UK - Inspired by the real-life history of summer camps organised during the 1930s by the German American Bund in support of the 3rd Reich, Bess Wohl’s play, Camp Siegfried is a story of teenage passion against a sinister backdrop of Nazi ideology. Set in 1938, the drama focuses on two young teens, known only as ‘Him’ and ‘Her’, as they meet, chat and fall in love in the seemingly idyllic environment of a summer camp in Long Island. However, the camp’s real aim is soon revealed as the two young people become increasingly consumed and impassioned by fascist rhetoric. Autograph Sound, were responsible for the design and implementation of the audio for this unsual production; sound designer Ian Dickinson selected the new Reference Series loudspeakers from EM Acoustics to form the core of the sound system. “I’d already heard the R10s at a factory visi
South Africa - Stage Audio Works has announced the launch of Plus Audio, billed as a new range of loudspeaker systems for all applications requiring professional grade performance at an affordable price point. Targeted at regional rental companies and worship applications, Plus Audio offers products ranging from powerful, large format line array systems for touring or fixed installation use, compact line arrays for smaller venues right through to a range of versatile point source cabinets that can be used as a distributed system, or as in-fill for larger systems or indeed as a stand-alone PA coupled with the appropriate subwoofers. A range of subwoofers and a dedicated stage monitor as well as amplifiers and a DSP complete the line-up. “We’re delighted to integrate the Plus Audio brand into our portfolio,” says Stage Audio Works CTO Nathan Ihlenfeldt. “We now o
Europe - Audio-Technica has introduced the low-profile BP898 Subminiature Cardioid Condenser Lavalier Microphone and BP899 Subminiature Omnidirectional Condenser Lavalier Microphone. Direct replacements and upgrades to the existing AT898 and AT899, the new BP898 and BP899 are available in a number of different terminations (for wired or wireless use) that suit them to the entire range of lavalier mic applications. The BP898 is available in five black-finished models, all with permanently attached cables and varying termination and power configurations. Available in a variety of different variations, each of the BP899 options features permanently attached cables, varying termination and power configurations and black or theatre beige finishes. Both microphones’ wide dynamic range and tolerance for high sound pressure levels ensures intelligible, natural-sounding
USA - Podcasters on the San Francisco-based Pantheon network are using the AKG Podcaster Essentials bundle to great effect, enjoying improved sound and ease of use from the AKG Lyra USB microphone and K371 headphones. Pantheon Podcasts is a network of more than 70 music-focused shows, running the gamut from casual music exploration to history, production, banjo culture and much more. Pantheon founder and CEO Christian Swain is also the host of Rock N Roll Archaeology, a chronological, episodic podcast that tells the story of how the music of the late 20th century intersected with the changing culture of the times to create what is now one of the greatest moments in music history. According to Swain, the AKG Podcaster Essentials toolkit makes it possible for less-experienced hosts to achieve professional sound easily and lends a cohesive sound to the network’s many shows.
USA - Crusader Stadium is the home of the NCAA Cru Football team at the University of Mary Hardin-Baylor. During the summer of 2021, Daktronics upgraded the end-zone scoreboard and sound system with the goal of doubling the size of the video display area while minimizing changes to the existing structure. For long-throw coverage, Daktronics deployed six Fulcrum Acoustic AHS speaker modules in the horizontal ‘ribbon’ above the video area of the scoreboard. Each AHS module packs a lot of output into a 31” tall package, with up to four coaxial compression drivers and four horn-loaded 10” woofers per module. The available space within the scoreboard structure allowed for three stacks of two modules each. This provides sufficient output to achieve the project’s sound level goals for the seating areas. The high-frequency driver density provides the output needed to
