A large amount of research and work has gone into one of the new plug-ins called 'Delay Analysis'. From a set of captured individual measurements, SysTune automatically calculates optimal delay times between mains and subs or between main and delay loudspeakers, giving precise information on polarity and predicted overall system performance.
"Never before has it been easier to solve the polarity question
The spec was for a future-proof digital system that could easily be used by sound engineers of guest productions. It also needed to be portable to service not just the hall but other areas in the venue, and flexible and simple to configure, with the option to have wireless control for smaller events.
The iLive system comprises a Dante-enabled iDR-32 MixRack with iLive-T80 Control Surface, plus a PL-10 rotary panel for remote control. iLive's competitive price, built in compressor and EQ, as well as the possibility of the live recording of events via a laptop through the Dante interface, were the main reasons it was selected.
Dirk Förster from inst
Meeting this audio challenge at the recent Classic Incantations concerts - presented by the German Film Orchestra Babelsberg across five Indian cities - were Sound.Com.
The Orchestra, conducted by Matt Dunkley, performed original scores and film music written by the Indian maestro - accompanied by the choir and soloists from his own KM Music Conservatory in Chennai.
Once again the sound crew relied on their Optocore network to transmit pristine signals. Sound.Com's Sunil Karanjikar and Joel Dcruz toured the country with FOH mixing engineer Holger Schwark (on a DiGiCo SD10), playing back to back shows, while Sound.Com's MD, Warren Dsouza acted as stand-in systems engineer for th
Ampetronic's partnership with Listen Technologies will bring "high quality hearing loop solutions and unrivalled support across the USA for the first time". The partnership will give Listen Technologies a full portfolio of assistive listening solutions, in addition to their class leading Infra-Red and FM products.
Commenting on the partnership, Julian Pieters, Ampetronic managing director said, "We are thrilled to partner with Listen Technologies, a company that shares our strong commitment to improving the lives of hard of hearing people. Listen understands the need to deliver a complete assistive listening solution in the Americas, and are excited about the unique role that loop technology
The bar has been reincarnated with a 'back to nature' vibe following five months of preening. It's now a stylish meeting place with cosy nooks, mood lighting and faux animal hides on the floor and covering the low stools.
The Constant Group were responsible for the audio design in the venue opting for a JBL speaker package that includes the new JBL Control 62P satellite pendant speakers. The speakers are powered by two Crown XLS1000 amplifiers, two Crown CDi1000 amplifiers and a Crown 280A amplifier.
"The idea was to have a great restaurant feel with high quality sound in the background," explained Con Constantinou, managing director of The Constant Group. "However, the venue needed to easily adapt to a chic bar with a relaxed feel as the evening progresse
Adlib was contracted by Liverpool City Council's events department, Liverpool Vision to provide PA systems in the three key gathering points for the colossal promenade performance, featuring the Little Girl Giant and her Giant Uncle. Adlib also installed a sound system on the 'Brocklebank' Band Boat which accompanied the waterborne part of the show.
Adlib's Phil Stoker was the project manager and co-ordinated all of the equipment and crew needed and dealt with the logistics. He coll
Gaskell was delighted to be working with Colour Sound again, "Their kit and the attitude is great," he enthuses, "Nice people and I get premium service every time."
His design - which will also feature at festivals played by the band throughout the summer - featured an intricate video set up and so to contrast this, the lighting was relatively straightforward - bold, in-the-face and in true Orbital style.
Gaskell chose 13 GLP Impression Spot Ones as his main profile lights and 24 Impression Zooms as the wash fixtures. As a layer of specials, he added Clay Paky Sharpies, plus strobes and blinders.
The lighting rig comprised thr
Liu previously handled major pro audio account sales in the territory, focusing particularly in the area of Guangdong, the core region for the Chinese pro audio Industry.
"With our China business growing nearly four-fold year on year for the past three years, the timing is perfect for Andy to take on new responsibilities and challenges," said Flavio Naggi FaitalPRO division manager. "He is already very well introduced in the industry and we're excited to have him join our worldwide sales team."
Liu, who will cooperate closely with the FaitalPRO Sales department in Milan, will beresponsible for all FaitalPRO accounts in China.
Liu's efforts will be fully supported by the entire pro audio division at Faital's Italian HQ and assisted logistically through Faital
"My goal was to give the touring crew a system with a lot of flexibility, so they could adjust coverage angles for theatres of all shapes and sizes," explains Harada. "With the M'elodie centre cluster and MICA side arrays, they have all the power they need for bigger houses, along with reliable consistency of sound-a quality at which Meyer systems always excel."
Inspired by a 1956 recording studio jam session by Elvis Presley, Carl Perkins, Johnny Cash, and Jerry Lee Lewis, Million Dollar Quartet captures
Reporting to Meyer Sound education manager Gavin Canaan, McCarrick's responsibilities also include supporting Nashville manager and touring liaison Lee Moro in organising Nashville-based events and maintaining operations.
McCarrick comes to Meyer Sound with extensive experience in live sound and production, including key mixing, audio tech, and rigging duties involving Meyer Sound systems on tours with Metallica, Celtic Woman, Rod Stewart, and C
As Audiobahn's Tony Hersch explains, the new sound system design called for versatility. "Unlike some of the more traditional Catholic churches, St. Bede offers a mix of traditional and semi-contemporary services, with a choral and live musical accompaniment, as well as traditional organ and choir," he says. "So ultimately we had to design a system that offered more than simply spoken word intelligibility - it had to offer good musicality as well."
