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14 March 2016

This summer Entec supplied a floor specials, control and WYSIWYG package to Portishead's three latest high profile shows at Montreux Jazz, Benicassim in Spain and Latitude festival in the UK along with a surprise bijou show at Cardiff University.

The whole rig was a really tight design based around the innovative cinematographic work of video director John Minton. The band like it dark and stark, a lighting aesthetic ideally suited to the overall look and feel they wanted to evoke, and the rig was also designed to be as simple and practical as po

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14 March 2016

White Light's project manager Josh Yard comments,"This concert ticked every box for us. Not only were we working at a prolific venue but also supporting one of the most notable names in the music industry today." During the concert, White Light worked closely with lighting designer Fraser Elisha who was tasked with constructing the lighting set-up for the evening. He comments, "For this particular show, I wanted an edgy look that would suit the style of music being played. I wanted the whole production to be as immersive as possible and for the lighting to play a holistic role in the overall experience for the audience. Fortunately White Light was able to help me achieve th

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14 March 2016

Encouraged by team captain Sophie McCurdy, strongly supported by Simon Bull, the team - which also included David Morbey, Maureen Hayes, Nigel Meddemmen, Debbie Moore, Andy Baldwin, Lydia Blackwood and Russell Lee - set out at 9am from Watford's Cassiobury Park and finished at 10.30pm. The total walking time was nine and a half hours (plus rest stops) and the route took them along the Grand Union Canal through Hemel Hempstead (11k), Tring (26k), Leighton Buzzard (40k) and finishing in Stoke Hammond.

"We finished together as a team and showed great morale and camaraderie throughout the walk - although we were very tired afterwards," admits Sophie. "It was an excellent team

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14 March 2016

The launch - attended by over 300 guests - took place at the Hybernia Theatre in central Prague. The book is the first history and analysis of theatre lighting design that brings the story bang up to date, with Yaron exploring the poetics of light and charting the evolution of lighting design against the background of contemporary performance.

The book launch - presented with a conversation between Yaron and Nick Moran, senior lecturer in lighting for live performance, BA Theatre Practice Course Team at London's Central School of Speech & Drama - was a success and one of the highlights of the 2015 PQ.

Says Robe's CEO Josef Valchar, "

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14 March 2016

"We had been looking at investing in an Optocore system for a while, admits Major Tom's Andy Banks. "We have been massive DiGiCo users since they started out, and as such have always used the Optocore products within the DiGiCo set up."

But recently they purchased their own independent system, comprising multiple X6R and V3R converters with Mic In, Line Out and AES boards. Banks explained that this was a co-ordinated move from both analogue and AES copper to fibre: "We knew it would make FOH runs smaller and lighter and give greater efficiencies, with the requirement for far greater channel capacity over far less cable."<

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14 March 2016

Prosound's general manager Ian Blair says:, "We recently did an extensive upgrade for the Namibian Broadcasting Corporation, and on one of our follow up visits, we called in at the National Theatre of Namibia, where we met technical and IT manager Jack Francis Jnr and head of lighting Asser Kauazunda.

"Asser and Jack advised that their current old theatre console had reached the end of its life - but, with the upcoming Independence Theatre Festival, they really needed a new desk, and fast."

Blair recommended the ETC Ion control desk, plus fader wings for additional hands-on control.

"We couldn't offer an Ion straight away, because all our demo desks were out at theatres in South Africa - but we were able to get an ETC G

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14 March 2016

Paolo's lighting designer Jason Hyne brought his touring specials package in 'underneath' this, and combined the two lighting rigs to create another stunning and dramatic show that thrilled the 7000 enthusiastic fans at the sold out show.

