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Courses in development include an Intermediate BTEC Award in Sound, and a Level 3 qualification in Lighting, to be partly delivered and assesed online. To demonstrate the prospective course, a fun quiz was taking place. Fortunately, no shame was brought upon the L&SI name, but there were brighter sparks at the show who claimed the aetti t-shirt.
This summer the work has been adapted into a museum-scale exhibition showing across two venues - Haunch of Venison Yard and St. Olave's College - and presenting over 10 new works under the title Love/Death: The Tristan Project.
At St. Olave's College these are being shown over four feature areas in two separate halls - ranging from room-sized video projections of image and sound (in the main assembly hall and gallery) to three smaller projection screens an a plasma display.
The highlight is the back-to-back presentation of Fire Woman and Tristan's Ascension in the main hall. Here, the artist displays high-definition projection onto a 19ft x 10.7ft screen using
The lighting rig was designed by Mark Powell of Bandit Lites, and consisted of 40 Martin moving heads, including Mac 600s, Mac 2000 Profiles, and Mac 2000 Washes, providing ambient lighting, logo projection and car specials.
The fixtures were all controlled from the Frog 2 using real-time triggers for cues. This allowed for turning on of the rig each morning, running the show throughout the day and dowsing the lamps at the end of the day. The timecode triggers enabled stand staff to simply power up the stand each morning with the Frog 2 then taking control.
Lotus launched two new models at the show, the Europa S and the Elise S. The Frog 2 was programmed using multiple cue stacks. Different stacks were used to control different areas of the stand. One sta
A total of 14 TA-890H three-way mid/high enclosures, 18 TA-890L bass enclosures, eight TSW-218 18" horn-loaded bass cabinets and two TA-500HM controlled by XTA DP226 processors fulfilled the XFM Stage's sound requirements, along with two of the new TA-500 'Aspect Wide' wide dispersion three-way full range enclosures and four TSW-721s for side-fills. Additionally, TFM-450 and TFM-350 wedges performed stage monitoring duties.
"We've tailored the system for the XFM Stage so that the sound is concentrated in the
Held over the weekend of 7-10 July 2006, the festival is eccentric, charming and irresistible. The second stage at the festival was booked this year by The Truck Festival on the Saturday and on the Sunday by the Oxford Folk Festival. So, a challenge for whatever sound system was used, catering for the broadest range of material - the full-on rock of Aberfeldy and Goldrush, to the haunting voice of Kate Rusby.
Gareth Jones of audio rental company MLsoundadvice, responsible for all the audio on site, has been a great exponent of KV2 Audio produc
The seven stages of varying sizes and audience capacity, were each devoted to a particular musical genre, such as Heavy Metal, Hip-Hop, Electronic and Rock to name a few. Each stage had its own sound system with three stages plus the 'Chill Out' area being equipped with d&b audiotechnik sound systems.
A variety of d&b equipment was used for the Metropole stage, which
Visionaire is a leading region-wide systems integrator throughout the Middle East, India, and South East Asia. The company's advanced solutions for systems integration span across the meeting, living, security, learning, retail, and hospitality markets.
Visionaire's installations are prevalent throughout the region and include some of the most prestigious projects and developments, says the company, such as The Indian School of Business, Four Seasons Hotel Mumbai, Reliance Infocomm and Reliance Petroleum NOC's, L&T Infotech campuses in Chennai, Mumbai and Bangalore, Micr
The show provides the ideal opportunity to enter one of the world's fastest growing economies. Growth of around 9% over the next decade is forecasted for the tourism market with strong support from the Indian government to support this development. The media and entertainment industry includes film, music, television, radio, and live entertainment and is considered one of the fastest growing business sectors. Entertainment parks and visual effects are emerging as significant contributors to the economy and will make a significant impact within the enterta
In four of the 12 cities - Munich, Nuremberg, Stuttgart and Kaiserslautern, an HK Audio Cohedra system was applied for the FIFA Fan Fests. Rental company Ostalb PA based in the Swabian town of Westhausen near Aalen was taking care of the four stages, supported by the Cohedra User Network. Besides the live broadcasts of the matches, several promotional activities of the World Cup corporate sponsors and many concerts with international acts were taking place at the FIFA Fan Fests.
Munich, Nuremberg and Kaiserslautern each have a Cohedra 2x12 system, with an additional
With the visit of the religious leader, Morari Bapu, the organisers changed the festival to a more corporate style format including the erection of an enclosed Arena TFT structure 95 metres long, 50 metres wide and 16 metres in height to the apex, accommodating 8000 people.
In order to power the whole site, two pairs of generators were used, one of which was a one megawatt set, which provided all the power to the catering facilities, lighting, sound and the all important air conditioning, given the recent temperatures.
To illuminate the Arena TFT structure and stage both decoratively and safely, over 250KW of lighting was used.
Providing sound reinforcement for the four largest stages was the responsibility of the Straubing-based sound company StereoMike, whose engineers, directed by MD Mike Wittenzellner, relied exclusively on systems from EVI Audio. He says: "I even received a thank-you letter from the organizers in which they noted that 'the professional stage equipment was 100 per cent convincing' - a compliment we found highly gratifying
The Belgian based company operates extensively throughout India, the Middle East, Russia, and South East Asia through its branch offices located in those regions, and boasts production credits for major international events such the Vietnam South East Asian Games, Moscow 850 Years, Dubai Shopping Festival, Moscow Youth Olympic Games, and St Petersburg 300 Years.