UK - Britannia Row Productions marked its return to outdoor live music in the UK by providing a control package for Anne-Marie’s Saturday set at the 2021 Pirelli British Grand Prix, held at Silverstone. The package for the Formula 1 fixture was made up primarily of DiGiCo consoles, DPA microphones, Shure and Sennheiser IEMs and KLANG processing. During the show, Anne-Marie - a judge on the Voice UK who is known for hits such as 2002, Don’t Play and Friends - was looked after by Niccolò Antonietti at FOH, while Scott Maxwell took the reins on monitors. “This was my first-time mixing Anne-Marie. I really like her music because it’s a good mix of garage, electronic beats and pop melodies,” said Antonietti. “I tried to replicate the atmosphere of her records as closely as possible, particularly on her vocal effects. She’s us
UK - After its enforced break last year, the traditional black-tie Henley Festival returned this summer with sound system providers, RG Jones Sound Engineering’s association with the event now approaching 40 years. However, the site on the banks of the Thames is not without its challenges when it comes to creating optimum audio. This is highlighted by its main Floating Stage, situated on the river itself. The auditorium here is only around 40m from front to back, but over 100m wide. Obtaining even coverage without hotspots for audiences, both inside and outside the main sound field, is a challenge that has been met head on by a combination of the service providers’ technical expertise, led by designer Simon Honywill, and their deployment of Martin Audio’s MLA. The festival production team had previously acknowledged that MLA’s advanced control technology had en
USA - Fender Musical Instruments Corporation (FMIC) has announced it has signed a definitive agreement of merger with PreSonus Audio Electronics, designer and manufacturer of recording and live-sound hardware and software solutions. “We are thrilled to welcome everyone on the PreSonus team to the FMIC family and excited about the future growth opportunities available to both companies,” explains Andy Mooney, CEO Fender Musical Instruments Corp. “Our teams share the same passion for music, the same commitment to innovation and the same desire to inspire and equip current and future generations of artists.” “I would like to extend our utmost gratitude to our loyal Baton Rouge and Louisiana community that have supported PreSonus for the last two decades,” says Kevin Couhig, chairman of PreSonus. “It has been wonderful being a part of this incredible journey
Korea - With a total area of 11,265sq.m and the largest LED wall in Korea, VA Corporation’s new VA Studio Hanam provides in-camera visual effects (ICVFX) facilities optimised for immersive content production. Created in partnership with ARK Ventures Inc South Korea, this virtual production infrastructure is powered by Brompton Technology LED processing, with 4K Tessera SX40 processors driving four large LED walls. The new facility offers a full spectrum of creative possibilities for content production, from films, drama, advertising, and gaming to XR broadcasts and live performances, allowing each production to be tailored to the specific needs and budget of the client. VA Studio Hanam includes three main facilities, all featuring cutting-edge technology provided by ARK Ventures, including ROE Visual LED screens and Brompton Tessera processing. With a floor ar
UK - After two years away from Daresbury, Britannia Row Productions returned to cinch presents Creamfields on the UK’s August Bank Holiday to provide sound solutions for the North Stage, the South Stage, and the 15,000-capacity Steel Yard (see a production report on the event in the upcoming LSi November, out next week). Britannia Row has enjoyed a long and productive relationship with the dance festival, and its production company, LarMac LIVE, so as soon as it was announced that the 2021 event would go ahead, Brit Row’s team - led by Audio Crew Chief Alex Hore - were eager to pick up where they left off. “As with many events that have managed to go ahead this year during the pandemic, I think there was a general sense of relief and joy that we could be back in a field enjoying our favourite DJs and the live event atmosphere once again,” says Hore. <
USA - Clair Global CEO Troy Clair and ATK Audiotek president Michael MacDonald have announced that their companies have reached a definitive agreement for the sale of ATK to Clair Global. The deal is expected to close in mid-November. “Everyone in the industry has worked with the ATK team for years to support our clients on major broadcast events,” comments Troy Clair. ATK developed the enviable position of being in the driver’s seat at huge events that span entertainment awards, sports, and political events, and developed techniques to ensure that the sound provided to a live audience is flawless, while maintaining the integrity of audio for broadcast.” Clair went on to say, “Everyone at Clair is excited to have the opportunity to work with ATK.” Scott Harmala, a senior partner at ATK, is enthusiastic about the potential created by this joining-of-forces.
