Written by Alexander Dinelaris and based on the 1992 film starring Whitney Houston and Kevin Costner, the stage version of The Bodyguard features Beverley Knight in the role of Rachel Marron, with former X Factor winner Alexandra Burke taking over from 2 June 2014.
Ania Klimowicz, deputy head of sound for The Bodyguard, says DPA's d:screet 4060s were chosen because sound designer Richard Brooker and director Thea Sharrock didn't want any microphones to be visible to the audience. The microphones were supplied by Autograph.
"We use paint, tape and make-up on the mics to make them look as invisible in the actors' hair or wig as possible," Klimowicz explains. "We mainly use 'mic clips' and occasionally elastic to fix the mics to the performer's head. Male actors with shaved heads are probably our biggest challenge - in those cases we abandon the usual centre top of forehead fitting and fit the mic over the ear."
There are 32 actors involved in this current production of The Bodyguard, with 22 performing in each show. There is also a 10-piece band, a three person sound crew and a backstage cast of 45. When it comes to sound, the show is operated by one person who live mixes the band and vocals, as well as firing the sound effects.
"Three members of the cast are 'double mic-ed' meaning they wear a main and backup DPA d:screet 4060 head microphone," Klimowicz says. "Some of the girls wear a headset, a head-mic and use a handheld microphone at various points during the show. Generally the sound for the spoken parts of the show is reinforced but remains naturalistic. This contrasts with numbers such as Queen of the Night or So Emotional, which are set during concerts and therefore need to feel big and more rock 'n' roll."
Klimowicz adds that most of the show jumps in dynamics, except for a couple of numbers such as Run to You which is mixed more like a musical theatre number.
"We use the head-mics here as the song moves as part of the story and a hand-held would somewhat break with the audiences' suspension of disbelief," she explains.
(Jim Evans)
