Sound

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14 March 2016

Local company Marti Audio, with Ariel Marti at the helm, rolled out the big guns for the concert. A comprehensive D.A.S. sound system was set up, which included Aero Series 2 line arrays, specifically 12 units of the large D.A.S. Aero 50 for the PA, set up in two arrays of six units each on either side of the stage in a traditional left-right configuration.

Another 12 units of the powerful D.A.S. LX-218R subwoofers were brought in to reinforce the low frequencies at the concert. The un

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14 March 2016

The Prodigy's drummer Leo Crabtree, P!nk and Sade FOH Engineer Chris Madden, and audio mixing author Dave Swallow delivered a variety of masterclasses for the students on the new Foundation Degree in Live Events Production, as part of their month-long Live Sound module.

Leo Crabtree talked to the students about the importance of protecting your hearing when working at live music gigs, a topic recently brought to the spotlight by the Chris Martin and Plan B backed Loud Music charity campaign.

Veteran audio engineer Chris Madden, whose credentials include mixing audio for P!nk and Sade on their worldwide tours, spoke about his experience on tour, how he got into the indu

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14 March 2016

In his new capacity, Piazzini will communicate with other live sound engineers across the continent, demonstrating Waves plugins and typical workflows. "They become engrossed. Once they see how they can integrate plugins in their live workflow, they are hooked. It's a simple job, really," he notes.

Piazzini is currently finishing off a stint of promotional gigs with Amy MacDonald, where he has been using a Waves MultiRack Native setup, as most of the gigs are on analogue c

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14 March 2016

This beautiful Castle provided a dramatic backdrop to a spectacular concert that featured the Royal Philharmonic orchestra conducted by John Rigby, the Central Band of the Royal Air Force and the Military Wives Choir. There were also solo performances from tenor James Edwards and soprano Claire Rutter.

Sound, lighting and PA specialists SRD Group provided all of the equipment for the concert, including a large selection of DPA microphones, which it leased from sound engineer Ian Barfoot.

"DPA microphones were ideal for this project because they always deliver fantastic audio quality and are very rugged, which means you can put them through the mill without having to worry about

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14 March 2016

Florian Kessler, head of audio at Toneheads, Cologne, relied entirely on L-Acoustics systems, deploying a grand total of 180 Kara WST compact line source loudspeakers, 96 SB18 subs and 80 Kiva ultra-compact line source speakers with 30 Kilo low frequency extensions, powered by 30 LA RAKs and flown from the ceiling of the venue. Six arrays of Kiva line source elements driven by LA8 amplified controllers were used as nearfield monitors.

L-Acoustics' proprietary acoustic simulation software, Soundvision, was used to design the sound for the new and unfamiliar arena.

(Jim Evans)

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14 March 2016

"There's a substantial difference in the quality of this system compared to the one they used when they operated as a portable church," explains Wade Russell, lead systems integrator at Elite. "One of the main reasons we selected the Lake LM 26 was the fact that it did 96k AES. We're running AES from a Midas PRO2C console to the LM 26 and the amps, and integrating the Midas and Lake processing was key to creating a very dynamic system that was power

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14 March 2016

Showtec's audio production manager Chandra Mohan confirmed that the first outing for Showtec's expanded MSX 48 Splitter Racks will be the feature celebrations for Singapore's 47th National Day to be held at The Float @Marina Bay, Singapore.

This year Showtec's audio system will feature 32 replay tracks from a ProTools HD system and 36 channels of Shure UHF-R radio mics mixed for FOHon an Avid Venue D-Show console feeding a d&b FOH System consisting of 64 x J-8s and 32 J-SUBs powered by D-12Amplifiers.

Monitors Mixer duties are to be provided by an Avid Venue Profile console feeding 40 Sennheiser IEMs from 12transmitters.

Mohan reports that all ProTools tracks, radio mics

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14 March 2016

"Our customers in Belgium are recognising the great value that working with Crestron can bring to their businesses", says Frank van Meeuwen, CEO Crestron International. "Our technical support departments needed to grow to support this success so we have added 11,000sq.ft of extra floor space to the department. We are really excited to be opening the new office, as it represents the fruits of the hard work and dedication of our staff in growing our busi

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14 March 2016

Following a meeting at NAMM and another at the Frankfurt Prolight & Sound 2012, FBT and Boujikian Bros. Co. Ltd. have recently agreed a new distribution agreement for Lebanon. Boujikian Bros. Will handle the professional audio and installed sound lines of the Italian company.

