A contract worth £150,000 has been awarded to Ian Kirby's Coemar UK for the supply of a large consignment of Coemar moving head dancefloor and mid-air beam effects plus Hungaroflash strobes, James Thomas Engineering LED battens and ShowCAD computer control.
Replacing the majestic satellites - the mainstay of the club's dynamic lightshows through the '80s - the fixtures have been purchased and installed by Paul Craig's Brighton-based Showtec and leased on a 12-month basis to the operators. The lighting will complement a versatile entertainment programme, including trapeze and aerial artists, operating within a burlesque interior created by Argent Design, and intended to return the venue to its water circus origins of 1900.
Designed in conjunction with Hippodrome technical consultant, Derek Chalmers, the new lighting effects will be used predominantly to highlight the new VIP Room (formerly the Star Bar) and the Mezzanine Area. The fixtures include 13 Coemar iSpot 575s, six iWash 575s, eight iSpot 150s and two NAT 2500MM heads - with more to follow. LED has also supplied 10 Hungaroflash 5k strobes and six James Thomas Pixelline 1044 effects - all controlled by ShowCAD. The Pixelline solid-state lights will be used vertically on the new proscenium arch, which has been created using red drapes by Acrejean Ltd. Of the Pixellines, Kirby commented: "I had been aching to find a club site to show off the range of colour-chase effects that can be created, as to date Pixelline has been used mostly in a rock 'n' roll touring context. The Hippodrome is just about perfect."
The Hungaroflash strobes will be used around the balcony edge as a fast effects chase and as a solid block of 'Blinders'. Keeping them company on the mezzanine level will be eight Coemar iSpot 150s, which will provide mid-air beam effects. The iWash 575s will throw blocks of colour onto the dancefloor as well as providing a stage wash when events are in progress, while the iSpot 575s will punch out the major dancefloor display. As for the powerful Coemar NAT's, these will be mounted on an RSJ behind the DJ console, to provide a fast-moving scanning effect close to the new VIP Room.
"I am impressed with the attitude of both Ian Kirby and Showtec," said Hartley. "The ideas Ian had gelled instantly with what was going on in my head and the Coemar moving heads will look spectacular, as will the ambient lighting around the VIP Room and mezzanine. "In realizing the prestige associated with this project, both companies have been extremely flexible in their approach."
(Sarah Rushton-Read)
