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14 March 2016

Located in the Chimelong International Ocean Resort, the 1,000-seat theatre presents an animated show with support from 119 Meyer Sound loudspeakers. The theatre's sophisticated, multichannel presentation includes 26 input channels and various output channel configurations connected to the D-Mitri digital audio platform via one of the world's largest AVB (Audio Video Bridging) networks.

"D-Mitri with AVB was my favoured solution for this application," states Leo Wagner, infrastructure manager for Wels, Austria-based Kraftwerk Living Technologies, which designed and engineered the technology behind the theatre's mesmerizing experience. "The fact that the AVB data shares the same networ

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14 March 2016

Erich Hudgens has worked with Bandit for seven years both as a lighting technician and project coordinator before taking on the role of shop foreman. In his new position, Erich will work to ensure all the events prepping on the floor have their needs met, assist with shipping needs, check in returning shows and ultimately make sure the shop stays organized and efficient.

Jimmy Hatten's new position as Project Manager fulfills a critical role in bringing lighting designers' visions to reality. Using the clients' ideas, Jimmy will create touring systems, festivals or one-off shows from the beginning stages of prep, to being loaded on to the trucks, to then providing support throughout the entire r

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14 March 2016

The automobile manufacturer relied on the experience of PRG XL Video for the planning, design and technical implementation of their exacting requirements. Bellprat Associates AG was responsible for the idea and the concept. The graphical user interface of the terminals, the Facebook connectivity and implementation of the barcode scanners was realized by bluelemon Interactive GmbH.

For Opel Selfie Jump the full-service event provider developed a system using 75 digital SLR cameras arranged in a semi-circle of 270 degrees, which was aligned with millimetre precision with the booth visitors in the centre of the circle. As a vis

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14 March 2016

Starting as a sound company, Insane added a lighting division in 2010 - and later LED / video - to ensure they can supply top quality full technical service and design packages to their clients.

The company now has over 100 Robe fixtures in stock, including around 40 moving heads and over 60 x LEDForce 18 PARs.

Vimal and his team - 11 full time staff and three regular casuals presently - deliver a wide variety of corporate shows, pumping dance and EDM events and weddings.

Weddings - and particularly Indian weddings - are a mass

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14 March 2016

The products included Pixel Bar 12 'pixel-mapping' battens and iB-16R moving heads - part of the Infinity Family from Highlite International. The whole Event was programmed by LD Lewis Day.

Alistair McCready, MD of AML Event Lighting Hire comments: "The iB-16R's have an incredible light output. They tick all the boxes expected from such a high-performance moving fixture. Once again we received first class support from Dave Hartley, Ryan Hussey and the team at Highlite UK."

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14 March 2016

Following a year of constant expansion, WL was able to offer the Rugby World Cup a whole range of its expert production services. This included constructing three studio and two pitch-side sets for the ITV Sport Team. These were then toured to various stadiums across the country, where the WL team was on-site to help recreate the set-up at each venue.

WL was also called upon to fulfil a similar role on the BT World Wheelchair Rugby Challenge which was broadcast on ITV. With the tournament being held at the Copper Box at the Olympic Park, London, WL was on

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14 March 2016

SGM Lighting, owned since February 2012 by entrepreneur Peter Johansen, currently employs 85 people in Aarhus, according to Danish television station TV2, and the majority of the staff have now been sent home while the company's situation is clarified.

TV2 reported that the company's legal representative, Christian Jul Madsen, has said that several interested parties have submitted offers to buy the entire company.

Originally an Italian lighting brand, SGM was acquired by Italian pro audio manufacturer RCF in April 2009. In November 2010, at a press event in central London, RCF president Arturo Vicari introduced Peter Johansen as the new head of R&D for SGM. Johansen was already well-known in the professional lighting industry as the founder of Marti

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14 March 2016

SFL Group has provided sound reinforcement to the event for the last eight years and this October they designed an L-Acoustics Kara sound system, while also deploying an L-Acoustics X Series stage monitoring system for the first time in the UK.

London ExCel is a difficult venue, the sound system needs to cover 20,000m2 of highly reverberant space, yet deliver audio clarity to each and every congregant. The highly controlled directivity of L-Acoustics Kara allows SFL to focus the sound away from the metal roof structure, keeping it only where it's needed.

"The best way to deal with a reverberant space it is to create a direct so

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14 March 2016

Owen, 26, from East Ham, London, received the scholarship based on his academic performance in his first year and plans to use the money to pay for recording software to continue to develop his skills.

The scholarship is part of an education partnership between the University, in Queen Alexandra Road, High Wycombe, and Sennheiser. which has its UK HQ in Marlow.

Five students with the highest first year grade profiles were shortlisted and interviewed by Phil Cummings, Sennheiser's marketing projects manager.

Owen, who attended Barking & Dagenham College of Further Education before working in retail for a number of years prior to starting his degree, said the scholarship would be 'a huge help' in h

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14 March 2016

The new Timeline Object includes numerous layers of videos, images or sound, synchronized to one centralized timecode. This is done across displays and computers. Several timeline objects can be added and can run simultaneously.