Zig Zag works regularly with the promoter and is familiar with the 14m square and 10m high stage / roof system which is owned by the council. It has only limited weight loading, and Nutini's production with its strong video elements required the accommodation of their large touring LED screen. So by the time this was installed, the weight left for lighting fixtures was t

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14 March 2016

Gary Barlow, Mark Owen and Howard Donald are making their way across Europe on a 51 date tour; their first as a three-piece band. Renowned for their impressive production - think Progress Tour's OM Robot - the 2015 tour is no different, with a myriad of standout moments to make the crowd go 'wow'.

One of these is the moment when the 'under-the-sea' scene is revealed to the audience, complete with psychedelic jellyfish.

Looking for a way to keep the scene change hidden from the audience, Take That's production team - led by Chris Vaughan - contacted Blackout. The company's in-house fabrications department manufactured two 38m wide by 17m drop white poly-lined drapes.

On a curved truss, the dr

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14 March 2016

Windy City - Edinburgh Fringe's first dedicated circus venue has been forced to delay the opening of its larger auditorium due to bad weather. Underbelly's Circus Hub on the Meadows has announced that shows running in the 750-seat Lafayette tent will no longer open on Friday 7 August after strong winds prevented organisers from putting the cover over the tent's structure. Shows will now begin on Monday 10 August. Six

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14 March 2016

Lego Friends to the Rescue is set in the resort's new land, Heartlake City, which recreates the fun and colourful world of the popular Lego Friends toy range.

During the show, guests join Heartlake City's five female characters on an action packed adventure which is full of music, dance and special effects. Dominating the effects is the harbour's lighthouse, which is pixel mapped with over 700 RGB LED emitters using a Traxon Dot media string wrapped around the structure.

Lighting contractor, A.C. Special Projects Ltd. (ACSP) specified the Jands Vista S1 console to control the lighthouse LEDs in addition to the stage lighting. ACSP Director, Lance Bromhead, co

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14 March 2016

The company with the task of ensuring that such a large crowd managed to follow every word of the speakers alternating on stage was Cipiesse (Centro di Programmazione Spettacoli) Srl, founded in 1979 and headquartered in Rezzato (Brescia).

Cipiesse partner Marco Riva, responsible for meeting the event's demanding requirements as far as sonic quality and intelligibility were concerned, explains, "As well as the event's sound reinforcement, our company also supplied the stage and backdrop, support

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14 March 2016

"It was an impressive setup," recalled digital audio speci

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14 March 2016

Investors purchased the former school in 2013 and quickly began remodelling it as a mixed-use space. Old classrooms are now inspired offices, the roof is now a deck suitable for weddings and other events, and the old auditorium at the heart of the building is now Revolution Hall, capable of accommodating 800-plus music fans. Rose City Sound, a local audio rental, engineering, and installation firm, designed and installed Revolution Hall's sound reinforcement system using a Meyer Sound FOH rig and an Ashly/Fulcrum monitoring system, both of which are tied together by a FOH Midas console.

"They've got 12 Fulcrum loudspea

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14 March 2016

The Opening Ceremony for the games was held in the newly built Olympic Stadium on 12 June. During a two-hour spectacular event, produced by Dimitris Papaioannou, the Olympic Stadium was transformed into a magical stage of artistry and performance, enchanting the audience, as well as viewers around the world with Azerbaijani's history and culture. There were highlights from poems by Poet Nizami, pomegranate symbolism, traditional mugham chant and rotating and emerging sceneries featured by 300 performers.

Green Hippo played a part in this historic event. At the beginning of the opening ceremony, showing the dry cr

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14 March 2016

Ft. Meyers, FL-based Tech-Tronics Sound, Lighting, and Staging was contracted to provide sound for The Ranch. In addition to being a design / build firm for the AV installation market, Tech-Tronics is also a full service production company that provides turnkey concert and events solutions including sou

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14 March 2016

On 22-23 July, they returned to the Royal Festival Hall to once again perform the album for its twentieth anniversary. Lighting designer Richard Godin was tasked with devising an impressive spectacle that would help celebrate such an album. Following his long working relationship with White Light, which included the Glastonbury Festival earlier this year, he once again approached the complete production solution specialis