"We were very pleased to meet with Mr. Gary Boujikian during his recent visit to our factory in Recanati where he received information about our work processes and our products, as well as a complete demonstration of our different product families," says FBT's export manager Roberto Mataloni. "Of course, this interaction has been also important for us to understand be

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14 March 2016

It was organized by the regional office of Bosch Communications Systems in conjunction with Ahnert Feistel Media Group (AFMG).

Attended by 13 participants ranging from Egypt over Lebanon to Oman, the training was the first of its kind in the region for Electro-Voice and Dynacord partners. The three-day courses, hosted by AFMG's trainer Paul Malpas, took place at the Robert Bosch Middle East's training facilities in Dubai. The detailed workshops covered EASE, the worldwide standard for acoustic simulation both inside rooms and in open areas.

"The demand for training in the Middle East is generally very high", says Tony

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14 March 2016

EASE data files group useful information. Loudspeakers' dispersion has been precisely measured thanks to an anechoic chamber, using as much points of reference around the loudspeaker as possible.

These EASE files can be downloaded from the Equipson website (www.equipson.es) and in the own database of AFMG (http://www.afmg.eu), so users who update their loudspeakers library will automatically get them.

The following loudspeakers and ceiling speakers are included: NEO 3, NEO 4, NEO 5 and 5A, NEO 6 and 6A, NEO 8, RCS 001, RCS 002, RCS 003, IC 50 T, IC 60 T, IC 80 T, IC4 PRO and IC6 PRO.

(Jim Evans)

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14 March 2016

Audio production house Britannia Row Productions was responsible for all the live sound. Joshua Lloyd was the system designer who designed the sound system (that needed to be invisible) for the seated invited audience around the temporary stage constructed on the Queen Victoria Monument. "It was necessary to create a large distributed system to achieve this goal" comments Lloyd. "We used 24 stacks of Outline Butterfly loudspeakers, for a total of 96 boxes, to create this complex system. Each stack of Butterfly's was driven by a Lake LM series processor, and all were networke

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14 March 2016

Adlib's relationship with Liverpool's hit station Radio City goes back more than 20 years, when it worked on their roadshows - and both companies have become Liverpool music institutions in their own right.

Some of the biggest names in UK pop were lined-up for the 2012 Radio City Live event including One Direction , Professor Green, Will Young, Labrinth, and Stooshie & Rizzle Kicks among others who performed to a capacity 10,000 crowd at on a sunny Saturday Liverpool evening .

Steve Hill and David Andrews (of EMO LTD) oversaw the event planning and management, with Andy Grey and Neil McDonald in place as production managers and Steve Pottinger stag

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14 March 2016

On tour, the band (Tyler Glenn, Elaine Bradley, Branden Campbell and Chris Allen) and their production manager Mike Bangs have come to rely on Audio-Technica microphones "for their sound quality, durability and versatility".

The band's arsenal includes the Audio-Technica Artist Elite 5000 Series UHF Wireless System with AEW-T6100a transmitter, used for lead vocals, as well as the following hardwired models: AE6100 Hypercardioid Dynamic Handheld Microphone, ATM250 Hypercardioid Dynamic Instrument Microphone, AE4100 Cardioid Dynamic Handheld Microphone, ATM450 Cardioid Condenser Instrument Microphone, ATM650 Hyperc

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14 March 2016

The Technomad loudspeakers, which previously covered a four-block radius, now blanket the entire downtown area with intelligible voice and high-quality musical reproduction. Pete Torino, who specifies and installs PA systems, almost exclusively uses Technomad loudspeakers due to their fully weatherproof, MilSpec design and ability to project high-quality audio with broad dispersion over long distances.

Torino uses high-power Technomad Berlin and Noho models on downtown build

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14 March 2016

The unique nature of the festival with its stunning backdrop of the Szeged cathedral is enhanced by a flamboyant programme of world premieres and internationally ranked stage shows and concerts, and every year, the stakes are higher in the quest for technological perfection and flawless sound.