While this object requires loading all media files in advance before running a timeline, you can still load and play videos, images, texts and external inputs on top of a timeline. Moreover, it includes the option of fading smoothly between two media files on a single layer across displays, all while the timeline is running, says the company.

"There is a rise in demand for interactivity in typical time based show applicat

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14 March 2016

A good example is the Bolingbrook Performing Arts Centre (BPAC), which provides a beautiful outdoor venue for everything from local theatre to national music acts. Built 16years ago, BPAC recently replaced its original sound reinforcement system with a Danley Sounds Labs design that includes new Danley amps, processing, mains, and subwoofers. Critically, the Danley system ably meets all of the village's requirements while costing less than half the cost of other manufacturer's designs, which allowed

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14 March 2016

To replace a dimmer system that was over 35 years old, Illuminate Design's technical sales manager Ken Berreen specified three of Zero 88's successful Chilli Bypass Racks to be installed. These were chosen for the flexibility they provide.

The project also included new circuits being added in the venue along with new control lines and additional other works to the DMX infrastructure plus the addition of a DMX distribution system.

Commenting on the work carried out at his venue, technical manager Harry Harris said, "The recent installation of our new dimmers and DMX infrastructure by Illuminate Design couldn't have gone better and working with the company was an absolute pleasure., They managed the project perfectly from start to finish and

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14 March 2016

Recently, the Great Hall underwent a facilities upgrade, including replacement of the sound system and the addition of touch screen control. Bose pro partner, Whitwam, who installed the original system back in 2004 when a major renovation took place, were asked to look at upgrading the sound to a high quality speech and recorded music system to be used for various different functions including formal dining, corporate events, parties and wedding receptions.

Following a client

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14 March 2016

Delivering such a high volume of performances requires a great deal of effort from everyone involved, especially the sound department.

"To cope with such an intense workload, our sound equipment has to be flexible, durable and very hard working," says Martin Lukesch, head of sound and multimedia at Volksoper Vienna. "This is why we use DPA microphones. For many years they have played an important part in providing the amplification for the orchestra, for actors in musicals and for actors and singers in every kind of show. Opera and operettas,

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14 March 2016

With such an illustrious name at the helm and the music offering being such a key attraction for the venue, special consideration was given to the choice of audio system, especially the type of loudspeaker required. Jussi 69 recognised that the venue's success would hinge on this choice and his team chose the Genelec 4000 Series as the loudspeaker with the right combination of performance and looks for the venue.

The Jussi69's partners in the venture are Veikka Moilanen and Oskari Kovalainen, two familiar faces from the Helsinki bar scene. Already a radio host Jussi69 is excited about branching out into bar ownership: "I have to

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14 March 2016

The entire performance was lit by lighting designer Mike Gunning. He states, "The aim of the evening was to raise funds for the London Library in order to allow free access for those not in a position to purchase membership. As it marked 50 years since T.S. Eliot's death, along with the fact he was president of the library, it seemed rather fitting to base the evening around readings of his work."

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14 March 2016

The distributor is credited with possessing a wealth of integration experience, having been involved with many high profile projects in the Middle East region ranging from house of worship installations to conferencing systems and broadcast solutions.

Hitesh Bhimani, AV specialist at Pulse comments, "The Aimline product range fully complements Pulse's current offerings for addressing acoustically and critical audio installations .This agreement establishes a strong partnership with Aimline and enforces the mutual ambition we share to provide our clients with innovative AV products using the latest technology."

"We have been looking for a more targeted pro audio distributor wit

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14 March 2016

Fineline has been a big investor in Avolites control, particularly in the last two years, explains MD Rob Sangwell, with a selection of Tiger Touch, Tiger Touch Pro, Quartz and Pearl Expert ranges in their hire stock which are constantly in use. "Avo has always been a powerful and simple to use control surface," says Rob, "And apart from making some of the best 'live' consoles on the market, the service and backup has also been fantastic."

Stuart England, Fineline's operations co-ordinator said, "The Arena ticks all the boxes for us. It builds from the popular Tiger Touch operating architecture with extra faders to retain that old school buskability for which Avo desks are famous

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14 March 2016

The new rig has been designed by Jason Kew, technical supervisor in charge of lighting in the Barbican's Music Department, and the fixtures were specified by Jason and Mark Bloxsidge, technical manager (music events), following an evaluation which involved the whole technical team at the Barbican Hall.

The order was delivered via leading UK sales and rental company White Light and Robe UK, co-ordinated by Jonathan Haynes for White Light following a tender process led by the Barbican's Luke Freeborough, technical manager (projects).

The Barbican Hall was originally built as an orchestral venue when the Centre opened in 1982. In addition to bei

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14 March 2016

Lighting designer Nick Richings and set / costume designer Libby Watson added plenty of colour, drama and atmosphere to the work, proving just how much can be achieved with a little bit of technology and copious amounts of imagination.

HSL's project manager John Slevin commented, "The budget was expedient and the tech / rehearsal timeframe short, but everyone involved worked as a team utilising creativity and ingenuity to ensure a truly excellent production that was a big hit with audiences."

Nick and Libby worked closely on developing the whole visual concept with director Pete Rowe, setting it in the 1960s underlined with a strong Pop Art aesthetic, together with all the boldness, stylized text / images an