our existing digital recording products, offering the warmth, presence and smoothness that only high quality valve technology can give."

Sarah Yule, sales director at TL Audio adds: "We are very pleased to be working with such a respected and professional company like Major Music for our distribution in Australia. Their energy and vision will help us to enjoy a successful and exciti

Details

14 March 2016

"I am pleased that Trevor has joined our sales team for which he will be a valuable asset, as he possesses the ideal combination of expertise and strong knowledge in the field of broadcast, post-production and presentation business", says Thomas Klotz. "In all ways possible, Trevor is committed to top customer service, being the lead contact person for all our European sales and service partners. His hiring strengthens our operations and arms us to better service our existing partnerships."

(Jim Evans)

Details

14 March 2016

Kevin McGing, production sound engineer for the show, called on Dublin-based MOSCO to supply and install the multi-channel sound system - including the TiMax audio imaging system - specified by Dublin-based composer, Denis Clohessy, to handle multiple on-stage and surround-sound effects localisation.

The music and effects montage, comprised of several hundred cues, was created by Denis Clohessy. The dialogue free production was entirely dependent on the soundtrack to provide the backdrop for master illusionist, Daemon Cordell, to carry out his macabre people-chopping, drilling

Details

14 March 2016

For specialized audio functions in the pit building which served drivers, factory teams, race management and the global media, Electronics & Engineering Pte of Singapore worked under Valerio Maioli SPA for the supply, installation and operation of the audio systems in four main areas of the pit building, including the Media Centre, Paddock Club Suites, Press Conference Room and the Podium area.

In the main grandstand podium area, which in additio

Details

14 March 2016

"The SLM Marketplace sale, a non-core business unit and product lines, will enable LOUD to dedicate its resources and solidify its leadership positions in the musical instruments and professional audio markets. Moreover, U.S. Band & Orchestra Supplies is the ideal new owner for SLM Marketplace, Austin and Knilling, since they will ensure that our dealer network for these products will continue to receive the highest levels of service and support," commented Rodney Olson, president and CEO, LOUD Technologies.

"We are all looking forward

Details

14 March 2016

Crown I-Tech 4000's and 8000's were utilised for front of house and monitors while XTi 4000s amplifiers powered the fill speakers. "Three years ago we switched to Crown I-Tech amplifiers, and it's been a major plus for our company," stated Mike Goodreau, president of Ace Audio. "The reduced size and weight of the amps allows us to use smaller trucks and the low current draw of I-Tech helps us in smaller venues with inadequate AC power."

The Riverfront Recapture presents multiple issues as a live concert venue. "The highway runs overhead to one side and there is boat noise from the river behind the stage. Additionally, there is very limited access for trucks to unload equipment

Details

14 March 2016

Such has been the growing demand for his services that he has added a JBL VRX line array system to his inventory.

"The acquisition was driven by the fact that I was getting stretched and starting to cross hire," he says. "I knew my clients would be happy with JBL."

Wiltshire has had a long acquaintance with Gareth Collyer - who handles JBL sales for JBL's UK distributor Sound Technology - and he initially arranged a demo system.

"We launched this at the Frome Festival and received great feedback," Wiltshire reports. This was followed by the Harbourside Festival in Bristol and bands including Dr. John, The Twang, The Commitments and Scouting for Girls.

A1 Ents now has