These mics allow Ferry to switch from voice to harmonica, cupping the capsule without fear of feedback or any 'muting' of the harmonica's tone. The live mic list also includes AT4050 condensers on piano and guitar cabs, two ATM35 high-intensity, clip-on, cardioid, condenser instrument mics on harp, an ultra-miniature hanging AT853a cardioid condenser mic on violin, an AE2500 Dual Element, dynamic/condenser on kick drum, ATM25 high SPL dynamics on floor toms and three AT3060 large-diaphragm, vacuum tube condensers on drum overheads and sax.
Steve May, long-standing monitor engineer for Ferry, says of the A-T mics: "Great sound, very robust, quality product," he opines. Ferry's studio work has always had a reputation for luxurious production standards, and his style of close and intimate vocal recording is signature. Again the A-T capsule provides that optimum effect for him in the studio. Bryan is currently working on a new album in his studio, scheduling sessions in between the live shows, and making extensive use of much of the same A-T kit as on stage and of course the AE5400 on his voice and harp.
(Lee Baldock)