France - A full APG sound system heralded the return of France’s Musique à Beauregard, which this summer welcomed thousands of live music fans to its spectacular mountain-top festival site for the first time since 2019. Like nearly all festivals in Europe, Musique à Beauregard – which has taken place on a protected natural site in the Alpine foothills, in eastern France, since 2017 – was forced to postpone its 2020 edition because of restrictions on large events. For its comeback the festival more than made up for lost time, boasting a diverse, crowd-pleasing music line-up, a brand-new stage, and a state-of-the-art audio setup designed to complement the natural acoustic support provided by the Aravis mountain range. Measuring 15m x 10m, the new stage provided a proving ground for the festival’s new sound system, comprising several speakers from APG’s light,
USA - Fall for Greenville is an annual festival of music, food and drinks which takes place in Greenville, South Carolina. After last year’s festival had to be staged ‘virtually’, artists, public, vendors and production teams alike were all happy to return to the city’s streets in early October for the event’s 40th anniversary. Alcons Audio pro-ribbon loudspeaker systems were used on five of the six stages. Described as ‘a weekend full of flavour’, Greenville’s Main Street welcomed the sound of 78 live acts across the six stages, alongside many tempting tastes and taps, enjoyed by an estimated 150,000 people. AVL Solutions has been the festival’s main sound and lighting provider for over 20 years. With the company being The Ribbon Network member, owner Alan Simonton has previously used Alcons pro-ribbon systems at Fall for Greenville and was very pl
Australia - Due for a complete audio overhaul, the Erindale Theatre recently collaborated with CMI to outfit its facility with JBL Professional BRX300 line array systems. With 443 seats, the Erindale Theatre is the largest theatre space south of the Canberra central business district. Featuring a full fly rigging system for set changes, an acoustically optimized orchestra pit and advanced AV and lighting equipment, the multi-purpose space can accommodate a wide range of functions from theatrical productions and concerts to large corporate seminars and community group presentations. To ensure a high-quality audio experience, Erindale Theatre needed a modern sound reinforcement system. CMI selected the JBL BRX300 modular line array system for its excellent sound quality and coverage in a compact, easy-to-use form factor. According to CMI staff, the variety of performance
France - Each September, thousands of jazz fans descend on the third largest park in Paris, The Parc de la Villette, to enjoy renowned festival Jazz à La Villette. Highlighting the most prominent artists of the moment and the many styles of jazz, the festival also looks back at the history of this musical genre, often paying tribute to a particularly important year or an inspiring musician. With sets from a wide roster of artists, this year’s festival presented a varied programme that opened new audio perspectives thanks to L-Acoustics L-ISA Hyperreal Sound technology. Cité de la Musique, one of two buildings comprising the Philharmonie de Paris, was one of the key venues for the festival. Emmanuelle Corbeau, Deputy head of the Audio-Visual Department at the Philharmonie de Paris, managed the deployment of L-ISA at the Cité de la Musique’s Salle des Concerts (Co
Europe - Audio-Technica has announced the release of its new 3000 Digital Series wireless system, which joins the original UHF-based 3000 Series in the company’s wireless offering. The new system features 24-bit/48kHz processing, a wide dynamic range of 120dB and 60MHz tuning range to ensure both exceptional audio performance and flexibility, with analogue-balanced audio outputs achieving a latency of just 2.5msec. With audio networking a key requirement for many users, the 3000 Digital Series receiver is Dante-enabled and ready to slot into any Dante network. Up to five ATW-DR3120DAN dual-channel receivers can be connected to allow a single pair of antennas to feed up to 10 channels of wireless, reducing the rack space required and minimising cost. Control of the system is made straightforward via software monitoring that gives access to frequency co-ordination, cha
Albania - Part of the Diamond Hill Resort & Spa the new 400-capacity Rooftop Lounge Bar in the Albanian city of Vlorë, has been fitted out with a high-power Martin Audio sound system, comprising components from the BlacklineX and CDD series - supplied and installed by their territorial distributors, Prosound. Offering panoramic views, the lively venue delivers a combination of house music from DJs interspersed with live bands by night, and BGM during the daytime. Prosound had been contacted by the venue’s architects to provide a solution. “But the procurement process was similar to that of a tender since the client also received offers from other providers,” acknowledges Prosound’s technical director, Endrit Veleshnja, who recommended Martin Audio and designed the system around it. Explaining his reasons, he said, “BlacklineX series has continuousl
