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14 March 2016

Once a year, leading lighting designers and companies are invited to Alingsås to demonstrate their expertise, attend networking events and hold workshops. For five weeks, the dark evenings of Sweden are transformed into beautiful lighting installations around the town.

The theme for Lights in Alingsås 2015 was The Evolution of Light, from the big bang to the present age, with a specific focus on how new technologies such as LED can help reduce the environmental impact. W-DMX was used to demonstrate the elimination of excess cable.

Lighting designers Bertil Göransson and Johan Moritz from the company Luxera were responsibl

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14 March 2016

Opened in July this year, the Continental Arena has replaced the city's 89-year old Jahnstadion as the home of football club SSV Jahn Regensburg, which plays in the Regionalliga Bayern (Germany's 'fourth division').

A modern stadium in every sense of the word, as well as being a football ground the 15,200-capacity stadium can host other sporting events and concerts. It features two 'Business Clubs' and four 'Lodges', which host a wide range of business and leisure events, all with a panoramic view of the stadium's pitch.

A major feature of the sta

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14 March 2016

The CIE have also accepted that the CRI has several significant sources of colorimetric inaccuracies and accept that it should be updated with the latest well-accepted formulae and an improved set of test samples. CIE's own Technical Committee (TC1-90) is in the process of developing a new improved colour fidelity metric that can update the CRI. The CIE also recognises that the colour fidelity metrics including the CRI do not assess other important aspects of the colour qualities of light sources, in particular, those related to colour preference.

CIE TC 1-91 is developing a Technical Report on this subject, which will be the groundwork for developing colou

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14 March 2016

The first artist to use the new mixer was national singing icon, Garry Lawyer, who along with his seven-piece band, performed a tribute to Elvis Presley.

Both FOH and monitors were mixed on the same system by sound engineer, Afaque Azad. "I am extremely happy and impressed with the board," comments Azad. "I am amazed at the accuracy of dLive's dynamic processing, EQ, and FX Rack, and the user friendly interface. The ultra low latency of the mixer made it a very positive mixing experience, and the surface's illumination and the dust resistant faders are a bo

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14 March 2016

AES67 specific extensions to the different network platforms utilized by each manufacturer provided for the common interchange of digital audio between an array of products. Lawo provided its RAVENNA-based equipment including its sapphire compact broadcast mixing console, JADE Studio software application, and the new A-mic8 analogue-to-IP interface.

AES67 supports both unicast (one-to-one) and multicast (one-to-many) audio transmission. The technology on display was primarily a multicas

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14 March 2016

The stand will have a football stadium layout with themed zones and content highlighting specific Peerless-AV product selections, including a host of new European launches. Visitors will be invited to show off their striker skills in an interactive penalty shoot-out game to win spot prizes and enter a competition prize draw for two tickets to the final of Euro 2016. One lucky winner will be drawn at random by ISE managing director Mike Blackman on Day 4, Friday 12 February.

Gordon Dutch, managing director, Peerless-AV Europe, commented: "We're excited to go live with our theme for ISE 2016. Whoever wins the Euro 2016 Fin

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14 March 2016

Using lighting provided by Bandit Lites, lighting designer Mark Wheatley took his knowledge of Anderson's lighting preferences (no haze, no 'mad flashing lights' and dislike of follow spots) to compliment Jethro Tull - The Rock Opera, which features both earlier hits and newly written songs.

"The workhorse fixtures are Martin MAC Viper profiles, GLP Impression X4s on mid and back truss, Mac Auras on front truss and pros booms and Sharpys on back truss and floor," said Wheatley. "We also use Showtec Sunstrips as blinders and effects on floor towers and back truss. An 18k HD projector on the show is rigged either on the front or mid truss depending

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14 March 2016

Technical director at the school's CCM (Centre for Contemporary Music), Professor Stuck comments: "The 1608 purchase was a no-brainer, and the best possible option. In choosing an analogue mixer today, there aren't many choices if you want something really good. The 1608 sounds great and has a good reputation; it's a solid, professional console." Jeff Briss, of API dealer Cutting Edge Audio in San Francisco, helped Stuck make the choice for Mills' music department.

Stuck describes the CCM as "small with a large diversity of musicians", explaining that some students are stric

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14 March 2016

The M-5000 was chosen as the FOH console for the tour primarily because of its O.H.R.C.A configurable architecture. O.H.R.C.A stands for three key concepts: Open; High Resolution; and Configurable Architecture. This internal architecture is not fixed to any configuration and can be freely defined within a range of up to 128 input or output channels or busses, allowing the operator essentially to 'build' a console to suit the application.

Mr. Laszlo S

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14 March 2016

Since it was established in 1980 by Rakesh Thakur, as well as working on television, special, sports and corporate events, A One has provided sound reinforcement, lighting and video for a wide variety of touring artists and its expert audio engineers can cater for events of any size or type.

