The Fetisov Arena is a crowning part of that entertainment emphasis. Opened in 2013, and built to accommodate 7,500 people (Vladivostok has a population of almost 600,000), it is home to the Admiral ice hockey team and also regularly hosts exhibit
The Slaughterhouse is a well-known haunted house in Tucson and because the event was held on Halloween weekend Creative BackStage wanted to create a design that represented the ghoulishness of the holiday as well as the Fear Fest festival.
"The idea was simple, to use LED video screens for eyes and a mouth with video images that would be of the fear kind with monster eyes and teeth or devilish eyes," explains John Garberson, owner of Creative Backstage and lighting desi
Bennett uses huge banks of A.leda B-EYE K20s and Sharpys to light the set to deliver a wealth of vibrant, multi layered, multi-faceted and lively looks. Supported by lighting director Whitney Hoversten, who has taken the show on the road, Bennett specified 107 x Clay Paky B-EYEs and 83 x Sharpys, all supplied by PRG, to create the show's high octane, rave style atmosphere.
"My first thought when it came to creating the rave style concept was that the audience has to be fully immersed in the show and become part of it," says Bennett. "I chose the Clay Paky B-EYEs for their versatility and unique personality, they are the icing on the cake tools that add all the det
For the first time, Smith is using Robe's CycFX 8 moving LED battens, together with 10 x Pointes. He had previously used Pointes on a Fitz And The Tantrums tour, was impressed, and so when this design came up, he immediately specified them again.
The rig had to be scalable to deal with the variety of venues on the itinerary - from clubs to theatres of capacities between 1000 and 3000 - and to guarantee they always had their proper lightshow.
Smith wanted to introduce architecture and shape to the stage, as well as develop a concept that worked as a comprehensive floor package in conjunction with any overheads utilized from the venues' house rigs.<
Working in close partnership with NG Bailey and their client, CIE-Group were engaged to provide full on-site consultation service, consisting of site survey, technical output specification and system design to deliver a number of solutions to suit a variety of budgets and address the problems of a large scale legacy site.
CIE's solution was to specify a system based around their bra
Highly experienced Vari-Lite trainer for EMEA Coral Cooper was hosting the hands on session, where the VL4000 Spot luminaires were disassembled to the sub-assembly level to demonstrate ideal maintenance techniques. Cooper also explained the VL4000 Spot luminaire's broad range of features, informing the end users and potential customers at the session on how to maximise its vast potential.
Among the attendees was James Ashdown, Director at Automated Ltd. "The VL4000 is a multi-featured fixture, with all the tools a lighting designer needs in one," says Ashdown. "I'm very pleased to see that Philips Vari-Lite has included a four bladed shutter module into the fixture without losing any other features.
The landmark project covers 12 individual sites programmed as one to create an intricate, synchronised light show that boasts more than 40,000 pixels and 57 universes to control and schedule them.
In total, 2140 individual products were designed and installed.Key elements include: 14m 'Melbourne' sign in the forecourt; 140m double-sided light projections beneath the elevated roadway; 60m canopy lighting within pedestrian bridges, plus light in shell canopies and trees; interactive 'light shower' that bathes visitors in blue light, inspired by research into its effects on the circadian rhythm.
Specialised programming across
BRIC was founded in 1976, its links to the Strand Theatre going back to the 1990s. The former vaudeville, movie and opera venue was gutted in the 1950s, after which it was put to various leisure and industrial uses, notably as a glass factory. BRIC began using part of the venue in 1993 and, after nearly two decades of planning, a $40m refurbishment of the Fulton Street building has delivered a contemporary, flexible, multi-disciplinary arts and media centre, designed to support artists and engage the public.
As well as BRIC, the venue is home
The Barclays ATP World Tour Finals is the year-end climax to the men's professional tennis season, featuring only the world's best eight qualified singles players and doubles teams as they battle it out for the last title of the season.
Creative Technology (CT) has been supplying equipment to the Barclays ATP World Tour Finals since 2009; the first year they were held at the current venue.
The sports presentation involved all of the usual display elements as provided by CT. This included 230 linear metres of LED courtside banner, 160sq.m of flown LED in the form of an eight-sided gondola hung above the court and a 90sq.m IMAG screen.
Key to maximising the potential of all the display technology in the arena is the event control sy
Introduced by Artistic Licence into the public domain in 1998, Art-Net transformed the lighting control market by removing the channel restriction of DMX512. The protocol enabled multiple universes of data to be transported over a single ethernet cable, a necessary development as channel-hungry RGB LED fixtures became widely adopted.
Art-Net has always been non-proprietary and available free-of-charge. As a result, it is now supported by more than 150 manufacturers worldwide.
Offering over 16m control channels with full support for remote device management (RDM), Art-Net is ready for an even bigger, brighte
At the same time, the Meyer Sound system allows the restaurant to advance on its soon-to-launch Oliveto Commons, an ongoing series of classes, panel discussions and workshops focused on food policy issues, producers, cooking techniques, and wine and spirits.
Led by owners and founders Bob and Maggie Klein, Oliveto's renovation speaks to the 28-year-old restaurant's deeply ingrained curiosity and driv
Split into three distinct concerts, two of them on the north of Portugal with the Next-proaudio's sound reinforcement. According to the band, the first concert was a surprise for the fans, "on the magnificent and historic Sao Bento railway station in Porto and free to attend" where they "played a couple of tunes and answered some questions of the public".
