The company responsible for the installation was Benchmark Productions, a full service live event production company based in Lake Forest, Southern California, who worked in conjunction with Picturall US's Dylan Ankney in order to deliver the Lakers' ambitious AV project.
The Picturall Octo is housed in the video booth. Four outputs from the Octo are sent to four 1-in/2-out HDMI distribution amplifiers from
Originally commissioned by NASA for the Apollo programme, the 223ft long Saturn 1B rocket located in the open air Rocket Garden was transformed for the very first time into a giant projection surface comprising an eye-watering 6,528 by 1,050-pixel image that used 80,000 lumens of projected light. Visuals were accompanied by a dramatic musical score, actual launch audio, and other sound effects, in conjunction with a Rocket Garden Light Show that uses moveable lights to illuminate rockets throughout the Rocket Garden, comp
In April, Dimension moved to new larger premises in Crawley, allowing for further inventory development, better prep and programming facilities and, ultimately, allowing CT and Dimension to be reunited under one roof.
Mark Boden, director of audio for Creative Technology and heading up Dimension Audio, commented, "Our new logo kicks-off a new chapter for Dimension Audio, retaining the Dimension name whilst providing an immediate and unmistakeable link to Creative Technology. Our clients will be visually aware of that link however, where appropriate, we can maintain separation providing the specialist audio service that Dimension has become known for throughou
Hosted by David Tennant and Catherine Tate who, as well as appearing together in Doctor Who Shakespeare Live! was also broadcast live on BBC2 in the UK, and was recorded for later screenings on TV and in cinemas worldwide.
Working with RSC production manager, David Tanqueray, production designer Robert Jones, llighting designer Vi
The video system for the tour is supplied by Video Design. "Unusually for an arena tour, all the video is LED; not just the twelve-metre circular central screen and the large floor surface ellipse, even the two IMAG screens to the sides are LED," explains company MD Alex Leinster. "Tim has commissioned some beautiful graphical animation from Ben IB, that's one good reason why Richard Shipman, an expert in running content for live shows, was engaged for the tour."
For this tour Shipman's skill was in working dynamically throughout the show to ensure the balance Routledge desired. "The key is output
Highlighted by the FLEXLite Plus, FLEXLite NXG, reFLEXion, trueFLEX, and FLEXCurtain HD, the open house will take place at INVENT (Institute of Venue and Entertainment Technology) in Los Angeles, CA, on 26-27 May, 2016. The event is free and open to all video designers, integrators and production rental houses throughout the area who may be interested in taking an in-depth look into the latest in LED video technology.
"With Los Angeles being at the epicenter for touring on the West coast, we know how important this market is for our continued growth," said David Venus, PixelFLEX Director of Marketing. "Through our headquarters in Nashville, we are able to routinely visit with clients on the East coast, but we also understand how
"Our decision to make the investment into the FLEXCurve technology was really driven by the fact that many of our clients have been requesting an LED wall for their events," says Tim Woodworth, Intellasound Productions. "As this started to happen more often, we would sometimes have difficulty finding an LED wall to rent in our area, and would have to typically bring one in from Chicago. Ultimately, we decided that if we were to make
"The one thing they didn't want was clean camera images. The show is a mix of carefully chosen content and IMAG, though not the style of IMAG most concertgoers are accustomed to. There are a couple of numbers that are clean, the big crowd friendly songs that everyone would expect and the band realise you have to do that sometimes. But otherwise we work the images hard."
The video system is supplied by Video Design, a total of seven LED screens, all 4.8m square, three across the stage, a pair stacked each side, and a camera package of four operated cameras, minicams and robocams to feed the IMAG.
"I put the tour out to tender and received bids from all over Europe," s
"It was vital that the message of the 5 May vote for Mayor was communicated through social media, mainstream media and by passers-by seeing the message," says project director Tim Curwen.
"Working with the client we decided that a projection and lighting installation onto the iconic London city hall would be ideal," He reports. "This constituted a powerful colour wash and HD projection of the key message. The response on the night was fantastic with many photographers and interview teams from major news networks coming to see the installation."
The installation required both high-impact lighting and some easily-readable text images. In order to achieve both in a way that could compete with high levels of amb
The stage of the 2016 edition has been described as "rock 'n roll meets Eurovision". Through its highly-defined scenography with straight lines, strong perspectives and a background in different geometrical patterns, the set-up enabled dramatic effects and optical illusions, and gave each performance a different look.
Barco provided a total of 13 HDQ-2K40 projectors - complete with XLD 2.8-5.5 lenses - through its rental partner Mediatec. Ten of the HDQ-2K40 projectors - four flown on an FOH truss and six sta
Gordon Torrington has been with PRG for several years, gaining a wealth of experience and industry contacts during his time as a senior member of the Event Services team.
Gordon will now take up the role of account manager, focusing on lighting and rigging, and working alongside Yvonne Donnelly Smith, director Music Group, and Roy Hunt, senior account manager. He will also collaborate closely with the Music video team led by Phil Mercer.
Yvonne Donnelly Smith commented, "We're delighted to have Gordon join the Music Group team. His enthusiasm for our industry is infectious, and with the wide range of contacts he has made during his time onsite with the Event Services team, he will be an excellent asset to the team."