The distributed audio system includes 1
Soundhead Company MD and FOH engineer Tim Ehrenfried, who only recently added the PRO2 to his inventory, explains, "In the past I have had excellent experiences working with XL8 and PRO6 consoles, and I knew I wanted that great warm Midas sound for the event in recognition of the calibre of international acts performing. But the PRO2 at FOH gave me the added advantage of all the features of the big consoles in
Grammy award winning artist Imogen Heap performed a new Heapsong that she wrote during the course of the event. The song titled Me the Machine was written and then performed live using just her hands through musical gloves. The gloves are a prototype musical interface that Imogen has been developing over the last two years with her team of engineers. With them, Imogen can directly interact and control a virtual orchestra by "utilising tens of thousands of unique motions".
Working with Julies Bicycle, Firefly Solar, Bluman Associates, Gaianova Geodesic Domes, Silent Gig and Sennheiser, Fruit Pi
Hugh Jones, managing director at HPSS, said, "The PRO2 is intuitive and accessible and in the smaller venues where the support has to be mixed on our boards it takes just 10 to 15 minutes to get the house engineer working comfortably with it. In acoustic scenarios in particular the set-up is so simple...you only need to do about six things with it and you're ready.
"Feedback has been very good", he continues. "We recently held a demo day at the HPSS warehouse and invited some engineers to come and try out the console. One of the engineers turned up with a show file that he had previously engineered on a
Royal Rock - Robbie Williams has been added to the line-up for The Queen's Diamond Jubilee Concert at Buckingham Palace on 4 June. "If this doesn't get me a knighthood, nothing will," the star joked on his website. "I can't wait for the show." His Take That bandmat
It's Olympic year at last and PLASA is taking the opportunity to celebrate the enormous contribution made by our industry to the extraordinary events in the city this year, including educational sessions exploring some of the most impressive technical aspects.
In addition, a brand new audio professional development programme is being launched this year, with master-classes from the biggest international names in system design, production, recording, mixing and broadcasting.
With over 100 free to attend training sessions, seminars and specialist conferences, there's only one place to be this September!
PL
"We searched for a long time to find the right person to represent SSL in the global install and integration markets, so it is simply great to have Mark on the team," says Jim Motley, head of business, workstation partner products for SSL. "With Mark on board, we have someone with a proven track record of establishing new routes to market. This capability is a key element for us and we are confident that he
The waterfront venue aims to provide what it describes as "a true Florida experience", with exotic/local plants and trees, Key West styled structures, hand-built chickee huts and fresh Florida seafood. With the live stage - along with everything else - being in the open air, it is important that Guanabanas not only keeps sound levels down to permitted levels, but can prove it has done so.
"Residents will complain to the police if levels are too loud," says the venue's Matt Cahur. "We chose the Hera/Argos combination because the Argos limiter does a great job of limiting the sound levels to the thr
Robinson, a veteran pro audio manufacturers' representative and installation team manager, joins Community after many years with Harman Corporation, where he held positions as national sales manager for Selenium and Western regional manager for Crown Audio.
"We're very excited to welcome Loren to Community," said Julia Lee, director of sales and marketing. "His expertise in installed sound and his solid track record in management are ideally suited for the growth Community is presently experiencing."
"I'm thrilled to be working with such a legendary company like Community," added Robinson. "This is an amazing group of people with an amazing history, and they're still breaking new ground tod
The event included a 90-strong symphony orchestra and a 400-strong choir. Reinforcement was also provided for the Queen's speech and further live feeds from inside the Cutty Sark. Over 50 input channels were used as a well as several groups and matrixes to feed to the four zones around the site. The iLive T112 was used for the main mix and zone matrixes and the iLive T80 was used for a separate live recording mix for later publication.
Johnny Palmer, production manager at SXS co
The course took place at Orbital's purpose-built Brixton training facility, with the students guided through the essentials of theatre sound by course leader Richard Carter, supported by Orbital's technical director, Bill Addison.
Richard Carter explains the course's rationale: "This course is very much about combining a solid grounding in theory with practical skills, aiming to cater for a varied mix of skill
The programme has been specially curated by some of the industry's leading talents, giving visitors a unique opportunity to broaden their specialist knowledge and take part in discussions about innovative projects and cutting edge techniques.
"One of the benefits of hosting a Focus event in Nashville is the depth of professional industry knowledge that is intrinsic to the area," comments PLASA CEO Matthew Griffiths. "Being able to tap into that regional passion for live entertainment and to share it in a common space is something which will not only benefit the local entertainment technology community in Tennessee, but also the surr
In this unique year for London and the rest of the UK, PLASA is taking the opportunity to celebrate and reflect on the extraordinary contribution made by the lighting and sound industries to the London 2012 Olympics. As PLASA Events Manager, Sophie Atkinson, comments, "The record breaking surge in pre-registrations for the show this year is enormously encouraging and goes to show that people want to come to PLASA 2012 to reflect on their industry's input in the 2012 Olympic story and experience th
Guided through exhibitions by a personal electronic multimedia guide, visitors see how policy decisions are made and how they influence Europeans' daily lives. All signage and media is presented in 23 languages, which had an enormous influence on how AV techniques were used throughout the centre.
Electrosonic won the bid for the project in an open Europe-wide competitive tender; the scope of w
