The CMT package - the fourth consecutive year they have supplied the event - included several LED and projection surfaces, a camera/PPU package, an 8-channel Watchout video control system, eight lasers and 14 crew to install, operate and support the visuals systems.
During the dinner, the ARK charity organisation (set up by the hedge fund industry to raise money for children affected by poverty, abuse, disability and illness) announced the launch of the Clinton-ARK Initiative for Mozambique, through a strategic partnership with the Clinton Foundation HIV/AIDS Initiative (CHAI). The partnership will support the delivery of rapid and high quality care and treatment for HIV/AIDS sufferers in Mozambique.
In the main dining area, 12 Barco SLM R12+ video projectors and 48 plasma screens were rigged on two floors around a large temporary structure in the gardens that took four weeks to construct, and included a clear roofed area for the reception. The plasmas were divided into four zones - and the projection was run as three separate zones to enable three different image streams to be run.
On the main stage were 35sq.m of Barco i-Lite10 configured in a 3:1 ratio, flown over the stage. It showed images and moving footage created and edited specially for the event, and also provided a backdrop to the main cabaret act - Prince. This was run as another individual visual zone on control.
The overall visuals were controlled by eight channels of Watchout multi-screen control and compositing software, running on a network of nine high spec'd PC's run in linear mode. This allowed each zone to show different sources at different times and was run by Tim Fothergill who worked closely with Starlight Design's Jon Kellet on developing the show.
Of the eight Watchout servers, three were used to run the projection, four to run assorted plasma screens and the last one to run LED screens. Watchout also enabled other pre-programmed or manually cued visual material to appear on - and be cut into - any of the screen surfaces whilst the main film was showing.
CMT also supplied the multichannel Triax camera PPU system, consisting of three DC35W cameras and hot head, mixed via For-A vision mixing and engineering system. The live mix was directed by CMT's Ram Malocca.
Gary Oldknow of Deepvisual was commissioned by CMT to VJ for the evening, He created an exciting organic style collage of interesting abstract images on the LED screen.
For the indoor stage show, CMT also supplied four white light lasers and two 8 Watt YAGs, complete with Pangolin control, which were also used for the nightclub and after-cabaret/show party. As the guests departed, the last effect they saw was a ceiling of light created by a 40 watt YAG laser, and finally ..... a 5w laser projecting the total money - a staggering £26.6 million, raised by the event from tickets, sponsorship (Bloomberg, UBS, Merril Lynch and BlueCrest) and a charity auction that alone brought in over £4 million.
Tim Fothergill says, "The ARK event is a show that, despite being draining physically, mentally, and emotionally, gives the greatest feeling of being a part of something so important to those less fortunate in the UK and around the world. Our team are proud to be a part of it and put in an incredible amount of work to make it all happen in seemingly impossible timescales."
(Jim Evans)
