Poland - Sound engineer Robert Czyżewicz, celebrated for his innovative approach to sound in cinema, has once again delivered with his work on the Polish film Znachor, known to English-speaking audiences as Forgotten Love. Utilising DPA microphones, Czyżewicz crafted a soundscape that brings viewers closer to the world on screen, enhancing the film’s atmosphere and emotional depth.
“Sound is a medium that makes the picture more realistic and brings it closer to the viewers,” says Czyżewicz. “It defines the film’s place, time and mood, allowing the audience to fully immerse themselves in the story.”
The engineer first discovered DPA microphones in 1995 and began using them shortly thereafter. Since then, Czyżewicz has expanded his collection. “I am consistently impressed by DPA’s natural sound and versatility,” he explains. “DPA’s miniature microphones are without competition. The unique ability of the mics to blend together without altering the quality of the sound is second to none.”
For Znachor, Czyżewicz deployed an array of DPA miniature microphones, each chosen for its ability to capture the essence of the scene. This includes DPA’s 6060 Subminiature Lavaliers, along with the 4060 Core and 4061 Core Omnidirectional Miniature Microphones, which he selected based on the actors’ timbre and voice volume, ensuring clear and consistent dialogue recording.
To capture dynamic scenes, Czyżewicz also deployed DPA’s 4017 Shotguns and 4097 Core Micro Shotguns, which blended seamlessly to provide a natural sound. Finally, he employed DPA’s 2015 Wide Cardioids, in conjunction with 4017s and 4061s, to capture the intricate details of the film’s environment.
With this film, the engineer was faced with the challenge of recording live group scenes that included an orchestra and horses, as well as intricate scenes at an inn. According to Czyżewicz: “The use of DPA microphones allowed for a level of sound fidelity and authenticity that is rarely achieved. You have to observe the frame and imagine the scene. DPA microphones enabled us to record elements that greatly enhanced the final effect of the soundtrack.”
