"It was very important that the new console should serve many kinds of events, and therefore I specified a mixer that could manage 4-6 wedge monitor mixes and two effect mixes, and had 12-16 mic channels, inserts on each channel, up to eight groups, a matrix, and extensive metering. The GL3800 provided all of these functions and more," commented the Museum's sound engineer, Peter Rozgonyi.
The console is kept in a flight case with cabling to multi-pin connectors for easy installation and transportation.
(Chris Henry)