This year, ES Audio's Sandor Elek who has been managing audio for the festival for the last 12 years via his rental company, Votec, decided to raise the bar even higher and opted for a co

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14 March 2016

During the all-singing, all-dancing spectacular, Dame Edna promises to "empower" audiences as she meditates on the big issues of gender, ethnicity and climate change.

While Act One of Eat Pray Laugh! features Humphries with his friends, this really serves as "just a bit of foreplay really before I make an orgasmic appearance in Act Two", Dame Edna says.

Norwest Productions are providing the audio for the tour and FOH operator for the show is one of their long time employees Aaron Mason. The show

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14 March 2016

The first session to be revealed in The Olympics Uncovered programme at PLASA 2012, Backstage at the London 2012 Ceremonies is your chance to hear technical director, Piers Shepperd, and team present an overview of the mega staging, flying, audio, AV and special effects behind the London 2012 Olympic Ceremonies.

The bumper line-up includes:

Piers Shepperd - technical director

Jeremy Lloyd - technical manager - technical design and staging

James Lee - technical manager - aerial & closing ceremonies

Nick Jones - technical manager - lighting AV and power

Scott Buchanan - technical manager - services and special projects

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14 March 2016

The existing Logic Systems monitors will be upgraded to six LS1000M and an LS1000NF providing four mixes totalling 5.4Kw RMS. The system is powered by Crown MA amplifiers.

(Jim Evans)

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14 March 2016

The careful acoustic design, no compromise transducers and a unique, composite cabinet design make the HDL20-A the preferred tool in live sound reinforcement and installed situations where line array is required.

Fast and easy set up the HDL20-A is powered from a 1200W (peak) 2-way digital amplifier, and processed from a powerful inbuilt DSP. The processing includes cluster and HF projection correction and special new presets for indoor and high curving situations.

The system features state of the art RCF transducers - two powerful 10" for a solid bass reproduction and a large format CD850 3" voice coil compression driver to deliver vocal clarity and high definition wit

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14 March 2016

Connected to the Shibuya Station, Tokyu Theatre Orb's first production was of West Side Story, with signal distribution via an Optocore fibre backbone provided by the German company's Japanese representatives, Acoustic Technical Laboratory Inc (ATL).

This ambitious project was floated by owners, the Tokyu Corporation back in 2008, and ATL became involved after Yamaha Sound Systems Inc (Yamaha SS), the biggest sound system construction company for theatres and auditoria in Japan, had specified an Optocore solution in their proposal.

According to Tetsushi Hirai of Yamaha SS, the client had specifically requested the optical fibre backbone in view of the long distance transmissi

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14 March 2016

The World Responds - The UK's TV audience for the opening ceremony peaked at 26.9m, the BBC has said. The average viewing figure for Friday's four-hour show was 22.4m, making it the UK's 13th most watched programme ever. The programme also had an 82% share - almost twice that of the previous high for an Olympic opening ceremony, in Barcelona in 1992. UK viewing figures for the opening ceremony of

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14 March 2016

After their first deployment in flyaway systems at Wimbledon to broadcast matches for ESPN in America, the AMP1-16-MAMUs were installed into two triple expander HD OB vehicles to cover the London 2012 Olympics for US broadcaster NBC before moving on to Sky's coverage of the next season's Premier League football.

The AMP1-16-M AMUs enable NEP Visions engineers to select, monitor and meter up to 16 channels of embedded audio from either of two 3G/HD/SD-SDI streams. With a stereo analogue output on XLRs, adjustable volume and balance controls, the AMP1-16-M also features level metering and phase on two bright 2.4-inch LED backlit displ

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14 March 2016

CREATE Jobs - which aims to tackle youth unemployment and provide new routes into the arts and creative industries - wants creative industry employers to provide eight-week traineeships for talented young people from the six Olympic Host Boroughs (Barking & Dagenham, Greenwich, Hackney, Newham, Tower Hamlets and Waltham Forest), where youth unemployment is at its highest.

The initiative has already won support from the Whitechapel Gallery, Hip Hop Shakespeare Company, and Shoreditch Trust, and has successfully placed 100 young people. With a booming creative economy, where 1:6 jobs in London are pr