The systems for these two different concerts were supplied by rental company Technosound, which provided full technical production services for the two events with the use of two Next PX Systems (Stackable System) for the small venue and the LA12 (Line Array System) for the big venue.
The first one, on 27 November was a mini-co
"As soon as our client saw demos of the Rogue R1 Spot and R1 Beam, they fell in love with the fixtures," said Krause. "They wanted them yesterday. They were super excited, because they saw what the Rogues can do in a bi-level club -- which is create added depth plus all of these magical uplifting images in the air."
There are six Rogue R1 Spots and four Rogue R1 Beams in Krause's rig at the club. He positioned the beams midway between the first and second levels. "
tn.jpg "Bert Koenders of Iemke Roos, with Martijn Klein Gibbink, owner of Frontline")
In just three years, Frontline has acquired a considerable inventory of Nexo loudspeaker cabinets, including PS15 full-range compacts, RS15 subbass, and 45°N-12 line monitors. Taking the next step forward, Martijn Klein Gibbink's company has made its first investment into Nexo's STM Series of modular line array, buying 18x STM M28 main cabinets together with 4x RS18 subbass and a NUAR (Nexo Universal Amp Rack) containing two NXAMP4x4s. All equipment has been supplied by Nexo distributor Iemke Roos.
"The M28 is the ideal line array for us," says Klein Gibbink, "it is very small with high output, and the consistency of its cove
HOME evolved from the Library Theatre Company, from which actors such as Anthony Hopkins, Patrick Stewart, Alan Rickman and Martin Jarvis have gone on to fame. When Manchester's Central Library was renovated in 2010, the company lost its intimate 312-seat basement venue of 58 years, and has since presented in a variety of unorthodox spaces, such as the productions at the Victori
Included in the technical refurbishment was a brand new stage, a complete overhaul of the entire stage electrical system, the installation of a new flying system and a new stage lift. As most of the productions brings their own sound system and lighting, attention has been paid to installing a comprehensive network for video, sound, data, dimmers, patch panels and lighting looms. Cable used included Van Damme Cat 6 Data and Digil
Core MD Phil Ion comments: "This shows we are serious about promoting our brand in the American market, which has seen a steady increase in business over the last two years."
In that time, Core has developed relationships with several leading American event lighting companies who are investing in their 'Made-in-the-UK' products which has brought a raft of innovative and successful fixtures like ColourPoint to the events market.
The US operation is also part of Core's overall medium-term expansion strategy, which up until now has been focussed on Europe.
Says Ion: "We're generally experiencing a surge in demand for quality products, and the 'Made-in-the-UK' marque is a real advantage.
Consultants Duke DeJong and Todd Gathany of CCI Solutions spent two days with the senior leadership and programming teams at Pantano, working with the church to define their vision and walk through their potential new lighting and audio systems, describing how each could help them achieve their goal. For the lighting side of the upgrade, CCI Solutions added a collection of LED stage lighting from Chauvet Professional to the church's system.
"Pantano was already doing s
Companies already signed up to exhibit at the show include: Altman Lighting, Group One, Avolites & Elektralite, Elation Professional, ETC, GLP, Harrington Hoist, Heartland Scenic Studios, IATSE, PixelFLEX, RC4 Wireless, Stagecraft Institute of Las Vegas, Technologies for Worship, TMB and Ultratec. Companies interested in exhibiting are advised to move quickly to secure their spots, as applications are coming in quickly.
Running alongside the show is the highly acclaimed PLASA Professional Development Programme, which offers two days of free educational seminars and workshops. The program featur
Jeff - whose CV includes imaginative lighting for several 'alternative' bands including All Time Low - presented his first lighting design for the US punk rockers who kicked off their Get Hurt album campaign. He was recommended for the gig for his creative flair by FOH sound engineer Joe Amato, who also mixes All Time Low.
Jeff has worked with Zig Zag on several previous occasions, and they are his rental company of choice for the UK and Europe.
Zig Zag's Neil Hunt says: "Essentially I needed a super-bright fixture to use on large spec shows that often have a high video or bright LED elements. Various fixtures appear on light
Keith Tibbetts serves as the managing director of AI Rentals. The company owns a large assortment of D.A.S. Audio equipment, including 40 Event 210A 3-way active line array elements plus 24 Event 218A powered subwoofers. Additionally, the company owns several D.A.S. Action Series loudspeaker systems, including 12 Action 1
The first day of the contest started with a grandMA2 Advanced User Training course accompanied by a lecture by renowned lighting designer Danny Nolan in the evening. During the lecture Nolan illustrated his personal approach to designing a show.
The following day focused on the actual contest, starting with the 29 participants presenting their projects which had been programmed using the MA 3D software. From here, 12 participants made it to the second round on the following and final day. Throughout this final day, the contestants could illustrate their show on a real stage equipped with Clay Paky moving lights.
After this final presentation, the winners were announced: 1s
Staras rents sound, light and audio-visual systems and provide technical production services for events in a diversity of fields with 30 years of expertise. Staras closely follows the global trends and technologies to ensure outstanding events. Staras is already experienced with Clay Paky's spectacular lighting solutions with their previous purchases.
Morever, Tarkan's production team or
The PBS-special featured Michael Feinstein and a 17-piece big band, along with June Squibb, Christine Ebersole, Cheyenne Jackson, American Idol Season 11 runner up Jessica Sanchez and the noteworthy tap duo, the Manzari Brothers, all using DPA microphones. Workin