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14 March 2016

"We positioned the Legend fixtures throughout the venue for maximum coverage with their textured gobos," said designer Kevin Mignone, president of KM Productions. "The fixtures' rotating and continuous scroll gobo wheels gave us a lot of opportunities to create some great looks to reflect different moods at this important event and warm up different areas. Plus its output ensured that we'd cover a l

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14 March 2016

With its spectacular décor, the Grade II*-listed 1000 seat multipurpose theatre not only forms part of the large Harrogate International Conference Centre (HIC) but significantly is one of the few surviving Frank Matcham designed theatres from the Edwardian era. Among its many technological breakthroughs, it remains the last surviving Kursaal, a genre which was particularly popular in spa towns, offering a 360° ambulatory for visitors.

Originally designed 115 years ago, the venue is focused on a wide range of performance, from the three-week International Gilbert & Sullivan Festival to a myriad of community activities. Therefore, the new sound system needed to be vers

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14 March 2016

"The plan was to use the room for everything from video game tournaments and movies to graduation-related ceremonies, and CAL has proven ideal on all counts," says Joe Davis, assistant director of campus technology support and solutions architect for Elon University. "The vast expanse of windows on three sides, plus one largely flat, sheetrock wall create a highly reverberant space that could be over-excited by amplified sound. And any permanent system had to be practically invisible while still providing high-level, full bandwidth sound. The CALs disappear into the décor and real

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14 March 2016

Commenting on the partnership, Sebastian Bückle, sales and marketing Director at Astera, said: "We look forward to the opportunity to partner with Kaiser Showtechnik, which provides a high-end platform for customers to appreciate our products. We are very pleased to have Kaiser as the third wholesaler of Astera products in Germany. Our wireless event fixtures are already available from Art Evolution, based in Frankfurt, and direct from Astera, based in Munich."

(Lee Baldock)

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14 March 2016

Investing in the L-Acoustics brand has, says owner Kevin Mobberley, been very good for the company. "We were the first company in the country to buy L-Acoustics. We were very small back then and it was a good decision. It's a product that people want, we were lucky to get on board early and we've done well from it. Now we have pretty much every cabinet they've ever made, plus 50 or 60 of their new LA8 amps," he says.

"We bought the K2 system because it's a natural progression from V-DOSC and DV-DOSC, and we wanted to be at the forefront of the new technology. It's a great 'polite' sounding sys

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14 March 2016

Now completed, the centrepiece of each copy suite is a 12-fader Lawo sapphire console, comprising one central unit and three fader modules. All audio sources (inputs and outputs) are connected to a DALLIS mainframe fitted with a GPIO board that allows control of tape decks, CD players and DAT machines from the sapphire console surface.

Technically, the Potsdam Broadcast Archive comprises three copy and production suites with sapphire consoles - two of the suites were built in 2014, also by SLG Broadcast - which are connected to a Law

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14 March 2016

He describes his recording kit: "It's based around two RME FireFace UFX and a MacBook Pro running Reaper for recording. The Audients fit in great - D-SUB out of the first one to analogue in on the FireFace and then ADAT out for the other two - repeat for the second rack/FireFace.

"I did a live EP with The Shires at The Green Note in Camden, this was the first time I decided to go out with just the Audients and the RME," he continues. "The brilliant thing for me was that it ended up being such a portable rack that I could take th

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14 March 2016

An eclectic mix of bluegrass, country, punk, pop melodies, folk, rock, honky-tonk and ragtime, the Avett Brothers are generally defined as 'Americana', their music encompassing an unusually wide dynamic range.

As SES system engineer Andrew Steelman points out, "They're not a highly compressed band that lives in a pocket during the show. They go from very loud, aggressive, in your face rock, to acoustic guitars, banjos, a cello, violin and small high fidelity stringed ensembles. In terms of dynamics, it's a constant rise and a fall."

Because MLA has smaller format compression drivers, the system offer