"I'm very please
The UB40 tour's show design was a collaboration between Bryan Leitch and Jamie Thompson from creative practice MIRRAD. Jamie was also out on the road operating the lighting alongside Francis Clegg from MIRRAD who co-ordinated and ran the video elements live.
Large format projection is an area that Colour Sound has been considering for some time. The company has already invested steadily over the last five years in LED screen and has its own proprietary BT brand.
MD Haydn Cruickshank (H) commented, "Projection was a logical next step to complement the growing amounts of di
Austria's AV Stumpfl is "a wholly owned family business that nurtures vibrancy, creativity innovation and brings stability to the local Austrian economy".
"The award is recognition of our growth and success and we're delighted to have won," said Tobias Stumpfl, CEO.
The company was started 40 years ago by innovators Ulli and Reinhold Stumpfl. This modest beginning created an idea that emerged from the ground up. Today it is managed by next generation leadership, Tobias Stumpfl, CEO and Fabian Stumpfl, project management sales and HR.
(Jim Evans)
Theatre 2016 took place from 12-13 May and was held across three West End venues: The Piccadilly, Lyric and Arts Theatres. The programme looked at new challenges facing the industry and what organisations needed to do to ensure future success. Bryan Raven, WL's managing director, comments, "This is the first time that a theatre conference
The Rock in Rio festival collaboration between PRG and Vectorworks will demonstrate the realisation of workflows using ESP Vision software to previsualise each lighting designer's concept. PRG, now in its 13th year of working with Rock in Rio, is supplying lighting technology and all related rigging for the festival.
"We started working with Rock in Rio back in 2004; during this time, we were able to supply lighting and video technology at festivals in Rio de Janeiro, Madrid, Las Vegas and Lisbon," said Christoph Hahnl, senior account manager at PRG. "This year's festival marks the 30th anniversary of Rock in Rio, and we are excited to be on board."
Now owne
The festival is organised by NewMedia Creative Technology Studio, FDDB.ORG (The Fulldome Database) and UCM with the goal of nurturing creative applications of 360° projections, virtual reality and other immersive environments.
Visitors can attend the event at U-Dome, the university's360°, 21m diameter dome and the only permanent projection dome in Spain.
The dome is fitted out with six 3DLP technology projectors with 20,000 lumens from the Christie J Series with 1.1:1 HD lens. Using blending and warping capabilities, the projectors will
The 61st edition themed 'Come Together' was held at Stockholm's Globe arena and hosted by last year's Swedish champion M
After 11 months of planning and research into new technology and trends, TDC is finalizing their design for city-wide multimedia that will be deployed across the festival's footprint and brought together with participating local and international artists and designers.
Some fun facts about what goes on behind the scenes includes: TDC employs 35 staff working full-time to produce a massive 11,500sq.m of video projection in excess of 120m pixels. Over 70 projectors will be deployed in custom-made projection towers located in and around Sydney.
TDC's work will be found on some of Sydney's most iconic buildings and locations including the Museum of Contemporary Art Australi
The multi-award winning super media server, Wings Engine Raw 8K will be shown in the Americas for the very first time. "We're the first to create a product that manages uncompressed 8K content out of a single machine," enthuses Fabian Stumpfl. It produces an unrivalled four streams of full 4K uncompressed content at 60hz plus media overlays, text generation and show control on top."
On the AV Stumpfl booth, Wings Engine Raw 8K will be integrated with four large-format projectors from Digital Projection International a
Boasting a Full HD 1080p resolution, 5,000 ANSI lumens and a 10,000:1 contrast ratio, the DH3331 is designed to offer a high quality, sharp and bright image. In addition, the projector features new DICOM Simulation Mode making it ideal for viewing grayscale medical images - such as X-rays - for medical training and seminars. The dual-7W built-in speakers and the microphone input ensure clear sound in a meeting room.
"We have designed
S+H already has a substantial stock of LED video with over 1000 panels of Glux LED including 12mm, 3.9 indoor and both 10 & 20 mm floor tiles, and this latest addition of the outdoor screen was a logical extension to the range.
Having a wide range of LED screen stock - plus several other LED technologies - ensures that S+H has the flexibility to service its wide and eclectic range of projects.
"We're getting asked ever more frequently to supply LED screens to various projects many of which are outdoor, so we need to have a solution in stock," comments S+H's MD Terry Murtha. "It made sense to keep with the same manufacturer for continuity and quality
Westgate Resorts teamed with RP Visual Solutions (RPV) and Christie to build the world's largest LED Video wall inside the Westgate Superbook at the Westgate Las Vegas Resort & Casino. Working with HB Communications, RPV and Christie created an enormous curved array measuring 20ft tall and 220ft wide.
Along with the construction of this screen, the Westgate Superbook was completely transformed to create a stadium-like experience, inclu
Survey respondents were clear that driving this growth is the way that audiences expect more and have higher expectations when it comes to being entertained and informed, 75% of those surveyed agreed that 3D mapping was being used instead of traditional approaches like fireworks.
The evidence shows that projection mapping has the ability to attract visitors, create employment, fill hotel rooms, sell resta
AV Structural was awarded the project, and quickly went to work constructing a 20ft -high, 34ft-long scaffolding apparatus that enabled the team to work virtually around the clock, while maintaining safety for their crew and for the guests walking beneath the scaffolding at all hours of the day and night. The new video wall also required a unique installation to provide easy acce