USA - The historic Setnor School of Music at Syracuse University was founded in 1887 and currently occupies one of the oldest facilities on campus, a building constructed in 1889. Recently, the prestigious school of about 300 students modernised and upgraded its department infrastructure, including a move from analogue cabling to audio networking – a task completed with consideration to the historic significance of the building thanks to Audinate’s Dante. Copper wire and XLR cables running between rooms at Setnor were installed sometime in the 1950s. The old analogue cabling and break-out panels had become outdated, noisy, and inflexible. Dante was critical for the school during the upgrade as it offered a solution with minimal impact on the historic buildings on campus. “With a building like this, we can’t just knock big holes in the walls and run more and mor
USA - The Jonas Brothers’ monitor engineer Jon Kooren deployed DPA microphones for the group’s The Remember This Tour. Originally delayed due to the pandemic, the tour launched in Las Vegas in August and wrapped around the country, with a final show at the Hollywood Bowl on 27 October 27. Deployed primarily for percussion and vocals, the large collection of DPA mics on the tour included the 4011 Cardioid, 4099 Core Instrument and 2011 Twin Diaphragm Cardioid microphones for drums and percussion, as well as the d:facto 4018V Vocal microphone for backup and the d:facto 4018VL Vocal microphone for Kevin Jonas. “There’s a lot of mics; we use two 4011As for percussion overheads, above the cymbals and chimes, another as a direct source for shakers and tambourine, and a fourth on snare bottom on the drum kit,” explains Kooren. “Then, we have 4099s on high and low
UK - Void Acoustics has announced the latest addition to its popular Venu V2 loudspeaker series. The Venu 208 subwoofer incorporates all the key elements of the Venu V2 range in a compact and stylish, loudspeaker enclosure. It is suitable for multiple applications including bars, clubs, hotels, restaurants and lounges, as well as high-end domestic installs. Void says there had been a growing demand for a versatile, low frequency compact speaker solution that utilises all the specifications of the larger Venu speakers but contained within a flexible, smaller unit. This addition to the series has already received high levels of interest, and pre-orders have resulted in initial production runs being increased by over 50% to meet initial demand. The product inspiration was driven by the North American team who utilised previous design knowledge to drive the s
Russia - Sound engineer, Aleksey ‘Midas’ Korolev, has recently moved to an immersive audio environment, expanding his work with d&b’s Soundscape system by adding KLANG’s immersive in ear system to his workflow. The move to KLANG also prompted him to switch from his long-term choice of console to DiGiCo, taking advantage of the SD-Range’s native integration with the KLANG system. Midas first came across KLANG a few years ago at the ProLight + Sound trade show. “I was heading somewhere else when, out of the corner of my eye, I noticed a booth with something to do with IEMs. Or maybe it was just the brand’s colour that attracted me,” he says. “I took a brochure, but at that time I thought the technology was an interesting start-up amongst many others and I didn’t think I would be a user one day.” When Midas first joined his current band, a few of
Thailand - Mahajak Development Co recently outfitted the Lido Connect entertainment complex with Harman audio solutions to deliver quality sound and flexibility for cinema screenings, live music, performing arts and other events. Lido Connect is a multipurpose entertainment and retail venue located in the former Lido Multiplex Movie Theatre in Bangkok’s Siam Square. After the 50-year-old multiplex closed in 2018, the building underwent extensive renovations to transform it into a cultural hub for moviegoers, music fans, artists and shoppers. As part of the renovations, the former Lido 1 theatre remained a screening room but received major upgrades, while Lido 2 and Lido 3 became a live music venue and a small black box theatre, respectively. To provide pristine sound for movies, concerts and other events, each of these spaces required new sound systems. To execute t
France - Several pro audio manufacturers have joined forces to initiate a common language to ease immersive audio system integration within the production process. Flux Immersive, L-Acoustics, Radio France, and other major industry manufacturers are bidding to standardise Open Sound Control as a streaming protocol through ITU BS.2076-2 Audio Definition Model (ADM). ADM-OSC provides an implementation that follows the ITU standard, allowing to stream positioning information of audio objects in realtime using the Open Sound Control protocol. More importantly to integrators, ADM-OSC offers a universal communication language among object-based audio software for live and post-production. To advance the proposal, a technical workgroup has been set up with industry peers. The workgroup has received the support of multiple manufacturers and the ADM-OSC language is curre
USA - Fulcrum Acoustic has released the AHS Series, a modular scalable system targeted at applications where very high output and precise pattern control are required. This new series of products represents “a leap forward in achieving digitally configurable coverage for long-throw applications, all within a surprisingly compact envelope” says Fulcrum. "We've had ongoing requests from system designers for even higher output versions of our existing AH and AH4 products," says Rich Frembes, Fulcrum Acoustic's product manager. "The AHS' configurable vertical pattern allows dispersion to be tailored to a venue's needs. Its modularity allows it to scale as needed to tackle very long-throw applications, such as those encountered in stadium end-zone/scoreboard deployments." The AHS440 (45° horizontal beamwidth) utilizes 4 high-frequency horns, each paired with a coaxial