Working to maintain the founder's motto of "There is no substitute for quality", the company's technicians are led by Nitin Thakur, a certified audio engineer from Singapore's School of Audio Engineering, who also has specialist certification from several top audio manufact

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14 March 2016

Simon Garrett from Oceania Productions lit the show-space which is also known as 'The Runway' by NZFW fans. Simon has been involved with the event for many years, but this was his first using 12 x of Robe's powerful BMFL Spots, which were rigged on a spine truss above the 30m polished concrete presentation runway.

Fashion - and its increasing penchant for drama and theatrical presentation - is demanding more thought, imagination and lateral thinking - when it comes to lighting, in addition to the pressure to replicate those camera-perfect flesh tones for the massed photographers and video

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14 March 2016

Over the years, Colin has become increasingly discerning with his equipment selection, and for the first time on these shows, he introduced the artist to AKG's D7 dynamic mic. This had originally been brought to his attention by the Austrian company's artist & key customer relations manager, Walter Rührig, with whom he has enjoyed a long relationship.

The D7 was designed to blend the subtle and open sound of a condenser capsule with the powerful resonance of a dynamic microphone. The patented

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14 March 2016

Nipius has been working with Suede since the late 1990s and was asked to create a lighting design to complement the band's 'experiential' new shows, which were performed to launch a new concept album and short film.

For the first half of the show, lead singer Brett Anderson and his bandmates performed behind a partially transparent screen, onto which their movie - a 'dark and dramatic tale of love and despair' - was projected. For the second half, the screen was pulled up to reveal the group as they played a selection of Suede classics.

Avolites' exclusive Netherlands distributor Fairlight supplied the Tiger Touch II to Keylight's Gary Yates after inviting him and

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14 March 2016

Five DTS Raptors were mounted on a large commercial ship's helicopter pad, while Blyth's historical lighthouse was highlighted with help from a single Raptor. Full advantage was taken of the limitless pan rotation to create an unforgettable sight. Back on firm ground the DTS Evo fixtures delivered stunning effects across the bow of the ship and along the starboard side with rotating gobos and colours. The EVO fixtures provided bright and crisp beams.

"The DTS fixtures delivered stunning aerial displays of light across the skies of Northumberland and out into the North Sea," says David Thompson of Steadlands Lighting & Sound. "It was very impressive to see the incredi

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14 March 2016

In 2002, Peroni graduated from the film and television school, Institut des Arts de Diffusion (IAD), in Louvain-la-Neuve, Belgium, where he studied lighting. Following his graduation, Peroni began working for television studios in Rome, then joined Link S.r.l., an entertainment-product manufacturer based out of Italy. There he served as a project manager for the American market. In 2011, he began a new job at Luxemburg's Codex Events, serving as production manager for events. Then in 2013, Peroni joined ETC as

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14 March 2016

"This is a 13-city tour playing a lot of the markets that Miranda hasn't been able to hit in recent years," notes Nashville-based production designer Chris Lisle. "The design of the show is pretty straightforward with three overhead trusses and a floor lighting package. We also have some soft goods and scenic pieces that play heavily into the design. Miranda wanted to keep this one simple, so there are no video elements. She just wanted to go out, have fun musically and do a 'bad ass light show.'"

Lisle selected 20 Clay Paky B-EYE K20s for the rig. Ten each are in midstage and upstage trusses alternating with spot and beam fi

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14 March 2016

The Samis (performers) danced and sang in the middle of the crowd holding and juggling a long light pole, designed by interactive experience's designers Rafael Mizrahi and Mickey Martin - the object was made of telescopic aluminium poles and 3D printed plastic parts, making it lightweight for the performers. "Wireless Solutions provided the most reliable wireless technology

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14 March 2016

Around 100 people rocked up to the event which took place in the foyer space of the Linbury Studio Theatre at the Royal Opera House, preceding the evening's three provocative performances staged by the Leeds-based Phoenix Dance Theatre, which were lit by Yaron.

Yaron was delighted with the turnout and interest in the book, which received its world premiere at the 2015 Prague Quadrennial in June, also supported by Robe.

The book presentation followed a similar format to that of the PQ, with a three-way conversation between Yaron and Nick Moran, senior lecturer in lighting for live performance, BA Theatre Practice course team at London's Centra

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14 March 2016

Embodying the unique Ningbo culture that values "art, quality and relaxation", EVER Club aims to become "a club with vitality". To make this happen, a robust sound system is essential. The team at EZPro International Ltd opted for six Powersoft K3 amplifiers to drive four EAW Avalon CLUB.two loudspeakers.

"The system must be able to express EVER Club's mysterious flavour and individuality, and to create an atmosphere where clubbers can resonate with the music," shared Mr. Zhu, techni

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14 March 2016

Thought provoking speakers include Grant Anderson, the Scottish Lighting Designer, in collaboration with lighting, AV and sound specialists Black Light who designed the popular Botanic Nights - 2015, a unique night-time experience. Grant Anderson explains how the light installation evoked an emotive reaction from the audience.

Anderson comments: "In Scotland, it's often said that you can experience four seasons in one day. Visitors to Botanics Lights have been able to experience four seasons in just one night. It made perfect sense to me to combine nature and light with seasonal changes as the three are inextri