Euphonix is not a name normally associated with sound reinforcement, but it didn't go unnoticed at AES that the company's System 5 digital mixing consoles are being used for FOH mixing at Sydney Opera House. To prove it, the venue's technical operations manager for sound, David Claringbold, was at the show and spending a fair amount of time around the Euphonix booth - providing further evidence of the draw that the West Coast AES has among international live sound figureheads.

"We saw, when we looked around, that there was a depth and a breadth to this system that wasn't evident in any of the others," Claringbold revealed, as if to remind everyone that the parameters of the digital market are far less clearly defined than the parameters of digital technology. "This was in terms of its configurability and its ability to expand and adapt into the future - as is now being proved with the EuCon control protocol for the integration of DAWs."

The opera house has three System 5s and one MaxAir console, but beyond this the entire building is running on a centrally controlled fibre optic network exclusively dedicated to audio and video signals. Typically for an AES Convention, it was an application led by professional example rather than public relations, and there can be no doubt that the consultants walking the exhibition floor will have taken note.


Latest Issue. . .