In India the company is represented by Stagegear, an organisation for designing and executing light, laser and 3D video. The company's credits includes high quality events like KBC-2, Nach Ballye, Film Fare, Femina, Time for Heroes, and
Achern, the smallest of the three towns with a population of 25,000, had its screen in the Stadtpark where up to 5,000 people congregated for the matches; Offenburg, with a population of 60,000, saw an average of 7,000 people joined the public viewing at the central marketplace; and Freiburg, a university city with a population of 155,000 which includes young and international students, had more than 10,000 fans watching each game on its screen in one of the city's parks.
"The games were transmitted in 16:9 format, so we had 20 panels of Lighthouse R19 at each site in a five-column by four-row configuration and we used a Lighthouse X-Drive P
It's the fifth year for Entec Lighting and the second year that Entec Sound have been involved at Guilfest. The departments provided sound and Lighting production services to the Radio 2 Main Stage and the Rock Sound Stage. The Lighting Department also installed a system into the Theatre Tent for the Howard Cragg's festival team to service.
Having taken delivery of their new d&b audiotechnik J-Series line array, Entec naturally used this for the main stage, where headliners included Embrace, A-Ha and Billy Idol. The system was designed by Stef Serpagli, and featured eight J8's and two J12 elements per side for the main arrays, neatly tucked in behind some elegant tri
Blitz has risen to meet the challenges posed by designing and implementing a distinctive AV display for the General Motors stand that works within the constraints of the Excel Exhibition Centre environment. Other challenges included the constraints posed by the stand itself and sound level restrictions in the vicinity of the stand.
Blitz has worked with General Motors for over seven years and was selected in February as the preferred supplier of audio-visual equipment and display at this year's Motor Show which returns to London for the first time in thirty years. In order to maximise impact while working within the limitations of the stand environment, Blitz specified and provi
Pro-audio, specialist lighting and entertainment suppliers from around the world can find a strong and growing market in mainland China. Companies from China, Germany, France, Hong Kong, South Korea, Singapore, Sweden, Taiwan, the UK and the USA have already signed up to be a part of Prolight + Sound Shanghai.
Prolight + Sound Shanghai will feature a Taiwanese Pavilion fo
VME managed all of the festival's technical requirements, supplying Kling & Freitag speakers, Lab Gruppen amplifiers, Mac lighting, and a selection of Allen & Heath's live sound consoles and DJ mixers.
Over the two day festival, the new open air arena - Glastonbury's "Other Stage" - hosted Feeder, The Automatic, and Carl Cox, whilst the Main Tent included live performances from The Zutons, the Delays, the Cuban Brothers, the Freestylers (live), and Adam Freeland. The Beach Arena hosted DJ sets throughout the weekend from popular artists including Lisa Pin-Up, High Contra
The expansion comes as PLASA Show organisers Clarion Events report the highest ever number of pre-registered visitors - up by 13% on 2005, with technical and creative teams from major venues and high-profile projects among the first to register.
The show's track record of hosting major international product launches, and wide interest in this year's new features, have helped drive the pre-registration increases. The new features are led by the new Integrated Systems Area; a greatly expanded PLASA Seminar Programme with a dedicated Technologies for Worship programme; the first PLASA appearance of NEET (National Exhibition of Entertainment Technology); and new features for DJs.
Theatrical projects have included West End shows, installations for the Royal Shakespeare Company in Stratford and the servicing of ongoing existing touring theatrical shows. Kinesys equipment is increasingly finding its way onto high profile events like the Chanel fashion show at Paris Fashion Week, and work at both the Royal National Theatre and the Royal Opera House.
International shows as diverse as Showboat and War of the Worlds have benefited from the huge flexibility of Kinesys' motor control, and the equipment is regularly working in the USA, France, Belgium and Spain.
Concert touring continues to be a d
The resulting BBC TV special include highlights of events across the country, the winners of the Ballroom Blitz talent search and the Big Dance Class record attempt. Hosted by well known UK TV personalities Bruce Forsyth and Zoe Ball, the event finished with The Big Dance in London's Trafalgar Square, featuring around 800 dancers and over 45 different dance styles - all broadcast live.
Those who assembled in and around Trafalgar Square were able to hear the action from a Martin W8LC Compact line array fielded by System Sound. The PA company were contracted to BBC Documentaries and Specialist Features, and their sound designer, Simon Biddulph's line array of choice is the Martin W8LC.
Because
A site wide lighting design and spec for the nine main arenas was put together by the event's production manager Simon Barrington of Production Eye, who has long been an Avo user. Equipment was supplied by a variety of lighting rental companies including Leeds-based Zig Zag Lighting who supplied five arenas, Colour Sound Experiment who supplied the Beach Outdoor Stage and the Carl Cox/Silent disco tent, and Audile, who supplied the elegant multi-poled Essential/Bedrock tent.
The D4 was selected by Matt Holden-Jones, operator for Essential/Godskitchen, who had used a D4 Vision in th